Alcarez wins Australian Open, completes career Grand Slam at 22

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MELBOURNE, Australia  — Carlos Alcaraz is 22, he’s the youngest man ever to win all four of the major titles in tennis, and he had to achieve what no man previously has done to complete the career Grand Slam in Australia.

The top-ranked Alcaraz dropped the first set of the Australian Open final in 33 minutes Sunday as Novak Djokovic went out hard in pursuit of an unprecedented 25th major title, but the young Spaniard dug deep to win 2-6, 6-2, 6-3, 7-5.

“Means the world to me,” Alcaraz said. “It is a dream come true for me.”

Djokovic had won all 10 of his previous finals at Melbourne Park and, despite being 38, gave himself every chance of extending that streak to 11 when he needed only two sets to win.

Alcaraz rose to the challenge.

“Tennis can change on just one point. One point, one feeling, one shot can change the whole match completely,” he said. “I played well the first set, but you know, in front of me I had a great and inspired Novak, who was playing great, great shots.”

A couple of unforced errors from Djokovic early in the second set gave Alcaraz the confidence.

He scrambled to retrieve shots that usually would be winners for Djokovic, and he kept up intense pressure on the most decorated player in men’s tennis history. There were extended rallies where each player hit enough brilliant shots to usually win a game.

Djokovic has made an artform of rallying from precarious positions. Despite trailing two sets to one, he went within the width of a ball in the fourth set’s ninth game of turning this final around.

After fending off six break points in the set, he exhorted the crowd when he got to 30-30. The crowd responded with chants of “Nole, Nole, Nole!”

When Djokovic earned a breakpoint chance — his first since the second set — he whipped up his supporters again. But when Djokovic sent a forehand long on the next point, Alcaraz took it as a reprieve.

A short forehand winner, a mis-hit from Alcaraz, clipped the net and landed inside the line to give him game point. Then Djokovic hit another forehand long.

Alcaraz responded with a roar, and sealed victory by taking two of the next three games.

As he was leaving the court, Alcaraz signed the lens of the TV camera with a recognition: “Job finished. 4/4 Complete.”

After paying tribute at the trophy ceremony to Djokovic for being an inspiration, Alcaraz turned to his support team. He parted ways with longtime coach Juan Carlos Ferrero at the end of last season and Samuel Lopez stepped up to head the team.

“Nobody knows how hard I’ve been working to get this trophy. I just chased this moment so much,” Alcaraz said. “The pre-season was a bit of a rollercoaster emotionally.

“You were pushing me every day to do all the right things,” he added. “I’m just really grateful for everyone I have in my corner right now.”

Djokovic joked about this showdown setting up a rivalry over the next 10 years with Alcaraz, but then said it was only right to hand the floor over to the new, 16 years his junior, champion.

“What you’ve been doing, the best word to describe is historic, legendary,” he said. “So congratulations.”

Both players were coming off grueling five-set semifinal wins — Alcaraz held off No. 3 Alexander Zverev on Friday; Djokovic’s win over two-time defending Australian Open champion Jannik Sinner ended after 1:30 a.m. Saturday — yet showed phenomenal fitness, athleticism and stamina for just over three hours in pursuit of their own historic achievements.

Djokovic won the last of his 24 Grand Slam singles titles at the 2023 U.S. Open, his push for an unprecedented 25th has now been blocked by Alcaraz or Sinner for nine majors.

At 22 years and 272 days, Alcaraz is the youngest man to complete a set of all four major singles titles. He broke the mark set by Don Budge in the 1938 French championships, when he was 22 years and 363 days.

He’s the ninth man to achieve the career Grand Slam, a list that also includes Djokovic, Nadal and Roger Federer.

Alcaraz now has seven major titles — his first in Australia along with two each at Wimbledon and the French and U.S. Opens.

Carlos Alcaraz of Spain reacts after winning the men’s singles final match against Novak Djokovic of Serbia at the Australian Open tennis championship in Melbourne, Australia, Sunday, Feb. 1, 2026. (AP Photo/Dar Yasin)
Carlos Alcaraz, left, of Spain holds the Norman Brookes Challenge Cup after defeating Novak Djokovic of Serbia in the men’s singles final at the Australian Open tennis championship in Melbourne, Australia, Sunday, Feb. 1, 2026. (AP Photo/Dita Alangkara)

Gophers blitz Badgers to complete weekend sweep

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Five special teams goals powered Minnesota’s men’s hockey team to an 8-4 rout of No. 8 Wisconsin Saturday night, completing a series sweep at 3M Arena at Mariucci.

“You’ve got to throw your first shoutout to our fans. Sold out crowd, enthusiastic, and then our guys didn’t let them down,” Minnesota coach Bob Motzko said. “I know it’s one weekend, (and) we have felt that we don’t get ahead of ourselves, but our guys have just stuck to a great script on working and staying positive.”

Ten different players recorded a point for Minnesota, and Brodie Ziemer and Erik Påhlsson each finished with two goals and an assist for the Gophers, who improved to 10-16-1 overall, 6-10-0 the Big Ten.

Beckett Hendrickson, Brody Lamb, Luke Mittelstadt and Leo Gruba also scored goals, and LJ Mooney finished with three assists for Minnesota, which moved within two points of the Badgers (15-9-2, 8-8-0) in the Big Ten standings.

It was Minnesota’s fifth victory over a Top 10 opponent this season. Next up is a home series against Ohio State on Friday (7 p.m.) and Saturday (8 p.m.).

Tommies win streak snapped

Chasing from the start, St. Thomas’ men’s hockey team tied the game three times before Elias Jansson scored with 6 minutes, 11 seconds remaining to lift Michigan Tech past the Tommies, 4-3, at Will & Penny Anderson Arena.

The loss snapped the Tommies’ NCAA-leading winning streak at 11 games.

Nathan Pilling and Jake Braccini each scored first-period goals to tie the game 1-1 and 2-2, and Alex Gaffney scored his team-leading 16th goal to tie it 3-3 in the third period.

St. Thomas (17-8-3 overall, 14-4-2 CCHA) takes its longest road trip of the season to play Bowling Green (14-6-6, 11-4-3) on Friday and Saturday at Slater Family Ice Arena.

St. Thomas sweeps St. Cloud State

Maddie Brown, Rylee Bartz and Chloe Boreen all scored as the St. Thomas women’s hockey team finished off a weekend sweep of St. Cloud State with a 3-2 victory on Saturday in St. Paul.

The Tommies (12-16-0, 7-15-0 WCHA) won both games by matching 3-2 scores, while sweeping the Huskies (8-18-2, 4-16-2) for the first time in school history. Julia Minotti made 17 saves in goal for St. Thomas.

Brown started the scoring with the lone goal in the first period. Bartz scored her 15th goal of the season 5:40 into the second and Boreen added another tally before the end of the period.

Sofianna Sundelin scored twice in the third, the second coming on a power play, as the Tommies held on.

St. Thomas has a home-and-home series next weekend with the Gophers, opening the series at home on Friday at noon.

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Men’s Hockey: Gophers upset Wisconsin to snap seven-game losing streak

Gophers blitz Badgers to complete weekend sweep

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Five special teams goals powered Minnesota’s men’s hockey team to an 8-4 rout of No. 8 Wisconsin Saturday night, completing a series sweep at 3M Arena at Mariucci.

“You’ve got to throw your first shoutout to our fans. Sold out crowd, enthusiastic, and then our guys didn’t let them down,” Minnesota coach Bob Motzko said. “I know it’s one weekend, (and) we have felt that we don’t get ahead of ourselves, but our guys have just stuck to a great script on working and staying positive.”

Ten different players recorded a point for Minnesota, and Brodie Ziemer and Erik Påhlsson each finished with two goals and an assist for the Gophers, who improved to 10-16-1 overall, 6-10-0 the Big Ten.

Beckett Hendrickson, Brody Lamb, Luke Mittelstadt and Leo Gruba also scored goals, and LJ Mooney finished with three assists for Minnesota, which moved within two points of the Badgers (15-9-2, 8-8-0) in the Big Ten standings.

It was Minnesota’s fifth victory over a Top 10 opponent this season. Next up is a home series against Ohio State on Friday (7 p.m.) and Saturday (8 p.m.).

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Column: Nearing age 100, it’s springtime for Mel Brooks in new Judd Apatow documentary

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Before I tell you why you should watch the new documentary about Mel Brooks, I will tell you that 25 years ago, he told me, “You may be right. I have done everything there is to do in show business. … Everything except to be tall. That’s the one thing I’ve never accomplished, being tall. But I’m looking forward to that.”

He was a relative youngster then, 74 years old, but at a very important point in his life. He was generally regarded as a comedic giant, and why not? He had spent his life making people laugh, first as a Catskills comic and then as part of a glittering writing team (along with Woody Allen and Neil Simon) for Sid Caesar’s pioneering TV programs “Your Show of Shows” and “Caesar’s Hour”; as the co-creator of “Get Smart”; as the 2000 Year Old Man on a series of best-selling comedy albums with pal Carl Reiner; as movie writer, director, producer and actor in such films as “The Producers,” “Young Frankenstein” and “Blazing Saddles.”

But he had not had a critical or box-office hit since his 1977 Hitchcock spoof “High Anxiety.” And there he sat on a cold December day in 2000 in New York, taking a big risk, for many believed that the success or failure of the musical version of “The Producers” he was overseeing would provide the final sentence to his career.

Well, we all know what happened. “The Producers” would open in Chicago, move to Broadway and win a record 12 Tony Awards. The career carried on, and now here is Brooks, as charming, smart and, of course, funny as ever, as the centerpiece of a thoughtfully thrilling documentary now airing on HBO Max. “Mel Brooks: The 99 Year Old Man!,” exclamation point more than justified.

It may be a bit long at almost four hours (in two episodes, now streaming), but it is impossible not to enjoy. Its length is forgivable since one can sense the excitement and affection of filmmaker Judd Apatow, who interviews Brooks at length. Apatow, along with co-director Michael Bonfiglio, has previously also captured in documentary form George Carlin and Garry Shandling.

Drawing on ample archival footage and candid interviews, he and Bonfiglio take us back to the beginning with Brooks (born Melvin Kaminsky), the youngest of four boys of a widowed mother in Brooklyn, all of them off to World War II, all safely returned, with Brooks telling Apatow, “War changed me. If you don’t get killed in the Army, you can learn a lot.”

Mel Brooks attends the Los Angeles premiere of the HBO film “Mel Brooks: The 99 Year Old Man!” on Jan. 20, 2026. (Rodin Eckenroth/Getty)

His career moves to the raucous Sid Caesar writers’ room and we do also hear, rather wistfully, from Brooks’ three children and his first wife, former Broadway dancer Florence Baum, before he was off to moviemaking in California in the early 1960s. His granddaughter Samantha is charming.

You will hear Brooks tell a terrific Cary Grant story (one he has told many times over the years on the various late-night talk shows where he has been a frequent guest) but, more tenderly, tales of his courtship and marriage to actress Anne Bancroft. Gene Wilder shares feelings that go far deeper than director and star. And we get details of Brooks’ long friendship with writer-director Reiner, from the early 1960s to their sharing dinners together as widowers every night watching “Jeopardy” on TV.

Bancroft died in 2005; their son, novelist Max, is tender in interviews. Reiner’s wife Estelle died in 2008 and Reiner in 2020. Hearing Reiner’s son, filmmaker Rob, talk about his father and Brooks gives one a chill, knowing this was one of the final conversations before he and his wife Michele Singer Reiner’s December murders.

The number of people with whom Brooks has shared his creative life will impress and perhaps surprise you. There’s Richard Pryor, who did a bit of writing for “Blazing Saddles,” who says, “He’s a loving man. It’s about love with him.”

The late director David Lynch credits Brooks with saving his career by hiring him to direct “The Elephant Man” after seeing Lynch’s “Eraserhead.” In addition to his own movies, Brooks produced such films, through his Brooksfilms, as “The Fly,” “My Favorite Year,” “Frances” and others, taking a rare low profile lest his name lead moviegoers to think they would be seeing comedies.

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Naturally, we hear from a large crowd of showbiz folks and all of them — Ben Stiller, Jerry Seinfeld, Dave Chappelle, Sarah Silverman, Conan O’Brien, Josh Gad, Robert Townsend, Matthew Broderick, Nathan Lane and others — are complimentary. There must be someone in that backbiting swamp that is Hollywood who isn’t a Brooks fan, but such a person is not to be found here.

Whatever your relationship with Brooks beforehand, this film will enrich it. Will you understand what makes him tick? I don’t know, and you won’t care. Just spending time with him is satisfying enough.

His famously quick wit has not lost a step. When Apatow asks, “You lost your father at an early age?” Brooks quickly replies, “No, no. My father died.”

His ability to recall names and places and laughs is, frankly, astonishing. He is not only able to remember but to enjoy, to savor. We should all be so lucky.

In the film, he says, “Sometimes my comedy is just to celebrate the joy of being alive.” And as he has said many times in his many years, he has always used humor as “a defense against the universe.” Few, if any, have done it better.

rkogan@chicagotribune.com