By GISELA SALOMON, Associated Press

MIAMI (AP) — Felipe Hernandez Espinosa spent 45 days at “ Alligator Alcatraz,” an immigration holding center in Florida where detainees have reported worms in their food, toilets that don’t flush and overflowing sewage. Mosquitoes and other insects are everywhere.

FILE – Migrants wearing face masks and shackles on their hands and feet sit on a military aircraft at Fort Bliss in El Paso, Tx., Jan. 30, 2025, awaiting their deportation to Guatemala. (AP Photo/Christian Chavez, File)

For the past five months, the 34-year-old asylum-seeker has been at an immigration detention camp at the Fort Bliss Army base in El Paso, Texas, where two migrants died in January and which has many of the same conditions, according to human rights groups. Hernandez said he asked to be returned to Nicaragua but was told he has to see a judge. After nearly seven months in detention, his hearing was scheduled for Feb. 26.

Prolonged detention has become more common in President Donald Trump’s second term, at least partly because a new policy generally prohibits immigration judges from releasing detainees while their deportation cases wind through backlogged courts. Many, like Hernandez, are prepared to give up any efforts to stay in the United States.

“I came to this country thinking they would help me, and I’ve been detained for six months without having committed a crime,” he said in a phone interview from Fort Bliss. “It is been too long. I am desperate.”

The Supreme Court ruled in 2001 that Immigration and Customs Enforcement cannot hold immigrants indefinitely, finding that six months was a reasonable cap.

With the number of people in ICE detention topping 70,000 for the first time, 7,252 people had been in custody at least six months in mid-January, including 79 held for more than two years, according to agency data. That’s more than double the 2,849 who were in ICE custody at least six months in December 2024, the last full month of Joe Biden’s presidency.

The Trump administration is offering plane fare and $2,600 for people who leave the country voluntarily. Yet Hernandez and others are told they can’t leave detention until seeing a judge.

FILE – President Donald Trump tours “Alligator Alcatraz,” a new migrant detention facility at Dade-Collier Training and Transition facility, on July 1, 2025, in Ochopee, Fla. (AP Photo/Evan Vucci, File)

Legal advisers warn that these are not isolated cases

The first three detainees that attorney Ana Alicia Huerta met on her monthly trip to an ICE detention center in McFarland, California, to offer free legal advice in January said they signed a form agreeing to leave the United States but were still waiting.

“All are telling me: ‘I don’t understand why I’m here. I’m ready to be deported,’” said Huerta, a senior attorney at the California Collaborative for Immigrant Justice. “That’s an experience that I’ve never had before.”

A Chinese man has been held for more than a year without seeing an immigration judge, even though he told authorities he was ready to be deported. In the past, Huerta said, she encountered cases like this once every three or four months.

The Department of Homeland Security did not address questions from The Associated Press about why more people are being held longer than six months.

“The conditions are so poor and so bad that people say, ‘I’m going to give up’,” said Sui Cheng, executive director at Americans for Immigrant Justice.

The waiting time may depend on the country. Deportations to Mexico are routine but countries including Cuba, Nicaragua, Colombia and Venezuela have at times resisted accepting deportees.

Among those detained for months are people who have won protection under the United Nations Convention Against Torture, who cannot be deported to their home country but may be sent elsewhere.

In the past, those migrants were released and could get a work permit. Not anymore, said Sarah Houston, managing attorney at Immigrant Defenders Law Center, who has at least three clients with protection under the U.N. torture convention who have been in custody for more than six months. One is from El Salvador, detained for three years. He won his case in October 2025 but is still in custody in California.

“They’re just holding these people indefinitely,” said Houston, noting that every 90 days, attorneys request the release of these migrants and ICE denies those requests. “We’re seeing people who actually win their immigration cases just languishing in jail.”

The Nicaraguan who wants to be deported

Hernandez, who doesn’t have a lawyer, said he signed documents requesting to be returned to his country or Mexico at least five times. An Oct. 9 hearing was abruptly canceled without explanation. He waited months with no news, until early February, when he learned his new hearing date.

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Hernandez, who has allergies and needs a gluten-free diet that he says he hasn’t been getting since November, was arrested in July on a lunch break from his job installing power generators in South Florida. His wife was detained with him but a judge allowed her to return to Nicaragua without a formal deportation order on Aug. 28.

Both crossed the Mexican border in 2022 and requested asylum. He said he received death threats after participating in marches against co-presidents and spouses Daniel Ortega and Rosario Murillo.

If he returns, they plan to go to Panama or Spain because they fear for their lives in Nicaragua, he said. His files say only that his case is pending.

The Dominican who became a father while in detention

Yashael Almonte Mejia has been detained eight months since the government sought dismissal of his asylum case in May 2025, said his aunt, Judith Mejia Lanfranco.

Since then, he has been transferred from a detention center in Florida to Texas to New Mexico.

In November, Almonte married his pregnant American girlfriend via a video call and became the father of a daughter he hasn’t seen in person. He was unable to attend the funeral of his sister who died in November.

“He has gone through depression. He has been very bad,” his aunt said. “He is desperate and he doesn’t even know what’s going to happen.”

Almonte, 29, came to the U.S. in 2024 and told authorities he cannot return to the Dominican Republic because he fears for his life. In January, he passed his initial asylum screening interview.

A Mexican man detained for a year

Some detainees are finding relief in federal court.

A Mexican man detained in October 2024 in Florida was held for a year even though he won a protection under the U.N. torture convention in March 2025.

“Time was passing and I was desperate, afraid that they would send me to another country,” said the 38-year-old, who spoke on condition of anonymity for fear of being detained again.

“I didn’t know what was going to happen to me,” he said, noting that immigration officials weren’t giving him any answers.

The man said he had lived illegally in the United States from age 10 until he was deported. In Mexico, he ran his own business, but in 2023 decided to return and illegally crossed the border into the United States. He said he was looking for safety after being threatened by drug cartels who demanded monthly payments.

He was taking antidepressants when he found an attorney who filed a petition in federal court alleging he was being held illegally. He was freed in October 2025, seven months after a judge ordered his release.

But for Hernandez, the Nicaraguan asylum-seeker, desperation led him to request to be returned to the country he had fled.

“I’ve experienced a lot of trauma. It’s very difficult,” Hernandez said from Fort Bliss. “I’m always thinking about when I’m going to get out.”

By KAITLYN HUAMANI and BARBARA ORTUTAY, Associated Press Technology Writers

LOS ANGELES (AP) — The world’s biggest social media companies face several landmark trials this year that seek to hold them responsible for harms to children who use their platforms. Opening arguments for the first, in Los Angeles County Superior Court, begin this week.

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Instagram’s parent company Meta and Google’s YouTube will face claims that their platforms deliberately addict and harm children. TikTok and Snap, which were originally named in the lawsuit, settled for undisclosed sums.

“This was only the first case — there are hundreds of parents and school districts in the social media addiction trials that start today, and sadly, new families every day who are speaking out and bringing Big Tech to court for its deliberately harmful products,” said Sacha Haworth, executive director of the nonprofit Tech Oversight Project.

At the core of the case is a 19-year-old identified only by the initials “KGM,” whose case could determine how thousands of other, similar lawsuits against social media companies will play out. She and two other plaintiffs have been selected for bellwether trials — essentially test cases for both sides to see how their arguments play out before a jury and what damages, if any, may be awarded, said Clay Calvert, a nonresident senior fellow of technology policy studies at the American Enterprise Institute.

It’s the first time the companies will argue their case before a jury, and the outcome could have profound effects on their businesses and how they will handle children using their platforms.

KGM claims that her use of social media from an early age addicted her to the technology and exacerbated depression and suicidal thoughts. Importantly, the lawsuit claims that this was done through deliberate design choices made by companies that sought to make their platforms more addictive to children to boost profits. This argument, if successful, could sidestep the companies’ First Amendment shield and Section 230, which protects tech companies from liability for material posted on their platforms.

“Borrowing heavily from the behavioral and neurobiological techniques used by slot machines and exploited by the cigarette industry, Defendants deliberately embedded in their products an array of design features aimed at maximizing youth engagement to drive advertising revenue,” the lawsuit says.

Executives, including Meta CEO Mark Zuckerberg, are expected to testify at the trial, which will last six to eight weeks. Experts have drawn similarities to the Big Tobacco trials that led to a 1998 settlement requiring cigarette companies to pay billions in health care costs and restrict marketing targeting minors.

FILE – Attendees visit the Meta booth at the Game Developers Conference 2023 in San Francisco on March 22, 2023. (AP Photo/Jeff Chiu, File)

“Plaintiffs are not merely the collateral damage of Defendants’ products,” the lawsuit says. “They are the direct victims of the intentional product design choices made by each Defendant. They are the intended targets of the harmful features that pushed them into self-destructive feedback loops.”

The tech companies dispute the claims that their products deliberately harm children, citing a bevy of safeguards they have added over the years and arguing that they are not liable for content posted on their sites by third parties.

“Recently, a number of lawsuits have attempted to place the blame for teen mental health struggles squarely on social media companies,” Meta said in a recent blog post. “But this oversimplifies a serious issue. Clinicians and researchers find that mental health is a deeply complex and multifaceted issue, and trends regarding teens’ well-being aren’t clear-cut or universal. Narrowing the challenges faced by teens to a single factor ignores the scientific research and the many stressors impacting young people today, like academic pressure, school safety, socio-economic challenges and substance abuse.”

A Meta spokesperson said in a recent statement that the company strongly disagrees with the allegations outlined in the lawsuit and that it’s “confident the evidence will show our longstanding commitment to supporting young people.”

José Castañeda, a Google Spokesperson, said that the allegations against YouTube are “simply not true.” In a statement, he said, “Providing young people with a safer, healthier experience has always been core to our work.”

The case will be the first in a slew of cases beginning this year that seek to hold social media companies responsible for harming children’s mental well-being. A federal bellwether trial beginning in June in Oakland, California, will be the first to represent school districts that have sued social media platforms over harms to children.

In addition, more than 40 state attorneys general have filed lawsuits against Meta, claiming it is harming young people and contributing to the youth mental health crisis by deliberately designing features on Instagram and Facebook that addict children to its platforms. The majority of cases filed their lawsuits in federal court, but some sued in their respective states.

TikTok also faces similar lawsuits in more than a dozen states.

In New Mexico, meanwhile, opening arguments begin Monday for trial on allegations that Meta and its social media platforms have failed to protect young users from sexual exploitation, following an undercover online investigation. Attorney General Raúl Torrez in late 2023 sued Meta and Zuckerberg, who was later dropped from the suit.

Prosecutors have said that New Mexico is not seeking to hold Meta accountable for its content but rather its role in pushing out that content through complex algorithms that proliferate material that can be harmful, saying they uncovered internal documents in which Meta employees estimate that about 100,000 children every day are subjected to sexual harassment on the company’s platforms.

Meta denies the civil charges while accusing Torrez of cherry-picking select documents and making “sensationalist” arguments. The company says it has consulted with parents and law enforcement to introduce built-in protections to social media accounts, along with settings and tools for parents.

Ortutay reported from Oakland, California. Associated Press Writer Morgan Lee in Santa Fe, New Mexico, contributed to this story.

By JENNIFER McDERMOTT, Associated Press

CORTINA D’AMPEZZO, Italy (AP) — Olympic fans came to Cortina with heavy winter coats and gloves. Those coats were unzipped Sunday and gloves pocketed as snow melted from rooftops — signs of a warming world.

“I definitely thought we’d be wearing all the layers,” said Jay Tucker, who came from Virginia to cheer on Team USA and bought hand warmers and heated socks in preparation. “I don’t even have gloves on.”

Karli Poliziani, center right, poses for a photo with her father, Len, as the temperature rose in the host city, during the 2026 Winter Olympics, in Cortina d’Ampezzo, Italy, Sunday, Feb. 8, 2026. (AP Photo/ Jennifer McDermott)

The timing of winter, the amount of snowfall and temperatures are all less reliable and less predictable because Earth is warming at a record rate, said Shel Winkley, a Climate Central meteorologist. This poses a growing and significant challenge for organizers of winter sports; The International Olympic Committee said last week it could move up the start date for future Winter Games to January from February because of rising temperatures.

While the beginning of the 2026 Olympic Winter Games in Cortina truly had a wintry feel, as the town was blanketed in heavy snow. The temperature reached about 40 degrees Fahrenheit (4.5 degrees Celsius) Sunday afternoon. It felt hotter in the sun.

This type of February “warmth” for Cortina is made at least three times more likely due to climate change, Winkley said. In the 70 years since Cortina first held the Winter Games, February temperatures there have climbed 6.4 degrees Fahrenheit (3.6 degrees Celsius), he added.

Coping with varying climates across host cities

For the Milan Cortina Games, there’s an added layer of complexity. It’s the most spread-out Winter Games in history, so Olympic venues are in localities with very different weather conditions. Bormio and Livigno, for example, are less than an hour apart by car, but they are separated by a high mountain pass that can divide the two places climatically.

Dan Wilton, of Vancouver, Canada, left walks with his friends without jackets as temperatures rise in the host city, during the 2026 Winter Olympics in Cortina d’Ampezzo, Italy, Sunday, Feb. 8, 2026. (AP Photo/ Jennifer McDermott)

The organizing committee is working closely with four regional and provincial public weather agencies. It has positioned weather sensors at strategic points for the competitions, including close to the ski jumping ramps, along the Alpine skiing tracks and at the biathlon shooting range.

Where automatic stations cannot collect everything of interest, the committee has observers — “scientists of the snow”— from the agencies ready to collect data, according to Matteo Pasotti, a weather specialist for the organizing committee.

The hope? Clear skies, light winds and low temperatures on race days to ensure good visibility and preserve the snow layer.

The reality: “It’s actually pretty warm out. We expected it to be a lot colder,” said Karli Poliziani, an American who lives in Milan. Poliziani was in Cortina with her father, who considered going out Sunday in just a sweatshirt.

And forecasts indicate that more days with above-average temperatures lie ahead for the Olympic competitions, Pasotti said.

Weather can affect competition

Weather plays a critical role in the smooth running and safety of winter sports competitions, according to Filippo Bazzanella, head of sport services and planning for the organizing committee. High temperatures can impact the snow layer on Alpine skiing courses and visibility is essential. Humidity and high temperatures can affect the quality of the ice at indoor arenas and sliding centers, too.

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Visibility and wind are the two factors most likely to cause changes to the competition schedule, Bazzanella added. Wind can be a safety issue or a fairness one, such as in the biathlon where slight variations can disrupt the athletes’ precise shooting.

American alpine skier Jackie Wiles said many races this year have been challenging because of the weather.

“I feel like we’re pretty good about keeping our heads in the game because a lot of people are going to get taken out by that immediately,” she said at a team press conference last week. “Having that mindset of: it’s going to be what it’s going to be, and we still have to go out there and fight like hell regardless.”

The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

By DAVE SKRETTA, Assocaited Press Sports Writer

MILAN (AP) — On the same day Amber Glenn won Olympic gold as part of the team event, and stepped away from social media due to backlash over her comments on politics and the LGBTQ+ community, the American figure skater ended up with another headache.

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Canadian artist Seb McKinnon, who produces music under the name CLANN, took to social media late Sunday to object to the use of his song “The Return,” which Glenn had used in her free skate — and has been using for the past two years without issue.

“So just found out an Olympic figure skater used one of my songs without permission for their routine. It aired all over the world … what? Is that usual practice for the Olympics?” McKinnon posted to X, shortly after the team competition had ended.

Figure skaters are required to obtain permission for the music they use, but that process is hardly straightforward.

Sometimes the label or record producer owns the copyright, other times the artist themselves, and often there are multiple parties involved. Skaters sometimes will piece together different cuts of music, too. Throw in third-party companies such as ClicknClear that try to smooth out the permission process, and the entire copyright issue becomes murky and nuanced.

According to McKinnon, “The deal I have with my label is that I alone can give the OK to license my music.”

Glenn was not available for comment on the music issue early Monday. She planned to take the day off from training and then leave Milan to practice elsewhere ahead of the individual women’s event, which begins Feb. 17 with the short program.

Messages left by The Associated Press with U.S. Figure Skating about Glenn’s copyright problem were not immediately returned.

The issue is not the first bit of controversy involving Glenn at the Milan Cortina Games.

Amber Glenn of the United States competes during the figure skating women’s team event at the 2026 Winter Olympics, in Milan, Italy, Sunday, Feb. 8, 2026. (AP Photo/Ashley Landis)

The outspoken LGBTQ+ rights activist said she received threats on social media after saying during a pre-Olympics press conference that the queer community is going through a “hard time” amid the political climate under President Donald Trump.

“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking ‍about being decent — human rights and decency,” Glenn said Sunday night, wearing an LGBTQ+ pin on her team jacket during the team medal ceremony.

“So that was really disappointing,” Glenn said, “and I do think it kind of lowered that excitement for this.”

Copyrights never used to be a problem in figure skating because the International Skating Union barred any music involving vocals, and most classical music is considered public domain. But when those rules were relaxed in 2014, and modern music began to be used, artists soon demanded that they receive compensation for their work.

It all came to a head at the 2022 Beijing Olympics, when one of the indie artists who covered “House of the Rising Sun” objected to its use by American pairs skaters Alexa Knierim and Brandon Frazier. The ensuing lawsuit prompted the ISU to step in and try to develop systems that would help skaters avoid copyright infringement claims.

“It’s never been an issue and then suddenly it is, and I don’t understand why,” Glenn told the AP ahead of the Winter Games. “I understand there was a big upset at the last Olympics because some artist — I’m sorry, they decided to be (jerks). Like, they couldn’t just appreciate this Olympic team competing? It wasn’t even their song to begin with; it was a cover.

“It’s not like we’re a TV show and playing music in the background for an emotional scene. It just feels like a cash grab for different companies, and it’s really upsetting that they can’t just appreciate that their music has inspired something creative.”

Justin Dillon, the director of high performance for U.S. Figure Skating, said the governing body has tried to help its skaters avoid any copyright claims. It is unclear whether the organization played any role in getting Glenn’s music approved.

Numerous fans and even fellow skaters have been quick to rush to the American’s defense.

“I’d be so honored that someone wants to skate to my music and give the music some amazing exposure,” said retired Canadian pairs skater Meagan Duhamel, a two-time Olympian and three-time medalist. “I used a piece of music for the 2018 Olympics and the artist was so excited she flew to the Olympics to listen and watch it live.”

After Nathan Chen won gold at the Beijing Games with a free skate set to “Rocket Man,” Elton John effusively praised the American for his performance. Chen later collaborated with the musical legend for a music video to a version of “Hold Me Closer.”

“We really rely on our music,” said Alysa Liu, part of the gold medal-winning U.S. team. “Without music, we’re not really our sport.”