Biden says he doesn’t know whether Israel is holding up peace deal to influence 2024 US election

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By COLLEEN LONG

WASHINGTON (AP) — President Joe Biden had terse words for Prime Minister Benjamin Netanyahu on Friday, and said he didn’t know whether the Israeli leader was holding up a peace deal in order to influence the outcome of the 2024 U.S. presidential election.

“No administration has helped Israel more than I have,” Biden said. “None. None, none. And I think Bibi should remember that. And whether he’s trying to influence the election, I don’t know but I’m not counting on that.”

Biden, in a rare appearance in the White House press briefing room, was responding to comments made by one of his allies, Sen. Chris Murphy, D-Conn., who said on CNN this week that he was concerned Netanyahu had little interest in a peace deal in part because of U.S. politics.

The two leaders have long managed a complicated relationship, but they’re running out of space to maneuver as their views on the Gaza war diverge and their political futures hang in the balance.

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The president has long pushed for a cease-fire agreement and he and his aides have indicated several times over the past few months that such an agreement was close. But it never seems to materialize, and in some cases, Netanyahu has publicly resisted the prospect while U.S. and Israeli officials continue to talk in private about eking out a deal.

Meanwhile, Israel has pressed forward on two fronts, pursuing a ground incursion into Lebanon against Hezbollah that left eight Israeli soldiers dead and conducting strikes in Gaza that killed dozens, including children. And the nation has vowed to retaliate for Iran’s ballistic missile attack this week, as the region braced for further escalation.

Biden said there had been no decision yet on what type of response there would be toward Iran, though there has been talk about Israel striking Iran’s oil fields — and “I think if I were in their shoes, I’d be thinking about other alternatives than striking oil fields.”

Biden pushed back against the idea that he was seeking a meeting with Netanyahu to discuss the response to Iran. He isn’t, he said.

“I’m assuming when they make a decision on how they’re going to respond, we will then have a discussion,” he said.

Netanyahu has grown increasingly resistant to Biden’s public charm offensives and private pleading, prompting the president’s more assertive pushback. And Biden has in turn publicly held up delivery of heavy bombs to Israel and increasingly voiced concerns over an all-out war in the Middle East.

“I don’t believe there’s going to be an all-out war,” Biden said Thursday evening. “I think we can avoid it. But there’s a lot to do yet. A lot to do yet.”

Biden has remained consistent in his support for Israel’s defense and security and in the aftermath of the deadly Oct. 7 Hamas attacks in Israel. Since then, with few exceptions, Biden has supported ongoing and enhanced U.S. arms transfers to Israel while cautioning the Israelis to be careful in their responses to avoid civilian casualties.

Biden has also ordered the U.S. military to step up its profile in the region to protect Israel from attacks by Hamas, Hezbollah, the Iranian-backed Houthi rebels in Yemen and Iran itself. In April, and again earlier this week, the U.S. was a leading player in shooting down missiles fired by Iran into Israel.

Movie review: ‘Saturday Night’ captures the chaotic energy of ‘SNL’ premiere

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There’s an existential question that runs throughout “Saturday Night,” Jason Reitman’s love letter to the iconic “Saturday Night Live,” and its chaotic entry into the world on Oct. 11, 1975. People keep asking the show’s creator and producer, Lorne Michaels (Gabriel LaBelle) what, exactly, the show is? It’s a question he’s not able to answer until nearly the end of the movie, at about 11:15 p.m.

The film, which starts at 10 p.m., and takes place over the course of the 90 minutes leading up to the very first live show, utilizes an ominous ticking clock to countdown the minutes until showtime. Over the course of those 90 minutes (which the film, with a run time of 1 hour and 49 minutes, fudges a bit) whatever can go wrong already has, will, or is in the process of going wrong, swirling around the preternaturally calm eye of the storm, Lorne.

The existential question of what this show is or will be thrums underneath the constant churn of crisis that Lorne attempts to manage: will Belushi (Matt Wood) sign his contract? Will NBC exec David Tebet (Willem Dafoe) throw to a Johnny Carson rerun? How should Lorne’s estranged wife Rosie (Rachel Sennott) be credited? Can they find a lighting designer? And those are only a few of the quandaries, qualms and queries that Lorne constantly fields as he attempts to get something resembling television on the air by 11:30 p.m.

Reitman, who co-wrote the script with his longtime collaborator Gil Kenan, has said that he was inspired by a short stint guest-writing on “SNL” to structure this 50th anniversary tribute film around the 90 minutes before the show goes on air. Based on interviews with those who were there, the film is a cavalcade of stars, both in the young actors playing now familiar faces (Cory Michael Smith as Chevy Chase, Dylan O’Brien as Dan Aykroyd, Ella Hunt as Gilda Radner), and in a couple of high-profile actors making appearances as TV legends (Dafoe; J.K. Simmons as Milton Berle). Comedy nerds will delight in the presence of writers like Alan Zweibel (Josh Brener), Al Franken (Taylor Gray) and Herb Sargent (Tracy Letts).

But Reitman and the talented young cast manage to make “Saturday Night” much more than just young actors having fun in bell-bottoms and wigs. Shot on Super 16mm by Eric Steelberg with an antsy, roaming camera that swoons and zigzags up and down the hallways of 30 Rock, peering into dressing rooms and ping-ponging back and forth between the determined Lorne and his doubting partner, Dick Ebersol (Cooper Hoffman), there’s a wild, stimulant-addled energy to the film that is only enhanced by Jon Batiste’s jittery-jazzy score of piano and percussion (the musician also appears as musical guest Billy Preston).

Throughout the chaos, camaraderie and conflict, Reitman and Kenan thread snippets of biographical information, especially about Lorne and Rosie’s relationship, as well as these bigger-picture questions. We witness the nerves, excitement and burgeoning relationships and rivalries that gave the show its frenetic and electrifying energy, and cinematically, Reitman captures all of that and then some.

“Saturday Night” is enormously entertaining and at times excessively busy, though a few bright spots emerge from the crowd, delivering real performances. Smith is astonishing as the arrogant Chase, seemingly channeling him, and LaBelle, one of the most exciting young actors to come along in a long time, steadily and earnestly holds the center as a young Lorne, somehow remaining steadfast in his belief that the show will, and must, go on. Somehow, it does — as we knew it would — when Lorne surrenders to the madness.

As Lorne tries to explain the show to a group of NBC executives, he says that it’s television by and for the people who grew up on it. It’s a generational shift from the vaudeville roots embodied by Berle. He’s attempting to capture lighting in a bottle, to both create culture and reflect it back to the audience, to throw something at the wall and see if it sticks. That such a revolutionary program came about as the result of a contract dispute between NBC and Carson (as explicated in a blow-out argument between Dick and Lorne), only makes it all the more magical that it even exists.

Though “Saturday Night,” the film, feels ephemeral and somewhat fleeting, it represents something that has endured, and continues to, through the sheer force of will that is Lorne Michaels.

‘Saturday Night’

2.5 stars (out of 4)

MPA rating: R (for language throughout, sexual references, some drug use and brief graphic nudity)

Running time: 1:49

How to watch: In select theaters Oct. 4, in wide release Oct. 11

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NTSB unable to pinpoint cause of 2023 plane crash that killed Cirrus engineer in Duluth

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Federal investigators were unable to determine the cause of a fatal small-plane crash that killed Dave Rathbun, 52, of Hermantown, on Feb. 24, 2023, when the aircraft he was piloting crashed into the frozen St. Louis River near Grassy Point in West Duluth.

In its final report last month, the National Transportation Safety Board said Rathbun’s 2016 Cirrus SR22 rapidly descended before striking the frozen river nose-down “for reasons that could not be determined based on the available evidence.”

Investigation of the wreckage revealed no “preimpact mechanical malfunctions,” and the autopsy, hampered by the severity of his injuries, found “mild to moderate” narrowing of coronary arteries by plaque but “no other significant natural disease was identified,” the report said.

The autopsy on Rathbun’s body determined the cause of death to be “multiple blunt force injuries” and that it was an “accident.”

Rathbun, an engineer at Cirrus Aircraft for 26 years, was the plane’s only occupant.

According to the NTSB, Rathbun took off from the Duluth International Airport to reposition his plane to the Richard I. Bong Airport in Superior, Wis., where it was stored.

It was flying at an altitude of 1,300 feet on a 4-mile approach for runway 14 at the Bong Airport when it “suddenly pitched down about” 30 degrees and crashed into the river, leaving a 300-foot trail of debris, the NTSB said. The crash happened at 4:07 p.m. — just 4 minutes after he took off.

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Washington County: Volunteers sought to rake leaves

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Dozens of volunteers are needed to rake yards and bag leaves for seniors and people with disabilities in Washington County.

Rake a Difference Day, sponsored by the nonprofit Community Thread, will be Oct. 26, Nov. 1 and Nov. 2.

Last year, Community Thread organized more than 225 volunteers to rake 298 bags of leaves for 39 homeowners. Volunteer groups included families, Scout troops, Rotary clubs, school groups, companies and neighborhood associations.

People interested in volunteering can call 651-439-7434 or visit communitythreadmn.org.

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