Travel: Carpinteria is much more than ‘the world’s safest beach’

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Carpinteria, a small town some 12 miles outside Santa Barbara, Calif., says it is the home of “the world’s safest beach,” and for 90 years newspaper adverts have boasted of its clean, wide sands and lack of rip current.

For me at least, the only danger here has been blotches of tar sticking to my feet.

It comes from an inland pit that outcrops onto the beach, and still oozes and glistens today. It was mined by the native Chumash people to waterproof their plank-built boats, and the carpentry of their village inspired 18th century Spanish explorers when they renamed the area.

On a clear day you can see oil rigs out in the ocean, but they are dwarfed by the outlines of several of the Channel Islands beyond. A total of eight make up the archipelago, and they are explored at the new Chrisman Channel Islands Center, which officially opens to the public April 4.

The new Chrisman Channel Islands Center explores the eight islands off California’s coast. (Photo by James Bartlett)

“We hope to expand to include all the islands right down to Baja California,” says executive director Emily Duncan, explaining that the center was the long-time goal of the Santa Cruz Island Foundation and especially Marla Daily, who has spent decades writing and researching islapedia.com, a website of more than 2,000 people whose lives intersected with the islands.

The center showcases a variety of artifacts from and about the islands, plus the industries based there in the past and present: cattle raising, wine-making, fishing, seal hunting and pottery, as well as tourism, art and even military use.

The exterior of the Chrisman Channel Islands Center features benches in the shape of islands and a statue of Juana Maria, the “Lone Woman” of San Nicholas Island who inspired the children’s book “Island of the Blue Dolphins.” (Photo by James Bartlett)

Outside, the native plant garden is dotted with sculpture, including metal benches in the shape and proportionate size of the islands. Santa Barbara Island is barely enough for a toddler to sit on.

There is also a statue of Juana Maria, the “Lone Woman” of San Nicholas Island and inspiration for “Island of the Blue Dolphins,” plus the Octopus’s Garden, which features a huge granite cephalopod, and donated whale bones and fossilized stones found on the islands.

The center is located at the top of Linden Avenue, the main street that leads all the way down to the ocean. On Linden you’ll find tourist-friendly stores and coffee shops, but also frozen bananas at Robitaille’s, our favorite lunch place The Cork Tree, and old-school seafood joint Little Dom’s.

This mural, trumpeting Carpinteria’s claim to have the “world’s safest beach” is on Wulbrandt Way near its intersection with Linden Avenue. (Photo by James Bartlett)

Also on Linden is the new Lantern Tree Books, which is located where Carpinteria’s first library opened in 1910. Lest you forget, it has a “world’s safest beach” mural on the side wall.

Right by the tiny Amtrak Station is The Spot, a burgers and milkshake shack, and you can go on towards the beach, or instead turn left into the 62-acre State Park, and take the 20-30 min walk past the RV park along the bluffs of the Nature Preserve towards the Seal Sanctuary.

Carpinteria’s Harbor Seal Statue is located off Linden Avenue, just inside Carpinteria State Beach. (Photo by James Bartlett)

From high above you look down on dozens of harbor seals lazing on the sand, and in the winter it’s a rookery for newborns. There are further hikes around, but instead turn back toward town and take a detour off the trail at Palm Avenue to visit Santa Barbara Hives and buy some avocado honey, or a charcoal sourdough sandwich — before they sell out.

Santa Barbara Hives in Carpinteria sells varieties of honey along with candles, cakes, jams, jellies and lip balm made with beeswax. (Photo by James Bartlett)

We have visited Carpinteria many times, and find that it’s not too tiring to combine a walk along the bluffs, which are dotted with twisted, wind-blown trees, with a lazy walk along the white sands. The beach is great for finding sea glass and shells, and you’ll often see dolphins swimming, and pelicans flying overhead.

These places — and popping in to see Wayne at Angel Antiques, which is always bursting with retro pieces and surfing artifacts — are always on our list, but more recently we have made discoveries off the main drag.

After asking the locals, I found that many of them tend to gravitate towards a relatively anonymous industrial-looking area known as The Lot, which is near the 101 Exit from Santa Barbara at the western end of Carpinteria Avenue.

The BrewLab has been serving craft beer in Carpinteria for 10 years. (Photo by James Bartlett)

Within a few steps of each other behind gray/black storefronts are several businesses including the friendly and innovative BrewLab, a taproom which is celebrating 10 years of making unique but often delicious beers.

BrewLab is a taproom that has been serving unique but often delicious beers in Carpinteria. (Photo by James Bartlett)

On the walls are portraits by local artist Ruairi Bateson, who was at the bar enjoying a drink during our visit, and advised us on a flight of eclectic IPAs. “You can’t go wrong with anything here,” he promised.

Next to BrewLAB is the Rincon Mountain Winery, the only one located in Carpinteria.

Rincon Mountain Winery is the only vintner in Carpinteria. Its tasting room features stacks of old vinyl records. (Photo by James Bartlett)

Inside, one wall is stacked floor-to-ceiling with old vinyl, which is played behind the bar on turntables. There’s a heavy accent on jazz, blues and big band, but also plenty of 1960s, ’70s and ’80s staples.

Christian Baker, brother of co-owner Jill Siple, poured a sample of Salvadorean red and explained that they recently branched out into small, 90-gallon batches of beer named Smoke Mountain in tribute to what the original Chumash people called Rincon Mountain.

He steps outside, and points into the distance. “That’s Rincon Mountain. We make our beer there too, and we’re moving into cider.”

A real secret — one that I was first told by Dennis Mitchell, the man behind Carpinteria Valley Radio, and then by several others — was that a man named Luis makes family-recipe frozen and baked Argentinian empanadas at Che Empanadas, which is behind BrewLAB.

He is only there on Friday and Saturday, but knock on the door and he will tell you how to cook, hold and eat them. Otherwise, you can order them at BrewLAB, Rincon, and from nearby Apiary, a brewery that makes gluten-free mead, kombucha, and other honey-based beverages.

A walk along the bluffs in Carpinteria offers breathtaking views and can be combined with a stroll on the sand. (Photo by James Bartlett)

Round the corner — literally — from Rincon is Sade, a Turkish coffee shop owned by Istanbul-born Ali, who excitedly explains the way to make the best coffee, and how he started out selling baklava.

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Bonbons, truffles and chocolates, an ideal complement to the coffee, are a few yards away at the French Chocolats du CaliBressan, and with the beach always close at hand, no wonder Mitchell, who moved here a couple of years ago, simply says:

“I love this town so much it flows.”

If you’re planning a visit, have a look at the Facebook Group for “Carpinteria — the World’s Safest Beach”, and you’ll see pictures from beach combers, sunset-chasers and dog lovers.

One last tip: petroleum jelly gets the tar off your feet!

Who is Jeremiah Brent? Meet the new ‘Queer Eye’ design expert following Bobby Berk’s exit

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Karu F. Daniels and Jager Weatherby | New York Daily News (TNS)

NEW YORK — The latest iteration of the Fab Five has a fresh new face on board.

Roughly three months after the news that “Queer Eye” design expert Bobby Berk would be leaving the series after Season 8, Netflix has announced that Jeremiah Brent will be stepping in to replace him.

The new interior designer will join long-time castmates Karamo Brown, Tan France, Antoni Porowski and Jonathan Van Ness for Season 9 of the Emmy Award-winning series, which is set to be filmed in Las Vegas.

But who is Jeremiah Brent and where might you have seen him before?

Jeremiah Brent visits SiriusXM Studios on Feb. 15, 2024, in New York. (Dia Dipasupil/Getty Images/TNS)

Who is Jeremiah Brent?

Brent, whose birth name is Jeremy Clevenger Johnson, is a design industry superstar hailing from Modesto, California.

The self-taught interior decorator first made a splash in the world of reality TV as a styling associate on Season 4 of Bravo’s “The Rachel Zoe Project.” Years later, he hosted the Emmy Award-winning “Home Made Simple” for two seasons on the Oprah Winfrey Network and starred in TLC’s “Nate & Jeremiah by Design” alongside his husband, fellow interior designer Nate Berkus.

Berkus and Brent — the first same-sex couple to be featured in ads for Banana Republic — were married in 2014 and are the parents of 8-year-old daughter Poppy and 5-year-old son Oskar, both of whom were born via egg donors and surrogates.

In 2011 — the same year he appeared on “The Rachel Zoe Project” — Brent founded design firm Jeremiah Brent Design (JBD), with offices in Manhattan and Los Angeles.

“My personal design aesthetic is monastic, but obviously, we don’t do just that with the firm,” he told Architectural Digest in 2022.

Why did Bobby Berk leave “Queer Eye”?

Following the premiere of “Queer Eye” in 2018, Berk quickly became a fan favorite thanks to his stunning home makeovers and compassionate conversations. So it came as a surprise to fans when the 42-year-old Houston native announced in November that he was departing the show after Season 8, which dropped Jan. 24 on Netflix.

“It’s with a heavy heart that I announce that Season 8 will be my final season on ‘Queer Eye,’” Berk wrote on social media. “It’s not been an easy decision to be at peace with, but a necessary one. Although my journey with ‘Queer Eye’ is over, my journey with you is not. You will be seeing more of me very soon.”

Berk elaborated on his departure in a recent profile for Vanity Fair, saying he thought the show had come to an end after they had completed the contract they initially signed.

“We thought we were done [after September 2022],” he said. “Mentally and emotionally, I thought we all moved on. I know I did, and I started planning other things.”

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But then, after nearly a year had passed, Netflix decided to renew the show, with a contract that required a commitment of up to four seasons. Having already made other plans, Berk decided not to sign while his fellow castmates did.

“We just assumed that the show wouldn’t come back if we all didn’t come back,” he said.

Berk also confirmed rumors of a rift with fashion expert Tan France.

“Tan and I had a moment. There was a situation, and that’s between Tan and I, and it has nothing to do with the show,” he told Vanity Fair. “It was something personal that had been brewing — and nothing romantic, just to clarify that.”

How to watch “Queer Eye”?

All six episodes of the current season of “Queer Eye” — filmed in New Orleans — are streaming now on Netflix, along with all previous seasons of the series. There’s no word yet on when Season 9 will premiere.

©2024 New York Daily News. Visit nydailynews.com. Distributed by Tribune Content Agency, LLC.

Wolfgang Van Halen says he’s surprised by quick success

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As he begins another year of touring with his band, Mammoth WVH, Wolfgang Van Halen says “he didn’t expect to be where we are this soon in our career. I didn’t see it coming. I feel very lucky to be where we are.”

That seems … odd?

The 32-year-old son of the late Eddie Van Halen and actress Valerie Bertinelli is as sincere as his viewpoint is surprising.

He did, after all, start his performing career playing to sold-out arenas as Van Halen’s bassist from 2007 to 2020, and alongside that was part of Creed/Alter Bridge guitarist Mark Tremonti’s solo band. He was a known commodity by the time Mammoth WVH released its debut album in 2021, hitting No. 1 on three Billboard charts and launching a pair of No. 1 Mainstream Rock hits in “Distance” and “Don’t Back Down.”

Last year’s “Mammoth II,” meanwhile, also debuted atop the Hard Rock Albums charts, and the band found itself playing to stadiums opening for Metallica. And Van Halen himself was part of the award-nominated “I’m Not Ken” the “Barbie: The Movie” soundtrack.

Wolfgang Van Halen performs at Ford Field in November 2023. (Photo courtesy of Mike Ferdinande)

It’s a lot of good stuff, and it seems that with his experience and his lineage, Van Halen would not be surprised.

“Well, it’s a bit different when it’s your thing from its inception,” Van Halen explains via Zoom from his home in Los Angeles, where he also helps to run his father’s EVH Gear company. “It’s this baby you’ve cradled yourself from the very beginning. It’s such a close thing to my heart because I’ve poured everything into it. So to be able to see people appreciate that, it feels nice … and better than I expected it to be at this point.”

While he does have a touring band, Mammoth WVH is 100% Van Halen in the studio, playing all the instruments and doing all the singing with only producer Michael “Elvis” Baskette and recording engineers alongside. It’s a testament to Van Halen’s DNA and drive, of course. He started out playing drums, then moved on to other instruments, and at this point, he’s comfortable as a one-man band, at least when recording.

“From its inception, it’s been my artistic expression or whatever,” says Van Halen, who married longtime girlfriend Andraia Allsop in October. “And at the end of the day, it’s just plain fun. I have a good time playing everything. Could I see bringing the live guys in at some point? Sure, but I just have such a good time doing it (alone). I’m not ready to give that up.”

And, he adds, being the master of his own musical domain means he can follow his muse in any direction.

“I view it in a way as expanding the scope of Mammoth rather than creating something else,” Van Halen explains. “Mammoth II, I think, skewed in a different direction where there were some heavier things and stuff that wouldn’t have fit in the first album. There are certainly ideas that feel more left field that I’ve come up with lately that are like, ‘Y’know, this would be another cool notch in the belt, another direction Mammoth can go to.’

“So I’m just focused on Mammoth being, I guess, a one-stop shop for any type of vibe I want.”

The “Barbie” involvement, of course, was an unforeseen fork on the creative path. Van Halen was invited on the Ryan Gosling-sung “I’m Not Ken” by Mark Ronson after meeting at the Taylor Hawkins tribute concert in September 2022 — where Van Halen played a selection of Van Halen band songs. He played guitar on the track, which was a Top 5 hit on Billboard’s Hot Rock Songs and Alternative charts and was nominated for Golden Globe and Academy Awards.

“I’m just honestly happy to be part of it, to have the opportunity to play a super small part in it,” Van Halen says. “I spent two days in the studio and we just kind of played around with ideas, and it was a really good time. I knew (the movie) was good just from being involved in it and seeing what I was able to see, but to see how much it, specifically the song I played on, blow up as much as it did was pretty crazy.”

The only dark cloud in all this silver lining is haters, who have let their opinions be known since Van Halen controversially replaced original bassist Michael Anthony 17 years ago in Van Halen. Some — who obviously don’t listen to the music — slam Van Halen for coasting on his father’s enormous coattails and fill social media with potshots. And Van Halen is more aggressive than most at slapping back at the most egregious comments.

More recently he faced the ire of former Van Halen frontman David Lee Roth, who in a lengthy video diatribe referred to Van Halen as “this f***in’ kid” and a “schlemiel kid” and accused him of kicking some of Roth’s guests out of the backstage area during shows. “I’m honored he thinks about me as much as he does, I guess,” Van Halen says with a smirk, adding, “I would sure love to not have to be part of some sort of Van Halen drama at all, so I think I’m just gonna continue to sit in my no-comment zone … ’cause at the end of the day, it’s just not worth it.”

However, he continues: “It’s one thing when there some dude on Twitter being a (jerk), saying a lie about me. But when there’s other people trying to lie about me and make me look bad, it’s just like you can believe whatever you want, I guess. The people who hate me are gonna continue to hate me and I’m just gonna be over here doing my thing.”

As far as Van Halen is concerned, he’s more than proved that his “thing” is nothing less than valid.

“It’s tough and a bit stressful to have so many expectations on you and people having so many opinions on what I should be doing or whatever,” he says. “But I’m confident that just my existence is an honoring of my dad’s legacy, and the fact I am chasing my own musician dreams and doing my own thing in music. … He was very proud and I think he’d be proud to see where everything is now.”

Mammoth WVH and Nita Strauss perform Wednesday, Feb. 28 at Saint Andrew’s Hall, 431 E. Congress St., Detroit. Doors at 7 p.m. 313-961-8961 or saintandrewsdetroit.com.

While he does have a touring band, Mammoth WVH is 100% Wolfgang Van Halen in the studio, playing all the instruments and doing all the singing with only producer Michael “Elvis” Baskette and recording engineers alongside. (Photo courtesy of Bryan Beasley)

What to watch: ‘Shogun’ a worthy remake of classic series

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Producers of streaming and cable series seem to be throwing an awful amount of money at certain series these days. Sometimes it’s all for naught. Case in point, Amazon Prime’s “Citadel” series, an action-packed six-parter whose budget reportedly ballooned to nearly $250 million.

The results might have been better if the budget had made room for a more refined screenplay.

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We don’t know how much producers spent on FX’s/Hulu’s new take on “Shōgun,” but we can see via our own eyes that it probably cost a bunch. And it was money well spent, given the source material.

Bookworms of a certain age know well that you didn’t merely read James Clavell’s epic 1975 novel, a 1,152-page classic, as much as you devoured it. Didn’t matter if you were going to work or school or on a hot date — all plans got shoved aside so you could power through this mesmerizing, multi-pronged narrative about a power struggle in 1660s Japan. The tale, based on a true story, brings two unlikely figures together — a wise but imperiled feudal lord and a brash, crass British pilot whose ship got washed ashore. They didn’t exactly strike up a let’s-do-brunch friendship, but learned to respect and learn from each other, and stare down enemies in the process.

Clavell was a masterful storyteller and this, his third novel, sold millions upon millions and then got turned into one of TV’s first “event” miniseries, airing on ABC in 1980. It starred “Seven Samurai’s” Toshiro Mifune and Richard Chamberlain, and the ratings shot through the Nielsen roof. That nine-hour series, along with the book itself and the ensuing computer games and even Broadway musical spurred, a deep dive into Japan’s fascinating and rich history, culture and lore.

Now, the husband-wife duo of Justin Marks and Rachel Kondo have created their own 10-episode interpretation of the durable Clavell classic (his daughter Michaela Clavell serves as an executive producer), and they’ve crafted something better, more daring and ferociously gripping than the popular 1980 version. They also showcase its Japanese cast first and foremost, rather than telling the story predominantly from a White man’s perspective. Most of the dialogue is spoken in Japanese with subtitles.

This version balances such jaw-dropping spectacles as an earthquake and a bloody cannonball attack with its story lines full of cultural clashes and multi-pronged political strategizing.

It is just as gripping as Clavell’s words, and is guaranteed to be one of the best limited series you’ll see this year.

The casting choices be much better, each actor is in perfect sync with the complicated people they are portraying. Hiroyuki Sanada gives a seamless understated performance as sage-like Yoshii Toranaga, the lord presiding over the Kanto Region and a ruler who is dangerously at odds with major players at Osaka Castle, including the cunning Ishido Kazunari (Takehiro Hira). Sanada is ingenious here, able to convey with just one glimmer in his eye a sentiment that would take most actors a protracted monologue to deliver. He’s magnificent.

When Blackthorne (Cosmo Jarvis) — dubbed the Barbarian and later the Anjin (or pilot) — arrives after a distressed vessel deposits him on this new land, the ever-aware Toranaga seizes on the opportunity to reap the benefits of this hot head’s knowledge base. The impatient Blackthorne can’t understand or appreciate Japanese culture and rituals, a stance that softens once Toranaga assigns Toda Mariko (Anna Sawai) — who’s dealing with disgrace of her own along with a brute of a husband — as a translator.

Jarvis and Sawai wisely temper how their evolving connection develops, never revealing what we know is going on underneath. Jarvis previously co-starred in 2016’s “Lady Macbeth” and 2022’s “Persuasion” and continues to excel at being a fearless actor. He never soft pedals who Blackthorne is — an uncouth, short-fused blowhard — and still manages to make him likable. It’s a historically appropriate approach given how Blackthorne represents European ideals and actions, those at odds with Eastern ways of being. His Blackthorne is also resentful of what he sees as Jesuits interference and power plays. Sawai’s performance only deepens and intensifies as her backstory gets revealed. She’s stunning in the part, as are so many others in this vast Japanese cast.

“Shōgun” is a stirring and meaty historical series that matches its spectacle and scale with its emotion and intelligence as it ponders deep philosophical discussions about life, sacrifice, valor and death. It’s epic, in the very best way.

Details: 4 stars out of 4; episodes are 7 p.m. (PST) Tuesdays on FX with each episode available to stream on Hulu. Final episode drops April 23.

“Monolith”: Wily is the best word to describe Matt Vesely’s genre nonconformist, a brainy piece of work that fools you once then fools you again and again. Lily Sullivan is the only actor on-screen throughout its entirety, and she is riveting — and the major reason that the film actually works. She portrays a scandal-plagued journalist holed up at her parent’s posh, remote home in Australia. It’s there where she pursues a new podcast searching for answers or truths out of mysteries or unsolved phenomena. But can truth be subjective and shaped by the person investigating it? Those questions pop up as Sulllivan’s nameless looks into an anonymous email about a black brick. Is it tied to a conspiracy? Or something else? And will the “truth” – whatever that should be – win out? Lucy Campbell’s risky screenplay isn’t afraid to look at bigger pictures in an industrious indie that defies its genre conventions every step of the way. Sound designer Leigh Kenyon deserves special attention along with director of photography Michael Tessari.

Details: 3 stars, available to rent now.

Find of the week

“Trust:” A matriarch’s suicide reunites three neurotic siblings for an awkward funeral and then the reading of a shocker of a will. The brief amount of time that nursing student Kate (co-writer Jennifer Levinson) spends with recovering alcoholic Josh (Heston Horwin) and hypochondriac diva Trini (Kate Spare) — the trust’s executor — is for the best since these meet-ups only collapse into bitter screaming matches. Director/co-writer Almog Avidan Antonir’s debut feature, receiving a world premiere, does cover familiar terrain but “Trust” sports a fearless attitude and is never dismissive about the issues at hand or the festering problems this family and its disowned father (Linden Ashby) have failed to work through. The cast is first-rate in this gutsy indie with a strong message about how it sometimes is best to uproot from a dysfunctional family tree in order to maintain your own sanity.

Details: 3 stars; available to rent or stream on Apple TV,  Amazon, Vudu, Google Play, YouTube Movies and more.

Contact Randy Myers at soitsrandy@gmail.com.