Emmys 2024: Final predictions for the series and acting winners

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Glenn Whipp | Los Angeles Times (TNS)

LOS ANGELES — The Emmys these last few years have been a model of all or almost nothing at all.

To follow the last ceremony, held in January after the writers’ and actors’ strikes postponed the event for a few months, you really needed to be aware of only three shows — “Succession,” “The Bear” and “Beef.” They won Emmys for series, writing and directing in their respective categories, and their casts took eight of the 12 acting awards. While the winners were (mostly) worthy, it made for an evening almost entirely devoid of drama, unless you were worried that Matty Matheson might pass out onstage during that long kiss Ebon Moss-Bachrach planted on him after “The Bear” won comedy series.

This year, if you’ve watched “Shōgun,” “Baby Reindeer” and “The Bear,” you’re pretty much set.

Here are my final predictions for the 76th Primetime Emmys on Sept. 15, airing at 8 p.m. Eastern on ABC.

COMEDY SERIES

“Abbott Elementary”

“The Bear”

“Curb Your Enthusiasm”

“Hacks”

“Only Murders in the Building”

“Palm Royale”

“Reservation Dogs”

“What We Do in the Shadows”

Winner: “The Bear”

“The Bear” drops its new seasons in June, putting it in a weird place for the Emmys. Its third season, which premiered a couple months ago to some complaints that the show was inconsistent and a little light on plot, will be eligible next year, as the Emmy eligibility cutoff date is May 31. What will be celebrated at this year’s ceremony is the faultless second season — the one with the classic episodes “Fishes” (the Jamie Lee Curtis Christmas hour) and “Forks” (the culmination of the Richie redemption arc). If all that feels like a chaos menu, take it up with the Television Academy.

COMEDY ACTRESS

Quinta Brunson, “Abbott Elementary”

Ayo Edebiri, “The Bear”

Selena Gomez, “Only Murders in the Building”

Maya Rudolph, “Loot”

Jean Smart, “Hacks”

Kristen Wiig, “Palm Royale”

Winner: Smart

Smart won this Emmy for the first two seasons of “Hacks.” Then, because of the strikes and a heart procedure Smart had in February 2023, the show’s third season was delayed a year. But it was worth the wait, as “Hacks” really burrowed into the complicated relationship between Deborah Vance, Smart’s showbiz legend, and Ava, Deborah’s progressive young writing partner, played by Hannah Einbinder. Edebiri won an Emmy for supporting actress last time out and could now win lead. She’s great! But “Hacks” gave Smart more to do and a better character arc. And voters clearly adore her.

COMEDY ACTOR

Matt Berry, “What We Do in the Shadows”

Larry David, “Curb Your Enthusiasm”

Steve Martin, “Only Murders in the Building”

Martin Short, “Only Murders in the Building”

Jeremy Allen White, “The Bear”

D’Pharaoh Woon-A-Tai, “Reservation Dogs”

Winner: White

This category boasts three comedy legends (Short, Martin and David), two first-time nominees (Berry for the fifth season of “What We Do in the Shadows” and Woon-A-Tai for the third and final year of “Reservation Dogs”) and White, who won at the delayed 2023 ceremony and will prevail again for the season that ended with Carmy melting down while locked inside the restaurant’s walk-in fridge. “No amount of good is worth how terrible this feels,” he says, a vibe that won’t ever be used as evidence that “The Bear” belongs in the comedy categories.

COMEDY SUPPORTING ACTRESS

Carol Burnett, “Palm Royale”

Liza Colón-Zayas, “The Bear”

Hannah Einbinder, “Hacks”

Janelle James, “Abbott Elementary”

Sheryl Lee Ralph, “Abbott Elementary”

Meryl Streep, “Only Murders in the Building”

Winner: Einbinder

OK, maybe you need to watch “Hacks” too for this year’s Emmys. With the third season’s focus on the shifting power dynamics between Ava and Deborah, “Hacks” gave Einbinder room to play a character growing as confident and ambitious as her mentor. Like Smart, Einbinder has the meatiest role among the nominees. This is her third nomination, and it’s time for her to join her co-star as an Emmy winner. (And in case you were wondering: Yes, Streep has an Emmy. Three, in fact.)

COMEDY SUPPORTING ACTOR

Lionel Boyce, “The Bear”

Paul W. Downs, “Hacks”

Ebon Moss-Bachrach, “The Bear”

Paul Rudd, “Only Murders in the Building”

Tyler James Williams, “Abbott Elementary”

Bowen Yang, “Saturday Night Live”

Winner: Moss-Bachrach

Moss-Bachrach won for “The Bear’s” first season, where he spent most of his time screaming at people, although you didn’t have to look all that closely to see Richie’s pain and vulnerability. Season 2 saw Richie wearing suits, acting like a grown-up and celebrating his personal growth by singing along to Taylor Swift. When everything clicked for Richie in the series’ best episode, “Forks,” you wanted to cry for joy. I can’t wait to see whom he kisses onstage this year.

LIMITED SERIES

“Baby Reindeer”

“Fargo”

“Lessons in Chemistry”

“Ripley”

“True Detective: Night Country”

Winner: “Baby Reindeer”

All five of the nominees earned at least 10 nominations each with “True Detective” leading the field with 19. But “Baby Reindeer” became a viewing phenomenon when it landed on Netflix in April. There has been controversy, with the woman who identified herself as the inspiration for the show’s stalker character suing the streamer, accusing Netflix of defamation. But I don’t see that derailing the show’s chances, although the gorgeous, meticulously crafted “Ripley” could be a spoiler.

LIMITED SERIES ACTRESS

Jodie Foster, “True Detective: Night Country”

Brie Larson, “Lessons in Chemistry”

Juno Temple, “Fargo”

Sofía Vergara, “Griselda”

Naomi Watts, “Feud: Capote vs. the Swans”

Winner: Foster

All the goodwill Jodie Foster earned while campaigning for her Oscar-nominated turn in “Nyad” should carry over here, particularly for a role that saw her returning to eerie, atmospheric crime-solving horror. Foster has picked up many honors over the years — two Oscars, four Golden Globes, a SAG Award, plus career tributes — but never an Emmy. In fact, this is her first nomination. Expect a big ovation when she wins.

LIMITED SERIES ACTOR

Matt Bomer, “Fellow Travelers”

Richard Gadd, “Baby Reindeer”

Jon Hamm, “Fargo”

Tom Hollander, “Feud: Capote vs. the Swans”

Andrew Scott, “Ripley”

Winner: Gadd

Gadd earned three nominations for “Baby Reindeer” — lead actor, writer and executive producer. Unlike the Oscars, where members choose the winners in all categories, the Emmys are decided by peer groups within each field. Actors vote for actors, writers vote for writing and everyone decides series. So it’s not like a member of the actors branch looks at Gadd on the ballot and thinks, “OK, I can check off his name for writing ‘Baby Reindeer’ and vote for the series, but I’m going to go with Andrew Scott for ‘Ripley.’”

Personally, I’d go with Scott for his masterful turn as the antihero in “Ripley” in a heartbeat. And it wouldn’t be surprising if Emmy voters finally gave this great actor his due. But I’m leaning toward Gadd for his raw portrait of a flawed man consumed by shame. He’ll get bonus points from his peers for writing himself such a powerful part.

LIMITED SERIES SUPPORTING ACTRESS

Dakota Fanning, “Ripley”

Lily Gladstone, “Under the Bridge”

Jessica Gunning, “Baby Reindeer”

Aja Naomi King, “Lessons in Chemistry”

Diane Lane, “Feud: Capote vs. the Swans”

Nava Mau, “Baby Reindeer”

Kali Reis, “True Detective: Night Country”

Winner: Gunning

I’d love to see Reis holding an Emmy alongside her “True Detective” co-star Foster after the ceremony. The former world champion boxer brought such a raw intensity and presence to her portrayal of Iñupiat state trooper Evangeline Navarro. But I suspect Gunning will be hard to beat here for the way she invested such empathy into the stalker on “Baby Reindeer.” The series is unimaginable without her.

LIMITED SERIES SUPPORTING ACTOR

Jonathan Bailey, “Fellow Travelers”

Robert Downey Jr., “The Sympathizer”

Tom Goodman-Hill, “Baby Reindeer”

John Hawkes, “True Detective: North Country”

Lamorne Morris, “Fargo”

Lewis Pullman, “Lessons in Chemistry”

Treat Williams, “Feud: Capote vs. the Swans”

Winner: Bailey

There was a time when Downey winning for his showy, multi-role performance in “The Sympathizer” seemed a sure thing. But his nomination was the series’ only recognition, which doesn’t indicate much enthusiasm for “The Sympathizer.” It’s a tough category to predict, but I’ll go with Bailey, the English actor who has been wowing us for more than a decade in shows like “Broadchurch,” “Crashing” and “Bridgerton.” It looks like he’s focusing on film now, with major roles in “Wicked” and the next “Jurassic Park” movie, so Emmy voters should send him out in style for his beautiful work in the heartfelt “Fellow Travelers.”

DRAMA SERIES

“The Crown”

“Fallout”

“The Gilded Age”

“The Morning Show”

“Mr. & Mrs. Smith”

“Shōgun”

“Slow Horses”

“3 Body Problem”

Winner: “Shōgun”

The new season of “Slow Horses” just landed with all the attendant acclaim you’d expect for this celebrated spy series, which finally broke through with Emmy voters this year for its third season. It’s one of two shows nominated that actually deserves awards recognition, the other, of course, being “Shōgun.” With a whopping 25 nominations, “Shōgun” is the overwhelming favorite to sweep through most of the drama categories, including the two lead acting awards, directing and probably writing — though it wouldn’t be a shock if “Slow Horses” prevails in that latter category.

DRAMA ACTRESS

Jennifer Aniston, “The Morning Show”

Carrie Coon, “The Gilded Age”

Maya Erskine, “Mr. & Mrs. Smith”

Anna Sawai, “Shōgun”

Imelda Staunton, “The Crown”

Reese Witherspoon, “The Morning Show”

Winner: Sawai

Before the nominations, it felt like the only person who could take this Emmy over Sawai was Emma Stone, who won her second Oscar earlier this year for “Poor Things” and might have been even better in “The Curse,” in which she and Nathan Fielder played hosts of a home renovation show. But then Stone wasn’t nominated. And neither was “The Curse” — for anything. That shutout feels more cringe-inducing than anything this weird, disquieting show offered. So that leaves Sawai, who probably would have won easily anyway. (She’s also great in “Pachinko,” which just returned for its second season.)

DRAMA ACTOR

Donald Glover, “Mr. & Mrs. Smith”

Walton Goggins, “Fallout”

Gary Oldman, “Slow Horses”

Hiroyuki Sanada, “Shōgun”

Dominic West, “The Crown”

Idris Elba, “Hijack”

Winner: Sanada

How about an early prediction for the 2025 Emmys: Oldman wins this award for the fourth season of “Slow Horses.” In a career studded with brilliant work, his portrayal of the foul-mouthed, flatulent, booze-soaked veteran secret agent Jackson Lamb might be the best thing he has ever done. But Sanada carried “Shōgun” playing the pragmatic, charismatic tactician always two steps ahead of his enemies (and allies).

DRAMA SUPPORTING ACTRESS

Christine Baranski, “The Gilded Age”

Nicole Beharie, “The Morning Show”

Elizabeth Debicki, “The Crown”

Greta Lee, “The Morning Show”

Lesley Manville, “The Crown”

Karen Pittman, “The Morning Show”

Holland Taylor, “The Morning Show”

Winner: Debicki

Debicki stands as the overwhelming favorite for her sensitive portrayal of a melancholy Diana on “The Crown,” but castmate Manville might be more deserving. You know this if you saw Manville’s showcase episode, “Ritz,” the gorgeous, devastating highlight of “The Crown’s” final season. It’s Manville’s first Emmy nomination. Debicki was recognized last year, ultimately losing to Jennifer Coolidge for “The White Lotus.” Voters likely will elevate her this year.

DRAMA SUPPORTING ACTOR

Tadanobu Asano, “Shōgun”

Billy Crudup, “The Morning Show”

Mark Duplass, “The Morning Show”

Jon Hamm, “The Morning Show”

Takehiro Hira, “Shōgun”

Jack Lowden, “Slow Horses”

Jonathan Pryce, “The Crown”

Winner: Crudup

The soapy “The Morning Show” would have been a better fit for the Daytime Emmys, but in a soft year it pulled in 16 nominations, including nine for acting. But even the people who watch it to complain about how bad it is have nothing but love for Crudup and his charming, chaotic Cory Ellison. For many, Crudup, who won an Emmy for the series’ first season, is the only reason they still tune in. The man can utter a line like “Alex Levy is Lazarus… which I guess makes me Jesus” and somehow keep a straight face.

©2024 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.

‘Transformers One’ review: Well-built animated adventure aimed at young fans

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Ok, that’s more like it.

“Transformers One” — in theaters Sept. 20 — is the first fully digitally animated “Transformers” film and the first animated feature in the enduring franchise about giant robots that convert into planes, trains, automobiles and the like in nearly four decades.

In the time since, we’ve been hit with a steady stream of live-action films from director Michael Bay and others — starting with Bays’ megahit “Transformers” in 2007 — that, while technically impressive, aren’t exactly cinematic gems.

Engaging in a way the live-action offerings rarely are — and coherent in a way they almost never are — “Transformers One” serves up a fast-paced, humor-filled and untold origin of future rivals Optimus Prime and Megatron.

What was apparent from the advanced footage of the Paramount Animation release was that “Transformers; One” was aimed less at those of use who grew up playing with the Hasbro toys and watching the original animated TV series — which led to the theatrical release “The Transformers: The Movie” in 1986 — and more toward the kids of today. That’s certainly the case, but because it’s well-made, the film should be plenty entertaining to the old guard.

Helmed by “Toy Story 4” director Josh Cooley, “One” introduces us to a couple of robots, Orion Pax (Chris Hemsworth) and D-16 (Brian Tyree Henry), who work in the dangerous Energon mines of the planet Cybertron. Although destined to become powerful leaders of the Autobots and Decepticons, respectively, and bitter adversaries, these ordinary Joe-bots are best pals who live among many others in subterranean Iacon City.

In a fun little twist, Orion is the rule breaker of the two, always dragging D along on one daring endeavor or another to prove they’re “more than meets the eye.” (That you can be something beyond how the world tries to define you is a theme used effectively throughout the movie.) In fact, we meet Orion breaking into city archives in his latest attempt to learn more about the Matrix of Leadership, a long-lost object that could help usher into a new era for the planet.

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The Matrix also is said to be the priority of the city’s beloved leader, Sentinel Prime (Jon Hamm), who soon returns from his latest quest to find it on the planet’s forbidden, allegedly too-dangerous-to-visit surface.

The following day is the big Iacon 5000 road race, a day off for workers. Orion plans to make the most of it, pulling his unwitting pal D into the contest along with him.

“If we survive this,” D bellows, “I’m going to kill you!”

“I accept those terms!” Orion responds exuberantly.

Fall movie preview: ‘Gladiator II,’ ‘Wicked’ and much more

Afterward, Sentinel is aware of the two bots and showering them with praise. However, they soon find themselves banished to Sublevel 50 — yep, that’s way down there — where they make the acquaintance of another lowly worker, the extremely talkative B-127 (Keegan-Michael Key). (The future Bumblebee, he tries to make the name “Badassatron” — said in an ominous voice — stick here and throughout the adventure to come.)

In said adventure, our three heroes are joined by a fourth, Elita-1 (Scarlett Johansson), who has a grudge to settle with Orion. (He used to work under her and got her fired. It’s a whole thing.) Like so many inhabitants of Iacon City, they were born without the cogs that allow them to transform. (Or, cough, so they believe.)

Four robots — Orion Pax, top left, voiced by Chris Hemsworth; D-16, voiced by Brian Tyree Henry; B-127, bottom left, voiced by Keegan-Michael Key; and Elita-1, voiced by Scarlett Johansson — find themselves on a dangerous quest in “Transformers One.” (Courtesy of Paramount Pictures)

When they reach the planet’s surface, they encounter dangers that include the Quintessons, a ruthless and terrifying race that fought Cyberton’s original leaders, the Primes.

As the journey continues — and the dynamic between Orion and D evolves — we meet a group of Transformers working in the shadows and led by petulant future Decepticon Starscream (Steve Buscemi), who, appropriately, immediately butts heads with D.

Working from a script from Eric Pearson and the duo of Andrew Barrer and Gabriel Ferrari, with the story credited to that latter tandem, Pixar Animation Studios vet Cooley never loses focus on the all-important relationship between Orion and D as the story brings in more characters and the action gets bigger and bigger.

Plus, joke after joke lands, thanks in no small part to the hilarious Key, but also to Hemsworth, who’s a solid choice for Orion if you’re not going to employ Peter Cullen, whose voice has been synonymous with Optimus Prime dating to those old cartoons. On the other hand — and we’re picking nits here — while the typically enjoyable Henry (“Atlanta”) works early on as D, his voice isn’t big and menacing enough once we get the character’s inevitable turn.

Brian Tyree voices D-16, the future Megatron, in “Transformers One.” (Courtesy of Paramount Pictures)

Counting among its producers Bay and Steven Spielberg, “One” is pretty technically impressive itself, boasting sequences that deliver big action thrills.

Does it matter that you can see every plot point, every twist, coming? Not when the movie is meant for kids, who are likely to be sufficiently surprised at the desired moments.

We couldn’t help but appreciate the awe of a boy in the seat next to ours who let out a hushed-but-extended “Whoa” at a payoff moment involving Orion late in the movie.

Again, that’s more like it.

‘Transformers One’

Where: Theaters.

When: Sept. 20.

Rated: PG for sci-fi violence and animated action throughout, and language.

Runtime: 1 hour, 35 minutes.

Stars (of four): 3.

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The four months that could have broken Vikings left tackle Christian Darrisaw only made him stronger

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The highlights of Vikings star left tackle Christian Darrisaw have gone viral on social media this week. His extremely powerful hands at the point of attack. His incredibly quick feet in close quarters. His innate ability to effortlessly marry both together inside his 6-foot-5, 315-pound frame.

All of it helped him vaporize edge rushers Brian Burns and Kayvon Thibodeaux in last weekend’s season opener against the New York Giants, and will play a key role when Darrisaw goes to battle with star edge rusher Nick Bosa in this weekend’s game against the San Francisco 49ers.

Maybe the most important part of Darrisaw’s makeup, however, is something that doesn’t necessarily show up on film. It’s intangible. It’s on display in the way Darrisaw prepares, which, in turn, has helped him develop into an elite player at his position.

His discipline. That character trait is something Darrisaw forged as a teenager across four months at Fork Union Military Academy in Virginia. It wasn’t a recommendation. It was a requirement.

“They didn’t play out there,” Darrisaw said. “They didn’t tolerate no B.S.”

As a lightly recruited prospect out of Riverdale Baptist High School in Maryland, Darrisaw ultimately committed to Virginia Tech. The scholarship offer came with the caveat that he would attend Fork Union in the fall to fulfill a credit requirement before enrolling at Virginia Tech in the winter.

“Just having to sacrifice everything to have the opportunity to play at the next level,” Darrisaw said. “I really questioned myself like, ‘How much do I love this game?’ ”

The answer was clear to Darrisaw only after he made it through his first week at Fork Union. There were no phones, no computers, and no access to the outside world during that grueling stretch. The ethos centered on separating the strong from the weak.

“They had us doing mile runs, push-ups, pull-ups, all this other stuff,” Darrisaw said. “You saw dudes leaving left and right.”

Not Darrisaw. He came to Fork Union with a purpose, and he was hellbent on seeing it through. He quickly learned it was better to trust the process than question it whether he was competing on the football field or navigating life in the barracks.

“I got a lot of lessons out of it,” Darrisaw said. “Just the discipline and all of that type of stuff helped me grow as a man.”

Vikings left tackle Christian Darrisaw spent four months at Fork Union Military Academy in Virginia as a teenager. It helped him learn the discipline necessary to succeed at the highest level. (Courtesy of Fork Union Military Academy)

Though he thinks back on his experience fondly nowadays, Darrisaw noted that it wasn’t easy by any stretch of the imagination.

All of the perceptions associated with the military academies became reality for him overnight. The whistles being blown in the hallways at 6 a.m. The uniform that had to be worn around campus. The very specific way his bed was to be made and his clothes were to be folded.

“The funny part was there are kids that have been there since middle school,” Darrisaw said. “We’re a bunch of 18-year-olds listening to a bunch of 14-year-olds telling us what to do.”

You name the stereotype and Darrisaw probably lived it during his time at Fork Union.

Vikings left tackle Christian Darrisaw spent four months at Fork Union Military Academy in Virginia as a teenager. It helped him learn the discipline necessary to succeed at the highest level. (Courtesy of Fork Union Military Academy)

There was a specific square he had to be standing on each morning when the drill sergeant arrived at his door. They would then march to breakfast as a group before returning to their respective rooms to make sure everything was spick and span. The smallest infraction was met with consequences.

“It could be a crease in the bed or the hoodie could be folded wrong,” Darrisaw said. “It was pretty crazy, and it definitely taught me a lot.”

The demand for excellence carried over to the football field where Darrisaw honed his abilities in the trenches and helped Fork Union finished with a 9-1 record. That part of it came much more natural to him. He performed so well in his role, in fact, that a handful of schools wanted back in on his recruitment.

Not that Darrisaw ever considered switching up on Virginia Tech. That’s simply not how he’s wired.

“He committed to them, and once Christian commits to something, he ain’t going nowhere,” said Caesar Nettles, the former head coach at Riverdale Baptist. “That’s who he is, and that ain’t ever going to change.”

As he progressed through the trials and tribulations at Fork Union on and off the field, Darrisaw was unknowingly preparing himself for the next chapter in his life. That’s kind of the point.

“The guys who buy in like Christian did accelerate from the discipline we have in place,” said Frank Arritt, the former offensive line coach at Fork Union, who now serves as head coach there. “We focus on the development of the full man when they’re here. It isn’t all about football because there’s more to life than that.”

That said, even after Fork Union finished up its schedule, Darrisaw still had a little more football to partake in. The program puts on a combine annually that attracts upwards of 200 college coaches. It concludes with everybody forming a circle with a couple of players going mano-a-mano in the middle.

“It’s basically some Bear Bryant stuff,” said Vance Vice, the former offensive line coach at Virginia Tech, who now serves in that role at UNLV. “You learn a lot about guys in that moment.”

After watching Darrisaw go again and again and again, Vance knew he had something special on his hands. The tenacity followed Darrisaw to Virginia Tech, where he was a starter from the onset, then to the Vikings, where he has established himself as a foundational piece of the future.

As he reflected on his career this week, Darrisaw pointed to Fork Union as an inflection point. The four months that could have broken him only made him stronger

“I’m grateful for it,” Darrisaw said. “I wouldn’t change anything about the path I took to get here.”

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49ers at Vikings: What to know ahead of Week 2 matchup

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What to know when the Vikings play the San Francisco 49ers at noon Sunday at U.S. Bank Stadium::

Vikings vs. 49ers
When: 12 p.m. Sunday
Where: U.S. Bank Stadium
TV: CBS
Radio: KFAN
Line: 49ers -5
Over/Under: 46.5

Keys for the Vikings

— Can they keep quarterback Sam Darnold upright? That will be the biggest question. It was clear watching Darnold play against the New York Giants in last week’s season opener that he’s more than capable of finding open receivers if he has time to operate. That might be easier said than done against the 49ers. Obviously it helps that Darnold has the luxury of throwing to star receiver Justin Jefferson, who has proven throughout his career he can change the game at a moment’s notice.

— The pressure the Vikings were able to generate against 49ers quarterback Brock Purdy last season was a big reason they came out on top. A consistent pass rush got Purdy off his game and he looked rather uncomfortable as the Vikings pulled the upset. If defensive coordinator Brian Flores can follow a similar script this time around, the Vikings might be able to do it again.

Keys for the 49ers

— Never mind that 49ers backup running back Jordan Mason performed so well in the season opener. The presence or absence of top running back Christian McCaffrey will play a big role in this game. If he’s available, the Vikings will absolutely have their hands full. If he’s not available, the 49ers will need another solid performance from Mason, which is far from a guarantee.

— It will be interesting to see how 49ers edge rusher Nick Bosa fares against star Vikings left tackle Christian Darrisaw throughout the game. Both players are among the best in the NFL at their respective positions so the matchup should provide some fireworks.

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