‘It’s light, it’s fun, it’s stress-less’: Timberwolves coaching staff has formed a ‘super rare’ bond

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A boisterous roar takes place at Target Center — not in the arena, but in the back hallways — roughly three minutes before the national anthem is sung before a home game and Timberwolves players are introduced.

It comes not from the players, but the coaches — a group of grown men mostly ranging from 35 to 65 years in age.

But, for a brief moment before every game, they’re teenagers again.

Timberwolves assistant coach Micah Nori can’t hide his glee as head coach Chris Finch made his way through Minnesota’s pre-game coach’s hype tunnel at Target Center on Tuesday, Sept. 17, 2023. (Jace Frederick / Pioneer Press)

Timberwolves assistant coaches Jeff Newton, left, and Corliss Williamson are all smiles as fellow assistant coach Joe Boylan hypes them up from behind as Minnesota’s coaches make their way to the Target Center court on Tuesday, Sept. 17, 2023. (Jace Frederick / Pioneer Press)

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All of the assistant coaches line the hallway leading from the locker room to the court. Then, at the three-minute mark on the pregame clock, the quality control coach — who in the past was Nathan Bubes, and this season is Jeff Newton — will knock on head coach Chris Finch’s door. Finch emerges and makes his way through the tunnel, fist-bumping every assistant, with a straight face as he heads toward the floor.

Behind him, chaos ensues.

In past years, Bubes would follow behind with Finch’s iPad in tow. He, too, would go through the tunnel of coaches, receiving one “atta boy” smack after another — usually beginning with director of player programs Moses Ehambe — to a chorus of cheers, while doing his best to maintain a straight face.

Now in that role, Newton’s plan of attack is to leap up and body bump assistant coaches as he makes his way down the line.

Assistant coach Micah Nori joked the loud cheers are far more for the other assistants than the head coach.

“But don’t tell Finchy that. We don’t need him to get upset,” Nori quipped. “Maybe his ego is like, ‘Yeah, they’re cheering for me!’ No, no, no.”

Finch is well aware.

“The pregame hype line, hype tunnel, it’s not for me,” Finch said. “In Europe, we used to all put our hands in just like players do in a huddle. It’s just something to bring the staff together. I don’t like the thought of all the staff just meandering out there on their own. I’m just very big into connectivity in all the ways that we can accomplish it. And it’s a little thing to say, like, ‘Hey, it’s our time to rally together, too.’ ”

“We usually walk out in a really good mood,” assistant coach Pablo Prigioni said.

Prior to Minnesota’s lone home preseason game this fall against Maccabi Ra’anana, Nori and Co. were well aware there was a camera documenting the pregame ritual. The assistant coach made sure to overly elaborate his claps and even deliver a thumbs-up while staring directly at the lens. The staff approaches the hype line the same way in the preseason as it does ahead of the most important games of the year.

“We’re not taking anything too seriously,” Finch said.

And that’s the magic of this staff.

“It’s light, it’s fun,” assistant coach Elston Turner said. “It’s stress-less.”

Lighten up

Stress is synonymous with coaching in professional sports. Turner said it’s “very rare” to achieve the type of atmosphere the Wolves have cultivated.

“It’s a pleasure to come to work when you’re allowed to work and it’s fun for you,” he said. “It makes it pleasant to be around.”

It’s not the case everywhere. Minnesota’s veteran coaches can attest to that.

“All I can say is I’ve been on some teams, some places, that are the other way, where you kind of dread it,” Turner said. “You do your job, because that’s what you’re there for, but you just understood that the day was going to be stressful.”

“I’ve been on some great staffs,” Nori said, “and then I’ve been on some staffs that I couldn’t wait for practice to end. I couldn’t wait to go home.”

This staff, by all accounts, is the former. A major reason for that is because of the general lightness with which they operate. Turner made it clear the Wolves coaches do a heavy amount of work. It’s not unusual for him to be up until 2 or 3 a.m. after games, putting together plans for the next game or day of practice.

All of the coaches described an accountable culture in Minnesota. You’re hired to do a job, and you’re expected to do it.

But you’re also trusted to do it. Turner said no one is “breathing down your neck” as you operate. And there is an understanding that this isn’t life-or-death work.

“You come to work with a mindset that you’re going to have fun. Yeah, we have a lot of work to do and everybody is responsible for their own things,” Prigioni said. “But just sharing all those moments, which is breakfast, lunch, a meeting or pregame or whatever, with people that you really get along with well, it’s so much more enjoyable.”

That can include pregame football watch parties in the coaches locker room, which allows everyone to take a breath prior to battle. It also features a copious amount of humor.

Timberwolves assistant coach Joe Boylan needs laughter like he needs oxygen.

“It’s probably my No. 1 priority, even above basketball,” Boylan said.

He gets his daily fill at the practice facility.

“We have a hilarious staff. Micah is probably one of the funniest people I’ve been around,” Boylan said. “So I just like sitting by him on the plane. I like being around him the locker room before the games. We just have a really fun atmosphere. There’s a lot of funny guys.”

Nori said Finch is the funniest member of the staff, citing his wit. That sets the tone for everyone around him.

“If you aren’t a little bit self-deprecating, a little bit witty, Finchy isn’t going to enjoy being around you,” Nori said, “and he’s making those (staff) selections.”

So the jokes fly frequently. Bubes noted if he shows up 15 minutes later than usual, he’ll get ribbed for sleeping in. And if he’s still at his computer while others are heading home, he’ll get knocked for never being willing to step away from work.

“It is Micah, and then he gets Coach to pile on,” Bubes said. “And Joe gets involved, (and assistant coach Chris Hines).”

“When it comes right down to it, we laugh a lot. We have a lot of guys that make each other laugh,” Finch said. “That just helps. It helps keep the mood light, no matter what. And many times in our meetings, we’ll get off track and we’ll be laughing, and then we’ll get right back on track. It is very unique.”

Balance

The levity is almost a requirement to survive the seven-plus-month grind of an NBA season.

“Eighty-two games, you’re gonna lose 40,” Boylan said.

And you need to not mentally and emotionally crush yourself after each defeat. That’s easier said than done in coaching, where wins and losses determine job security.

Finch even described himself as “moody” during the season.

“That’s just kind of how I’m wired, unfortunately,” he said.

But the coach noted his staff helps him remain even-keeled.

“After a tough loss, when Nate is eating wings, and it’s a total mess, we look at each other and just break out laughing,” Boylan said. “And it’s super awkward, and you’re not supposed to be laughing.”

And yet those moments are exactly what’s required throughout the course of a season. That, Finch said, is a staff’s job. He said his assistants have to be the ones who are bringing energy every single day. Players, he noted, will inevitably show up in various moods at various points of the season depending on current circumstance, much like he will himself. The staff has to be consistent. He doesn’t want there to be fewer jokes the day after a defeat.

Boylan said the Wolves coaches are big on celebrating wins. They remind themselves of that even when they win “ugly.”

“It’s great to have coaches that remind you, ‘Hey, let’s put a smile on our face here. We won tonight. We can’t be down when we win and down when we lose. We’ve gotta ride the wave,’ ” Boylan said. “And I think that’s helped keep us just that steady, kind of consistent, just bringing good vibes, good energy, which I think carries onto the players. They can feel it when you’re coming in and you’re in a dark place or you’re depressed in a losing streak. We want the gym to feel like you can’t tell what happened the night before in the game. And that’s not what it is in some places. They want you to be much more business-like after a loss.

“For us, it’s more about just being consistently who we are, and that’s awesome.”

Do *your* job

What allows the Wolves coaches to get along so well is they aren’t constantly competing with one another. Boylan noted there is a “typical NBA competitiveness or people trying to climb the corporate ladder.”

“It becomes really draining and really awkward,” he said.

That’s not the case in Minnesota. The Timberwolves staff members all described their work as collaborative, from the top down. Finch helps ensure that by handing each coach a printout of their specific responsibilities — from day to day to gameday — for the season.

“We all know exactly what we’re doing day to day, and what our role is,” Bubes said.

So there is no trying to outduel one another or stepping on toes. And as part of that divvying of responsibilities, Finch does his best to ensure every staff member has a “meaningful role” void of busy work.

He built a staff full of people he hoped would complement one another and cover for his weaknesses. Finch, an offensive mind, knew he needed an experienced defensive coordinator — enter Turner. He wanted someone who was adept at managing the small parts of the game — enter Nori.

It’s a collection of people who have similar values, but varying skillsets and approaches. That pops up in film studies, where Bubes said Turner will deliver his message to the effect of “Yeah, you know, we messed up here” in his southern drawl, while Finch “will go kind of after (players).”

Maybe not everyone has the same-sized role, but they all matter.

And everyone has a voice.

For example, when there are decisions to be made about a scheme or game plan, all input is welcomed in group discussions. Boylan said Finch will withhold his opinions on matters to start, so as not to “influence the room.”

“If we don’t have different ideas, what are we here for? We’re definitely not ‘Yes’ men. I think Finchy appreciates that, and I know we do,” Turner said. “Sometimes during the season, everything is not peaches and cream.”

Conversations get heated.

“I have no problem getting into saying my perspective, that’s different than Micah’s perspective, in a coaches meeting, debating it, even getting upset about it, even getting emotional and wanting to stand on your point,” Boylan said.

That’s a major part of being a coaching staff. But, Nori noted, when you get along with everyone, it’s clear those discussions are centered on “personnel, not personal.”

“It’s like your brother or one of your close friends,” Williamson said. “I can have an argument with you, but it doesn’t mean I dislike you. We’re going to push it to the side once we walk out that door.”

Turner said Finch has “the hard job” of making the ultimate decision after everyone lays out their arguments. And once a direction is selected, the staff forms a unified front to support it.

“That’s another thing that’s good, because there’s so many times, let’s say that you wanted to show and I wanted to drop (when defending pick and rolls). And then we show and it’s not working,” Nori said. “The worst thing that can happen is me being on the sideline and being like, ‘Well, I tried to tell him we should’ve been in a drop.’ Instead of, (a player asking) ‘Hey, Micah, why are we showing?’ (And I respond), ‘Well, because we thought that was the best thing. We’ll adjust it if we have to.’

“You don’t want to say you’ve got each other’s backs, but (if you don’t stand behind the decision), it’s like death by 1,000 cuts. And over the course of seven months, it tears apart everything you’re doing.”

The unification is again made easier by the lack of grappling for position on the staff. Finch applauds lack of ego. It helps that he is constantly rewarding good work. He has promoted lower-level assistants multiple times during his still-brief tenure in Minnesota.

“Keeping guys motivated, in a meaningful role and on a track where they feel like they can develop is at the forefront of my mind,” Finch said.

Sometimes, that means guys will have to leave. Kevin Burleson, for instance, took a job to become the head coach of the G-League’s Rio Grande Valley Vipers ahead of last season. Bubes is moving from Minneapolis to Des Moines to work as an assistant coach on the Iowa Wolves’ staff. His essential chief-of-staff duties — managing staff workflow and dynamics — will now be handled by Newton, who was previously the Iowa Wolves head coach.

But there is also only so much promoting Finch can do. He appreciates the remarkable stability he has had on his staff for three years — “It’s going to be our third season together for most of us, which is crazy. It’s not normal,” Prigioni said — but Finch insisted many of his coaches are ready for even bigger roles.

Kevin Hansen, he noted, is “100 percent” ready to run his own defense. Nori has the qualities you want in a head coach. Prigioni can take on even more. The list goes on and on.

‘It’s special’

If and when the time comes for current staples of the coaching staff to take on more elsewhere, it will be difficult to go. With Finch and Tim Connelly, Minnesota has created an environment in which people want to work, and feel empowered to do so.

When Finch got into the NBA, he asked someone “What’s the hardest part of working in the League?”

The response: “The people you work with.”

“I was like shocked,” Finch said. “It always struck me, and I didn’t think it ever had to be that way.”

It’s not in Minnesota, which matters to people in the organization.

“Your working environment, the more you enjoy it, it makes a difference in how long you’d like to stay around. A lot of guys on this staff have been around for a long time,” Turner said. “I love it here. I enjoy it, I enjoy the players, I enjoy the staff and even management, man.”

Both Prigioni and Williamson compared their current environments to that of their playing days.

“Every day you come to the gym, you’re in the locker room looking forward to seeing the guys, everybody has got a story to tell,” Williamson said. “It makes the days go by easy.”

In the summers, Finch promotes coaches pursuing their other life interests. For Nori, it’s watching his son play baseball. For Prigioni, it’s coaching with the Argentinian national team. On road trips, Hansen will visit with his family when the team is in Los Angeles, and Nori will do the same when the Wolves are in Detroit.

Bubes noted Finch never mandates anyone attend anything outside of work. Yet they always seem to find their way back to one another anyway.

On any given off night on the road, five or six of the coaches — with the exact group changing each time — will go out for dinner together. Boylan noted Finch has an Italian restaurant in Portland they always walk to together.

Prigioni drives Boylan to the airport for every road trip. When Finch invited his assistant coaches to Second Harvest Heartland, where he is a member of the board, for a food-packing event, everyone attended.

“This is a group of friends working,” Prigioni said. “It seems like that.”

“I definitely feel like I have lifelong friends that will exist always outside of basketball,” Finch said. “That’s just the type of people we have. I think there’s a real genuineness to everybody here.”

Boylan described the staff as a “family,” a word used far less in professional sports circles than it is at the lower levels. But these are the people, he noted, that he’s with for a number of major holidays, including his birthday. And given their relationships, that doesn’t feel like a bad thing.

“It’s the most fun environment I’ve ever been around. So yeah, it makes all the long hours, the crazy trips, the lack of seeing your family around the holidays just so much easier to stomach,” he said. “I think it’s super rare. In 14 years, this is by far the most cooperative, highest chemistry, most fun that I’ve had. And that’s just my own personal bias, but I tell people, it’d be hard for me to work for somebody else after this.

“After working for Finchy, how he is and how he lets us work and the people I’m around, these are the guys. I’m going to be calling Micah for the rest of my life when I need a laugh. So yeah, it’s special.”

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When booking a cruise, here’s how to choose less scary destinations

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Halloween or any time of year, tourists who are too relaxed while on vacation may be subject to more tricks than treats due to evil that walks among us or lurks in the shadows. As sure as well wishes of “safe travels” by loved ones cannot be guaranteed in this topsy-turvy world, a momentary lapse of awareness in the presence of unsavory souls can be the difference between a trip as sweet as Skittles or as sour as Lemonheads.

Still in our Debbie Downer costume, we must note that cruise vacations are not exempt from holiday hazards at the hands of heisters, or worse. While it’s almost always smooth sailing for passengers onboard, conditions onshore can get choppy if one isn’t cautious.

The Department of State’s travel advisory list indicates smooth sailing in and around near-trouble-free Australia. Here, a Carnival ship heads toward Brisbane. (Photo by David Dickstein)

Whether arriving by land, air or sea, tourists are prime targets for crime because they typically carry fat wallets and other personal valuables while being distracted. Lacking in the local landscape, language or culture adds to a visitor’s vulnerability. Those coming by ship can be more at risk because they are typically less likely to report an incident so not to eat into their fleeting time in port.

Scary stuff, but consulting with a travel advisor named Uncle Sam in advance of your trip could quell some nerves. The U.S. Department of State offers country-specific safety and security information at www.travel.state.gov/destination. The Bureau of Consular Affairs’ travel alerts and advisories are especially beneficial when choosing a cruise itinerary. Looking at voyages to the Caribbean that include calls to Roatan and Puerto Quetzal? Popular as these stops in Honduras and Guatemala are, respectively, the U.S. government strongly suggests you think otherwise as rampant crime is a chief reason both countries at press time were at Level 3, the tier that comes with the warning of “reconsider travel.”

Petty crime is reportedly prevalent in Ocho Rios and other Jamaican cruise ports. (Photo by David Dickstein)

Not everything is “irie” in Jamaica, either, as the local slang for “all right” contradicts alarming crime statistics that earn the home of three of the most popular ports in the Western Caribbean — Montego Bay, Falmouth and Ocho Rios — the second-most severe level. Jamaica is notorious for its reckless drivers, sketchy tour guides and aggressive vendors whose wares aren’t necessarily the kind allowed back on the ship.

The fact that cruise lines go where trouble follows, sometimes several times a day at a single port considered high risk by the U.S. government, isn’t lost on maritime lawyer and TikTok star Spencer Aronfeld (www.aronfeld.com).

Low on crime and high on relaxation, Saint Martin/Sint Maarten, a Caribbean island shared by the French and Dutch, gets Level 1 status by the U.S. government. (Photo by David Dickstein)

“Cruise lines have an obligation to keep passengers safe, and yet they still make calls in countries and port neighborhoods deemed dangerous to visit by the State Department,” said the Miami-based Aronfeld. “Every season, tens of thousands of passengers are dropped off in ports in Level 3 countries without warning. What the cruise lines are doing in the process is lulling people with a false sense of security.”

There is no specter of sugarcoating where the current fighting between Israeli and Hamas forces is involved. Since the latest war in the Middle East broke out on Oct. 7, cruise lines making calls to the Israeli ports of Ashdod and Haifa have either canceled voyages outright or altered itineraries to send ships elsewhere in the Mediterranean. Celebrity, Holland America, MSC, Norwegian, Oceania, Princess and Regent Seven Seas are among the cruise lines that have announced schedule changes effective through at least November, if not the indefinite future.

While no place is 100% safe, dozens of cruise favorites around the globe are in solid standing with the bureau and other influencers that publicly track crime statistics. Level 1 countries that roll out the welcome mat on gangways include Argentina, Australia, Barbados, Bermuda, British Virgin Islands, Canada, Cayman Islands, Curacao, French Polynesia, French West Indies, Greece, Hungary, Iceland, Malta, New Zealand, Norway, Portugal, Saint Kitts and Nevis, Saint Lucia, Singapore and Sint Maarten/Saint Martin (so, the Dutch and French sides of the island).

Cayman Islands, considered the safest Caribbean country for visitors, is graced by a string of inviting resorts along Seven Mile Beach. (Photo by David Dickstein)

With more than a million visitors in post-pandemic 2022, nearly 75% arriving by ship, George Town in Cayman Islands is the busiest international cruise port in a Level 1 country. And why not? Cayman has stunning tropical beaches, world-class luxury resorts, superb food and extremely low crime that many contribute to the nation’s high quality of life. At the Westin Grand Cayman Seven Mile Beach Resort & Spa, for example, a perfectly sunny day this past summer was made even more idyllic when not a single peddler or suspicious character shared the white sandy shore with us holiday makers — a rarity in the Caribbean, where on most beaches the wise don’t all go into the ocean together; someone must always stay back to mind the stuff.

As tourists take fun photos at the Leaning Tower of Pisa, thugs could be focused on taking other things. (Photo by David Dickstein)

Destinations given Level 2 status come with an “exercise increased caution” advisory. Mexico is on that sublist mostly due to such violent crime as homicide, kidnapping, carjacking and robbery, which the U.S. government says is “widespread and common” south of the border. Turkey also was at Level 2 at press time, but for different reasons; the government considers it a target for terrorism. The average tourist, however, is more likely to encounter snatching and pickpocketing within the country’s economic and cultural capital of 16 million people; frenetic Istanbul is a common stop on Mediterranean cruise itineraries. Venice is in the same gondola. Petty crime against visitors is a big issue there, which makes wearing a money belt as smart as getting gelato where the longest lines are. Rome, Florence, Pisa, Naples and even Vatican City are other havens for unsaintly activity in and around Italy. Infamous as Italy is for its petty crime on tourists, the main reason the country is at Level 2 is, like Turkey, the threat of terrorism.

Not all nations share the same dangers, of course, but each does have its good and bad sections — something that the State Department’s travel advisories don’t often factor in. After all, if the United States was listed, would it be fair for Honolulu, considered the safest American city with over 300,000 people, to be lumped in with St. Louis, supposedly the most dangerous? If it were, all of America would likely be at Level 2 or 3. The U.S. Department of State does issue a warning for one domestic cruise destination: While in Puerto Rico, travelers are advised to take necessary precautions to avoid such petty crimes as theft and muggings. Like on the mainland, PR also has its share of public protests, something else to avoid.

Tourists are advised to stay away from public protests, even on American soil in Puerto Rico. (Photo by David Dickstein)

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The U.S. government’s one-size-fits-all approach for its advisories effects cruise mainstay Haiti as well. The country is assigned to the same Level 4 (“do not travel”) category as Russia, Ukraine, North Korea, Iraq and Iran, but several cruise lines operate private destinations there. These private islands, as they’re called, are regarded as some of the safest places in the world for shore excursions. That why it’s probably best to heed these travel advisories, but not as gospel. To wit, Jeddah is an up-and-coming cruise port in Saudi Arabia — the region is rich in UNESCO World Heritage archaeological sites — and while reported crime on tourists is low there, the country, itself, is at Level 3. Justification for the harsh ranking is an apparent threat of missile and drone attacks on civilian facilities, but the hot zones indicated by the State Department are far from Jeddah and likely inconsequential to cruise ships.

“I know it might be hard for Americans to believe, but Jeddah is one of the world’s safest ports,” said maritime lawyer Aronfeld. “They don’t have the same day-to-day crime that tarnishes so many otherwise amazing cruise destinations.”

Whether traveling to Montego Bay, Newport Bay or anywhere on holiday, taking a few precautions can make a globetrotting world of difference. Here are some common-sense tips for safekeeping:

Be extra cautious where and when risks are moderate to high.
Avoid isolated areas and travel in groups when possible.
Leave valuables in your stateroom or hotel safe, and what you do wear or carry should always be secured, if not inconspicuous.
Two words: money belt.
Two more words: drink responsibly.
Go on YouTube and TikTok to familiarize yourself with local scams.
Have local emergency numbers handy including your country’s nearest embassy or consulate.
When personal safety could be at risk, ask yourself, “Is it worth it?”
Trust your instincts.

Safe travels!

After 2-2 start, Wild ‘need to take another step forward’

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After a 7-3 loss to the Los Angeles Kings on Thursday, Wild goaltender Marc-Andre Fleury was asked about what the team’s 2-2-0 record through four games might indicate.

“Better than last season,” he noted. “Gotta go with that.”

It’s true, the Wild started the 2022-23 campaign by losing their first three games, and four of five overall. But no one in the Wild’s dressing room, training room or offices at Xcel Energy Center late Thursday was happy with being .500.

“We’ve just been even, which is our record, 2-2,” head coach Dean Evason after a late-morning practice Friday at TRIA Rink. “We need to take another step forward.”

That can start on Saturday at the X, where the Wild play host to Columbus in a 7 p.m. puck drop. To that end, the coaching staff has altered two lines, sending Pat Maroon to the second line with center Joel Eriksson Ek and wing Marcus Johansson, and Sammy Walker into Maroon’s former spot on the fourth line with Connor Dewar and Brandon Duhaime.

“We need to generate a little bit more,” Evason said before catching himself. “Well, we generate; we need to score more.”

The truth is the Wild need a little more from everyone, from the goaltenders to the top line.

Still, the blue line’s struggles without captain Jared Spurgeon, out since suffering an upper-body injury in a preseason game, have been conspicuous. Even in a season-opening shutout of defending Eastern Conference champion Florida, Filip Gustavsson had to stop 41 shots.

After praising Dakota Mermis’ play in Thursday’s game, Evason added, “The rest of the guys should be playing like NHL players.”

Rookie Brock Faber, pulse-3, is the only Wild defenseman with a plus-rating, and Jake Middleton — Spurgeon’s season-opening partner — is a minus-6. It’s also impossible not to note that the Wild have started the season with three blue liners — Calen Addison, Alex Goligoski and Jon Merrill — who, combined, were healthy scratches for all but two of the team’s six playoff games last April.

Still, as Evason noted Friday, it’s never just on the defense. The sloppy forward play led to at least two goals last weekend in Toronto, and despite leading the Wild in scoring with six points apiece, Kirill Kaprizov and Mats Zuccarello are each minus-5.

“I talk about scoring goals, but we have to tighten up defensively, too,” Evason said. “We’ve given up too many goals, for sure. So, we’ve gotta do some things in all areas.”

Spurgeon has started skating but doesn’t appear close to returning. His absence doesn’t just break up one pair; it trickles down to the rest of the blue line — and the club at large.

“Jared Spurgeon is one of the best defensemen in the world,” Evason said. “Not only that, he’s the captain of our hockey club. It would be silly to say we don’t miss Jared Spurgeon.”

Matt Boldy, whose spot on the second line Walker filled on Thursday, started skating Friday for the first time since suffering an upper-body injury at Toronto. He also doesn’t appear to be close.

“They’re all on the ice just to skate, they’re not shooting and that kind of stuff with that upper body,” Evason said. “It’s just an opportunity to keep their legs going so that when they’re physically ready to play, they’ve got their legs under them.”

“It’s good, obviously, that they’re on the ice. They’re progressing,” the coach added, but their statuses remain week to week. Goligoski, who suffered a lower-body injury during a practice Monday in Montreal, is on the long-term injured list and will miss at least nine more games.

Phantom goal

Evason said the team has flushed the Kings’ weird third goal, which was reviewed to see if Pierre-Luc Dubois kicked it through Fleury’s legs on Thursday night.

Local replay never actually caught a stick hitting the puck, although it did appear to change its trajectory, indicating it was struck by something, and the NHL office in Toronto ruled the goal — ruled good by on-ice officials — could not be overturned.

The goal was the first of two in the final minute of the first period and changed the tone of the game, but Evason noted the Wild caught a break when their second goal was allowed after being reviewed for possible offsides.

“It happened. It went in the net,” Evason said. “We had an offside that went our way, right? So, the breaks — if you want to go that way — are even, so you can’t whine about it.”

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‘Hitchcock’s Blondes’ explores the director’s films with Grace Kelly, Ingrid Bergman, more

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As biographer Laurence Leamer settled in front of the television to research the films of Alfred Hitchcock, he realized he had a problem.

“I started watching this as an author writing the book and trying to get material,” Leamer says on a recent call. “And after five minutes, his stuff is so fascinating I forget that and just watch it because I’m enjoying it so much.

“That’s how good he is,” he says. “That’s how he involves you. He knows just what he’s doing.”

Leamer persevered and “Hitchcock’s Blondes: The Unforgettable Women Behind the Legendary Director’s Dark Obsession” arrived on Tuesday, Oct. 10.

In it, Leamer explores the work of Hitchcock and eight actresses with whom he worked, from June Howard-Tripp in 1925’s “The Lodger: A Story of the London Fog” to Tippi Hedren in “The Birds” and “Marnie” in 1963 and ’64.

In between, Leamer explores Hitchcock’s work with Madeleine Carroll (“The 39 Steps,” “Secret Agent”), Ingrid Bergman (“Spellbound,” “Notorious,” “Under Capricorn”), Grace Kelly (“Dial M for Murder,” “Rear Window,” “To Catch a Thief”), Kim Novak (“Vertigo”), Eva Marie Saint (“North by Northwest”), and Janet Leigh (“Psycho“).

Hitchcock’s life and career has been examined in numerous books from before and after his death at 80 in 1980. His infatuation with his leading ladies, particularly the blondes and his odd, sometimes cruel manner with them are well known.

But Leamer is the first biographer to shift the focus from Hitchcock in the foreground to zoom in on the women with whom the director achieved some of his greatest works.

“Hitchcock’s Blondes” is the second in a planned trilogy about male creative geniuses and their female friends, colleagues and confidants. Leamer, 81, is currently working on a book about artist Andy Warhol and his many muses.

The first book in his series, “Capote’s Women: A True Story of Love, Betrayal, and a Swan Song for an Era” arrived in 2021. Its story of writer Truman Capote and the New York City circle of women in which he moved arrives as the second chapter of producer Ryan Murphy’s FX anthology series “Feud” in 2024.

Q: Do you remember when you first became aware of Alfred Hitchcock?

A: He’s so much a part of our culture, I don’t even know. You know, if you go on Amazon Prime and plug in Hitchcock, there are over 40 of his films you can watch today. That’s the magnitude of that guy’s accomplishments.

Q: How did you arrive at the framework of the book, focusing on these eight women?

A: Well, chronology is God’s gift to a writer. You’d better have a damn good reason to do away with it. So the chronology is his life and the blondes are pretty obviously the candidates for telling it.

When I write a book, I always write the ending in my head and then I try to write the book that would justify that ending. And that’s what I did here. I wanted the ending to be that AFI tribute (in March 1979). I wanted the audience at that point, the readers, to appreciate his greatness, and also the dark part of it as well. And to appreciate the actresses as well.

Q: Three of the actresses are still living. Tippi Hedren doesn’t do interviews but you were able to talk with Eva Marie Saint from ‘North by Northwest’ and Kim Novak from ‘Vertigo.’ What was that like?

A: Eva Marie Saint was fabulous. You know, she’s 99 years old now, living by herself in her apartment. She wants to have her own life. I think that’s incredible.

Q: From her chapter in the book, she seems to be one of the most grounded of the Hitchcock actresses.

A: She was grounded, but she is calculating. And I don’t say that as a criticism, just the opposite. She knew the life she wanted early on. She had some success in television. Got a little apartment. She was lonely, she wanted to marry. She didn’t want to marry an actor. She married this producer. And they had the most wonderful marriage.

Then in her career, she loved her children. She liked to act, but when they were growing up, she’d do just one movie a year. She put her Academy Award statuette for ‘On The Waterfront’ in the closet and just forgot it. She really has immense character as far as I’m concerned.

Q: A lot of the stories of Hitchcock and the actresses are well known. I’m curious what your conversation with her provided that you didn’t already have?

A: She had some tidbits, but she’s told these stories many times. I found a few new things. It was just as much to get a real feeling of her emotionally. I think I wrote a much better chapter because I knew her in that way.

Q: Kim Novak, from your chapter on her, seems like perhaps the actress Hitchcock treated the worst. What was she like?

A: It’s inexplicable to me (how she was treated). He brings her up to luncheon and shows her his paintings, which he knows she won’t appreciate the way he appreciates them, and the vintage wine, which she doesn’t understand. Just to put her down. And the first day in the studio there’s this dead chicken attached to her mirror and Hitch and the other men standing around laughing at her.

She said she didn’t know what that was about. I don’t know what it’s about. It just didn’t make any sense to me. But it’s not a great thing to do to this vulnerable, insecure actress on the first day.

And then when she finished it, I think she deserved an Academy Award nomination because I think she’s magnificent. It’s a very difficult role. But Hitch put her down. Even when that putting down probably diminished the number of people wanting to see the movie.

Q: Was she candid and open about her treatment by him?

A: She really appreciated Hitchcock. She has nothing negative to say about it. It’s the best thing she did in her whole life, and she puts it in perspective.

Q: In recent years, there’s been a lot of discussion about how to appreciate art made by men with problematic histories. Might this book change Hitchcock’s reputation?

A: If the things about Woody Allen are true – and I don’t know if they are, but if they are, well, I wouldn’t want to watch his films, right? This stuff about Hitchcock isn’t at that magnitude, in my opinion. In the #MeToo times, people are just too easily dismissed, and I don’t think it’s fair to him.

There was a biographer of him, Donald Spoto, who just focused on the darkness, and that had a big impact on Hitchcock’s reputation. I don’t think that’s fair.

Q: Of the Hitchcock films you watched featuring these women, do you have a favorite you go back to?

A: It depends on what you want. I mean, ‘To Catch a Thief’ is just pure fun. You can’t beat that. ‘Marnie,’ the dark brilliance of that is irresistible. And ‘Psycho,’ I mean, there’s nothing like ‘Psycho,’ right?