Big Tech is paying millions to train teachers on AI, in a push to bring chatbots into classrooms

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By JOCELYN GECKER, AP Education Writer

SAN ANTONIO (AP) — On a scorching hot Saturday in San Antonio, dozens of teachers traded a day off for a glimpse of the future. The topic of the day’s workshop: enhancing instruction with artificial intelligence.

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After marveling as AI graded classwork instantly and turned lesson plans into podcasts or online storybooks, one high school English teacher raised a concern that was on the minds of many: “Are we going to be replaced with AI?”

That remains to be seen. But for the nation’s 4 million teachers to stay relevant and help students use the technology wisely, teachers unions have forged an unlikely partnership with the world’s largest technology companies. The two groups don’t always see eye to eye but say they share a common goal: training the future workforce of America.

Microsoft, OpenAI and Anthropic are providing millions of dollars for AI training to the American Federation of Teachers, the country’s second-largest teachers union. In exchange, the tech companies have an opportunity to make inroads into schools and win over students in the race for AI dominance.

AFT President Randi Weingarten said skepticism guided her negotiations, but the tech industry has something schools lack: deep pockets.

“There is no one else who is helping us with this. That’s why we felt we needed to work with the largest corporations in the world,” Weingarten said. “We went to them — they didn’t come to us.”

Weingarten first met with Microsoft CEO Brad Smith in 2023 to discuss a partnership. She later reached out to OpenAI to pursue an “agnostic” approach that means any company’s AI tools could be used in a training session.

Under the arrangement announced in July, Microsoft is contributing $12.5 million to AFT over five years. OpenAI is providing $8 million in funding and $2 million in technical resources, and Anthropic has offered $500,000.

Tech money will build an AI training hub for teachers

With the money, AFT is planning to build an AI training hub in New York City that will offer virtual and in-person workshops for teachers. The goal is to open at least two more hubs and train 400,000 teachers over the next five years.

The National Education Association, the country’s largest teachers union, announced its own partnership with Microsoft last month. The company has provided a $325,000 grant to help the NEA develop AI trainings in the form of “microcredentials” — online trainings open to the union’s 3 million members, said Daaiyah Bilal, NEA’s senior director of education policy. The goal is to train at least 10,000 members this school year.

“We tailored our partnership very surgically,” Bilal said. “We are very mindful of what a technology company stands to gain by spreading information about the products they develop.”

Both unions set similar terms: Educators, not the private funders, would design and lead trainings that include AI tools from multiple companies. The unions own the intellectual property for the trainings, which cover safety and privacy concerns alongside AI skills.

The Trump administration has encouraged the private investment, recently creating an AI Education Task Force as part of an effort to achieve “global dominance in artificial intelligence.” The federal government urged tech companies and other organizations to foot the bill. So far, more than 100 companies have signed up.

Tech companies see opportunities in education beyond training teachers. Microsoft unveiled a $4 billion initiative for AI training, research and the gifting of its AI tools to teachers and students. It includes the AFT grant and a program that will give all school districts and community colleges in Washington, Microsoft’s home state, free access to Microsoft CoPilot tools. Google says it will commit $1 billion for AI education and job training programs, including free access to its Gemini for Education platform for U.S. high schools.

Several recent studies have found that AI use in schools is rapidly increasing but training and guidance are lagging.

The industry offers resources that can help scale AI literacy efforts quickly. But educators should ensure any partnership focuses on what’s best for teachers and students, said Robin Lake, director of the Center on Reinventing Public Education.

“These are private initiatives, and they are run by companies that have a stake,” Lake said.

Microsoft CEO Brad Smith agrees that teachers should have a “healthy dose of skepticism” about the role of tech companies.

“While it’s easy to see the benefits right now, we should always be mindful of the potential for unintended consequences,” Smith said in an interview, pointing to concerns such as AI’s possible impact on critical thinking. “We have to be careful. It’s early days.”

Teachers see new possibilities

At the San Antonio AFT training, about 50 educators turned up for the three-hour workshop for teachers in the Northside Independent School District. It is the city’s largest, employing about 7,000 teachers.

The day started with a pep talk.

“We all know, when we talk about AI, teachers say, ‘Nah, I’m not doing that,’” trainer Kathleen Torregrossa told the room. “But we are preparing kids for the future. That is our primary job. And AI, like it or not, is part of our world.”

Attendees generated lesson plans using ChatGPT, Google’s Gemini, Microsoft CoPilot and two AI tools designed for schools, Khanmingo and Colorín Colorado.

Gabriela Aguirre, a 1st grade dual language teacher, repeatedly used the word “amazing” to describe what she saw.

“It can save you so much time,” she said, and add visual flair to lessons. She walked away with a plan to use AI tools to make illustrated flashcards in English and Spanish to teach vocabulary.

“With all the video games, the cellphones you have to compete against, the kids are always saying, ‘I’m bored.’ Everything is boring,” Aguirre said. “If you can find ways to engage them with new technology, you’ve just got to do that.”

Middle school teacher Celeste Simone said there is no turning back to how she taught before.

As a teacher for English language learners, Simone can now ask AI tools to generate pictures alongside vocabulary words and create illustrated storybooks that use students’ names as characters. She can take a difficult reading passage and ask a chatbot to translate it into Spanish, Pashto or other languages. And she can ask AI to rewrite difficult passages at any grade level to match her students’ reading levels. All in a matter of seconds.

“I can give my students access to things that never existed before,” Simone said. “As a teacher, once you’ve used it and see how helpful it is, I don’t think I could go back to the way I did things before.”

The Associated Press’ education coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

US has seized survivors after strike on suspected drug-carrying vessel in Caribbean, AP source says

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By KONSTANTIN TOROPIN, Associated Press

WASHINGTON (AP) — The U.S. has seized survivors after a strike Thursday on a suspected drug-carrying vessel in the Caribbean, the first since President Donald Trump began launching deadly attacks in the region this summer, according to a defense official and another person familiar with the matter.

The people confirmed the strike Friday on the condition of anonymity because it has not yet been acknowledged by President Donald Trump’s administration. It is believed to be at least the sixth strike since Augus, and the first to result in survivors who were picked up by the U.S. military. It was not immediately clear what would be done with the individuals.

This strike on Thursday brings the death toll from the Trump administration’s military action against vessels in the region to at least 28.

The survivors of this strike now face an unclear future and legal landscape, including questions about whether they are now considered to be prisoners of war or defendants in a criminal case.

This is a developing story and will be updated.

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US blocks a global fee on shipping emissions as international meeting ends without new regulations

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By SIBI ARASU and JENNIFER McDERMOTT, Associated Press

The U.S. has succeeded in blocking a global fee on shipping emissions as an international maritime meeting adjourned Friday without adopting regulations.

The world’s largest maritime nations had been deliberating on regulations to move the shipping industry away from fossil fuels. But U.S. President Donald Trump, Saudi Arabia and other countries vowed to fight any global tax on shipping emissions.

On Thursday, Trump urged countries to vote “No” on the regulations. The International Maritime Organization adjourned its meeting Friday.

The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

In new Prince ‘Purple Rain’ musical at the State Theatre, a renowned creative team aims to ‘find the soul of the music’

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After several years in development and a six-month delay from its originally scheduled debut to work out creative details, the musical based on Prince’s iconic 1984 film and album “Purple Rain” opened Thursday night for previews at the State Theatre in Minneapolis.

This is the world premiere for the show, which producers intend to bring to Broadway after its extended Minnesota run ends Nov. 23. With music by Prince, of course, the show’s book is written by Tony- and Pulitzer-winning playwright Branden Jacobs-Jenkins and the show is directed by Lileana Blain-Cruz, a New York-based director whose previous local credits include the 2017 staging of “The Bluest Eye” at the Guthrie Theater.

Musician/songwriter Kris Kollins will play the Kid, a semi-autobiographical version of Prince, in the “Purple Rain” musical. Broadway vet Rachel Webb was cast as his love interest, Apollonia. (Courtesy of Jon Hanks and Shelby Griswold)

Like the movie, the “Purple Rain” musical will follow the Kid, a semi-autobiographical version of Prince played here by theatrical newcomer Kris Kollins, who’s trying to find his way in the Minneapolis music scene and win over love interest Apollonia, played by Rachel Webb.

“The truth and love of Prince’s music is so powerful that it is going to be the driving force, and all we have to do is…let the music do the work,” said music supervisor and arranger Jason Michael Webb, who has been working with longtime Prince collaborators Bobby Z and Morris Hayes on the project.

But like any adaptation, the “Purple Rain” musical is not a straight re-enactment of the movie, Jacobs-Jenkins said during a conversation at the State Theater about a week before opening night. The original screenplay by Albert Magnoli and William Blinn provides the “bones,” but there’s space onstage to explore characters and themes in fresh ways.

“Film and live performance are so different that no matter what you do, it’s going to be an original thing,” Jacobs-Jenkins said. “We can’t cut away; we can’t go to the edge of Lake Minnetonka and throw someone in the water after riding on a motorcycle. You have to find choices that work in the theater that honor those things but don’t necessarily try to re-create that realism.”

To put together the show, the creative team pored over Prince’s notebooks, talked to people involved in the original movie and read books on Prince to try to understand not just the story being told but the broader messages the musician and his collaborators were aiming to convey, too. In some ways, the film itself is an inescapably ’80s relic, Jacobs-Jenkins said, but its themes of discovering one’s own creative identity remain resonant.

“There’s so much power in ‘Purple Rain’ (to see) an artist who’s in the process of finding himself,” Blain-Cruz said. “What does it mean to be a human being? What does it mean to be in collaboration with people? What does it mean to live fully in ourselves? What does it mean to deal with our history and our past and reckon with where we came from and where we want to go?”

In choreographing the show, Ebony Williams is taking a similar approach, she said. Alongside choreography work for Broadway shows including “Jagged Little Pill,” Williams has also choreographed performances for Beyoncé, Alicia Keys and Doja Cat.

“Prince’s music makes you feel alive, and that resonates through your body,” she said. “He was rebellious in how he approached music, he was brave in how he approached music, and I want to find the soul of the music and embody it.”

Although preview performances begin Oct. 16, the show’s official opening night is Nov. 5. The preview performances before opening night give the creative team and actors a chance to fine-tune any remaining details: They are still polished full-scale productions but may vary slightly from the finalized show.

Limited tickets remain for many of the preview performances, but as of Wednesday, there’s more ticket availability for mid- to late-November shows. Tickets start at $87.50 and can be purchased at the State Theatre box office (805 Hennepin Ave., Minneapolis; 612-339-7007) or at hennepinarts.org/events/purple-rain-2025.

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