How did those Bad Bunny-themed, anti-ICE towels get into the Super Bowl?

posted in: All news | 0

By August Brown, Los Angeles Times

One of the most coveted pieces of Super Bowl merch this year won’t be sold in stores, and the NFL probably doesn’t want to see it in the stands.

It’s a rally towel with a cute, punting bunny graphic from acclaimed L.A. illustrator Lalo Alcaraz on one side, honoring this year’s halftime show performer Bad Bunny. But there’s an unambiguous message on the other side — “ICE OUT.”

Before the game, activists clandestinely distributed 15,000 of them to fans entering Levi’s Stadium for the Super Bowl, seeding grassroots support toward a performer who spoke up for Latinos and immigrants at the Grammy Awards last week.

Though the NFL prefers the game — and its halftime show — not become a referendum on the ICE raids that have brutalized American cities over the last year, the group behind the effort hopes the signs are inescapable in the crowd.

“I’m a big ‘Joy is resistance’ person,” said Shasti Conrad, a leader of the group Contra-ICE and a vice chair of the Democratic National Committee. “Today is a celebration of American sports, and there are opportunities to really be heard here. It’s about drawing attention to show that there is massive support to challenge Trump and the Department of Homeland Security. Any opportunity to push back is important.”

Such pushback was enough to keep President Trump from attending the game in person — “I’m anti-them,” Trump said earlier, about performers Bad Bunny and Green Day. “I think it’s a terrible choice. All it does is sow hatred. Terrible.”

While a competing halftime show from Kid Rock for Turning Point USA attempted to rally the MAGA faithful, a pre-game set from Green Day needled ICE agents: “Wherever you are: quit that s— job you have,” Green Day’s Billie Joe Armstrong said. “Come on this side of the line.”

The NFL keeps tight reins on messaging from its halftime show performers, but this year’s selection of Bad Bunny (a choice announced late last year) carries unusual salience for the battle over raids by federal agents on immigrant communities, which have led to the deaths of two protesters and many more detainees in custody.

On his way to winning the Grammy for album last week, the Puerto Rican megastar was emphatic: “We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans,” he said, castigating ICE. “The hate gets more powerful with more hate. The only thing that’s more powerful than hate is love. … So please we need to be different. If we fight, we have to do it with love. We don’t hate them. We love our people. We love our family and there’s a way to do it with love.”

This new bit of culture-jamming protest will continue that sentiment with art from Alcaraz, a famed SoCal cartoonist who worked on the animated series “Bordertown.” Bad Bunny fans will recognize the Puerto Rican pava straw hat in the graphic, along with some unsubtle anti-ICE imagery.

“Art has always been a way to confront hate wherever it appears. When injustice becomes part of everyday life, artists have a responsibility to make it visible,” Alcaraz said in a statement to The Los Angeles Times. “In a public space and cultural moment the whole country is watching, images, color, and movement become a way to express love and push back against hate in plain sight.”

Conrad says Bad Bunny’s been loud about how vital immigrants are to the country, that Latinos should be celebrated, that Puerto Rico is a part of our country that should be celebrated. “I think he’ll use this platform to make sure it’s clear he’s on the right side of history.”

Early in the day Sunday, around 50 activists with Contra-Ice set up along heavily-trafficked areas to pass the towels out to incoming Patriots and Seahawks fans in Santa Clara. It’s “not the same as the people putting their bodies on the line in Minneapolis,” Conrad said, but it’s likely to be extremely visible during the broadcast. “I hope it gives cover to people so they feel like they can participate in ways big and small.”

Several athletes like figure skater Alysa Liu and skier Jessie Diggins have expressed similar sentiments during the Winter Olympics, and the Grammys were rife with artists speaking out against ICE overreach onstage. While Bad Bunny’s performance is likely to be more subtle and celebratory, having the world’s biggest Latin artist play at the most quintessentially American cultural event is a statement in itself.

“With so many cameras and eyes on the stadium, it’s going be hard to miss,” Conrad said. “The vast majority of Americans see ICE’s actions as a massive overreach. They’re terrorizing communities, and even some Trump voters have buyer’s remorse seeing images of a 5-year-old kidnapped and detained. That doesn’t feel American, and folks are saying ‘enough.’ “

©2026 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.

Review: Bad Bunny brought Puerto Rico’s history and culture to a revolutionary Super Bowl show

posted in: All news | 0

By MARIA SHERMAN

The sun hung low when Bad Bunny emerged in Puerto Rico’s sugar cane fields during his half time show, surrounded by jibaros in pavas (rural farmers in traditional straw hats), viejitos playing dominos (an affectionate term for older men) and a piragua stand (shaved ice) — undeniable symbols of Puerto Rico.

From a small Caribbean island with a complicated colonial history, to the world: The artist born Benito Antonio Martínez Ocasio brought Puerto Rican culture to the Levi’s Stadium in Santa Clara, California, for his 2026 Super Bowl halftime show in what was always going to be a landmark moment for Latinos.

He started with his huge reggaeton hits, “Tití Me Preguntó” moving into “Yo Perreo Sola,” as he remerged on top of the casita (“little house”) from his Puerto Rican residency — Cardi B was a guest at his pari de marquesina, a house party.

Then he crashed through the roof — Daddy Yankee’s “Gasolina” played for a moment, clearly a celebration of the Puerto Rican artists who laid the path for his Latin trap to go global.

“Mi nombre Antonio Martínez Ocasio,” he introduced himself to the crowd in Spanish. “Y si hoy estoy aquí en el Super Bowl 60, es porque nunca, nunca dejé de creer en mí y tú también deberías de creer en ti, vales más de lo que piensas.”

In English: “My name is Benito Antonio Martínez Ocasio, and if I’m here today at Super Bowl 60 it’s because I never, ever stopped believing in myself and you should also believe in yourself, you’re worth more than you think.”

The strings of his song “Monaco” played — then, a surprise Lady Gaga emerged at a wedding, singing her portion of “Die with a Smile,” her collaboration with Bruno Mars, joined by a salsa band.

It gave Benito time for a fashion change — rocking a white suit like a classic salsero — for “Baile Inolvidable” and “NuevaYol,” with a block party set where he took a shot with Tonita, owner of one of the last Puerto Rican social clubs in New York City, Brooklyn’s Caribbean Social Club.

Ricky Martin performed “Lo Que Pasó a Hawaii,” (“What Happened to Hawaii”), a rallying cry for Puerto Rico’s autonomy.

Behind him, jibaros in pavas climbed power poles that exploded, symbolic of Puerto Rico’s frequent blackouts and failing power grid. It queued up a moving performance of 2022’s “El Apagón” (“The Blackout”), in reference to Hurricane Maria, its aftermath and the continued anger and frustration over persistent, chronic power outages.

For around 13 minutes during the halftime show sponsored by Apple Music and Roc Nation, all eyes on the field — and around the world — were on Benito Antonio Martínez Ocasio.

Bad Bunny performed entirely in Spanish — as all of his music is recorded in the language, though he has collaborated with English-language artists. The only English singing came from Gaga. That changed at the end of the set, when he said, “God Bless America,” and then named countries in the Caribbean, Central and South America. “And my mother land, Puerto Rico.”

He ended with “DtMF” as he walked out of the stadium.

For years, Bad Bunny has been one of the most-streamed artists on the planet. And on Sunday, he made it clear that his global popularity translates seamlessly to the biggest stage in the U.S. (Though he is no stranger to it. He previously appeared during the halftime show at Super Bowl LIV in 2020 alongside Jennifer Lopez and Shakira. He sang in Spanish alongside two artists whose bilingual hits helped usher in a crossover era for Latin music in the ’00s.)

Consider Bad Bunny’s 2026 halftime performance the cherry on top of a huge moment for the 31-year-old global superstar, who just 10 years ago was working at an Econo supermarket in Puerto Rico.

Last week, he took home album of the year at the 2026 Grammys for his “Debí Tirar Más Fotos,” an album that marries folkloric tradition in local Borinquen genres like bomba, plena, salsa and música jíbara with contemporary styles like reggaeton, trap and pop. It marked the first time an all-Spanish language album won the top prize.

Like most headliners, Bad Bunny kept details of his halftime performance under wraps ahead of time, though many theorized there would be some kind of political performance. He’s been critical of President Donald Trump in the past and at the Grammys last Sunday, said “ICE out” while accepting a televised award. Bad Bunny’s latest tour skipped the continental U.S.; in an interview he said it was at least partially inspired by concerns that his fans could be targeted by immigration agents.

At a press conference on Thursday, Bad Bunny told Apple Music’s Zane Lowe and Ebro Darden viewers could expect a huge party — and joked that while viewers didn’t need to learn Spanish to enjoy his set; they should learn to dance.

“I want to bring to the stage, of course, a lot of my culture,” he said at the time. “I don’t want to give any spoilers. It’s going to be fun.”

Of course, he delivered on just that.

___

For more on the Super Bowl, visit https://apnews.com/hub/super-bowl

 

What happens if Super Bowl LX goes into overtime? Here’s how the NFL’s rules work.

posted in: All news | 0

By Chuck Schilken, Los Angeles Times

The final quarter of the AFC divisional round playoff game between the Buffalo Bills and Kansas City Chiefs on Jan. 23, 2022, could not have been more exciting.

Three lead changes.

Five scoring drives.

A 36-36 tie at the end of regulation.

The overtime period, however, could not have been more disappointing.

One coin toss.

One touchdown drive.

Game over.

One of the most exciting playoff games in recent memory — a quarterback duel between Buffalo’s Josh Allen and Kansas City’s Patrick Mahomes — ended abruptly in a 42-36 Chiefs win when Mahomes connected with Travis Kelce on an eight-yard touchdown pass.

Unlike the thrilling fourth quarter, Allen didn’t get a chance to respond because of the overtime rule the NFL had in place at the time.

Because of an adjustment to the rules, however, such a scenario will not take place when the Seattle Seahawks and New England Patriots play in Super Bowl LX at Levi’s Stadium in Santa Clara.

The previous system was basically a modified sudden death system that gave each team at least one chance to score — with one big exception.

If the team that first possessed the ball in overtime scored a touchdown on that drive, that team won. The game was over, with the other offense never getting a chance to take the field in overtime.

If the first team kicked a field goal, the other team got a possession to either win the game with a touchdown or tie it with a field goal. In the latter case, the game continued until someone scored.

Months after the 2022 Chiefs-Bills game, that rule was changed for the playoffs (and went into effect for the regular season in 2025). Now it’s basically a modified modified sudden-death system that gives both teams a chance to score.

If the first team scores a touchdown, the other team gets a possession to tie (and, therefore, extend) the game with a touchdown of its own. Everything else remains the same from the previous format.

A safety in overtime also ends the game.

©2026 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.

Related Articles


Review: Bad Bunny brought Puerto Rico’s history and culture to a revolutionary Super Bowl show


Green Day Condemns ICE as Part of Super Bowl Festivities


The Super Bowl Ads (So Far), Ranked


Super Bowl Play-by-Play


Bad Bunny brings Gaga, Martin and Puerto Rican pride to Super Bowl as Green Day, Puth play pregame

Venezuela Frees Key Opposition Figures as Government Courts U.S. Support

posted in: All news | 0

Venezuela on Sunday freed a group of prominent opposition leaders, including Juan Pablo Guanipa and Perkins Rocha, according to statements from the country’s press union, the political opposition party, and relatives of the freed prisoners.

“After more than eight months of unjust imprisonment and more than a year and a half of being separated, our entire family will soon be able to embrace each other again,” Ramón Guanipa Linares, Guanipa’s son, wrote on social media.

Authorities released at least 35 political prisoners Sunday, according to the rights group Foro Penal, which last week said that more than 650 were detained.

The government made no official statement about the releases, but Venezuela’s de facto leader, Delcy Rodríguez, has said in recent days she would close El Helicoide, an infamous prison that rights groups have described as a torture center, and has announced plans for a mass amnesty law.

The highly anticipated release of prisoners has strengthened tentative hopes that Venezuela’s interim government may be moving away from the most repressive practices of its deposed president, Nicolás Maduro.

Since the United States captured Maduro last month, his former vice president, Rodríguez, has moved quickly to realign Venezuela with Washington.

Rodríguez has worked closely with the Trump administration, redirecting oil exports toward the United States and consolidating power domestically by dismissing officials seen as loyal to Maduro.

The prisoner release comes just days after Venezuelan security agents questioned two prominent businesspeople, Raúl Gorrín and Alex Saab, both of whom have ties to Maduro and have faced money laundering charges in the United States. Their overnight detention in the capital, Caracas, was seen as sign of a deepening cooperation between the two countries.

But it is still uncertain if Sunday’s prisoner release signals a broader opening of political freedom, and there is some skepticism about whether Rodríguez can be the person who dismantles the same authoritarian system that she benefited from.

Analysts say the true test will be whether former prisoners and exiled opponents are allowed to protest, organize politically and criticize the government without facing retaliation. The long-term goal is credible elections.

“It almost looks like they want to open up just enough to score points with Washington, but not enough to risk their grip on power,” said Geoff Ramsey, who studies Colombia and Venezuela at the Atlantic Council, a Washington-based research institute.

But others see the releases as a genuine shift by the interim government, after years in which members of the opposition endured being arrested, disappeared and tortured, or were forced to flee into exile.

“There is a clear political will on the part of the Rodríguez government to move away from an intransigent and intolerant stance toward the opposition,” said Colette Capriles, a political analyst at Simón Bolívar University in Caracas.

In an interview weeks before his detention in August 2024, Rocha expressed anguish for his colleagues who were detained. He said he was in a highly secure location but fully aware that authorities could be trying to locate him.

“Our last tool — the only one we have left at this moment — is to cling to our principles and convictions,” he said. “Never before have we realized so fully that this civic struggle truly goes all the way to the end.”

He expressed openness to a dialogue and agreement between the opposition and the Maduro government. Without it, he said, Venezuela would enter “a downward spiral — a spiral of illegitimate institutions — and the conflict will not end.”

On social media, María Corina Machado, Venezuela’s de facto opposition leader who remains in exile, welcomed the release of her “comrades in struggle” and the end to their “many months of captivity and injustice.”

They longed, Machado said, “to work side by side for the Venezuela we have dreamed of for years — and that we are now very close to building.”

This article originally appeared in The New York Times.