A 36-year-old Brooklyn Park woman is hospitalized in “very critical condition” after she was hit by a pickup truck at the intersection of South Robert Street and Wentworth Avenue in West St. Paul on Friday morning.

At 9:55 a.m. on Friday, emergency workers responded to reports that a woman was injured after being struck by a GMC pickup driven by a 23-year-old Forest Lake man, according to a Facebook post by the West St. Paul Police.

The driver was not injured and cooperated with investigators, police said. Alcohol and drugs were not a factor, authorities noted.

The Minnesota State Patrol is assisting West St. Paul with the investigation.

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The Brandenburg Concerto No. 1 in F major rang out over the streetlights of University Avenue, across the trees and rooftops of the Midway and, as some reports have it, possibly as far as Langford Park. The recorded symphony was followed closely behind by a rousing selection from the first act of the 19th-century French opera “Lakmé,” which chronicles the forbidden love between a British colonial officer and a winsome Hindu girl in India.

Then came another classical score, and another and another, with symphonies and operas continuing deep into the night and well past daybreak.

From roughly 10 p.m. Tuesday to 7 a.m. Wednesday, St. Paul’s Midway neighborhood was feted by nine hours of uninterrupted classical and operatic music, at volumes many residents found difficult to ignore. The next night, it happened again. Some neighbors, desperate for a good night’s sleep, drove down University Avenue, looking for the noise scofflaw.

Other residents called St. Paul police, who traced the clandestine concertos to their source — mounted speakers on an anti-loitering device in the parking lot of the Midway Marketplace, by a long-vacant Herberger’s clothing store and the Cub Foods supermarket between Pascal Street and Hamline Avenue.

There was just one problem — no off switch.

“Each time somebody called, the officer would respond,” Sgt. Mike Ernster, a St. Paul police spokesman, said Friday. “And it was the same each time — ‘We’ve located it, but there’s no immediate way to contact (the property manager) to say hey, turn it down or turn it off.’”

That was of slim consolation to Charles Avenue resident Andrew Korsberg, a father of two young children. “It is astonishingly disrespectful to our neighborhood and needs to stop immediately,” he said Thursday.

City inspectors on the case

The Midway Marketplace lot draws its share of panhandlers and other destitute denizens, some of whom tend to spend the night, and the overnight music was part of an apparent effort to clear them out while deterring crime and property damage. It was perhaps ironic, then, that the deterrent may have violated a few city ordinances that limit amplified sound, especially late at night.

Residents’ complaints also made their way to the St. Paul Department of Safety and Inspections, which has reviewed concerns from residential neighbors about high-volume music and announcements emanating from the strip mall parking lot since at least mid-winter. A DSI spokesman on Friday said the earliest complaint he could find on file came Feb. 14.

“An inspector went out that same day with a measuring device and at the time they were operating within the 70-decibel limit with their speakers,” said Casey Rodriguez, a spokesman for DSI on Friday. “As far as I know, this (test) was during the day.”

Another complaint came in early March, prompting city inspectors to reach out to Midway Marketplace property managers with Kraus-Anderson Realty, which operates three mounted speakers in the parking lot. Rodriguez said additional mounted devices in the lot are operated by the marketplace’s individual businesses.

All of the speakers, he said, are provided by the same contractor, LiveView Technologies of Utah.

Following this week’s back-to-back overnight symphonies, the Department of Safety and Inspections contacted the city’s licensing department, which again reached out to Kraus-Anderson Realty on Thursday, and company officials reassured them residents finally would get a good night’s rest. “They said they’re taking it down between 8 p.m. and 8 a.m. for the foreseeable future,” Rodriguez said.

Kraus-Anderson could not be reached for comment Friday. Nevertheless, in the Midway overnight Thursday and into Friday morning, not a hint of Handel or a modicum of Mozart was heard.

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CARLTON — The more Abrianna Schmidt has seen of the world, the more she’s grown to appreciate her hometown of Carlton.

“I love getting to experience new places,” Schmidt said. “But whenever I was visiting them, I always saw myself really appreciating and valuing where I grew up, and kind of yearning to be back home.”

That yearning to go back home inspired Schmidt to pen the song “Small Town Girl,” which was recently announced to be the winner of the Country Music Hall of Fame’s “Words & Music: Journey of a Song,” a national lyric writing contest for teens 13-18.

As the winner, Schmidt will travel to Nashville on a full scholarship in June for the Country Music Hall of Fame’s Summer Songwriting Camp, which hosts more than 10,000 aspiring songwriters ages 11-18 annually. Schmidt will be mentored by songwriters, producers and music industry professionals. The week will culminate with campers performing their songs at the Ford Theater in Nashville.

Schmidt, a senior at Carlton High School, was encouraged to apply for the competition by her father, who found an advertisement for the contest on Facebook while they were on a trip to Nashville. Schmidt had shared some of her music locally, but never on anything of this scale. She didn’t think she stood much of a chance but decided to try anyway.

“I figured I’d give it a shot and put myself out there. I’m trying to always push myself out of my comfort zone when it comes to sharing art,” she said. “It’s a very vulnerable experience.”

When she returned home from Nashville, she recorded the song on her phone and submitted it to the contest. After a month of silence, she assumed nothing would come of it. Then one day while Schmidt was doing her homework, she received an email informing her that she won the contest.

“I was ecstatic,” she said. “I think that I was really honored and surprised and I texted my parents and I called my mom and I was crying tears of joy.”

Her winning song is an homage to her life growing up in Carlton. It’s about returning to your roots and appreciating the town that made you, Schmidt said.

“It’s sure been fun to travel this whole world, but deep down I’m still a small-town girl,” she sings.

She wrote the song in January after traveling to cities such as Los Angeles, Nashville, Dallas and Oklahoma City. Though she enjoyed being able to see more of the world, the experiences left her appreciating the little things about her childhood and life in northern Minnesota.

Schmidt considers herself a country and folk singer and draws influence from artists like Judy Garland, Fleetwood Mac, Chris Stapleton and Kacey Musgraves.

As a songwriter, inspiration strikes Schmidt at unexpected times. Sometimes it is a word that someone says in a conversation or an unnamed melody that starts humming in her head.

“Something that pops into my head so often, whether it’s lyrics or a melody, and I just kind of have to get it down on paper or record it,” she said.

Schmidt grew up dancing, singing and performing in musical theater. She started playing guitar when she was 9 years old and began writing songs when she was 13 as a way to offload her thoughts.

For Schmidt, writing music allows her to examine emotions that can’t readily be summarized by a single word. By exploring the workings of her mind through music, she feels she connects with others in a way she otherwise wouldn’t be able to. This is what inspires her to continue to write music.

“I think it’s such a unique way to connect with others,” she said. “And I think that’s what prompted me to song-write in the first place and what makes me continue to song-write.”

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