Opinion: For Affordable Clean Energy at Home, New York Needs Solar ASAP

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“The ASAP Act can deliver two things New Yorkers urgently need: lower bills for households and more clean electrons on an increasingly strained power grid.”

Solar power panels at the Sherman Terrace co-op in the South Bronx. The panels were installed in 2020.

As the federal administration continues to brazenly pull the country into yet another shortsighted bid for oil dominance that enriches only the fossil fuel industry, the stakes are obvious: American energy independence and affordability are being sacrificed.

We can keep tethering ourselves to volatile geopolitics, to fossil fuel prices we’ll never control, and to an energy system built on instability and extraction—or we can choose the alternative that’s right in front of us: harnessing the sun here at home on our own rooftops. By rapidly accelerating local solar in New York, we can build power right here in our communities, beyond the reach of coups, cartels, and commodity shocks.

This legislative session offers New York a chance to do just that: pass the Accelerate Solar for Affordable Power Act (ASAP Act), S6570 and A8758. The ASAP Act would double New York’s rooftop and community solar goal, and cut red tape to lower the costs of getting community solar connected to the grid. In short, the ASAP Act can deliver two things New Yorkers urgently need: lower bills for households and more clean electrons on an increasingly strained power grid.

Why waste time and taxpayer dollars on chasing foreign oil or greenlighting new and expensive gas pipelines—like the recently approved NESE (Northeast Supply Enhancement) pipeline project in New York City, which had previously been rejected three times for projected environmental harms—when we already have a thriving industry built around the cheapest, most abundant power source on Earth: the sun.

Distributed solar, meaning rooftop systems and smaller community-scale projects, is delivering real results. So much so that New York is already on track to meet the Climate Act target of 10 gigawatts of statewide distributed solar ahead of schedule. To date, we’ve already built 7.6 gigawatts, which is enough energy to power roughly 1.3 million homes. These projects have the power—literally and economically—to directly benefit people’s daily lives. They show up as lower electricity bills, cleaner air, more resilient local grids, good-paying clean energy jobs, and real investments in local communities.

Take, for example, the rooftop solar project recently completed by GreenSpark Energy at Rochester’s Foodlink Center, a nonprofit that tackles food insecurity across the region. This 679 kilowatt solar array cuts energy costs for the organization and frees up resources to serve more local families.

In New York City, Solar One is working with nonprofit and industry partners – including Green City Force, Solar Uptown Now Services, PowerMarket and Accord Power– to build solar on 142 NYCHA buildings in Brooklyn and Queens. In addition to producing seven megawatts of community solar that will generate bill discounts for thousands of low- and moderate-income neighbors, project partners are training NYCHA residents in solar installation, and providing STEM internships to high school students, pairing installations with resident engagement and workforce development. These projects grow local renewable energy for low-income New Yorkers while advancing energy justice where it matters most: in people’s homes and communities.

These projects also bring clean energy jobs to our state. NYSERDA’s recent Clean Energy Industry Report shows that New York’s solar and storage industry currently supports 18,688 jobs. The ASAP Act would create another 15,000 jobs, adding to a growing ecosystem of good-paying clean energy jobs across the state.

But political headwinds are making it harder to get more projects like these online. The federal government recently gutted our country’s longstanding clean energy program (the Investment Tax Credit), increasing costs of projects by at least 30 percent. While at the state level, expensive, outdated, and time-intensive processes to connect new projects to the grid are forcing companies to take their business, jobs, and investment elsewhere.

The ASAP Act will change that: it doubles the state goal, creating a mandate for state agencies and the Public Service Commission to invest in local renewables, and enacts common-sense “interconnection” reforms to lower grid connection costs and maximize existing infrastructure while reducing costly upgrades.

recent study spells out the benefits in no uncertain terms. Scaling up distributed solar and storage to the levels envisioned in the ASAP Act would save New Yorkers roughly $1 billion a year in energy costs. That translates to real money: about $87 a year for the average upstate ratepayer and $46 a year downstate—and the savings reach everyone, whether they directly participate in solar or not.

As the affordability and climate crises collide, we have no time to lose. New York lawmakers have the chance this year to unlock gigawatts of local clean energy and deliver real bill relief by passing a law that adds nothing to our state budget. With the ASAP Act, we can choose a healthier, more resilient, more affordable future that puts clean energy—not volatile fossil fuels—in the hands, and on the rooftops, of New Yorkers.

Kate Selden works at Solar One, an environmental nonprofit whose mission is to design and deliver innovative education, workforce training, and technical assistance that fosters sustainability and resiliency in diverse urban environments.  

The post Opinion: For Affordable Clean Energy at Home, New York Needs Solar ASAP appeared first on City Limits.

Team USA snow sculpture in Stillwater removed over ‘ICE out’ messaging

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A sculpture designed by Team USA for the World Snow Sculpting Championship in downtown Stillwater has been removed by officials citing changes made by the sculptors in response to recent federal immigrant enforcement.

The original design, as submitted to competition officials, featured a sphere of outstretched hands. It was called “A Call to Arms.”

But the team of sculptors, which includes St. Paul artist Dusty Thune and teammates Dan Belcher and Josh Jakubowski, decided during the festival in Lowell Park to add peace signs and hand gestures using American Sign Language. Among the messages spelled out in ASL: “ICE out,” “love,” “unity” and “resist.”

“Unfortunately, Team USA did not comply with the rules of the competition,” Robin Anthony-Evenson, president of the Greater Stillwater Chamber of Commerce & Foundation, said Wednesday, adding that event organizers had received “several phone calls and complaints” about the sculpture.

The World Snow Sculpting Championship rules state that “teams must adhere to their original submitted sketch” and “sculptures must respect cultural and social values, avoid offensive, controversial, political, or inappropriate themes,” Anthony-Evenson said.

The hand gestures used in the sculpture “did not align with these pre-established rules and policy,” she said.

‘Events have a hand’

Thune, a veteran snow sculptor and the team’s captain, said his team, called House of Thune, “hadn’t necessarily planned on inserting any messages into the sculpture, other than hand signs for peace, love, unity and resistance, which would have been continued into the snow on the ground behind the sphere as if it were rolling toward the St. Croix River and leaving messages in its wake.”

Thune said the decision to alter the design of “A Call to Arms” came on Jan. 14, the first day of the competition. Renee Macklin Good, 37, was shot and killed by a U.S. Immigration and Customs Enforcement agent in Minneapolis on Jan. 7.

“Upon digging into the snow block, we found the snow pack to be so poorly packed and full of debris that the outstretched arms we were carving kept crumbling and falling off,” he said. “We made the choice to focus on bigger hands and shorter arms to try and salvage our piece. Sometimes the medium (snow) decides the way a piece is going to be created. Sometimes external events also have a hand in shaping what a piece will become.”

After learning of the changes, event organizers modified the sculpture on Jan. 19 by removing some of the hand signs, Anthony-Evenson said.

On Monday, the entire sculpture was removed from Lowell Park, she said.

“In hindsight, we should have taken it down right away, but we were trying to be nice and manage the situation without having to do that,” Anthony-Evenson said. “We learned there were more hidden messages in the sculpture than first thought. That is why we decided to take the whole thing down. This event is about bringing people together, not dividing them.”

Anthony-Evenson, who knows ASL, said the hands spelled out “ICE out” by using the sign for “ice” and the “resistance fist.”

“It was very creatively done, and it was not very easy to read,” she said. “You had to look at it very carefully to notice it, but clearly it was noticed. We appreciated the positive messaging that we did see like ‘love’ and ‘peace,’ but at the end of the day, the sculpture was modified from the submitted design. The submitted design had open fingers.”

Was not a winner

The 16 sculptures created by teams from 16 different countries remained in Lowell Park open to the public after the competition, so organizers decided to remove “A Call to Arms,” Anthony-Evenson said. The removal was “procedural in nature, unrelated to judging outcomes, and did not involve penalties or sanctions against the artists,” she said.

Team USA did not place in the competition, which was won by a team from Canada, she added.

Team Fjordwitches of Quebec, Canada, pose with their winning entry, “The Inosculation of Souls.” (Courtesy of Peachiie Marketing)

“The whole point of the World Snow Celebration is to unify the world and bring the world to Stillwater and have a family event without any controversy one way or the other,” Anthony-Evenson said. “That’s really what we are trying to do.”

The Greater Stillwater Chamber of Commerce & Foundation “recognizes that conversations about artistic expression and free speech matter deeply to many people,” she said. “We respect the importance of open expression and creative exploration, while also carrying responsibility for maintaining a public event that is welcoming and appropriate for the broad community it serves.”

The organization that sponsored Team USA’s sculpture was Bayport American Legion Hesley Jensen Post 491 in Bayport. The Pioneer Press reached out to the post for comment Wednesday afternoon.

‘Unnecessary and divisive’

In a letter to Thune dated Jan. 20, Anthony-Evenson, Stillwater Mayor Ted Kozlowski and World Snow Celebration Co-Chair Sara Jespersen expressed their “deep disappointment” regarding the team’s actions.

“As you were made aware, the rules governing this international competition are explicit: political symbols, statements, or messaging of any kind are strictly prohibited,” they wrote. “Despite this clear policy, inappropriate content was incorporated into your sculpture. This was not an oversight. It was a conscious decision, and it was a selfish one.”

The letter went on to say Team USA’s actions negatively impacted event organizers, required financial resources to address and damaged the partnership with a nonprofit sponsor.

“At a time when unity and mutual respect are more important than ever, introducing this type of messaging into this forum was unnecessary and divisive,” the letter said.

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Thune, a special-education teacher for St. Paul Public Schools, has competed in four of the five World Snow Sculpting Championship competitions in Stillwater; House of Thune won the world title in 2023. Last year, Thune served as a celebrity judge for the competition and created the sponsorship walls and snow slide.

This year, Thune asked students and staff at the high school where he works “to give me their messages to convey in the piece,” he said. “It had to include their voices or it wouldn’t be as meaningful. I believe we followed the spirit of our piece: to stand up and to speak out. We stand behind our work.

“It seems that ‘A Call to Arms’ did exactly what its description suggested: it opened an avenue for our voices to be heard, as well as for the voices of those that can no longer speak out to be remembered.”

‘Call to Arms’ sculpture description

From the World Snow Sculpting Championship website (worldsnowcelebration.com):

“In a world where division is growing, we all have an equal responsibility to do our part to stay united. A Call to Arms is a figurative expression urging people to take action, often in response to a crisis or conflict. It is a rallying cry to engage in a particular cause. It is going to take each and every one of us to keep our democracy healthy and viable for future generations. Everyone needs to lend a ‘hand’ to keep our society moving forward.”

With history already made, Jessie Diggins opens her final Olympic chapter with momentum

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By DEREK GATOPOULOS and JENNIFER McDERMOTT

Win or lose, Jessie Diggins plans to celebrate her last Olympics.

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More than 40 friends and family are traveling to the Milan Cortina Winter Games to watch America’s most decorated cross-country skier chase Olympic glory one last time.

The 34-year-old Minnesota native is retiring at the end of the season, and looking forward to finally getting some rest.

“I’m really excited to have a whole weekend off,” Diggins told The Associated Press from the U.S. team’s training base in Livigno, Italy.

“I realize that sounds kind of crazy, but … I haven’t had two days in a row that are actually mine in a very long time. So that’s going to feel really special.”

Before that, she enters her fourth Olympics as the top challenger to the traditionally dominant Nordic skiers. With gold, silver, and bronze medals already to her name, Diggins is a strong favorite to add to her collection in Milan Cortina. Along the World Cup circuit this year, growing clusters of U.S. teammates have gathered to cheer her on, a presence that’s coincided with her retaining the lead in the overall women’s standings.

“It was so cool — just feeling so much love across different sports,” Diggins said after winning her third overall Tour de Ski title in northern Italy this month. “It’s been really awesome.”

She returned to the podium last weekend in Goms, Switzerland, at the final World Cup meet before the Olympics, where she finished second in the 20-kilometer classic, just 0.9 seconds behind Finland’s Johanna Matintalo.

Zip lines, swim races, summers in Canada

Growing up in Afton, outside Minneapolis, Diggins tried any sport that could absorb her uncontainable energy: skating, soccer, dance, gymnastics, rock climbing and athletics. Ski racing followed while she was still in elementary school.

Her father, an outdoorsy Canadian, installed a zip line behind their house, and speed quickly became a fascination. That competitive edge sharpened during summers north of the border, racing other kids in swim meets along the shores of Lake Superior.

Ski competitions began at 11 and never stopped. After outperforming the boys, Diggins jumped age categories, surging through her teens from state to national championships and onto an express path to the Olympics.

By 2018, she was at the center of a historic breakthrough, teaming with Kikkan Randall in the sprint to claim the first — and still only — U.S. Olympic gold in cross-country skiing.

After adding silver and bronze in 2022, Diggins will compete at Milan Cortina as part of a powerhouse group of American women that includes Alpine skiiers Mikaela Shiffrin, Lindsey Vonn and snowboarder Chloe Kim. A dual citizen, Diggins also openly roots for Canada.

“I absolutely do,” she told the AP. “I kind of see it as team North America. And I am really, really proud of my Canadian citizenship. So many of my family lives up there, and both my parents were born there. I feel so proud to have half of my heart there.”

Stressed by events in Minneapolis

Her career took off in Europe and eventually led her to settle outside Boston, but Minnesota is never far away. Diggins said it has been stressful to follow the headlines about the immigration crackdown in Minneapolis where two people were fatally shot by federal immigration agents.

“It’s been devastating following the news of what has been happening in Minnesota right now, and it’s really hard feeling like I can do nothing about it,” she wrote in an online post.

As her career has flourished, she has also devoted herself to causes that mirror personal struggles — advocating for climate action as snowfall declines because of climate change and pushing for better access to treatment for people with severe eating disorders.

“It makes every race so much more meaningful knowing that I’m trying to advocate for a better future,” she said.

After advocacy, it’s back to the slopes.

Glitter, gratitude and podium dancing

Fans know Jessie Diggins’ winning formula: relentless endurance, downhill aggression and a finishing kick capable of breaking elite rivals.

There’s also playfulness. She races with glitter face paint — a ritual now copied by younger American skiers — and after frequent finish-line collapses often celebrates moments later with a half-dance on the podium.

Along the way, Diggins makes a point of publicly thanking those who helped her get there: wax technicians, sports psychologists, teammates and others.

“I have to say a huge thank you to the team. I felt like I had awesome skis that were super competitive every single day,” she said after her latest Tour de Ski victory.

“It takes a village, and I’m really proud of my village — really grateful for them. It was so fun to feel good on this last tour. And yeah, it was just really cool.”

AP Winter Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics

Maxim Naumov heads to Olympics, hoping to honor his parents and the others killed in airline crash

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By DAVE SKRETTA

ST. LOUIS (AP) — Maxim Naumov sat silently on a chair deep inside the Enterprise Center, away from the packed crowd in the arena, the prying eyes of the TV cameras, the friends, family and strangers who had been showering him well-wishes for the better part of a year.

Naumov stared at a photograph of him standing alongside his parents, former pairs world champions Evgenia Shishkova and Vadim Naumov. It was taken when Naumov was about 3, a little tyke trying to find his footing on the ice for the first time. It had been stuck inside a photo album tucked away above the refrigerator in his Connecticut home.

Naumov’s parents, who had been coaches at the renowned Skating Club of Boston, were among 67 people killed — more than two dozen of them members of the figure skating community — when American Airlines Flight 5342 crashed into a military helicopter on approach to Ronald Reagan National Airport and fell into the icy Potomac River on January 29, 2025.

FILE – A crane offloads a piece of wreckage from a salvage vessel onto a flatbed truck, near the wreckage site in the Potomac River of a mid-air collision between an American Airlines jet and a Black Hawk helicopter, at Ronald Reagan Washington National Airport, Feb. 5, 2025, in Arlington, Va. (AP Photo/Ben Curtis, File)

Eleven skaters, four coaches and several of their family members had been returning from a development camp in Wichita, Kansas, after the national championships. The younger Naumov had flown out earlier, shortly after finishing in fourth place.

“Once a week I try to have that space with them, in whatever capacity that might be,” Naumov said, after finishing third at this year’s U.S. championships, a placement that ultimately earned him a spot on the American team for the Milan Cortina Olympics.

“It could be a photo, talking to someone about them. It could be anything,” Naumov said. “It’s been therapeutic in a way.”

One year later, Naumov carries the hopes and dreams of those affected by the crash with him to the Olympics, while the skating world continues to reflect on a tragedy that rocked a sport so tightly knit that everyone, from 1956 Olympic champion Tenley Albright to kids just starting out, seems to remember where they were when they heard the news.

“It was devastating. I’ve never been that sad,” said Scott Hamilton, the 1984 Olympic champion. “So many promising young skaters were just gone.”

The day of the crash

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Those that lost their lives had competed for clubs scattered across the eastern seaboard, from the historic Boston club that produced such stars as Olympic champion Dick Button and Nancy Kerrigan, to the revered Washington Figure Skating Club, whose home rink in Rockville, Maryland, is about a 25-minute drive from the site of the crash.

The skaters ranged in ages from 11 to 16. Some were just starting on journeys they hoped would one day lead to the Olympics, others were late-bloomers whose passion for the sport was evident in every axel and lutz they landed.

Two-time ice dance world champion Meryl Davis said, “My heart was shattered thinking of those sweet, young souls.”

Indeed, time seemed to freeze for those whose family members were aboard the plane. Those that didn’t live in the area tried to get there as quickly as possible, awaiting whatever answers the National Transportation Safety Board could provide.

It soon became clear that there would be no survivors.

Naumov remembers the emotional toll of the first 24 hours. Several of his close friends were by his side, including Spencer Howe, who along with pairs teammate Emily Chan will be joining Naumov at their first Winter Games next week in Italy.

Maxim Naumov skates during the “Making Team USA” performance at the U.S. Figure Skating Championships, Sunday, Jan. 11, 2026, in St. Louis. (AP Photo/Stephanie Scarbrough)

“When all that stuff was going down,” Howe recalled, “I was right there with him in Washington. We were getting updates and just trying to figure out what was going on, and the state of the situation. We just tried to do whatever we could.”

The aftermath that will linger

Naumov remembers those first weeks after the accident, when little things like getting out of bed or putting on his skates seemed impossible. “I just wanted to rot, basically,” he said, though he knew deep down that would accomplish nothing.

So, the 24-year-old Naumov joined in the organization of a benefit in Washington to honor not only those who were killed in the collision, but the firefighters and emergency personnel who responded to it. The star-studded “Legacy on Ice” featured emotional performances by the likes of 13-year-old Isabella Aparicio, whose brother, Franco, and father, Luciano, were killed. Naumov, like many in the stands that day, wiped tears from his eyes following the performance.

The benefit raised well over $1 million for the families of those affected.

“I was proud to see the way people came together as a family,” said three-time world champion Ilia Malinin, the favorite to win Olympic gold who often trains out of SkateQuest in Northern Virginia with other members of the Washington Figure Skating Club.

Three weeks later, during the world championships in Boston, the crowd inside the TD Garden again was moved to tears during a heartfelt celebration of those who lost their lives. The victims’ names were shown on the dasher boards, Boston’s Coro Allegro sang “Precious Lord” and some of the biggest names in figure skating reflected on what had been an emotional two months.

“We all have that same bond, this unspoken, overall connection,” said Anthony Ponomarenko, who will soon be making his Olympic debut in ice dancing . “I told Max, ‘Whatever you need, I’m there.’ We had a really special heart to heart, all of us together.”

The legacy will remain

Maxim Naumov skates during the “Making Team USA” performance at the U.S. Figure Skating Championships, Sunday, Jan. 11, 2026, in St. Louis. (AP Photo/Jeff Roberson)

One of the last conversations that Naumov had with his parents came after his fourth-place finish at last year’s nationals, just hours before they boarded American Airlines Flight 5342 to begin their trip home. It focused on what their son would need to do to follow in his parents footsteps and compete in the Olympics.

One year later, Naumov put their plan into action at the U.S. championships. He stood up from that chair inside Enterprise Center, tucked away that photo of his parents — it would reappear about 4 minutes later in the kiss-and-cry area — and proceeded to deliver the performance of his life, earning himself a place alongside Malinin and Andrew Torgashev on the podium. All three would be chosen for the powerhouse U.S. Olympic team.

“I just thought, ‘Look at what we’ve done. All the sacrifices we made. Everything we’ve been through,’” Naumov said.

To this day, Naumov wears around his neck a simple gold chain with a cross, which he received on his baptism day. On his finger is a white gold ring with a single diamond, which his father once wore on his pinkie and passed down to him several years ago.

They are tangible reminders of his parents. And they are going with Naumov to the Olympics.

“I mean, there’s parts of life that are difficult, you know? But I think within those difficult times and moments of like, talking about this story, it’s still such a privilege to share,” he said. “My intention is to share it as much as possible, because not only do my parents deserve all the praise and recognition and the fact that I wouldn’t be here without them, but also to inspire other athletes, or people in general, to know that there is a way. No matter what, there is a way.”

AP Winter Olympics: https://apnews.com/hub/milan-cortina-2026-winter-olympics