What Paul Pelosi’s attacker has in common with Jan. 6 rioters 

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SAN FRANCISCO — The man who attacked the husband of Rep. Nancy Pelosi came armed with a hammer, zip ties and fevered delusions about her role in a make-believe plot by elites to destroy the nation.

Now, facing trial a year later, the 43-year-old Canadian’s lawyers are trying to beat serious felony charges on a technicality — arguing that he wasn’t interfering with Pelosi’s role in Congress when he broke into the couple’s home demanding to know “Where’s Nancy?” and striking her elderly husband in the head with a hammer.

Instead, David DePape’s attorneys say, he sought to hold her captive over her “wholly unrelated” role in a bizarre conspiracy theory. They are effectively claiming that he was living in an alternate reality where her role as speaker of the House did not factor into his thinking.

As a result, the trial has become something of a test — not just of DePape’s guilt or innocence, but of what happens when certain far-out strains of digital-age American radicalism collide with the criminal justice system.

The defense’s argument reflects the growing prevalence of a certain kind of extremism in American politics — internet fever swamps, supercharged during the Covid-era as many isolated and marginalized Americans scoured fringe message boards. Now, many of those who pursued fantastical plots to violent ends — including the Jan. 6, 2021, attack on the Capitol — are asking judges and juries to factor in those breaks from reality when they render judgment.

For DePape, a verdict on that argument could come as soon as Wednesday when jurors get the case after a weeklong trial in federal court in San Francisco.

DePape’s argument is reminiscent of one lodged by dozens of people charged in the Jan. 6 attack, including some who burst into the halls of Congress shouting “Where are you, Nancy?” While many stormed inside the Capitol with a plan to prevent lawmakers from certifying Joe Biden’s presidential victory, others have claimed they were unaware that lawmakers were conducting business that day — or believed the job had already been done when they got inside. In some cases, that argument has helped defendants wriggle out of the most serious charges they faced: obstruction of an official proceeding.

Judges and juries have largely rejected the claims of Jan. 6 rioters. But a handful of judges have found that some rioters could not face weightier charges because they had no clue what was happening in the Capitol and therefore couldn’t have intended to block certification of Biden’s victory over Donald Trump.

U S. District Court Judge Amy Berman Jackson found that one defendant— who surged with the Jan. 6 mob onto the Senate floor — had such a “unique stew in his mind” that she couldn’t be sure he had any idea he was breaking the law.

The parallel arguments, in high-profile cases of political violence that gripped the nation, are emblematic of America’s descent into online and social media-driven conspiracy theories. That trend has created a more complicated path for prosecutors, who must prove criminal intent to convince juries to convict DePape and the Jan. 6 rioters on more severe felony charges that carry longer prison terms.

DePape told jurors Tuesday during his rambling and tear-filled testimony that he didn’t target Pelosi to prevent her from serving in Congress. He said his real intent was to reveal a sinister plot.

“I wanted to use her to expose the truth,” DePape said, testifying that he planned to wear a unicorn costume he brought to her home and interrogate Pelosi on camera about what he believes are Democratic plots against former President Trump.

He’s facing two charges: attempted kidnapping of a U.S. official (which requires the intent to interfere with official duties) and assault on an immediate family member of a U.S. official (which also requires the intent to interfere with or retaliate against the official over their duties). The kidnapping charge carries a 20-year prison sentence and the assault has a 30-year term.

Prosecutors have called the defense’s argument outlandish. Assistant U.S. Attorney Laura Vartain Horn said DePape’s actions and words before and after the attack show “there is ample evidence of retaliation” against Pelosi over her official role as the former speaker of the House.

DePape and his attorneys have admitted that he planned to hold Pelosi captive and struck Paul Pelosi with a hammer, a brutal attack captured in grainy police body camera footage.

The defense has, instead, leaned into the Hail Mary argument that DePape shouldn’t be found guilty on more severe charges that he sought to impede, interfere or retaliate against Pelosi over her role in Congress.

DePape’s attorneys are essentially implying that the charges against him belong in state court, not federal court. DePape faces a separate trial on state charges for the attack, and defeating federal charges could make it easier for his attorneys to negotiate a potential plea deal with local prosecutors.

“He did something awful, but as you will hear, it was not on account of Nancy Pelosi’s duties as a member of Congress,” Jodi Linker, DePape’s attorney, told the jury. “This case here in federal court is a narrow one. The case here is about the ‘why.’”

That nuanced argument is strikingly similar to the case of a young Pennsylvania woman who broke into Pelosi’s office on Jan. 6 but claimed she didn’t know the building was the U.S. Capitol.

Defendant Riley Williams argued that despite her conduct that day — which included pushing against police officers in the Capitol rotunda and cheering a mob in Pelosi’s office as several others purloined a laptop — she couldn’t be convicted of obstructing Congress’ business because she didn’t have any awareness of what was happening in the building.

Williams was ultimately convicted of multiple felonies for her actions, but jurors deadlocked on the obstruction charge.

DePape’s attorneys have focused heavily on the far-right podcasts and internet echo chambers that influenced him in the months before the attack. He testified Tuesday that he spent most of his free time playing video games while listening to fringe podcasters like Tim Pool, Jimmy Dore and Glenn Beck.

The defendant said the podcasts convinced him that Pelosi and other Democratic officials were smearing Trump with lies and protecting a cabal of pedophiles. DePape is a follower of the QAnon conspiracy movement, an evolving series of allegations against celebrities and political figures that attempts to tarnish them with false allegations of pedophilia and other crimes.

DePape’s list of targets included Pelosi, Hunter Biden, Rep. Adam Schiff, Gov. Gavin Newsom, actor Tom Hanks and a queer studies professor and scholar — all of whom he believes are villains sprung from delusional online conspiracy theories.

“Many of us do not believe any of that,” Linker told the jury. “But the evidence in this trial will show that Mr. DePape believes these things, he believes them with every ounce of his being.”

Orioles’ Brandon Hyde named AL Manager of the Year, joins elite company as 4th Baltimore skipper to win award

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Amid the Orioles’ poor start to the 2022 season, manager Brandon Hyde expressed confidence in not only the club’s future, but also his place in it.

“I’m in this for the long haul,” Hyde told The Baltimore Sun last April. “I’ll be here when we’re winning.”

At that point, early in his fourth season leading Baltimore’s baseball team, Hyde possessed one of the five worst winning percentages of any manager in major league history. Hired as a first-time manager before the 2019 season to guide the club through a rebuild, Hyde had overseen as many campaigns with more than 100 losses as every preceding Orioles manager had in the franchise’s first 65 years in Baltimore.

Tuesday night, little more than a year and a half after his declaration, Hyde was named the 2023 American League Manager of the Year. In his fifth season at the helm, the Orioles won 101 games, winning the AL East and possessing the circuit’s top record. Hyde, 50, joins Frank Robinson (1989), Davey Johnson (1997) and Buck Showalter (2014) as Baltimore managers who have won the honor since its introduction in 1983. Hyde joins Showalter and seven others as managers who won the award after never playing in the major leagues.

He received 27 of 30 first-place votes from the Baseball Writers’ Association of America and came in second on the other three ballots. Texas’ Bruce Bochy received the other first-place votes and finished second ahead of Tampa Bay’s Kevin Cash. Miami Marlins manager Skip Schumaker won the National League award.

With infielder Gunnar Henderson named the AL Rookie of the Year on Monday, 2023 marks the third season in Orioles history the team has had multiple winners of the BBWAA’s annual awards. Robinson’s 1989 honor came as reliever Gregg Olson was the AL Rookie of the Year, which outfielder Al Bumbry took home in 1973 as Jim Palmer was the AL Cy Young Award recipient.

The club’s performance this season put Hyde alongside Hall of Famer Earl Weaver as the only managers to lead the Orioles to a 100-win season. The campaign marked the second straight in which Baltimore massively exceeded external expectations. About a month after Hyde said he would manage Baltimore when it went from rebuilding to competing, the Orioles promoted top prospect Adley Rutschman, and the winning started soon after. Projected to be among the majors’ worst teams as they had been in Hyde’s first three seasons, the Orioles ended 2022 with an 83-79 record, the best of any AL team that missed the postseason. The finish made Hyde the runner-up in AL Manager of the Year voting, though he won Sporting News’ honor, which was voted on by fellow managers.

Despite the Orioles’ breakout success, sports books and projection systems expected regression in 2023. They instead won the best division in baseball, going the entire regular season without being swept. Under Hyde, Baltimore has set an AL record for most consecutive multigame series with at least one victory.

“We were disrespected, honestly, going into this year,” Hyde said hours before the Orioles clinched their first playoff berth since 2016. “Just from where we were from projections, smart people thinking they know what the records are gonna be at the end of the year, casinos, et cetera. I thought we were underappreciated. Everybody thought we were going to have a setback this year. I wanted our players to be offended by that a little bit, the guys that were here last year. I thought that wasn’t accurate.

“I thought we were going to be better than everybody thought.”

As he was in April 2022, Hyde was right. The Orioles entered the year with a core composed of players who weathered the rebuild alongside Hyde and young talent developed during it. With only a handful of relatively inexpensive veterans in the mix, the Orioles’ front office, as it has throughout Hyde’s tenure, handed him a roster built with one of the lowest payrolls in the majors.

He helped make it a division champion. Despite their frugality, the Orioles’ roster featured depth on both sides of the ball, with Hyde deftly deploying his bench and bullpen throughout the year. Almost half of the Orioles’ victories came in games decided by two or fewer runs, and Baltimore’s .662 winning percentage in such games was 100 points better than the next-best AL club. They tied for the major league lead in comeback wins.

Many players credited Hyde for his role in the clubhouse culture that fueled that success.

“I have a ton of respect for him,” said first baseman Ryan O’Hearn, one of a handful of players who embraced and thrived in part-time roles under Hyde. “I think that’s a common denominator around the locker room is you have guys who go out there and play their ass off for him.”

Players also vouched for him to be Manager of the Year in 2022, but the award went to Terry Francona after he led the Cleveland Guardians to the AL Central title. Hyde’s Orioles won their division in 2023, helping him fend off Bochy, Cash and others in BBWAA voting, which took place before the postseason.

In it, Bochy’s Rangers swept Hyde and the Orioles in the AL Division Series en route to win the World Series. Days after Baltimore’s elimination, the possibility of this award gave Hyde little solace.

“That’s nice,” Hyde said. “I’m still pissed, to be honest with you.

“I don’t like to lose, and I don’t like to lose like that,” he added later. “I wanted our players to jump around again. It’s a really cool group. You didn’t want to have to get on the plane after something like that. You wanted to see them continue to play. That’s the bottom line. We didn’t want the season to be over.”

In a few months, another will begin. Hyde will spend it as the reigning AL Manager of the Year.

This story will be updated.

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Review: The Hunger Games return in ‘The Ballad of Songbirds and Snakes,’ with the odds in its favor

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Two hours and 37 minutes is pretty long for a “ballad,” but you can’t call it “The Hunger Games: The Three-Cycle Opera of Songbirds and Snakes” now, can you?

Concision was never much in favor in the four “Hunger Games” films, which reached a seeming finale with 2015’s “The Hunger Games: Mockingjay — Part 2.” The intervening years have done nothing to shrink the ambitions of this unapologetically gaudy dystopic series where the brutal deaths of kids are watched over by outrageously styled Capitol denizens with names like Effie Trinket.

That clash of YA allegory and color palette is just as pronounced, if not more so, in “The Hunger Games: Ballad of Songbirds and Snakes,” a prequel set 64 years before the original books, adapted from Suzanne Collins’ 2020 book of the same name.

“The Ballad of Songbirds and Snakes,” which opens in theaters Nov. 16, is an origin story of the Hunger Games, themselves, as well as numerous characters — primarily the devious President Coriolanus Snow, played by Donald Sutherland in the first four films. Here, Snow is an impoverished but opportunistic 18-year-old student played by Tom Blyth.

Just as in the “Hunger Games” films led by Jennifer Lawrence’s Katniss Everdeen, the new one proves how much you can sacrifice in story when you’ve got a thrilling young performer commanding the screen.

Francis Lawrence’s prequel often wobbles, especially in the early going. And yet, in the end, “The Ballad of Songbirds and Snakes,” propelled by Blyth’s performance, manages to be the deepest expression yet of the series’ melodrama of adolescence. In Panem, the only thing more tragic than the suffering inflicted by adults on the young may be a bright kid warping wickedly into one of those elders, too.

That generational divide was always at the heart of the appeal of “The Hungers Games,” a fantasy where no adult or institution can be trusted, and the normal pressures of teendom are amplified in a modern, televised Roman Coliseum — an “American Idol” with murder — concocted by elders. It’s madness shrugged off as, “That’s just the way it is.”

In “The Ballad of Songbirds and Snakes,” we see how it got to be that way. The 10th annual Hunger Games are approaching but it feels more like pre-Super Bowl times when the NFL and the AFL played in separate leagues. The broadcast is low rent, the ratings are poor and the games themselves are staged in a dilapidated stadium.

With little food in the fridge, Coriolanus is living with his cousin Tigris (Hunter Schafer) and grandmother (Fionnula Flanagan). Their family has fallen on hard times, in part because of a family rivalry with Casca Highbottom (Peter Dinklage), the dean of the academy who harbors hatred for the Snows. (Dinklage, whose wry presence adds a kick to the film, has managed to appear once again in an outlandish fantasy with a man named Snow. )

As the students gather amid Third Reich architectures (the production design by Uli Hanisch is stellar) and the games’ founder Volumnia Gaul (Viola Davis, majestic in blue, with a turquoise eye) gazes on, Coriolanus is assigned his tribute, Lucy Gray Baird, a bold young woman from District 12 (also the home of Katniss) who wears a rainbow skirt and sports a dubious Southern accent. During the reaping ceremony, she makes an immediate impression, putting a snake down the back of a rival and bursting into song for the cameras. See, now there’s concision, I thought. You get your songbird and snake, straight off.

Lawrence’s Katniss was a thrilling female warrior whose seizing of center stage had reverberations off screen, paving the way for blockbuster female protagonists. Rachel Zegler’s Lucy Gray is inevitably a disappointment by comparison. Lawrence’s film, scripted by Michael Arndt and Michael Lesslie, for a while has the stale feeling of an unneeded retread. The tonal fluctuations, always a tricky balance in Panem, can be ridiculous. The stadium is abruptly bombed by unseen rebels. Once the games begin, one tribute concocts rabies.

The main thing holding our attention at this point is Jason Schwartzman’s Lucretius Flickerman, a TV host with a Salvador Dali mustache who wants the games wrapped up just so he can make his dinner reservations. (It’s been a very good year for Schwartzman, who transformed himself in Wes Anderson’s “Asteroid City” and transmogrified in “Spider-Man: Across the Spider-Verse.” )

But “Songbirds and Snakes” sneakily begins making a case for itself. The relationship between Coriolanus and Lucy Gray is compellingly complex. He works desperately to help her survive the games because he believes in her, and maybe loves her, but also because her success benefits him, too. Whether Lucy Gray is as purehearted as her songs, too, is up for debate. Both, we sense, are cunningly playing the hands they’ve been delt, seeking an advantage where they can. When Coriolanus begins making suggestions for the games to Volumnia, he proves himself a natural-born marketer.

That there’s tension in Coriolanus’ character, considering we know how he ultimately ends up, is a tribute to just how good Blyth is. We’ve by now seen plenty of prequels that show us how some famous villain broke bad, but there’s nothing in Blyth’s performance that telegraphs his future. He’s a sincere striver — we root for him because of his poverty and his puck — who’s operating in the society he’s found himself. He’s a villain born entirely of circumstance.

“The Ballad of Songbirds and Snakes” extends the saga for a third act that takes places in District 12, an addition that another franchise might have saved for the next installment. But it’s also where that tragedy of “The Hunger Games,” and Coriolanus’ fate, earns some of the Shakespearean touches that have liberally been sprinkled throughout. (Shakespeare’s “Coriolanus,” is likewise about an ambiguous warrior set amid times of famine and class struggle.)

“The Hunger Games” kicked off a YA craze in film that had its ups and downs but petered out several years ago. Whether “The Ballad of Songbirds and Snakes” is enough to relight those embers remains to be seen, but it is a reminder how good a platform they offered young actors. It’s a ritual worth returning to.

“The Hunger Games: The Ballad of Songbirds & Snakes,” a Lionsgate release is rated PG-13 by the Motion Picture Association for strong violent content and disturbing material. Running time: 157 minutes. Two and a half stars out of four.

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Chicago White Sox add pitching prospects Jake Eder and Cristian Mena to their 40-man roster

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Jake Eder joined the Chicago White Sox organization in a 2023 trade deadline deal that sent infielder Jake Burger to the Miami Marlins.

Cristian Mena ranked among the minor-league leaders in strikeouts.

The Sox added both pitching prospects to their 40-man roster Tuesday.

Tuesday was the deadline for teams to add to their 40-man rosters and protect eligible players from the Rule 5 draft on Dec. 6.

Eder, 24, went 0-3 with an 11.42 ERA in five starts at Double-A Birmingham after being acquired in the Aug. 1 trade. He had 22 strikeouts in 17 1/3 innings.

Overall in 2023, the left-hander had a combined 2-6 record with a 6.35 ERA and 70 strikeouts in 14 starts between Class A Jupiter and Double-A Pensacola in the Marlins organization and with the Barons.

Eder also made six appearances (five starts) with the Glendale Desert Dogs of the Arizona Fall League, going 1-1 with a 6.11 ERA. He struck out 16 batters in 17 2/3 innings.

Eder was originally selected by the Marlins in the fourth round of the 2020 draft out of Vanderbilt and is 5-11 with a 3.80 ERA and 169 strikeouts in 29 starts during two minor-league seasons. He missed all of 2022 while recovering from Tommy John surgery.

He is the No. 5 prospect in the Sox organization, according to MLB.com.

Mena, 20, is ranked the No. 10 prospect in the Sox system by MLB.com. The right-hander went a combined 8-7 with a 4.85 ERA and 156 strikeouts in 27 starts between Birmingham and Triple-A Charlotte in 2023.

He was 7-6 with a 4.66 ERA in 23 starts for the Barons and 1-1 with a 5.95 ERA in four starts for the Knights.

Mena finished 15th among all minor-league pitchers in strikeouts. He ranked first among the Sox organizational leaders in strikeouts and innings (133 2/3), tied for first in starts and tied for second in victories.

Originally signed as an international free agent from the Dominican Republic on July 2, 2019, Mena is 11-17 with a 4.97 ERA and 344 strikeouts in 64 career games (63 starts) during three minor-league seasons in the Sox organization.

With Tuesday’s moves, the Sox 40-man roster increases to 37.

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