It’s a bird, it’s a plane, it’s Anthony Edwards, soaring up to save the Timberwolves season

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Surely, he was running on springs.

Jumping on a trampoline.

Shot out of a cannon.

Something supernatural took place as Anthony Edwards took off in the final second Thursday in Indiana. Because there’s no logical explanation for a player leaping as high as the 22-year-old guard did — figuratively touching the heavens and literally slamming his head off the side of the rim — as he soared to reject Aaron NeSmith’s game-tying layup attempt at the rim to save Minnesota’s 113-111 road victory over the Pacers.

“I saw him at the lane, I knew he was going for the layup. I was like, ‘Man, I’m finna go get this,” Edwards said in his postgame, on-court television interview. “I ain’t ever jumped that high in my life.”

It was Superman lifting a building. Spiderman climbing a wall. Doctor Strange Teleporting.

Anthony Edwards saving the Timberwolves’ season.

No, one victory doesn’t define or salvage a campaign. But Minnesota was in need of a lift Thursday, or some type of reassurance that everything could possibly be alright. The news of Karl-Anthony Towns’ meniscus tear and impending surgery, that will keep him out of the lineup for at least a month, was enough to make everyone question whether this team’s goals, which stretch as high as a championship, are no longer attainable.

But Edwards provided another reminder Thursday that, when he is locked in and at the peak of his powers, he can lift Minnesota to unimaginable heights, almost on his own.

He scored nine of Minnesota’s 11 points in the final five minutes of the contest. Indiana continuously struck back on the other end, but Edwards found an answer time and time again. He scored 13 points in the third and 16 in the fourth while making Andrew Nembhard, Indiana’s best defender, look like a mere bug on his windshield.

“I found my second win in the fourth,” Edwards said. “And, once I found my second wind, I knew there was nobody that could stop me.”

In total, Edwards finished with 44 points in a game that was reminiscent of the performances he has delivered in so many other high-profile contests in the past, whether those be against some of the league’s top teams or in the playoffs themselves.

Indiana is not a top-tier foe. The Pacers are destined to be a play-in team in the Eastern Conference. But Timberwolves coach Chris Finch has always said Edwards has a feel for the moment.

And, in Thursday’s moment, Minnesota desperately needed a pick-me-up. The Wolves — and, perhaps more specifically, their fans — needed a reason to believe again, after their hopes and dreams were seemingly smashed just 12 hours earlier.

So of course Edwards stepped up to the plate. Superheroes have always been the ultimate sign of hope.

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Guthrie Theater’s 2024–25 season includes ‘Midsummer Night’s Dream,’ ‘Cabaret’ — and at cheaper season ticket prices

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The Guthrie Theater’s 2024–2025 season is set to feature several newer productions and comedies, alongside classic works by Shakespeare and Agatha Christie.

This year also marks the 50th production of “A Christmas Carol,” an annual holiday tradition at the Minneapolis theater. Another highlight, the jazzy musical “Cabaret,” was initially scheduled for 2020 but postponed due to the pandemic — and it fits in with other shows this season whose themes also center around the blurry line between morality and immorality.

Here’s what’s on the schedule:

‘The Lehman Trilogy’ (Sept. 14 – Oct. 13, Wurtele Thrust Stage): This multigenerational epic is based on the real-life story of the Lehman brothers, immigrants whose fabric company slowly transformed into the massive global financier and investment bank that, of course, collapsed disastrously in 2008. Directed by Arin Arbus.

‘All the Devils Are Here: How Shakespeare Invented the Villain’ (Oct. 12 – Nov. 17, McGuire Proscenium Stage): This one-man show, created and performed by renowned Broadway star Patrick Page, uses Shakespearean characters to illuminate “the depths of the human heart.” It’s directed by Simon Godwin.

‘A Christmas Carol’ (Nov. 9 – Dec. 29, Wurtele Thrust Stage): This season marks the 50th year the Guthrie has produced this holiday classic! Directed by Addie Gorlin-Han, the theater’s associate producer.

‘The Heart Sellers’ (Dec. 14 – Jan. 25, McGuire Proscenium Stage): Lloyd Suh’s new comedy, which just premiered last year, follows two women, recent and homesick immigrants from Asia, who make a traditional Thanksgiving meal together while their husbands are working. In the process, they share stories, dreams and insights into the Asian immigrant experience. Directed by May Adrales.

‘A Midsummer Night’s Dream’ (Feb. 1 – March 23, Wurtele Thrust Stage): It’s Shakespeare’s “beloved tale of mischief and merriment,” as the Guthrie puts it! What’s not to love? Well, as it happens, love is not always easy when mythological figures and real people bump up against the fantastical fairy world. Directed by Guthrie artistic director Joseph Haj.

‘The Mousetrap’ (March 15 – May 18, McGuire Proscenium Stage): The longest-running play in the world, “The Mousetrap” is the ultimate whodunit murder mystery and one of Agatha Christie’s best-known works. Directed by Tracy Brigden, the Guthrie’s senior artistic producer.

‘The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years’ (April 19 – May 25, Wurtele Thrust Stage): This 2013 play is set in 1964 in Montgomery, Alabama, where two high-society Black women planning the year’s debutante ball are hoping their grandchildren will become engaged to each other at the event. Things don’t go according to plan, naturally, making for a clever and fun comedy. Directed by Valerie Curtis-Newton. (Fun fact: This show is written by Pearl Cleage, who also wrote “Blues for an Alabama Sky,” which was staged at the Guthrie in 2022 and directed by incoming Playwrights’ Center leader Nicole A. Watson.)

‘Cabaret’ (June 21 – Aug. 24, Wurtele Thrust Stage): Haj directs this production of the classic musical that juxtaposes a writer’s immersion into the less-savory side of Berlin’s late-1920s nightlife against the rise of the Nazis.

How to buy tickets:

Ticket packages go on sale May 16; season subscriptions start at $54, a drop from last year’s $68 starting price.

Individual tickets go on sale on various dates throughout the season and range from $29 to $139. Seniors, students, children and teachers can access discounted tickets.

Once available, tickets can be purchased at the box office or online at guthrietheater.org. Call 612-225-6238 for season ticket information.

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Bloomington teen pleads guilty in West St. Paul girl’s drug overdose

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A Bloomington man has admitted to selling pills that contained fentanyl and caused a 15-year-old West St. Paul girl to overdose and die nearly two years ago.

Parker Jay Benson was three months shy of his 18th birthday at the time of the girl’s death in April 2022. Dakota County prosecutors charged him as a juvenile with one count of third-degree murder. He was certified to stand trial as an adult last March.

Parker Jay Benson (Courtesy of the Dakota County Sheriff’s Office)

Benson, 19, pleaded guilty to the charge last week, admitting in court that he met up with the girl and sold her four pills, which he believed were Percocet. It was a straight plea, meaning an agreement is not in place other than that the state will argue for just over six years in prison, which falls at the bottom of state sentencing guidelines. Benson’s attorney can argue for a downward departure at sentencing, which is set for April 18.

West St. Paul police were called to the girl’s home about 12:45 a.m. April 20, 2022, on a report that she was unconscious and not breathing. When they arrived, officers found the girl’s mother attempting to revive her. She was taken to the hospital, where she was pronounced dead a short time later.

The Ramsey County medical examiner’s office determined she died of fentanyl toxicity.

According to the criminal complaint, the girl’s mother told police the family had gone to bed about 11 p.m. April 19. The mother woke up later and noticed a light coming from her daughter’s bedroom. The mom went into the bedroom and found her daughter lying face down on her bed with a blue pill next to her. When she rolled her daughter over, she saw the girl’s face was blue. She called 911 and started CPR.

Investigators searching the girl’s phone found Snapchat conversations between the girl and someone named “Parker,” who was later identified as Benson, starting on April 16. That day, she asked him if he would come to West St. Paul and he responded the next day he would do so.

The conversation continued on April 19 with a discussion of “perks” and arrangements for Benson to sell the girl four pills for $60. The two discussed a meeting location — outside the Walgreens in West St. Paul — and at 9:06 p.m. Benson messaged, “pulling up.” The girl messaged that she was in front of the store, adding “thanks bro next time I’ll buy more.”

Later, about 9:50 p.m., Benson messaged the girl and said, “only take like less than a quarter of it.”

Several hours later, at 2:03 a.m., he sent a message asking, “they hitting?”

She didn’t respond.

Google searches on her phone on April 19 showed references to pills, “percs” and how to ingest “percs,” according to the complaint.

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‘Dear Evan Hansen,’ ‘Mean Girls’ among musicals coming to the Ordway’s Broadway series for the 2024–25 season

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The Broadway at the Ordway series returns to the St. Paul theater for a second year, with a new slate of big-name musicals.

Five shows will come to the Ordway Center for the Performing Arts during the 2024–2025 season, each of which is meant to tackle a different facet of love and self-discovery, theater officials said.

Here’s what’s coming to town:

‘Ain’t Too Proud: The Life and Times of The Temptations’ (Oct. 8–13): This jukebox musical traces the journey of the hit Motown group “from the streets of Detroit to the Rock & Roll Hall of Fame.”

‘The Little Mermaid’ (Dec. 3–29): The classic fairy tale/Disney film swims to St. Paul this holiday season for an extended run, with classic tunes by musical master Alan Menken.

‘Dear Evan Hansen’ (March 11–16): One of the most well-known modern musicals, this show follows an anxious high school boy who finds himself mixed up in tragedy and mistaken assumptions.

‘Mean Girls’ (April 8–13): Coming to town on the heels of the cinematic reboot earlier this year, this 2017 musical version of “Mean Girls” was created by a team including comedian Tina Fey and her real-life husband, composer Jeff Richmond.

‘Mystic Pizza’ (June 3–8): Another big-screen adaptation, this time of the 1988 rom-com that gave Julia Roberts her breakthrough role (and Matt Damon his first film appearance). As a musical — making its Minnesota premiere at the Ordway — “Mystic Pizza” follows a group of working-class girls with hit music from the 80s and 90s.

How to buy tickets:

Season subscriptions, on sale now, start at $195 for all shows. Tickets to individual shows will go on sale later in the spring.

You can buy tickets online at ordway.org or by calling the box office at 651-224-4222.

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