Women’s basketball: Gophers add 6-2 post through portal

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Gophers women’s basketball coach Dawn Plitzuweit added another piece through the NCAA transfer portal on Monday, signing 6-foot-2 forward Tracey Bershers from Alabama-Birmingham. She has one year of eligibility remaining and joins her sister, Zoey, on the Gophers roster.

Bershers played three seasons at UAB after transferring from Oklahoma State. As a junior, she played in all 32 games, averaging 6.5 points, 3.1 rebounds and 17 minutes of play. She also shot 43 percent from beyond the 3-point line.

“Tracey is a very versatile post player who has shown comfort handling the ball in transition, shooting it from the arc, and in guarding different types of forwards throughout her career,” Plitzuweit said in a release. “On top of that, Tracey is someone who also brings a veteran voice based on the valuable experiences that she has had. We are really looking forward to Tracey helping us to continue to progress and develop.”

Bershers joins a roster that won a program-record 25 games last season after earning the WBI tournament title in Indianapolis, and will add big pieces Mara Braun and Taylor Woodson next season after they missed most of last season because of injuries.

Zoey Bershers is a 6-3 incoming freshman who won back-to-back state titles in Fort Smith, Arkansas. Tracey also was part of two state-title teams for Northside.

“One of the things I’m most excited about is the opportunity to play alongside my little sister in my final year,” Tracy Bershers said. “It’s a chance I couldn’t pass up, and I’m looking forward to what we can accomplish together. I’m ready to get to work.”

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Lonely Planet: The 10 best places to visit in Italy in 2025

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When planning a trip to Italy, you can almost push a pin randomly in the map and leave it at that. There’s such a wealth of delicious food, deep history and vibrant culture that no matter where you go you’ll be happy — from the top of the boot to the bottom.

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In fact, there’s so much to do in Italy that it can be a little overwhelming to decide. The travel gurus at Lonely Planet are here to help with a ranking of “The top 15 destinations in Italy.” These include cities, parks, beaches and even an active volcano.

Lonely Planet has given reasons for each place’s inclusion. The top billing goes to Rome for its incredible and age-old architecture, for instance, while the region of Tuscany gets second place for its Renaissance history and romantic landscape. Here are the first 10 picks on the list; for the full accounting visit Lonely Planet:

Top 10 (of 15) destinations in Italy, from Lonely Planet

1 Rome: “Best for history”

2 Tuscany: “Best for a Renaissance fix”

3 The Dolomites: “Best for dramatic mountains”

Italy is a popular destination for people hoping to move abroad. This is a scenic view of Positano on the Amalfi Coast.(Antonel/iStockphoto/Getty Images)

4 Amalfi Coast: “Best for classic beauty”

5 Pompeii: “Best for stepping back in time”

6 Emilia-Romagna: “Best for foodies”

7 Lago di Como: “Best for a slice of luxury”

8 Sardinia: “Best for beaches and coastline”

9 Naples: “Best for sheer italianità”

10 Venice: “Best for a fairytale city”

Source: lonelyplanet.com/articles/best-places-to-visit-in-italy

‘Towards Zero’ review: The real murder is what they did to the Agatha Christie original

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Why adapt a murder mystery if you don’t care about the mechanics of the story to begin with? I ask myself this often when it comes to the work of Agatha Christie, and the question was ever-present throughout the three-part series “Towards Zero” on BritBox.

I’ve been making my way through Christie’s books for the past year or so (70-plus novels, not even counting the short stories) and the qualities that make her such a fun read — or fun listen; the official audiobooks narrated by actors are terrific as well — are rarely in evidence when it comes to newer film and TV versions, which fail to capture her voice. They’re usually too serious and given a “prestige” patina that feels simultaneously undercooked and overdone.

Christie wrote until her death in 1976 (well, almost; her last novel was published in 1973) and her books incorporated subtle details reflecting the changes happening around her. And yet when those same stories are adapted into TV or film, we’re invariably trapped in the 1930s. Specifically, a glamorously imagined version of the ’30s. That’s true here as well. “Towards Zero” was published in 1944 but the setting has been changed to 1936. That’s my first beef.

The original book opens with Christie dropping breadcrumbs that introduce seemingly unrelated characters — whose importance will be revealed later — before getting to the main players at hand. All of that prologue is gone in this version, which makes sense. Condensing a novel isn’t easy. What to keep in? What to leave out? But too many changes to the story itself are fundamentally at odds with the spirit of Christie’s writing. The result is airless. Aimless, even.

Like so many of her stories, this one takes place at a palatial estate and centers on a divorced couple named Nevile Strange (Oliver Jackson-Cohen) and Audrey Strange (Ella Lily Hyland) who split up when he fell in love with a petulant woman (Mimi Keene) he subsequently married.

When the exes run into each other one day in London, they decide to spend a few weeks together over the summer — along with Nevile’s new wife — at the coastal Devon estate of the imperious Lady Tressilian (an excellent Anjelica Huston). It’s where they grew up and the inclination to return makes sense to them, if to no one else. The divorce was ugly and yet here they are, playing nice. How … civilized. But then murder ensues. In the book, police superintendent Battle happens to be enjoying his own holiday nearby, so he’s pulled into service to find out whodunit.

Christie wrote five novels featuring Battle as the primary sleuth, including this one. But adapter Rachel Bennette has other things in mind, excising Battle entirely, replaced by Inspector Leach. Christie readers will recognize the name; he’s Battle’s nephew, who is also a police officer stationed nearby and therefore Battle’s right-hand man on the case. But nothing about this Leach, played by Matthew Rhys, resembles the original. Instead, he’s a despondent war veteran in need of a shave.

Reshaping Leach into a man grappling with (presumably World War I-era?) shell shock and survivor’s guilt feels random, but then, what here doesn’t? Clarke Peters, of “The Wire,” is also part of the ensemble as a guest staying at the house. He’s Lady Tressilian’s lawyer and yet another character whose story contours have been changed for reasons that do not play out in fruitful ways.

Fidelity to source material can be a trap. But change just for the sake of change isn’t the answer, either. Consider the problems created by this version of Leach. Narratively, a police detective has no reason to be around until a murder takes place. But you don’t cast an actor like Matthew Rhys and then sideline him for the first hour. Even so, the series struggles to explain his presence in the early going. More to the point, this guy? Not how Christie viewed the police. They lack the elegant intelligence of a Poirot or a Marple, but they are not anguished — they’re too stolid, too uninteresting for that — and it’s a reimagining that adds no depth to the proceedings.

Matthew Rhys as Inspector Leach in the TV adaptation of Agatha Christie’s “Towards Zero.” (James Pardon/BritBox)

To encounter Christie today means recoiling from some her worst instincts (the racism for one, which was either her own or simply that of her snootiest characters) and I’m not arguing for that to be retained. To be clear, that’s not an issue with this version of “Towards Zero.” But she had a sly humor that tends to get lost in adaptations. She wasn’t interested in melodrama so much as the messier outcomes of people who fail to see eye to eye, sometimes with violent results. In the novel, Battle makes an observation. “It’s extraordinary the amount of misunderstandings there are even between two people who discuss a thing quite often — both of them assuming different things and neither of them discovering the discrepancy.”

Conflict is avoidable except when it isn’t, because humans tend to be such terrible communicators. This adaptation has no curiosity about any of that. And it eliminates an important reveal about the real reason Nevile and Audrey divorced, making their story ordinary in the process and filled with the kind of yelling and screaming the more repressed, falsely polite book characters would have found ridiculous. I don’t get it.

The costumes and sets are expensive looking, and that’s often one of the consistent pleasures of Christie on screen. But you also need a narrative that makes sense. A clockwork story. Written by someone who actually likes her books.

One thing that does work is Huston’s withering performance. To her credit, Bennette has invented some delicious one-liners for her ladyship. “Why have a husband when you can have a lawyer?” is not just droll, it’s Oscar Wilde-esque.

If you can’t give us Christie, Wilde will have to do. Even if it’s just for a brief flicker of a moment.

“Towards Zero” — 2 stars (out of 4)

Where to watch: BritBox

Nina Metz is a Tribune critic.

There’s a new kind of American whiskey, and distillers are buzzing about it

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More than a dozen whiskey-filled oak barrels sit on racks inside Ironton Distillery’s production facility in Denver. Most of it won’t be ready to drink for a while — it needs to age for two years — but when it is, this whiskey will be bottled and labeled as “American single malt.”

Colorado distillers are raising a toast to this new standard of identity for domestic whiskey, one that formally defines what ingredients can be used and how American single malt should be made. Instituted in December by the federal alcohol regulators, the designation joins vaunted labels like bourbon, rye and Irish Whiskey. This is the first time since 1968 that the Alcohol and Tobacco Tax and Trade Bureau has added a new one.

While U.S. distilleries have been making single malt spirits for a long time, local whiskey producers believe the designation will allow them to better compete with powerhouses like Scotland and Japan. They are also confident that Colorado can take the lead in popularizing American single malt, thanks to the state’s strong beer heritage, which has cultivated a generation of distillers familiar with using its base ingredient, one that is frequently grown here as well.

“Colorado was and is at the forefront of craft beer in the country. We have a lot of people like me, who were brewers, who understand malt and who started distilling and making malt whiskey,” said Craig Engelhorn, co-founder and master distiller at Spirit Hound Distillers in Lyons. “Just like we were pioneers in the ’90s with craft beer, we’re pioneers now with malt whiskey.”

A bottle of Ironton Distillery’s Colorado Straight Single Malt Whiskey at Ironton Distillery in Denver on April 2, 2025. (Photo by Helen H. Richardson/The Denver Post)

Creating a category

The TTB defines American single malt whiskey as a beverage made from 100% malted barley that is mashed, distilled and matured in the U.S.

It must be aged in oak barrels that are a maximum of 700 liters (185 gallons) and bottled at least 40% alcohol by volume. While the spirit is required to be distilled entirely at one distillery, the definition leaves room for companies to either make it in-house or source it from another producer.

The parameters were largely informed by whiskey producers, who spent the nine years lobbying regulators. The movement started in 2016, when Steve Hawley, then working at Seattle’s Westland Distillery, convened with eight other spirit makers at a Binny’s Beverage Depot in Chicago. The group’s objective: To find consensus about what makes American single malt whiskeys distinct.

The meeting took roughly one hour and catalyzed the American Single Malt Whiskey Commission, which took the lead advocating for the code update on behalf of U.S. producers. (The spelling of “whiskey” differs across organizations. (The TTB uses “whisky” in its American single malt definition, but for clarity, The Denver Post will spell the word as “whiskey” in this story.)

Hawley, who serves as president of the commission, submitted a formal petition to regulators shortly after that initial meeting. As the rulemaking process inched forward over the years, the organization worked to “spread the gospel” of American single malt whiskey, rallying distillers, maltsters and liquor stores around its cause. Today, it boasts 113 members.

What galvanized so many producers, Hawley said, was an opportunity to level the playing field between American-made spirits and the world’s most coveted Scotch and Japanese single malts.

“America has been known for bourbon for such a long time, but it’s not the only kind of whiskey that’s being made here,” Hawley said. American single malt “stands toe to toe with Scotch whiskey, Japanese whiskey and whiskey being made all over the world.

“I think what you’ll find with American single malt whiskey is, in a broad sense, a very intentional approach to be distinct — to have our own voice in the world of single malt,” he added, “not just be a copy of Scotch or to replicate what other people are doing.”

Head distiller Laura Walters works at Ironton Distillery in Denver on April 2, 2025. (Photo by Helen H. Richardson/The Denver Post)

Colorado’s role

Malted barley is the primary ingredient used to make beer and the majority of whiskeys, and many local distillers transitioned to the spirits industry after cutting their chops at breweries.

That means local drinkers have access to some of the best single malt whiskeys in the country, said Spirit Hound’s Englehorn, who helped develop the original recipe for Dale’s Pale Ale in the early 2000s while he was a brewer at Oskar Blues.

Spirit Hound sells six different single malts, including one called Colorado Honey, which is finished in barrels used to store local honey. It was awarded the title of American Single Malt Whiskey of the Year at the 2024 London Spirits Competition.

It’s not only the technique that sets Colorado single malt whiskey apart, however. Many craft distillers use locally grown barley, which gives their spirits a sense of place and showcases the Rocky Mountain terroir, said Justin Aden, head blender at Stranahan’s in Denver.

Stranahan’s has been making exclusively single malt whiskey since it was founded in 2004. Every spirit starts with the same base recipe: A 100% malted two-row barley mash that’s fermented off the grain husks, distilled and then aged for at least four years in new American white oak barrels. After that, Aden gets to have some fun concocting various flavors by finishing the spirits in different casks – like those previously used for sherry or rum – and by blending different ages together for complexity.

But what makes Stranhan’s whiskey distinct is the Colorado grains, most of which are grown on the Front Range, Aden said. He expects distilleries in other states to use their own barley in single malt whiskeys as well, in order to highlight local agricultural communities. (That’s why the growth of American single malt whiskey is a potential boon for farmers, Engelhorn said.)

“There’s a whole bunch of varietals of barley that grow in different regions of the country better than others,” Aden said. “That’s a really fun thing for whiskey geeks to discover.”

To commemorate the new federal designation, Stranahan’s will soon debut a new blend called Founder’s Release. The 12-year-old whiskey is one of its oldest and highest-proof expressions, clocking in at 60% alcohol by volume. It’s expected to be available for sale in late spring for $199.99.

Distillery dog Ludo, a golden retriever, lies in the sunshine next to oak barrels with aging whiskey at Ironton Distillery in Denver on April 2, 2025. (Photo by Helen H. Richardson/The Denver Post)

Flavor and creativity

What most excites Ironton head distiller Laura Walters is the opportunity for creativity and innovation. The single malt definition mandates that distillers use 100% malted barley, but it doesn’t specify what kind or how it is roasted, which creates room for experimentation.

For example, her flagship American Straight Malt Whiskey features 60% specialty malts roasted to various levels, drawing out different sugars and flavors. But a recipe Walters developed for Colorado State University athletics featured a different ratio of base malts and specialty malts, which created an entirely new flavor profile.

The freedom to design a mash bill like this, plus the ability to leverage barrels and even elevation, means there’s an almost endless well of flavor combinations to play with. “Everybody talks about terroir in wine, but it’s definitely a thing with whiskey, too,” she said. “Even in our state alone, a barrel that is aged at Denver’s level is going to be totally different than a barrel in Aspen.”

Or even in the Boulder County town of Louisville, where Ironton Distillery is moving its production at some point in the next few years.

So, how will American single malt sell? Hawley said he hopes to see new sections at liquor stores denoting the style to help customers more easily identify it. But one of the best ways to try the local tipples remains bellying up where they’re made.

“Go out there, try new single malts, support local distilleries,” Walters said. “It’s an exciting time.”