Disney and YouTube TV reached a new deal to bring channels like ABC and ESPN back to the Google-owned live streaming platform Friday, ending a blackout for customers that dragged on for about two weeks.

“As part of the new deal, Disney’s full suite of networks and stations – including ESPN and ABC – have already begun to be restored to YouTube TV subscribers,” The Walt Disney Co. said in a statement.

“We are pleased that our networks have been restored in time for fans to enjoy the many great programming options this weekend, including college football.”

Disney content had gone dark on YouTube TV the night of Oct. 30, after two sides failed to reach a new licensing deal. In the days that followed, YouTube TV subscribers were left without Disney channels on the platform — notably disrupting coverage of top U.S. college football matchups and professional sports games, among other news and entertainment offerings.

Beyond ESPN and ABC, other Disney-owned content removed from YouTube TV during the impasse included channels like NatGeo, FX, Freeform, SEC Network, ACC Network and more.

At the time the carriage dispute reached its boiling point, YouTube TV said that Disney was proposing terms that would be too costly, resulting in higher prices and fewer choices for its subscribers. And the platform accused Disney of using the blackout “as a negotiating tactic” — claiming that the move also benefited Disney’s own streaming products like Hulu + Live TV and Fubo.

Disney, meanwhile, said that YouTube TV had refused to pay fair rates for its channels. The California entertainment giant also accused Google of “using its market dominance to eliminate competition.” And executives blasted the platform for pulling content “prior to the midnight expiration” of their deal last month.

On Nov. 3, Disney also asked YouTube TV to restore ABC programming for Election Day on Nov. 4 to put “the public interest first.” But YouTube TV said this temporary reprieve would confuse customers — and instead proposed that the entertainment giant agree to restore both its ABC and ESPN channels while the two sides continue negotiations.

The blackout marked the latest in growing list of licensing disputes in today’s streaming world. And consumers often pay the price.

From sports events to awards shows, live programming that was once reserved for broadcast has increasingly made its way into the streaming world over the years as more and more consumers ditch traditional cable or satellite TV subscriptions for content they can get online. But amid growing competition, renewing carriage agreements can also mean tense contract negotiations — and at times service disruptions.

YouTube TV and Disney have been down this road before. In 2021, YouTube TV subscribers also briefly lost access to all Disney content on the platform after a similar contract breakdown between the two companies. That outage lasted less than two days, with the companies eventually reaching an agreement.

Meanwhile, YouTube TV has removed other networks from its platform after expired agreements. Spanish-language broadcaster Univision has been unavailable on YouTube TV since Sept. 30, for example. At the time, its parent company TelevisaUnivision decried Google’s move — noting it would strip “millions of Hispanic viewers of the Spanish-language news, sports, and entertainment they rely on every day” and called on the platform to reverse course.

YouTube TV’s base subscription plan costs $82.99 per month — which, beyond Disney content, currently includes live TV offerings from networks like NBC, CBS, Fox, PBS and more. The platform previously said it would give subscribers a $20 credit its dispute with Disney lasted “an extended period of time” — which it reportedly allowed customers to start claiming on Nov. 9.

Disney also doles out live TV through both traditional broadcasting and its own lineup of streaming platforms. ESPN launched its own streamer earlier this year, starting at $29.99 a month. And other Disney content can be found on platforms like Hulu, Disney+ and Fubo. Disney currently allows people to bundle ESPN along with Hulu and Disney+ for $35.99 a month — or $29.99 a month for the first year.

By SUDHIN THANAWALA

The Trump administration cannot immediately cut federal funding to the University of California or issue fines against the school system over claims it allows antisemitism and other forms of discrimination, a federal judge ruled Friday.

U.S. District Judge Rita Lin in San Francisco granted a preliminary injunction sought by labor unions and other groups representing UC faculty, students and employees.

Messages sent to the White House and the U.S. Department of Justice were not immediately returned.

The unions argue in a lawsuit that the administration is using funding cuts, and the threat of cuts, to silence opposing viewpoints at UC in violation of the Constitution and federal law. President Donald Trump has decried elite colleges as overrun by liberalism and antisemitism.

His administration has launched investigations of dozens of universities, claiming they have failed to end the use of racial preferences in violation of civil rights law. The Republican administration says diversity, equity and inclusion efforts discriminate against white and Asian American students.

Over the summer. it fined the University of California, Los Angeles $1.2 billion and froze research funding after accusing the school of allowing antisemitism on campus. UCLA was the first public university to be targeted by the administration over allegations of civil rights violations.

It has also frozen or paused federal funding over similar claims against private colleges, including Columbia University.

University of California President James B. Milliken has said the size of the UCLA fine would devastate the UC system, whose campuses are viewed as some of the top public colleges in the nation.

UC is in settlement talks with the administration and is not a party to the lawsuit before Lin, who was nominated to the bench by President Joe Biden, a Democrat.

The administration has demanded UCLA comply with its views on gender identity and establish a process to make sure foreign students are not admitted if they are likely to engage in anti-American, anti-Western or antisemitic “disruptions or harassment,” among other requirements outlined in a settlement proposal made public in October.

The administration has previously struck deals with Brown University for $50 million and Columbia University for $221 million.

By NICOLE WINFIELD and PAOLO SANTALUCIA

ROME (AP) — A 15th-century Bible which is considered one of the most spectacular examples of Renaissance illuminated manuscripts went on display in Rome on Thursday as part of the Vatican’s Holy Year celebrations.

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The two-volume Borso D’Este Bible, which is known for its opulent miniature paintings in gold and Afghan lapis lazuli, was unveiled in the Italian Senate, where it will remain on display until Jan. 16.

The Bible is usually kept in a safe at a library in Modena and is rarely seen in public. It was transported to Rome under heavy security and its arrival in the Senate was televised, as workers hauled two big red crates from an unmarked van and then extracted the volumes, which were covered in bubble wrap.

The Bible, commissioned by Duke Borso D’Este, was created between 1455 and 1461 by calligrapher Pietro Paolo Marone and illustrators Taddeo Crivelli and Franco dei Russi. The Italian Culture Ministry considers it one of the highest expressions of miniature art “that unites sacred value, historic relevance, precious materials and refined aesthetics.”

From right, Monsignor Rino Fisichella, Rome’s Mayor Roberto Gualtieri and Italian government undersecretary Alfredo Mantovano look at the 15th century Borso D’Este Bible, comprising two illuminated manuscripts, after its unveiling at the Italian Senate as part of the Vatican’s Holy Year celebrations in Rome, Thursday, Nov. 13, 2025. (AP Photo/Alessandra Tarantino)

It will remain behind humidity-controlled plate glass during its Roman sojourn, but visitors can “read” it digitally via touch screen displays featuring ultra-high-resolution images.

Alessandra Necci, director of Gallerie Estense in Modena, where the Bible is usually kept, describes it as the “Mona Lisa of illuminated manuscripts” because of its exquisite artistry and religious inspiration.

Archbishop Rino Fisichella, who is in charge of the Vatican’s Jubilee celebrations, told the presentation Thursday he hoped visitors would be inspired to go home and read their own Bibles after seeing the beauty of the Borso D’Este version.

He said the splendor of the text was a “provocation” that forces contemplation not just of its beauty but of the word of God contained in the text.

The Bible was commissioned by Borso D’Este as part of his celebration of faith and his own prominence, and was kept in the Este family until the last duke, Francesco V of Austria-Este, took it with him when he fled to Vienna in 1859, according to a history of the Bible on the Italian Senate’s website.

Necci said Borso D’Este spent what was then an exorbitant amount of money to create the most expensive book of the time. By demonstrating such opulence, the duke “wanted to celebrate not only the sacred book par excellence but also the elevated idea he had of himself and his dynasty,” she said.

It remained in the possession of the Habsburgs even after the Austro-Hungarian Empire dissolved after World War I. In 1922, after Archduke Charles I died, his widow Zita of Bourbon-Parma decided to sell it to a Parisian antiquarian.

Giovanni Treccani, an Italian entrepreneur and arts patron, learned of the sale and travelled to Paris to buy it in 1923, paying 3,300,000 French francs. Treccani, whose name is famous today as the publisher of top Italian encyclopaedias, then donated it to the Italian state.

The Bible is being kept in a specially regulated display case that employs a conditioning system that maintains constant humidity to protect the parchment pages, which are particularly sensitive to changes in temperature and humidity, officials said.

Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

By HALLIE GOLDEN

The first major blast of wintry weather in the U.S. this week brought snow, frigid temperatures and in some places something a little more magical: Frost flowers.

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Made of thin ribbons of ice that extend out in intricate patterns when frozen water breaks through the slits of certain types of plant stems, the icy blooms can disintegrate with a single touch and only appear for hours at a time.

They are found most often in the Eastern half of the U.S., especially in the upper half where hard freezes are more common, and resemble clouds of cotton candy or spun glass.

For some, it’s become a well-known phenomenon, indicating the nearness of winter and ushering people out of bed to get a glimpse before the day’s sun melts them away.

On Monday and Tuesday, people in Indiana, Missouri, Tennessee and elsewhere posted photos on social media showing undisturbed fields and backyards littered with the distinct pieces of natural art in the early hours after the hard freeze.

“You have to be at the right time, at the right place,” said Alan Templeton, professor emeritus at Washington University in St. Louis, Missouri, who does a lot of conservation genetics. “You see them and you know they’re going to be gone in an hour or two. So it’s this very ephemeral, but highly variable beauty, and it’s that combination that makes me so fascinated by them.”

While the intricate ice patterns are found near the base of a few common plants, including white and yellow wingstem plants, Templeton explained that the conditions need to be just right for them to appear. And once they do, they won’t be back for another year.

The ground must be warm and wet enough for water to travel up from the plant’s roots into the stem, while the air needs to be cold enough to freeze the liquid so that it breaks through the stem, creating the flower-like appearance.

They’re only found on a few different types of plants because the phenomenon can only occur if the stem is able to hold water in the fall or early winter and is weak enough to break against the pressure from the ice, he said. The plants also need to have an especially active root system later in the year.

Templeton said he first came across frost flowers decades ago while scoping out an area in the Missouri Ozarks for field work.

“They’re really beautiful,” he said. “And also each one is unique. There’s no two frost flowers that are the same.”

On Monday, after noticing that the weather conditions would be ripe for the phenomenon, he set out for a conservation area in St. Louis County where he’d found hundreds in past years. This time, there were only about two dozen, which he said was likely due to them appearing earlier than usual and the temperatures not dipping quite low enough.

Crystal Legens has lived in Tennessee for most of her life but said she only discovered frost flowers three years ago when her family moved into a more rural part of the state.

After seeing them along a small unmaintained tract of land while driving to work in McKenzie, some 47 miles northeast of Jackson, she said she initially thought they were spider webs or silkworms. When she got out of her car and picked them up, she said they broke apart in her hands.

“People live here their whole life and they never even know that exist because they just never see them or they’re not in the right place at the right time,” she said.