PWHL: Record crowd watches Frost blank Seattle

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SEATTLE — Kelly Pannek scored two goals, Nicole Hensley had a shutout and the two-time defending champion Minnesota Frost disappointed a record women’s hockey crowd with a 3-0 win over the Seattle Torrent on Friday afternoon.

The 16,014 fans set a record for largest attendance at a women’s hockey game in a U.S. arena. It was the inaugural home game for the Torrent.

Late in the first period, Pannek got the bounce and fired a shot from between the circle that Torrent goalie Corinne Schroeder couldn’t corral. She scored her second goal of the season midway through the third period, and Grace Zumwinkle added a power play goal.

Hensley made 30 saves for the Frost (1-1-0-0).

Schroeder, who led the league with four shutouts last season for the New York Sirens, made 22 saves for the Torrent (1-0-1-0).

The Frost plays at Ottawa on Tuesday. Puck drop is set for 6 p.m.

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The best new holiday music releases for 2025

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By MARIA SHERMAN, Associated Press

NEW YORK (AP) — ‘Tis the season to put on some brand-new holiday music. The best way to get festive is to sing along to Christmas classics new and old. But don’t know what to press play on? We’ve got you covered.

In honor of the most wonderful time of the year, here are some of the best new holiday releases for the 2025 season. So, grab a loved one, a cup of eggnog and get to listening.

“Christmas in The City,” Pentatonix

This cover image released by Republic Records shows “Christmas in the City” by Pentatonix. (Republic Records via AP)

For the a cappella fan, there is no better news than yet another holiday album from Pentatonix. Across 18 tracks, “Christmas in the City” celebrates the magic of cosmopolitan life around the holidays and showcases the group’s vocal athletics. Hear them reimagine the songs you know and love as well as introduce a few originals. Start with “Snowing in Paris,” which features the R&B-pop star JoJo, and end with “I’ve Got My Love to Keep Me Warm,” a never-before-heard recording of the Frank Sinatra classic featuring Ol’ Blue Eyes himself.

“A Charlie Brown Christmas,” Vince Guaraldi

This album cover image released by Craft Recordings shows “A Charlie Brown Christmas.” (Craft Recordings via AP)

It’s hard to believe, but 60 years ago, the “Peanuts” gang’s classic “A Charlie Brown Christmas” aired on television for the first time and become an almost-instant sensation. Part of its charms, of course, must be credited to its whimsical score by jazz pianist Vince Guaraldi. To celebrate such a huge anniversary, Craft Recordings is reissuing its soundtrack — as good a reason as any to revisit these beloved songs.

“Greatest Hits Christmas,” LeAnn Rimes

Just ahead of her Christmas tour, the country icon LeAnn Rimes released “Greatest Hits Christmas.” It’s exactly what it sounds like: a mesh of classics and some of her best-known songs from her past holiday albums. There are also new collaborations, like Aloe Blacc on “That Spirit of Christmas” and Gavin DeGraw on “Celebrate Me Home.”

“Snow Globe Town,” Brad Paisley

This cover image released by Mercury Nashville shows “Snow Globe Town” by Brad Paisley. (Mercury Nashville via AP)

Some things just make sense together: peanut butter and jelly, coffee and doughnuts, Brad Paisley and his touring band sitting down in Nashville to record a charming Christmas album. “Snow Globe Town” boasts of eight originals and eight covers — exactly what the heart wants this holiday season. It’s the former collection that will really connect, though; there are real charms to be found in “Lit,” “That Crazy Elf” and the title track.

“Christmastime,” Trisha Yearwood

Country singer Trisha Yearwood’s voice sounds like coming home; it makes her the ideal talent for a new holiday collection. “Christmastime” is stacked with familiar tunes and perhaps, best of all, features “Merry Christmas, Valentine,” a duet with her husband Garth Brooks. Blast that one at your get-together and there won’t be a dry eye in the house.

“Holidays,” Roberta Flack

This cover image released by RSJB shows “Holidays” by Roberta Flack. (RSJB via AP)

The world lost a giant in February when Roberta Flack, the Grammy-winning singer and pianist, died at 88. Perhaps best known for her timeless take on “Killing Me Softly with His Song,” the Christmas season brings up another reason to celebrate her. A new release, “Holidays,” like many on this list, features originals and covers — and a selection of songs from Flack’s classic “The Christmas Album.” It holds a special meaning this year.

“Feels Like Christmas,” Mickey Guyton

This cover image released by MCA Nashville shows “Feels Like Christmas” by Mickey Guyton. (MCA Nashville via AP)

The country powerhouse Mickey Guyton feels like Christmas and once you dive into these eight tracks, you will, too. From her rendition of “O Holy Night” to her masterful take on “Do You Want to Build a Snowman?” from Disney’s “Frozen” (sorry, parents!) there’s a lot to love here.

“It’s Christmas,” Eric Benét

R&B singer Eric Benét’s first holiday album, “It’s Christmas,” is filled with warmth; consider it the sonic equivalent of curling up to a roaring fireplace on a snowy winter’s evening. Don’t believe us? Well, one listen to his take on “Please Come Home for Christmas” or “Oh Holy Night” will make you a believer. Or better yet, there’s “Christmas Morning,” featuring Benét’s youngest daughters Lucia and Luna. Tissues, you might want to grab a few.

“The Chess Records Christmas Album,” various artists

This cover image released by Chess Records shows “The Chess Records Christmas Album.” (Chess Records via AP)

Sometimes a compilation album is what a holiday party needs. Chess Records has the answer. “The Chess Records Christmas Album” is an impressive collection of veteran talent. The release features everything from Chuck Berry’s “Run Rudolph Run” and The Moonglows’ “Hey Santa Claus” to Lenox Avenue’s “Little Drummer Boy” and The Salem Travelers’ “Merry Christmas to You.”

“Evergreen Christmas Sessions,” Hunter Hayes

This cover image released by LP Entertainment shows “Evergreen Christmas Sessions” by Hunter Hayes. (LP Entertainment via AP)

Hunter Hayes is a newer name on the country scene than a few of the artists listed here, but that simply means he’s a fresh voice to discover. His “Evergreen Christmas Sessions” is a brief introduction — just four covers of holiday standards — but it’s a charming romp. Start with “Winter Wonderland” and “Have Yourself a Merry Little Christmas,” stay for “Run Run Rudolph” and “Silent Night.”

One Tech Tip: Do’s and don’ts of using AI to help with schoolwork

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By KELVIN CHAN and JOCELYN GECKER, Associated Press

The rapid rise of ChatGPT and other generative AI systems has disrupted education, transforming how students learn and study.

Students everywhere have turned to chatbots to help with their homework, but artificial intelligence’s capabilities have blurred the lines about what it should — and shouldn’t — be used for.

The technology’s widespread adoption in many other parts of life also adds to the confusion about what constitutes academic dishonesty.

Here are some do’s and don’ts on using AI for schoolwork:

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Don’t just copy and paste

Chatbots are so good at answering questions with detailed written responses that it’s tempting to just take their work and pass it off as your own.

But in case it isn’t already obvious, AI should not be used as a substitute for putting in the work. And it can’t replace our ability to think critically.

You wouldn’t copy and paste information from a textbook or someone else’s essay and pass it off as your own. The same principle applies to chatbot replies.

“AI can help you understand concepts or generate ideas, but it should never replace your own thinking and effort,” the University of Chicago says in its guidance on using generative AI. “Always produce original work, and use AI tools for guidance and clarity, not for doing the work for you.”

So don’t shy away from putting pen to paper — or your fingers to the keyboard — to do your own writing.

“If you use an AI chatbot to write for you — whether explanations, summaries, topic ideas, or even initial outlines — you will learn less and perform more poorly on subsequent exams and attempts to use that knowledge,” Yale University’s Poorvu Center for Teaching and Learning says.

Do use AI as a study aid

Experts say AI shines when it’s used like a tutor or a study buddy. So try using a chatbot to explain difficult concepts or brainstorm ideas, such as essay topics.

California high school English teacher Casey Cuny advises his students to use ChatGPT to quiz themselves ahead of tests.

He tells them to upload class notes, study guides and any other materials used in class, such as slideshows, to the chatbot, and then tell it which textbook and chapter the test will focus on.

Then, students should prompt the chatbot to: “Quiz me one question at a time based on all the material cited, and after that create a teaching plan for everything I got wrong.”

Cuny posts AI guidance in the form of a traffic light on a classroom screen. Green-lighted uses include brainstorming, asking for feedback on a presentation or doing research. Red lighted, or prohibited AI use: Asking an AI tool to write a thesis statement, a rough draft or revise an essay. A yellow light is when a student is unsure if AI use is allowed, in which case he tells them to come and ask him.

Or try using ChatGPT’s voice dictation function, said Sohan Choudhury, CEO of Flint, an AI-powered education platform.

“I’ll just brain dump exactly what I get, what I don’t get” about a subject, he said. “I can go on a ramble for five minutes about exactly what I do and don’t understand about a topic. I can throw random analogies at it, and I know it’s going to be able to give me something back to me tailored based on that.”

Do check your school’s AI policy

As AI has shaken up the academic world, educators have been forced to set out their policies on the technology.

In the U.S., about two dozen states have state-level AI guidance for schools, but it’s unevenly applied.

It’s worth checking what your school, college or university says about AI. Some might have a broad institutionwide policy.

The University of Toronto’s stance is that “students are not allowed to use generative AI in a course unless the instructor explicitly permits it” and students should check course descriptions for do’s and don’ts.

Many others don’t have a blanket rule.

The State University of New York at Buffalo “has no universal policy,” according to its online guidance for instructors. “Instructors have the academic freedom to determine what tools students can and cannot use in pursuit of meeting course learning objectives. This includes artificial intelligence tools such as ChatGPT.”

Don’t hide AI use from teachers

AI is not the educational bogeyman it used to be.

There’s growing understanding that AI is here to stay and the next generation of workers will have to learn how to use the technology, which has the potential to disrupt many industries and occupations.

So students shouldn’t shy away from discussing its use with teachers, because transparency prevents misunderstandings, said Choudhury.

“Two years ago, many teachers were just blanket against it. Like, don’t bring AI up in this class at all, period, end of story,” he said. But three years after ChatGPT’s debut, “many teachers understand that the kids are using it. So they’re much more open to having a conversation as opposed to setting a blanket policy.”

Teachers say they’re aware that students are wary of asking if AI use is allowed for fear they’ll be flagged as cheaters. But clarity is key because it’s so easy to cross a line without knowing it, says Rebekah Fitzsimmons, chair of the AI faculty advising committee at Carnegie Mellon University’s Heinz College of Information Systems and Public Policy.

“Often, students don’t realize when they’re crossing a line between a tool that is helping them fix content that they’ve created and when it is generating content for them,” says Fitzsimmons, who helped draft detailed new guidelines for students and faculty that strive to create clarity.

The University of Chicago says students should cite AI if it was used to come up with ideas, summarize texts, or help with drafting a paper.

“Acknowledge this in your work when appropriate,” the university says. “Just as you would cite a book or a website, giving credit to AI where applicable helps maintain transparency.”

And don’t forget ethics

Educators want students to use AI in a way that’s consistent with their school’s values and principles.

The University of Florida says students should familiarize themselves with the school’s honor code and academic integrity policies “to ensure your use of AI aligns with ethical standards.”

Oxford University says AI tools must be used “responsibly and ethically” and in line with its academic standards.

“You should always use AI tools with integrity, honesty, and transparency, and maintain a critical approach to using any output generated by these tools,” it says.

Is there a tech topic that you think needs explaining? Write to us at onetechtip@ap.org with your suggestions for future editions of One Tech Tip.

Why adults are scrambling for food-focused advent calendars — and paying $945

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By Stephanie Breijo, Los Angeles Times

LOS ANGELES — Last fall, I financially blacked out and splurged on a luxury lifestyle advent calendar. I blissfully uncovered a new face serum or silk eye mask or bath oil daily. Naturally, I fell down the rabbit hole and dove into the advent universe. I strolled aisles of festive-patterned packages in the likes of World Market and devoured online reviews and the unboxings that have helped fuel advent-calendar mania.

It was like seeing the holidays through the looking glass: a method of celebrating that I’d never considered in adulthood, and one it seemed millions of people around the world were increasingly living. For those who’ve embraced the advent-calendar lifestyle, every day is a celebration beginning Dec. 1.

For roughly a century, children have punched out numbered doors to discover candy, trinkets or holiday messages that tick off the days of December. But due to a recent boom in popularity and a new allure for adults, now there are advent calendars for candles, jewelry, fishing tackle, makeup, dog treats, perfumes, nail polish and Legos. But some of the world’s most enticing might be those dedicated to your favorite foods.

Cheese, caviar, hot chocolate, spices, Japanese snacks, wine, hot sauce, coffee and canned cocktails can be found behind little drawers and paper doors this year. Even Jeppson’s Malört, that oft-maligned liqueur native to Chicago, just announced a calendar for “25 days. 25 shots. 25 questionable decisions.”

Dandelion Chocolate released an advent calendar this year with a celestial theme and design. (Myung J. Chun/Los Angeles Times/TNS)

The competition for them can be fierce, and the prices high. Some sell out months before Christmas. Reddit threads, social media and other online message boards devoted to advent calendars act as sounding boards for — and reviews of — the best values and hottest picks each year.

“It’s really exploded,” said Fredrik Nilsson, the chief executive of luxury licorice company Lakrids by Bülow. “It’s unbelievable.”

The Copenhagen-based sweets company claims to be one of the first culinary advent calendars marketed to adults. Year-round, the brand wraps licorice in an array of layered chocolate and candy shells. For the holidays, Lakrids produces two advent calendars. The version found in the U.S. includes 24 days of the colorful licorice spheres in a black-and-gold box inspired by Nordic aesthetics ($69.99); the other, available only in Europe, is shaped like a giant jar.

Their inspiration came from the candy itself: an adult-oriented take on a childhood classic that wraps licorice in gourmet flavors like tart strawberry or elderflower.

“When I grew up, everyone had a calendar, but it was definitely something for kids,” Nilsson said. “Adults would not have a Christmas calendar. And when we, back in 2011, did our very first Christmas calendar, it was — if not the first — one of the first calendars targeting adults.”

In 2011, the company sold 1,000 of them. Now the confectionery makes 300,000 each year. It’s the fourth year of the advent calendar’s availability in the U.S., and sales have already roughly doubled compared with 2024.

What’s behind the trend’s appeal? One maker has a theory. Jing Gao owns L.A.-based chile crisp company Fly by Jing, which bottles fragrant spices and chiles from Sichuan, China. Gao said the allure for customers is in a daily dose of the unknown: In a society enamored with Labubus and other blind-box items, the thrill of each day containing a wrapped, hidden gift offers “whimsical surprise and delight.”

Fly by Jing released an advent calendar with mini-jars of spices and sauces and packages of noodles. It doubled production this year, but it was gone by Nov. 10. (Myung J. Chun/Los Angeles Times/TNS)

This year, Fly by Jing’s mini-jars and other, newer products come in a large, hand-packed red box decorated with illustrated pandas and gold embossing ($98). It’s the second year of Fly by Jing’s advent calendar. As soon as her team wrapped production on 2024’s box, they began planning and coordinating this year’s. For 2025, it includes a reprise of mala spice mix along with two new products that would be too expensive to produce on a larger scale: a shallot sauce and a barbecue rub.

Last year’s calendar sold out in two to three weeks. This year, even with double the production, it was gone by Nov. 10.

Gao grew up in Europe and, especially during her years in Germany, loved advent calendars at the holidays. Then she didn’t think about them for 20 years.

When she began seeing food and beauty brands launch calendars, it only made sense to join them: Gao’s chile crisps always see a spike in sales during the holidays and she already offered gift sets.

The advent calendars are “kind of a playground for us,” Gao said, “where we can still have fun and test different things.”

They can also be a way to dabble in luxuries that might not fit the budget throughout the year. Just as consumers can splurge on couture calendars from fashion brands such as Dior ($750) and Christian Louboutin ($720), extravagance — and brow-raising price tags — can extend into food.

A luxury-branded advent calendar from Williams Sonoma ($350) includes copper-bakeware ornaments, aged balsamic, specialty candies and imported spices. The sold-out Dandelion Chocolate calendar ($198 for one person, or $328 for two) featured a celestial theme and design, with each of the 25 chocolates corresponding to the solar system’s moons, complete with a star map.

For those who indulge in it, the holidays are peak season for caviar — and the San Francisco-based Caviar Co.’s 12-day advent calendar costs $945.

A red-and-gold treasure chest arrives in a styrofoam cooler stuffed with ice packs; the advent calendar is stored in the refrigerator, filling up shelf space with gold embossing and foil stamping.

“I like to say there’s a different caviar for every day of the week,” said chief executive and co-founder Petra Bergstein Higby, who operates the company with her sister.

Each caviar calendar includes two mother-of-pearl spoons, a caviar-tin key, recipe cards and a dozen 1-ounce jars of caviar and roe: some smoked, some standard, some ultra-high-end. In 2025, a “wild card” was added: the beluga-surgeon hybrid, a variety not currently for sale à la carte on the website.

Many customers say they’re purchasing as a gift, but others split it among friends for caviar-tasting parties or events like Friendsgiving, which makes the price more accessible.

While luxury can signal festivities, some of the culinary world’s most popular advent calendars run a fraction of the cost: Walker’s buttery, crunchy shortbread cookies ($31.99), Vahdam’s foldable tea collection ($24.99), Tony’s Chocolonely’s 24-door chocolate menagerie ($39.99).

But perhaps the most beloved and budget-minded calendar of all arrives in the form of two dozen mini-jars of jams and spreads. The Bonne Maman advent calendar ($54.99) has seen 400% growth since its 2017 debut, according to a company representative. Thousands of TikTok and Instagram videos have unboxed, taste-tested and ranked their way through the annual box.

The Bonne Maman advent calendar debuted in 2017 and has seen 400% growth, fueling a social-media trend to unbox, taste-teste and rank the company’s mini-jars of jams. (Myung J. Chun/Los Angeles Times/TNS)

To explore the world’s most famous countdown of of French jams, I’d have to call in an expert: There’s no one more dedicated to the cause of the Bonne Maman calendar than my longtime friend Michael-Birch Pierce, a visual artist who, every year, seemingly transforms into a jam influencer with the stroke of Dec. 1.

In 2021, Pierce saw an Instagram post about the calendar and immediately purchased one. It was love at first spread. Deathly allergic to chocolate and caffeine, Pierce could never partake in more traditional advent calendars.

“I never understood the joy of an advent calendar, really,” said Pierce.

Now each morning every December, they toast an English muffin or bagel and run a hearty smear over each side. One year they saw someone using the dredges of a larger jar to make a cocktail, so Pierce used the mostly finished mini-jars for jam-imbued shots. A handful of TikToks and Instagram reels point fellow jam fiends to other uses: Make a fruity cold foam to top coffees, use them in cookies, fill empty jars with homemade beeswax candles or lip balms.

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Last year while traveling for work, Pierce removed the jars from the festive paper cubby holes, wrapped them in paper towels without peeking and stuffed them into the suitcase to open while on the road and be enjoyed at their hotel’s continental breakfast.

Come December, Pierce posts about each day’s flavor; through the years, thousands of friends have followed along, and dozens have purchased the calendar because of it.

“They text me about it all the time,” Pierce said. “People are waiting for my posts about it every day like, ‘Did you stop eating the jam?’ No, I will never stop eating the jam.”

©2025 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.