Throwback styles meet modern tech for a retro revival in our living rooms

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By KIM COOK, Associated Press

It might start with a cassette deck that streams Spotify and charges your phone. It doesn’t have to stop there.

These days, yesterday is big business.

A retro revival is underway in the design world: mushroom-shaped lamps, walnut stereo consoles, daisy dishware, neon Polaroid cameras. It’s like our homes just hustled over from “One Day at a Time” or “That ’70s Show” or moonwalked in from “Thriller”-era 1982.

Welcome to the retro reset, where ‘70s, ’80s and ’90s aesthetics are getting a second life. It’s not just in fashion and film but in home décor and tech. Whether you actually lived through it or long for a past you never experienced, nostalgia is fueling a surge of interest from Gen X to Gen Z in throwback styles that blend vintage charm with modern convenience.

This image released by NeoCon 2025 shows a retro design by Livette’s Wallpaper. (Tony Favarula/NeoCon 2025 via AP)

Old-school tech, new-school tricks

A big part of the trend is tech that looks analog but functions digitally. Think portable CD players in the kind of candy colors popular at Radio Shack in the 1970s, AM/FM radios equipped with USB outputs, or turntables with Bluetooth amplification to wireless speakers. Compact radios styled after 1970s transistor models now double as smart speakers.

There’s even a growing market for clunky-but-charming mini cathode-ray-style TVs — and boomboxes with streaming capability. It’s as if the Carter, Reagan and Clinton eras have collided with the latest of the digital age.

What draws us? Some of it is the tactile appeal of dials and buttons — of interacting with something that feels solid, more “real.”

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In a room, these elements aren’t just nods to the past. They’re also aesthetic statements that add way more character than a giant, flat, black screen, or a “smart” sound system you can’t even see. Stereo consoles in a woodgrain finish or a pastel-colored lacquer offer not only music but a nice furniture addition to a space. (Though who knows: Will those minimalist black screens be ”retro” one day for our children and grandchildren?)

“Whether it’s turntables, cassette players, speakers or musical instruments, there’s definitely a fascination among younger audiences with analog technology and how things worked before the digital age,” says Emmanuel Plat, merchandising director for MoMAstore, the design shop at New York’s Museum of Modern Art.

The store has Tivoli’s Model One table radio, with a throwback-style, wood-grain frame, circle speaker grill and knobs, but 2025’s sound quality and connectivity. They’re also stocking pocket synthesizers, Bluetooth turntables, and “Peanuts”-themed Polaroid cameras and cassette players.

Who’s into it — and why

Gen Z is seeing it all with fresh eyes, and enjoying the hunt for vintage or vintage-look stuff. Millennials and Gen X may enjoy reliving their childhood aesthetics.

And that can be comforting in today’s stressed world, says Joseph Sgambatti, 37, a design journalist in New York City.

“Nostalgia-driven design choices become comforts that help us cope,” he says.

There’s also an ironic, social-media component to the trend.

“Midcentury modern and retro design objects are simple, often show-stopping artifacts,” Sgambatti says. “These finds carry a lot of social currency in a generation that prioritizes publishing their life online.”

Style trends do tend to arrive in cycles — think “Happy Days” portraying the 1950s for the 1970s, or the current Gen-Z crush on Y2K fashion. Plus, a steady diet of nostalgia-rich media from “Stranger Things” to “Barbie” has reintroduced retro design to younger audiences.

But there’s also an emotional component. After years of digital overload and pandemic-era disruptions, we’re gravitating toward styles that feel warmer, softer — more human, even.

Colors that carry meaning

If you walk by the E.C. Reems Academy, an elementary school in Oakland, California, or Houston’s Children’s Assessment Center, you can’t miss the vibrant graphic murals done by Berkeley-based Project Color Corps. The group, which helps transform libraries, schools and other community spaces with eye-catching wall art, often uses graphics, typefaces and an overall palette with a ’70s and ’80s vibe.

In the 1970s, “we sought solace in warm, earthy tones that symbolized grounding and stability. Browns, oranges, olive greens and deep yellows dominated the aesthetic landscape, reflecting the growing Earth movement,” says Laura Guido-Clark, who founded the nonprofit.

It was a different aesthetic in the ‘80s — one dripping with materialism, consumerism, the emergence of ‘”yuppie” culture, says Guido-Clark. “Neon colors, bold patterns and vibrant fashion choices.”

And there’s affection for that, too.

Her group recently worked with the design firm Gensler on a lounge space at Chicago’s NeoCon trade fair for commercial interior design. The space featured retro-flavored colors and motifs.

Gensler’s design director, Marianne Starke, says the colors draw viewers into a sensory experience that might be rooted in memory: “A popsicle on a ‘90s summer day, an ’80s striped T-shirt, a rollerskating rink in the ’70s.”

This image released by NeoCon 2025 shows 80s-inspired designs by Livette’s Wallpaper. (Tony Favarula/NeoCon 2025 via AP)

Furniture with curves and confidence

In furniture, the revival of those slightly distant decades leans toward soft silhouettes, rounded edges and a low-slung vibe. Arched bookshelves, bubble chairs, Lucite tables and terrazzo finishes have all reentered the conversation. Wallpaper and textile patterns feature bold geometrics, Memphis-style squiggles and Pop-Artsy botanicals.

It’s a deliberate swing away from the chilly gray-on-white-on-gray look that farmhouse modern décor gave us for the past couple of decades.

In the process, eras get conflated. Who’s to say whether an inspiration or design comes precisely from the ‘70s, the ’80s or the ’90s — or contains elements of all three?

Designers are even revisiting some once-controversial elements of the disco era: Smoked glass, chrome accents and mirrored surfaces are making subtle (not a word often used in connection with the 1970s) comebacks in upscale interiors and product lines.

Whether it’s a lava lamp grooving on a media console, daisies and doves dancing on wallpaper, or a sofa rocking a bunch of ruffly chintz pillows, the retro revival feels less like a gimmick and more like a shift in how people want to live — integrating elements of the past that offer comfort and delight.

As long as those cassette players keep syncing to Bluetooth and we can stream “Annie Hall,” “Saturday Night Fever” or “Miami Vice,” the past, it seems, is here to stay — at least until our own moment inevitably becomes a nostalgia play in itself.

Stillwater Lift Bridge closes for the season

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The Stillwater Lift Bridge summer lift schedule for marine traffic ended Sunday, Oct. 19.

The lift bridge will remain in the down position until spring unless a lift is requested. Boaters must request a lift at least 24 hours in advance.

Requests can be made by calling MnDOT’s 24-hour dispatch at 651-234-7110

For more information, go to stillwaterliftbridge.

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Officials due in court to answer questions about immigration crackdown in Chicago area

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By CHRISTINE FERNANDO, Associated Press

CHICAGO (AP) — Federal officials are due in court Monday to take questions about the Trump administration’s immigration crackdown in the Chicago area, which has produced more than 1,000 arrests as well as complaints that agents are increasingly using combative tactics.

The hearing comes a few days after a judge ordered uniformed immigration agents to wear body cameras — if the devices are available — and turn them on when engaged in arrests, frisks and building searches or when being deployed to protests.

The bodycam decision is the latest step in a lawsuit by news organizations and community groups witnessing protests and arrests in the Chicago area. U.S. District Judge Sara Ellis initially said agents must wear badges, and she banned them from using certain riot control techniques against peaceful protesters and journalists.

Ellis last Thursday said she was a “little startled” after seeing TV images of street confrontations that involved tear gas and other tactics during the Trump administration’s Operation Midway Blitz.

Government attorneys said two witnesses would appear in court Monday: Kyle Harvick, deputy incident commander with U.S. Customs and Border Protection, and Shawn Byers, deputy field office director for U.S. Immigration and Customs Enforcement.

News media and community groups submitted five pages of proposed topics for the hearing. They cover a variety of subjects, from the number of agents in the Chicago area to questions about training, tactics and justification for widespread immigration sweeps. It’s not clear what the judge will allow to be asked.

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The government has bristled at any suggestion of wrongdoing.

“The full context is that law enforcement officers in Chicago have been, and continue to be, attacked, injured, and impeded from enforcing federal law,” U.S. Justice Department attorney Samuel Holt said in a court filing Friday.

Separately, President Donald Trump’s administration has been barred from deploying the National Guard to assist immigration officers in Illinois. That order expires Thursday unless extended. The administration also has asked the Supreme Court to allow the deployment.

Millions of Indians celebrate Diwali, the Hindu festival of lights

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NEW DELHI (AP) — Millions of Indians celebrated Diwali on Monday as lamps illuminated homes and streets across the country to mark the Hindu festival symbolizing the victory of light over darkness.

Diwali, derived from the word “Deepavali,” meaning “a row of lights,” is typically celebrated by socializing and exchanging gifts. The dates of the festival are based on the Hindu lunar calendar, typically falling in late October or early November.

Shoppers crowded markets to buy flowers, lanterns and candles.

The celebrations were most visible in Ayodhya city in Uttar Pradesh state. Hindus believe the deity Lord Ram was born there and returned after 14 years in exile. People light earthen lamps to mark his homecoming.

As dusk fell Sunday, more than 2.6 million lamps were lit on the banks of the Saryu River in Ayodhya, retaining the Guinness World Record set last year. At least 2,100 Hindu priests performed prayers in unison, their chants echoing across the shimmering riverfront.

The holy city was also decked with fairy lights, and a laser and fireworks show illuminated its lanes and riverbanks. Thousands of residents lit lamps at houses and temples.

Officials said more than 33,000 volunteers helped light the lamps. Nearly 40 families from nearby villages produced 1.6 million lamps. At least 73,000 liters of oil and 5.5 million cotton wicks were used to light the city.

“It is hard work lighting diyas (oil lamps) one by one,” said 19-year-old volunteer Rachit Singh, his face glowing in the firelight. “But when you see the whole ghat (stairs to the river) light up, every bit of effort feels worth it.”

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In recent years, Diwali celebrations in New Delhi have been clouded by concerns over air pollution, as smoke-emitting firecrackers cause toxic smog that can take days to clear.

On Monday, the level of tiniest particulates surged to 347 on the air quality index in parts of the city — about 14 times the World Health Organization’s daily recommended maximum exposure — according to SAFAR, the federal government’s air quality monitoring agency.

Last week, India’s top court eased a blanket ban on firecrackers in New Delhi during Diwali, allowing limited use of “green firecrackers” that emit fewer pollutants. Developed by federal research institutes, they are designed to cut particulate and gas emissions by about 30%.

The court said they could be used during specific hours from Saturday to Tuesday.

Associated Press writer Biswajeet Banerjee in Lucknow, India, contributed to this report.