Saving Lone Star Literary Life

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Out in West Texas, a pair of aspiring novelists and enterprising small-town newspaper owners, Barbara Brannon and Kay Ellington, were dismayed by the number of publications that were dropping book sections, cutting critics, and otherwise decimating literary coverage, especially in the Lone Star State. By the 2010s, “93 percent of the state’s newspapers offer no regular books coverage of any kind,” they told the Writers’ League of Texas.

Both newswomen worried that Texas authors in particular just weren’t getting enough attention—though plenty deserved it.

Out of that gaping hole emerged, fittingly on Groundhog’s Day 2015, a new literary venture: Lone Star Literary Life, an online newsletter aimed at Texas readers, writers, and librarians.

“Texas is second only in population to California, Florida is third and New York is fourth. We should be the 800-pound gorilla of literature,” Ellington said of their effort in a 2017 panel discussion.

Initially, it was only a side project for Brannon and Ellington, a dynamic duo who have now published several novels (a series all about The Paragraph Ranch) while still stubbornly championing small-town papers too. (Their company, Paragraph Ranch LLC, now owns three around Lubbock: the Texas Spur, in Spur; the Caprock Courier in Silverton; and the Floyd County Hesperian-Beacon.)

Over the next nine years, Lone Star Literary Life grew, creating a network of 6,000 loyal subscribers, including Texas librarians, indie booksellers, publicists, and authors. 

Kristine Hall Courtesy

In 2018, school librarian Kristine Hall took over and Lone Star Lit coasted through the pandemic when many Texans were home reading—and writing. But the upstart venture nearly died in April 2024, a victim perhaps of its own business model of providing substantive but low-cost (or free) services to readers and authors across Texas. It had become popular but not profitable enough to sustain a team of employees large enough to support it without burning out. 

Here’s the saga of how independent women business owners and book lovers in Texas founded that small company, expanded it, and now aim to save it. 

From its beginnings, Lone Star Lit was ambitious. The Texas-centric newsletter offered announcements on book events, a statewide bookstore directory, and coverage of Texas authors’ latest work, whether from big publishers, boutique operations like Dallas’ literary powerhouse Deep Ellum, academic presses, and even self-published work. 

Early on, Hall, who already ran a blog she called Hall Ways, joined the operation. Hall formed a network of bloggers who agreed to help cover the book launches of Texas authors in what was dubbed Book Blog Tours, for which authors paid small but affordable fees meant to support the company’s operations.

She and other contributors at Lone Star Lit also helped boost book tourism by expanding their statewide directory to 300 bookstores and publishing an annual list of the Top Texas Bookish Destinations. That list has included predictable big-city entries like Austin and Houston, as well as Abilene, home to the National Center for Children’s Illustrated Literature, and the Lower Rio Grande Valley, which hosts both the McAllen Book Festival and the Rio Grande Valley International Poetry Festival

When Hall first joined Lone Star Lit, she still worked as a long-term substitute school librarian for Grapevine-Colleyville ISD, which hadn’t yet become the center of Texas’ war on books. She immediately embraced her role as a book promoter.

By December 2018,  Ellington and Brannon, both “newspaper people” at heart, decided to sell their newsletter and Hall took over as the owner, manager, publisher, and frequent contributor.

“When our team took over the Texas Spur in 2018, it was with full expectation we could manage both projects, but community newspapering turned out to be much more demanding than [we] anticipated—in a good way,” Brannon told the Observer. “We were fortunate—as is the community of Texas book lovers—that Kristine was eager to step up. We’ve continued to cheer her on since then!”

For the next six years, Hall continued to grow Lone Star Lit, though as a part-time librarian and mother of five (and later grandmother of two) she sometimes struggled to find a work-life balance. 

As efforts to ban books escalated in school districts near Hall’s home and beyond, the controversies seemed only to galvanize Lone Star Lit readers, who wanted to know what they could do. “With the banning of the books, I think people are looking for a way to support the Texas literary community. People want to be able to do something, but they don’t always know what to do,” Hall said.

Over the nine years of Lone Star Lit’s life, more independent booksellers and literary festivals popped up in unexpected places. The massive Texas Book Festival and the San Antonio Book Festival remained the biggest—drawing national and Texas talent—while the Hill Country town of Boerne built a beautiful new library, and librarians there turned their lovely town square into a festival venue. The town of Winnsboro in East Texas created a book festival too, and a brand new one just popped up in the Austin suburbs called “Bees and Books.”

Hall considered herself a book booster, an amplifier. “I hear about stuff and I share it. I hear about bookish job opportunities and I share them,” she said in an interview this month. “I subscribe to a ton of newsletters.”

But at times, Hall told the Observer, there seemed to be an overwhelming amount of interest in Lone Star Lit. Sometimes it was too much. “I am Texan and I always had a passion for books,” she said. “I’m still very passionate about it. I’m just tired.”

By early 2024, Hall announced that she was ready to retire. Suddenly, the lights of Lone Star Lit seemed ready to go out. 

But readers responded (as they often do) to Hall’s posts with detailed comments and long emails. To her surprise, some of those emails contained offers to buy the business that she figured no one else would be crazy enough to want to run.

By late March, she’d whittled down the list to four finalists, finally selecting Amy Kelly, a former middle school teacher and Lone Star Lit fan who had for years been writing about YA books on her own blog. “I feel like all of my experience so far has led to this because I am so passionate about the freedom to read and the fact that stories save lives,” Kelly told the Observer.

By May 1, Lone Star Lit will be under new ownership. At least for now, all of the standard features—the book calendar, the list of indie bookstores, the book blog tours, and newsletters—won’t change, Kelly told Hall in their April handover meeting. 

Kelly said she wants to “continue and carry the torch to highlight indie bookstores and Texas authors and librarians.  

Back in Lubbock, Brannon, the original Lone Star Lit co-founder who remains a loyal reader, was busy putting out her newspapers this week when she got a call from the Observer sharing the news that Lone Star Lit would go on.

 “You know something I don’t know,” she said. “And I’m glad.”

Disclosure: Lise Olsen, a Texas author herself, has been featured in Lone Star Literary Life.

The IRS is quicker to answer the phone on this Tax Day

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WASHINGTON — On this Tax Day, the IRS is promoting the customer service improvements the agency rolled out since receiving tens of billions in new funding dollars through Democrats’ Inflation Reduction Act.

From cutting phone wait times to digitizing more documents and improving the “Where’s My Refund” tool to show more account details in plain language, agency leadership is trying to bring attention to what’s been done to repair the agency’s image as an outdated and maligned tax collector.

The promotion also in part is meant to quickly normalize a more efficient and effective IRS before congressional Republicans threaten another round of cuts to the agency. So time is of the essence for both taxpayers and the agency this season.

Get IRS contact info at irs.gov/help/let-us-help-you.

“This filing season, the IRS has built off past successes and reached new milestones,” Treasury Secretary Janet Yellen said on a Friday call with reporters. “It’s showing that when it has the resources it needs, it will provide taxpayers the service they deserve.”

“Delivering tax season is a massive undertaking,” said IRS Commissioner Daniel Werfel. “We greatly appreciate people in many different areas working long hours to serve taxpayers as the tax deadline approaches.”

For most people, April 15 is the last day to submit tax returns or to file an extension and the IRS says it has received more than 100 million tax returns, with tens of millions more expected to be filed.

The IRS says call wait times have been cut down to three minutes this tax season, compared with the average 28 minutes in 2022. That has saved taxpayers 1.4 million hours of hold time and the agency has answered 3 million more calls compared with the same time frame. Also, an updated “Where’s My Refund” tool giving more specific information about taxpayers’ refunds in plain language was rolled out to 31 million views online.

Werfel told The Associated Press earlier in the tax season that the agency’s agenda is to deliver “better service for all Americans so that we can ease stress, frustration and make the tax filing process easier — and to increase scrutiny on complex filers where there’s risk of tax evasion.”

“When we do that,” Werfel said, “not only do we make the tax system work better because it’s easier and more streamlined to meet your tax obligations. But also we collect more money for the U.S. Treasury and lower our deficit. The IRS is a good investment.”

Major new initiatives in recent months have included an aggressive pursuit of high-wealth earners who don’t pay their full tax obligations, such as people who improperly deduct personal flights on corporate jets and those who just don’t file at all.

This also is the first tax season that the IRS has rolled out a program called Direct File, the government’s free electronic tax return filing system available to taxpayers in 12 states who have simple W-2 forms and claim a standard deduction.

If Direct File is successful and scaled up for the general public’s use, the program could drastically change how Americans file their taxes and how much money they spend completing them. That is, if the agency can see the program through its development in spite of threats to its funding.

The Inflation Reduction Act initially included $80 billion for the IRS.

However, House Republicans have successfully clawed back some of the money. They built a $1.4 billion reduction to the IRS into the debt ceiling and budget cuts package passed by Congress last summer. A separate agreement will take an additional $20 billion from the IRS over the next two years to divert to other nondefense programs.

Government watchdogs warn IRS funding cuts will reduce the amount of revenues the U.S. collects.

The non-partisan Congressional Budget Office reported in February that a $5 billion rescission from the IRS would reduce revenues by $5.2 billion over the next 10 years and increase the cumulative deficit by $0.2 billion. A $20 billion rescission would reduce revenues by $44 billion and a $35 billion rescission would reduce revenues by $89 billion and increase the deficit by $54 billion.

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Trump’s history-making hush money trial starts Monday with jury selection

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By Jennifer Peltz and Michael R. Sisak, Associated Press

NEW YORK (AP) — In a singular moment for American history, the hush money trial of former President Donald Trump begins Monday with jury selection.

It’s the first criminal trial of a former commander in chief and the first of Trump’s four indictments to go to trial. Because Trump is the presumptive nominee for this year’s Republican ticket, the trial will also produce the head-spinning split-screen of a presidential candidate spending his days in court and, he has said, “campaigning during the night.”

And to some extent, it is a trial of the justice system itself as it grapples with a defendant who has used his enormous prominence to assail the judgehis daughter, the district attorney, some witnesses and the allegations — all while blasting the legitimacy of a legal structure that he insists has been appropriated by his political opponents.

Against that backdrop, scores of ordinary citizens are due to be called Monday into a cavernous room in a utilitarian courthouse to determine whether they can serve, fairly and impartially, on the jury.

“The ultimate issue is whether the prospective jurors can assure us that they will set aside any personal feelings or biases and render a decision that is based on the evidence and the law,” Judge Juan M. Merchan wrote in an April 8 filing.

Judge Juan Merchan poses for a picture in his chambers, Thursday, March 14, 2024, in New York. A dozen Manhattan residents are soon to become the first Americans ever to sit in judgment of a former president charged with a crime. Jury selection is set to start Monday in former President Donald Trump’s hush-money trial. (AP Photo/Seth Wenig)

FILE – Adult film actress Stormy Daniels arrives at an event in Berlin, on Oct. 11, 2018. Donald Trump will make history as the first former president to stand trial on criminal charges when his hush money case opens with jury selection. The allegations focus on payoffs to two women, Daniels, a porn actress, and Playboy model Karen McDougal, who said they had extramarital sexual encounters with Trump years earlier, as well as to a Trump Tower doorman who claimed to have a story about a child he alleged Trump had out of wedlock. (AP Photo/Markus Schreiber, File)

FILE – Manhattan District Attorney Alvin Bragg listens at news conference in New York, Feb. 7, 2023. Donald Trump will make history as the first former president to stand trial on criminal charges when his hush money case opens with jury selection. Bragg’s office has said that Trump was trying to conceal violations of federal campaign finance laws — an unusual legal strategy some experts have said could potentially backfire. (AP Photo/Seth Wenig, File)

FILE – Michael Cohen, former attorney to Donald Trump, leaves the District Attorney’s office in New York, March 13, 2023. Trump is set to stand trial Monday, April 15, 2024, in New York on state charges related to the very sex scandal that he and his aides strove to hide. Many details of the case have been public since 2018, when federal prosecutors charged Cohen with campaign finance crimes in connection with a scheme to bury Stormy Daniels’ claims, and other potentially damaging stories from Trump’s playboy past. (AP Photo/Yuki Iwamura, File)

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Trump has pleaded not guilty to 34 felony counts of falsifying business records as part of an alleged effort to keep salacious — and, he says, bogus — stories about his sex life from emerging during his 2016 campaign.

The charges center on $130,000 in payments that Trump’s company made to his then-lawyer, Michael Cohen. He paid that sum on Trump’s behalf to keep porn actor Stormy Daniels from going public, a month before the election, with her claims of a sexual encounter with the married mogul a decade earlier.

Prosecutors say the payments to Cohen were falsely logged as legal fees in order to cloak their actual purpose. Trump’s lawyers say the disbursements indeed were legal expenses, not a cover-up.

Trump himself casts the case, and his other indictments elsewhere, as a broad “weaponization of law enforcement” by Democratic prosecutors and officials. He maintains they are orchestrating sham charges in hopes of impeding his presidential run.

After decades of fielding and initiating lawsuits, the businessman-turned-politician now faces a trial that could result in up to four years in prison if he’s convicted, though a no-jail sentence also would be possible.

Regardless of the eventual outcome, the trial of an ex-president and current candidate is a moment of extraordinary gravity for the American political system, as well as for Trump himself. Such a scenario would have once seemed unthinkable to many Americans, even for a president whose tenure left a trail of shattered norms, including twice being impeached and acquitted by the Senate.

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The scene inside the courtroom may be greeted with a spectacle outside. When Trump was arraigned last year, police broke up small skirmishes between his supporters and protesters near the courthouse in a tiny park, where a local Republican group has planned a pro-Trump rally Monday.

Trump’s attorneys lost a bid to get the hush money case dismissed and have since repeatedly sought to delay it, prompting a flurry of last-minute appeals court hearings last week.

Among other things, Trump’s lawyers maintain that the jury pool in overwhelmingly Democratic Manhattan has been tainted by negative publicity about Trump and that the case should be moved elsewhere.

An appeals judge turned down an emergency request to delay the trial while the change-of-venue request goes to a group of appellate judges, who are set to consider it in the coming weeks.

Manhattan prosecutors have countered that a lot of the publicity stems from Trump’s own comments and that questioning will tease out whether prospective jurors can put aside any preconceptions they may have. There’s no reason, prosecutors said, to think that 12 fair and impartial people can’t be found amid Manhattan’s roughly 1.4 million adult residents.

The process of choosing those 12, plus six alternates, will begin with scores of people filing into Merchan’s courtroom. They will be known only by number, as he has ordered their names to be kept secret from everyone except prosecutors, Trump and their legal teams.

After hearing some basics about the case and jury service, the prospective jurors will be asked to raise hands if they believe they cannot serve or be fair and impartial. Those who do so will be excused, according to Merchan’s filing last week.

The rest will be eligible for questioning. The 42 preapproved, sometimes multi-pronged queries include background basics but also reflect the uniqueness of the case.

“Do you have any strong opinions or firmly held beliefs about former President Donald Trump, or the fact that he is a current candidate for president, that would interfere with your ability to be a fair and impartial juror?” asks one question.

Others ask about attendance at Trump or anti-Trump rallies, opinions on how he’s being treated in the case, news sources and more — including any “political, moral, intellectual, or religious beliefs or opinions” that might “slant” a prospective juror’s approach to the case.

Based on the answers, the attorneys can ask a judge to eliminate people “for cause” if they meet certain criteria for being unable to serve or be unbiased. The lawyers also can use “peremptory challenges” to nix 10 potential jurors and two prospective alternates without giving a reason.

“If you’re going to strike everybody who’s either a Republican or a Democrat,” the judge observed at a February hearing, “you’re going to run out of peremptory challenges very quickly.”

Theater review: Guthrie’s excellent ‘History Plays’ offer the Bard in abundance

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Saturday was a sunny spring day, but over a thousand of us from 26 states and two Canadian provinces spent it ensconced within the Guthrie Theater.

There, we experienced one of North America’s destination theatrical events of the year: The official opening of the Guthrie’s “History Plays,” Shakespeare’s trilogy of tales about England’s monarchs between 1398 and 1420. Presented over 13 hours (almost 8½ of them in performance), it likely filled every heart with admiration for the 23-member cast. But I’m betting you’ll appreciate the productions more if you stagger them by days or weeks, allowing time for reflection between performances.

When the Guthrie undertook this same project in 1990, among the actors was Joseph Haj, now the company’s artistic director. As director of this incarnation of “The History Plays,” he’s helped craft quite the artistic achievement, whether examined as a whole or divided by three.

Contributing greatly to its success are the designs: Jan Chambers’ imaginative rotating set is full of staircases, balconies and pop-up set pieces, while Trevor Bowen’s costumes and Heather Gilbert’s lighting enhance the stories but never distract from them. And Jack Herrick’s always engaging score combines percussive Celtic-flavored folk with stately synthesizers.

‘Richard II’

Tyler Michaels King, center, as King Richard II, in “Richard II,” running through May 24, 2024 at the Guthrie Theater in Minneapolis. The theater is presenting Shakespeare’s three dramas encompassing the life and times of key players in the tumultuous English monarchy from 1398 to 1420: Richard II, Henry IV and Henry V. (Dan Norman / Guthrie Theater)

The plays follow the passing of the crown from one English king to another, but Shakespeare’s chief interest is always the interpersonal conflicts and motivations of his characters. His still astoundingly poetic writing is all about examining the nature of being human — in rhythmic, rhyming verse.

“Richard II” is alone in not being a war story — it’s a drama about a political coup — and I found it the most satisfying production of the three. When reflecting at day’s end upon the trilogy’s most impressive performances, the first to mind was Tyler Michaels King’s astonishingly vulnerable portrayal of King Richard as he processes his confusion and bitterness at having his crown taken from him.

He’s prepared for his descent from the throne by a transfixing deathbed dressing-down from Charity Jones’ John of Gaunt — Jones is a voice of stern reason throughout the trilogy — while David Andrew Macdonald lends layers to the conflicted and conflict-averse Duke of York, Jasmine Bracey making a memorable comedic turn as his fury-fueled wife.

‘Henry IV’

If Richard is the most fascinating dramatic character in the trilogy, the comedic equivalent for impact is Sir John Falstaff. This totally fictional character proved so popular with Elizabethan audiences that Shakespeare revived him by popular demand in “The Merry Wives of Windsor.” He’s a raconteur, thief and drinking companion of young Prince Hal, heir to the throne.

Oh sure, there’s a drama afoot about a rebellion against the titular monarch, and John Catron admirably inhabits the perpetually pissed-off Hotspur who leads it. But when the drums of war start beating, you may wish that you were back at the bar with Jimmy Kieffer’s hilariously garrulous Falstaff and the prankster tandem of the young prince (Daniel Jose Molina) and Ned Poins (Dustin Bronson).

Yet when we’re off to war, it’s Falstaff who provides a commoner’s point of view, lacing with dark humor his ruminations on the nature of “honor.”

‘Henry V’

Daniel José Molina, as King Henry V, and Dustin Bronson, as Edward, Lord Scroop of Masham, in “Henry V,” running through May 25, 2024 at the Guthrie Theater in Minneapolis. (Dan Norman / Guthrie Theater)

The most well-known of the three plays, thanks in part to film adaptations by Laurence Olivier and Kenneth Branagh, is basically a war story about a British invasion of France, filled with lots of swordplay and hand-to-hand combat. Kudos to fight director U. Jonathan Toppo, who also plays two roles.

It’s long been held up as a lesson in leadership, as Prince Hal has grown into a military leader who cultivates personal bonds with his soldiers and delivers the most famous pep talk in theatrical history (“We happy few! We band of brothers!”). Molina does a fine job with Henry’s transformation, but the character grows increasingly unsympathetic, especially when one considers this an unnecessary war of his own choosing.

Thank goodness for some comic relief from Bronson as the very silly French Dauphin. And Erin Mackey is a standout as the youngest of the pub retinue, Davy, and the French princess who becomes Henry’s love interest.

If your time is too limited to catch all three, I’d recommend prioritizing by chronology. But each production is a triumph in its own right.

Rob Hubbard can be reached at wordhub@yahoo.com.

‘Richard II,’ ‘Henry IV’ and ‘Henry V’

When: Through May 25

Where: Guthrie Theater, 818 Second St. S., Mpls.

Tickets: $82-$17; three-play package, $189-$66; available at 612-377-2224 or guthrietheater.org

Note: The one-day marathon of all three productions will be repeated on May 18.

Capsule: A monumental achievement best experienced in smaller bites.

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