Readers and writers: Two adventures, one of which young readers can help draw

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Today’s offerings: a new mystery set in the years of the Raj in India, an imagination-stretching dry-erase book for the little ones and a congratulation.

(Courtesy of the author)

“The Star from Calcutta” by Sujata Massey (Soho Crime, $29.95)

Perveen Mistry steps into the world of Indian filmmaking in the fifth in this series featuring the only woman solicitor in Bombay in 1922.

Perveen, a partner with her father in their law firm, is excited about taking on as clients director Subhas Ghoshal and his beautiful wife, Rochana, a popular movie star who recently left a rival studio. It seems a simple contract dispute at first, until things turn deadly.

A man who is a member of the powerful censorship board, seen at a party with Rochana, is found dead by Perveen in a puddle caused by the monsoon. Then, Rochana disappears just before the first showing of her latest film. There are plenty of suspects and Perveen walks a fine line between doing her duty to her clients and investigating the man’s death with the risk of implicating them.

Behind the glitz of an Indian film community striving to overtake British and American companies, she finds bribery, deceit and marital affairs.

Sujata Massey, who grew up in St. Paul, introduces the fifth book in her Perveen Mistry series, “The Star from Calcutta,” March 3, 2026, at Once Upon a Crime bookstore in Minneapolis. (Courtesy of the author)

Perveen’s first case was “Widows of Malabar Hill” (2018), where readers learned of the tightrope Perveen has to walk as a female lawyer who uses her position to ask hard questions but must also back off so her conduct is never perceived as unseemly.

Her family belongs to the tight-knit Parsi community of the Zoroastrian faith who migrated from what was then Persia, and their young women must follow strict rules. For instance, when Perveen and her best friend, Alice, must spend the night at the studio both families are upset because women, even those in their 20s with careers, are expected to be home at night. Perveen, who left an abusive marriage, must hide her attraction to a handsome former civil service officer because she is technically still married and will be for the rest of her life.

Alice, who is gay, plays a crucial part in “The Star from Calcutta,” hiding a stunning secret from Perveen. Alice’s father is a British government official high in the ranks of Bombay society so her friendship with film star Rochana is frowned on by her strict mother.

As the story unfolds we also learn of relations between Indians and the colonial British and the awkward position of Anglo-Americans, as well as India’s diversity in languages and religious faiths.

This is the most complicated mystery in this series and a cast of characters would have been helpful for readers.

Massey was born in England and grew up in St. Paul’s University Grove neighborhood, attending the old Alexander Ramsey high school. She lives in Maryland with her husband Tony.

Before she started the Perveen series she wrote 11 award-winning mysteries featuring a Japanese-American antiques dealer based on her time living in Japan. Her Perveen books have also won awards. The new one is described by Kirkus Reviews as a “lush, leisurely, and well-researched 1920s historical mystery.”

Massey will introduce her book at a free reading at 6:30 p.m. Tuesday at Once Upon a Crime, 604 W. 26th St., Mpls.

TEASER QUOTE:

“She was standing in a film frame and felt transported. She was Rochana: the runaway almost-bride, and a fleeing film studio wife. But was she escaping one kind of danger only to find a new, unknown one?”

(Courtesy of Candlewick Press)

“This Superhero Needs Your Help!” by David LaRochelle and YOU” (Candlewick Press, $10.99)

Fans of Minnesotan David LaRochelle’s children’s books will be happy to see “This Superhero Needs Your Help!”, third in his interactive Draw & Erase Adventure series that offer youngsters 4 to 8 the chance to stretch their imaginations (after “This Sheep Needs Your Help!” and “This Pirate Needs Your Help!”)

Using the wipe-clean marker that comes with the board book, youngsters are invited to draw themselves as superheroes on dry-erase pages and help catch Dr. Dreadful who is creating chaos. The young superhero is asked to draw museum masterpieces in empty frames, draw happy faces on daycare babies, catch Dr. Dreadful as he escapes in his Robo-mobile by turning a trash heap into a playground, and finally catching the scoundrel.

The great thing about these books is they aren’t classwork, although teaching art is a wonderful thing that’s being taken away in many schools. It’s just the child and the book with no pressure to follow any drawing guidelines. The young superhero can erase and change the story at any point.

More good news: For the coming holidays LaRochelle will offer “These Elves Need Your Help!”

LaRochelle is the author of the Theodor Seuss Geisel award-winning “See the Cat” and its sequels as well as many other books for young readers.

And a shout-out

“February 22nd was a great day for America,” proclaims poet/author/baker Danny Klecko. He’s referring to the U.S. men’s hockey team’s winning gold and — equally important, he says — his poem “At Jimmy’s Corner” was his 10th published in the New York Times Metropolitan Diary feature, one of the oldest in that newspaper. In the poem Klecko weaves together boxer Frazier’s left hook, butterflies and gods. He believes he is one of the most-published poets in the Diary series. “I’m Danny Klecko, the hardest-working poet,” he says, “right up there with the hockey winners.”

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Skywatch: Another blood moon this month

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The big show astronomically in March is another total lunar eclipse, more popularly known as a blood moon, the last one we’ll have for a while. It’ll happen this coming Tuesday during a full moon, very early in the morning in the predawn hours. The moon will be fairly low in the western skies, on its way to setting.

About 3:50 a.m., you’ll start to see the moon’s upper left limb begin to darken as it heads into the Earth’s umbra shadow. By 5:11 a.m., the moon will be completely eclipsed, and that’s when it’ll take on a blood-red hue. At 6:02 a.m., the moon will start to come out of the Earth’s shadow, ending totality. Shortly after, morning twilight kicks in, and by 6:50 a.m., the show is over as the moon sets below the western horizon.

Lunar eclipses occur when the moon, orbiting the Earth, passes through the Earth’s shadow opposite the sun, known as the umbra. An eclipse can only occur during a full moon, when our planet lies between the sun and the moon and casts a shadow on the moon. An eclipse doesn’t occur every full moon because the moon’s orbit is tilted five degrees to the Earth’s orbit around the sun. Most of the time, the full moon misses the Earth’s shadow. It passes either above or below the umbra. But this Tuesday the moon will charge right through the umbra, and we’re in for a bloody treat. No one can predict for sure just how bloody it’ll be, but that’s part of the fun of a total lunar eclipse. The color depends on local atmospheric conditions. The ruddy appearance of Earth’s umbra is due to the strained sunlight that passes through Earth’s atmosphere and reaches the moon.

Total lunar eclipses are entirely safe to view, even with telescopes. Let’s hope for clear skies on the night of March 2-3, because this will be the last total lunar eclipse we’ll see around here until 2029.

March has a nice advantage for stargazers because overall it’s not as cold, and we can still enjoy the bright winter constellations, although this is the last month that they’re in their prime. The disadvantage for March stargazing fans is that our night hours continue to shrink as we head toward spring. To add to the fire, daylight saving time begins in many parts of the world on March 8, pushing back sunset times even more, so get out there and make the most of your time under the stars!

The two brightest planets available this month are Jupiter and Venus, although Venus only makes a brief appearance, especially in early March. As the month begins, look for Venus in the western sky a little after sunset during twilight. You can’t miss it, but don’t wait too long to look for it because it sets below the horizon toward the end of twilight.

Jupiter will also put on a really nice show, shining high and bright in the southern sky as evening begins in early March. It’ll be among the bright winter stars and constellations, but it’ll outshine them all. As March continues, Jupiter will move farther and farther to the southwest each evening.

The largest planet in our solar system is a terrific telescope target. You’ll easily see up to four of Jupiter’s largest moons with even a small telescope. They resemble tiny stars on either side of the giant planet. As they orbit the giant planet, on some nights you can’t see all four because one or more may be behind Jupiter or camouflaged in front of it. With a telescope, you should also see at least some of Jupiter’s darkest cloud bands.

The great winter constellations that Jupiter is part of this year totally dominate the south-southwest heavens in the early evenings. Just to the lower right of Jupiter, majestic Orion is the ringmaster of the winter heavens, surrounded by his posse of bright constellations. They include Taurus the Bull, Auriga the Charioteer, Orion’s hunting dogs Canis Major and Minor, and Gemini the Twins, where Jupiter resides this month. The three bright stars in a row that form Orion’s belt jump out at you. Below his belt are three fainter stars in a row that outline the hunter’s sword. The middle star is the famous Orion Nebula. It appears as a “fuzzy star” to the naked eye and is a superb telescope target, even if you have a small scope. You’re witnessing a giant cloud of excited hydrogen gas with stars forming gravitationally within it

(Mike Lynch)

Meanwhile in the early evening eastern sky, the first of the major spring constellations, Leo the Lion, is on the rise. Look for a distinct backward question mark of stars that outline the chest and head of the mighty beast. At the bottom of the question mark is Regulus, a moderately bright star that marks the heart of Leo. As March continues, Leo will be higher and higher in the sky at the start of the evening as the stars of Orion and his gang start lower and lower in the west. It appears as if the mighty lion is chasing Orion and his gang out of the night sky. This is due to the Earth’s orbit around the sun. The nighttime side of the Earth is gradually turning away from the direction of space where Orion and company are located and more toward the not-so-vibrant spring constellations. Enjoy the winter constellations while they are still visible.

Stay tuned because in early April, a comet may put on a good show. It’s formally known as C/2026 A1 (MAPS), or just Comet MAPS. This dirty cosmic snowball is on its way from the outer reaches of the solar system. In early April, shortly after it swings around the sun without disintegrating, it could briefly produce an impressive tail in the early morning sky. Fingers crossed!

Mike Lynch is an amateur astronomer and retired broadcast meteorologist for WCCO Radio in Minneapolis/St. Paul. He is the author of “Stars: a Month by Month Tour of the Constellations,” published by Adventure Publications and available at bookstores and adventurepublications.net. Mike is available for private star parties. You can contact him at mikewlynch@comcast.net.

Meet the UMN beaver expert with a ‘Hoppers’ character named for her

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Beavers do not have white teeth.

That the mammals are often portrayed with gleaming white front teeth is one of beaver scientist Emily Fairfax’s pet peeves.

Emily Fairfax, a beaver scientist, ecohydrologist and assistant professor of geography at the University of Minnesota. (Adam Dunne / University of Minnesota)

Beaver incisors are actually orange, said Fairfax, an ecohydrologist and assistant professor of geography at the University of Minnesota. They get their color from an iron-rich protective enamel coating that makes them extra strong, allowing them to gnaw through tree trunks.

Because the orange enamel on the front of their teeth wears away more slowly than the white dentin on the back, a beaver’s two front teeth “are like a self-sharpening chisel that gets sharper and sharper and sharper” the longer they chew, according to Fairfax.

More beaver-teeth trivia: They grow continuously throughout their life, but daily use helps keep them short. “In a beaver’s life, they will go through about six feet of teeth on average,” she said.

In 2020, Fairfax’s research on beaver-created ecosystems caught the attention of producers from Pixar, the animation studio known for “Inside Out,” “Toy Story” and “The Incredibles.” Fairfax, then with California State University Channel Islands, presented a webinar on the subject and later found out that two people from Pixar were on the list of attendees.

A few months later, an email appeared in her inbox.

“It said, ‘Hey, we’re from Pixar. Can you give us a talk?’” said Fairfax, 33, of Minneapolis. “I thought it was spam at first, because why would that happen? But it was real.”

Fairfax ended up talking several times with folks from Pixar, who were fans of a stop-motion animation movie she made in 2019 called “Beavers and Wildfire.”

“They felt like I had enough understanding of art to be able to work really effectively with them,” she said. “If they had a question about beavers, I had the answer.”

That knowledge was crucial to Pixar producers who were working on “Hoppers,” a body-swap story featuring the voices of Jon Hamm, Bobby Moynihan and Piper Curda that opens Friday, March 6.

The story follows a young girl, Mabel, who can transfer her mind into a robot beaver with the goal of going undercover in the animal kingdom. She winds up befriending a beaver, King George, and uniting the animals to fight off the plans of a real estate developer.

Fairfax, who was a paid consultant on the movie, is listed as a “science expert” in the film’s closing credits. Another nod from the filmmakers: The professor in the movie is named Dr. Samantha E. Fairfax.

“If you look up her full name, it is Dr. Samantha Emily Fairfax,” Fairfax said. “That was very nice of them.”

From Carleton to Los Alamos to ‘beaver spiral’

Fairfax grew up in West Lafayette, Ind., East Lansing, Mich., and Mesa, Ariz. She graduated from Carleton College in Northfield in 2014 with degrees in physics and chemistry and got a job at the Los Alamos National Laboratory in New Mexico as a nuclear weapons engineer.

After a year, Fairfax’s self-described “beaver spiral” began, and she decided to pursue a doctorate in geological sciences with a certificate in hydrologic sciences from the University of Colorado in Boulder.

“They aren’t known to be a beaver school, but I didn’t have ecology in my background,” she said. “I wanted to figure out how I could study this phenomenon of beavers making drought-proof patches, and the easy tie-in with physics and chemistry was water, so I looked at programs where I could really focus on water.”

While at the University of Colorado, Fairfax received a National Defense Science and Engineering Graduate fellowship from the Department of Defense for her beaver research.

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“They are not weaponizing beavers, to be clear,” she said. “I wrote about wanting to study wetlands as places where there’s really interesting dynamics of sediment and water and vegetation all working together. They were like, ‘Great,’ and I was like, ‘Great.’ And then I was like, ‘It’s beavers.’ And they were like, ‘Sure.’ There was no expectation that I’d ever work for the DOD or anything like that.”

Prior to joining the faculty at the University of Minnesota in 2023, Fairfax worked as an assistant professor in California State University Channel Islands’ Department of Environmental Science and Resource Management and as an adjunct assistant professor at Utah State University.

She and her husband, Andrew Peterson, live in Minneapolis’ Linden Hills neighborhood. They have two cats, Cheetoh and Pepper.

Fairfax recently sat down with the Pioneer Press at her office at the U of M’s St. Anthony Falls Laboratory to talk about the world’s second-largest living rodents (the capybara of South America is the largest). The transcript is edited for clarity and conciseness.

Emily Fairfax Q&A

Emily Fairfax, facing camera, guides students on a 2025 class field trip to the University of Minnesota’s Cloquet (Minn.) Forestry Center. (Courtesy of University of Minnesota)

Q: When did your obsession with beavers start?

A: I went to work as an engineer right after college, and I did not particularly find that was a good fit for me. I was feeling a little bit sad about it, and I was watching TV, and a documentary called “Leave It to Beavers” came on. I watched it, and I was just hooked. They were featuring beavers in the deserts, which was something I hadn’t really thought about before. They showed these big aerial views of bright green beaver wetlands, with tons of plants and everything. They were super-healthy, just surrounded by absolutely dry, desiccated land in Nevada and in other places. And they kept saying, “You know, it was the worst drought we’ve had. It lasted years. The only place with water was the beaver ponds. The only place where there were still animals was the beaver wetlands.” I couldn’t stop thinking about it, so I told my boss I wanted to go to grad school and study beavers.

Q: What’s your favorite thing about beavers?

A: How stubborn they are. You can do anything you want to try to make them go away or stop doing what they’re doing, but once they’ve set their mind to building a wetland somewhere, they are going to do anything to do it. You take apart their dam; they’re going to rebuild the dam. You wrap all your trees in fencing; they will go find trees from a mile away and bring them back to that spot. They’re very stubborn and persistent, which is great because they need to be. They have a lot of really important things to offer us, and we’re not always super-receptive to that at first.

Q: I am curious about their decision to pick one spot and never leave. How does that work?

A: They just decide they love a spot. There should be flowing water or relatively deep water, so they like lakes, but they also like streams and rivers. There should be some of their food nearby. They only eat plants like cattails and reeds. They also love tree bark. So they will eat the bark off of willows, cottonwoods, aspen, birch, maple. They hate conifers. So they do not want to chew on pine trees. They do not want to chew on spruce or fir or anything like that. Just the leafy green trees.

Q: No fish?

A: Absolutely no fish. They can’t. They are obligate herbivores.

Q: Where do you do most of your field research?

A: I do a combination of field work and remote sensing for my research. A lot of it is with satellites. I can pull down satellite data and look at any spot in the world right now, and I can look at any spot in the world back in 1990 or in 2000. That is how I find these sites. I look at them before and after big-disturbance events — usually that’s a drought, a flood, a wildfire, something like that. Once I find them with satellite, then I go visit them on the ground. I have sites in Minnesota, Wisconsin, California, Colorado, Wyoming, Oregon and Alaska. Pretty much everywhere there are beavers, we are working.

Q: There aren’t many beaver scientists in the world. Did anyone ever try to dissuade you from focusing on just beavers?

A: There were a lot of people who thought it was a little ridiculous, like, “You should study something else that has to do with rivers or water. You know, where there are going to be jobs. Studying beavers is too niche. Cool documentary, but move on.” I pushed back on that quite a bit because I was seeing my own data. I was seeing how green these beaver wetlands were during the most wicked droughts that we’ve had. I was seeing then how these beaver wetlands were not burning during wildfires, and everything else was burning. And I believe my data, because I’m a scientist, and I’m seeing this happen over and over again. And as the years are passing, climate change is getting worse, and the droughts are getting worse, and the fires are getting worse, and the ability for beaver wetlands to resist that was not changing. It was around 2020 when I first published my research on beavers and wildfires. At that point, the conversation changed entirely. No one was like, “This is ridiculous.”

Q: How does a beaver wetland stay green in the middle of a desert?

A: If you have a beaver dam, it’s going to hold back water and slow it down, but the water is still moving through. It’s not like a still-water system. You have water going over the dam, under it, around it, through it. The beavers also dig canals. All of these little circuitous bits of water are the canals, and those are the beavers’ highway systems. That spreads out the water over the whole valley bottom, versus just in a pond. It increases the beavers’ area of influence from pond size to landscape size. A single beaver family doesn’t build one dam. They usually build between eight and 10 dams, sometimes even more, and that’s when you get a whole watershed just full of them.

Q: How do you know they’re all related?

A: We’re looking for active lodges. Are they actually spending time here? Beavers like to have a territory of about 1 to 2 kilometers of stream length. If other beavers come into their territory, they will fight them. They don’t want to share space.

Q: How many beavers are in a lodge?

A: You would have one family, which is going to be somewhere between four and 10 beavers, usually. We’ve got mom and dad, who will be partnered for life. They can live up to 20 years in the wild, although 10 to 15 years is average. You’ll have some teenage beavers that are between the ages of 1 and 3. Beavers stay home with mom and dad for the first bit of their life, and then you have little babies, and they have babies — called kits — once per year. They usually have between one and six kits, and about half of those make it to adulthood.

Q: Who else lives in the lodge with the beaver?

A: So in the winter, especially here in Minnesota, it’s very cold. Beavers are not super-bothered by the cold, but they also don’t want to feel minus-40, so their lodges have these really, really thick walls that are super-insulating, and then there will be a big snuggle pile of beavers in the middle. Every beaver weighs between 40 and 110 pounds as an adult, so it’s a huge warm snuggle pile.

Q: Wait, 110 pounds?

A: Yeah. They get that big. The record breaker was 110. He came out of Wisconsin, so he’s our neighbor beaver. I just saw a picture of a 105-pounder.

Q: Back to the lodge. Who else lives in there?

A: Everyone wants to be in there. You will have mice, muskrats, snakes, frogs, bugs. But the beavers do not want to snuggle all of these outsiders, so instead of welcoming them into their pile, what they do is they make separate spaces in their lodge, and they just kind of, like, push the muskrats over there, push the mice over there, push the snakes over there. As long as they’re not bothering the beavers, the beavers just leave them be.

Q: But other beavers aren’t allowed in?

A: They don’t let other families come in. You have to be related. They can tell. Mostly, we think by scent. And they don’t like outside beavers. They’re fine with blood relatives. The further away you are, the less likely they are to want to share resources. But ultimately, as long as the work is getting done and there’s enough food, they can be fairly tolerant.

Q: Were you happy about how beavers are portrayed in “Hoppers”?

Dr. Emily Fairfax attends the world premiere of Disney and Pixar’s “Hoppers” at El Capitan Theatre in Los Angeles on Monday, Feb. 23, 2026. (Rodin Eckenroth / Getty Images for Disney)

A: Yes. There’s a lot of implicit messaging around the value that beavers are bringing to this landscape, and that if we co-exist with them, we can benefit from the beavers. It’s not just, “Let’s let the beavers be there because it’s nice to the beavers.” It’s, “Let’s let the beavers be there because it removes pollution from the water. It protects us from floods and droughts and fires. It provides habitat for 80 percent of terrestrial species. Like, they’re really important.” It does a great job. It really hits the right notes.

Q: What I love about Pixar movies is how much you learn. I can just see little kids going home after seeing “Hoppers,” and the next time they see or read about a beaver, they’ll be spouting little facts.

A: I think there’s a lot of things people won’t realize they learned, especially the really niche beaver facts that everyone who studies beavers or works with them is going to be so jazzed to see.

Q: Like what?

A: Beavers don’t use their tails to pack mud; they use their hands. They will dig up mud, and they’ll press it on and do this little paw dance. They have the paw dance in the movie!  And beavers can be really strong. They often start their dam with a line of stones. There’s this sequence where you see these, like, ultra-buff beavers lifting up the stones with their hands and moving them. And then my favorite: So beavers, their spine goes all the way to the tip of their tail. When you sit, your tailbone tucks. When beavers sit, they like to sit like people do – on their butts. Their tailbone tucks, so they’ll pull their tail between their legs and sit on it. And that’s real. And they show the beavers, the real beavers doing that. And then very cleverly, they show the person who’s pretending to be a beaver not doing it because she’s a fake, and she has her tail out behind her.

Q: Are beavers smart?

A: Beavers are extremely smart. They build their dam to create habitat, and that’s an example of tool use. They have very strong social relationships with themselves, with their families, with other animals in the ecosystem. They are able to be strategic about how much food they’re using. After wildfires, which I study a lot, we will see beavers start cutting and using burned trees, burned pine trees that they absolutely hate, to build their dam, so that they can prioritize the leafy stuff for their food. Whereas before the fire, they would be using leafy stuff for both.

Q: I’ve heard beavers referred to as “nature’s best architects.”

A: A beaver wetland is the ultimate 15-minute city. They have their lodge, which is their house, and then it’s surrounded by the pond, and that’s sort of like their yard or their property, but then they also have all these other dams that are there to help control the water flow and to make sure everything stays really green and really lush the whole growing season. So they’re managing a much larger space, and to get around that, they dig all these canals. The big ones are like their highways. The little offshoots are like their city streets. It can get them to every dam. It can get them to all their favorite foods. They’re not the only ones that use it. The fish use it. The turtles use it. Everyone’s using the beavers’ water network.

Q: What can we learn from their urban-planning and home-design skills?

A: Plan to have highly connected, easy-to-use paths in your city or your town. Make it easy for everyone to get around. That’s very important. In your own home, I think it’s important to have communal spaces. Beavers will eat and groom together. They will sleep in a big pile together, but they also go off and have their own personal time, similar to people. We will see siblings squabbling. We will see parents taking one kid out at a time and trying to, like, give them a little bit of space, a breather. We see the older teens hang with the little ones, but they don’t always have to be together. There are really good spaces and times for the whole family to be in one spot, and also spaces and times for everyone to get their space.

Q: Are beavers waterproof?

A: Yes. Their fur is so thick and well-groomed that the water droplets don’t get down to their skin. They also have extra eyelids, ear flaps, nose flaps, and a second pair of lips behind their teeth, so that they can completely waterproof everything when they’re underwater. It’s like they’re in a scuba suit.

Q: Back to those teeth. Did they make them orange in the movie?

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A: They went with off-white. There were so many discussions about it. At one of the very first meetings, when I knew it was going to be a movie about beavers, they said, “What are your top beaver myths that we will not propagate?” I talked about how beavers eating fish is a myth. I was like, “If you make them eat fish, I’m out. I’m not supporting that.” We talked about their teeth and how they’re not gleaming white teeth. We talked about how beavers don’t use their tail to pack down mud. It is never used for that purpose, although people always like to show that in drawings and cartoons. Over the course of film development, they were like, “Great news! There is absolutely no fish-eating. We have not even come close. They are herbivores. That’s clear.” And I was like, “Amazing.” “Also great news: Their tails are being used for accurate things. They sit on their tails. They will use their tail to steer when they’re swimming. They’ll slap to make noises for each other, but they’re not going to be using it to pack mud on the dam, but on the teeth, we’re not going to make them orange.” They tried rendering it, and it looked really rough. I mean, the beavers already have orangish fur, right? And then you add in orange teeth, and it’s just not a good look.

Q: Were you OK with that?

A: That was fine. They compromised. They went with an off-white color. It was not bright white. If that makes the beaver more palatable to a general audience, then I think that’s going to do more good than accurately showing those orange teeth.

Rich Harwood: As America turns 250, it’s time to begin again

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I know so many people are approaching America’s 250th anniversary with a sense of trepidation, even dread. Is there really anything to celebrate given the recent chaos and uncertainty we’ve been experiencing? Is productively reckoning with our history a possibility these days? And how hopeful will we allow ourselves to be about the future of the nation, its ideals, and our sense of belonging to something larger than ourselves?

Amid the chaos and uncertainty of 2026, I find myself returning to the words of the writer and civil rights activist James Baldwin. Just as things looked darkest to Baldwin amid the struggle for civil rights, he refused to give up or submit or wallow in despair.

Instead, he wrote: “Not everything is lost. Responsibility cannot be lost; it can only be abdicated. If one refuses abdication, one begins again.”

This is the task before us today. To “begin again” — as individuals, as communities, as a nation. Today, we must begin the next 250 years. The good news is that people across our country are open, willing — and ready.

As I’ve crisscrossed our nation the past two years on a series of civic campaigns, I have witnessed a growing energy and hunger among Americans to rally around a new moral vision for our communities and society. This new moral vision includes:

— Reckoning honestly with our past while celebrating what makes Americans good and strong.

— Putting people — and a shared sense of humanity — at the center of everything we do.

— Establishing dignity and decency as foundational to a shared society.

— Focusing on our shared aspirations for connection, belonging and mutual reciprocity.

— Coming together to take action on a set of shared concerns and issues that people are ready to work on together — like education and youth opportunities, senior care, affordable housing, mental health, and others.

— Restoring belief in ourselves and in our nation, and a practical path for doing so.

— Living a new patriotism.

— Starting locally.

The loudest voices would have us believe such a vision doesn’t exist and won’t anytime soon. They seek to win for their side at any cost. Even people of goodwill say a new moral vision is just a utopian idea, given the state of the country. But neither division nor despair will enable us to seize the next 250 years, or even make tomorrow better.

What’s more, this new moral vision is rooted in reality. Indeed, it emerged from my deep engagement with Americans over many years — across all types of communities and all political persuasions. I am convinced it holds the power to galvanize enough of us to “begin again.” It can help us engender a sense of belief that we can get things done together. And it offers us the opportunity to make pragmatic down payments toward moving this country forward.

Numerous communities are already rallying around this vision and making it real, including some you may least expect. Take Union and Logan Counties in Ohio. They’re in Jim Jordan’s congressional district, the co-founder of the House Freedom Caucus.

In each community, leaders and residents have come together over the past two years to create deep, lasting change on youth opportunities, senior care, homelessness, healthcare and other issues. Importantly, they are working in ways that revive the civic culture of these communities by engaging people authentically, getting leaders and organizations to work together in new ways, creating stronger norms of interaction, establishing a stronger sense of shared purpose, and ultimately taking action on what matters to people.

Their efforts bring people together across political parties, race and ethnicity, socioeconomic status and other identity markers that so often drive us apart.

This new moral vision is also being brought about in Alamance County, N.C., likely the most divided place I have worked with in 40 years. And it is coming alive in Reading, Pa., about a decade ago, declared the poorest community in America, which was once predominantly white and is now 70% Latino.

All across these United States, people are choosing hope over despair, healing over trauma, and progress over division. People are finding ways to reckon with our history while celebrating what makes America good.

We need to build on this by rallying more Americans to a new moral vision that helps us “begin again.” In doing so, we can forge a more promising start to our next 250 years.

Rich Harwood is the president and founder of The Harwood Institute. He wrote this for The Fulcrum, a nonprofit, nonpartisan news platform covering efforts to fix our governing systems.

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