MILAN (AP) — Aerin Frankel stopped 21 shots for her third shutout of the Olympic women’s hockey tournament and the favored United States advanced to the gold-medal game by defeating Sweden 5-0 at the Milan Cortina Games on Monday.

Abbey Murphy, Kendall Coyne Schofield and Hayley Scamurra scored on consecutive shots over a 2:47 late in the second period to blow the game open and put the Americans up 5-0. Cayla Barnes opened the scoring and Taylor Heise also scored.

The Americans continued their roll through the tournament by improving to 6-0, and outscoring their opponents by a combined 31-1. The U.S. has yet to trail or be tied after 0-0, and in position to become the third women’s team to do so over the entire tournament, joining Canada in 2006 and 2010.

The U.S. also extended its shutout streak to 331 minutes, 23 seconds, going back to Czechia’s Barbora Jurickova beating Frankel on a breakaway in the second period of a tournament-opening 5-1 win.

The win over Sweden sets up what could well be a seventh gold-medal showdown against Canada on Thursday. The defending Olympic champion Canadians play Switzerland in the day’s other semifinal game.

The U.S. already beat Canada 5-0 in a preliminary round game last week. The Americans won Olympic gold in 1998 and 2018, with Canada winning the other five tournaments.

Sweden will play for bronze on Thursday in an effort to medal for the third time in team history, and first since winning silver at the 2006 Turin Games after upsetting the U.S. in the semifinals.

Ebba Svensson Traff stopped 19 of 23 shots before she was pulled after Coyne Schofield tipped in Laila Edwards’ shot from the blue line with 3:50 left in the second period.

Emma Soderberg took over in goal, and was beaten by Scamurra, who tapped in Britta Curl-Salemme’s centering pass 1:49 later. Soderberg finished with 10 saves.

Among those in attendance was former NFL center Jason Kelce, who was shown on the scoreboard applauding the goal initially credited to Edwards. Kelce is from Edwards’ hometown of Cleveland Heights, Ohio, and he and his brother, Kansas City Chiefs tight end Travis Kelce, contributed to a GoFundMe drive to help pay for Edwards’ family to attend the Milan Cortina Games.

Sweden enjoyed a break-through this year with a young, talented group that features seven players competing in the U.S. college ranks. Sweden went 4-0 to win Group B, and then upset Czechia 2-0 in the in the quarterfinals.

Though the Swedes kept the game close through 35 minutes, the Americans eventually wore them down.

And the U.S certainly didn’t resemble a team that didn’t want to play Sweden, as coach Ulf Lundberg suggested after the Swedes beat Czechia in the quarterfinals.

Though the Swedes kept the U.S. mostly to the perimeter in the opening period, they were still outshot 13-2.

Barnes scored with a snap shot from the top of the right circle and beat Svensson Traff high on the short side. Barnes’ goal was her first point of the tournament, leaving seventh defender Rory Guilday as the lone American skater to not yet register a point through six games.

Heise made it 2-0 at the 9:08 mark of the second period by one-timing in Hannah Bilka’s backhand pass through the middle. Svensson Traff got her glove on the shot, but the puck deflected across her body and into the net off the inside of her stick.

MILAN, ITALY – FEBRUARY 16: Players of Team United States celebrate the team’s 5-0 victory in the Women’s Playoffs Semifinal match between United States and Sweden on Day 10 of the Milano Cortina 2026 Winter Olympic games at Milano Santagiulia Ice Hockey Arena on February 16, 2026 in Milan, Italy. (Photo by Gregory Shamus/Getty Images)
United States’ Aerin Frankel , center left, is on her back during a women’s ice hockey semifinal game between the United States and Sweden at the 2026 Winter Olympics, in Milan, Italy, Monday, Feb. 16, 2026. (AP Photo/Petr David Josek)
United States goalkeeper Aerin Frankel (31) is congratulated by Kelly Pannek (12) after a 5-0 win over Sweden in a women’s ice hockey semifinal match at the 2026 Winter Olympics, in Milan, Italy, Monday, Feb. 16, 2026. (AP Photo/Carolyn Kaster)

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MILAN, Italy — After realizing his team would have to play in the qualification round at the Milan Cortina Olympics, Sweden coach Sam Hallam was quick to reference what Canada did 16 years ago after a rough start on home ice in Vancouver, British Columbia.

Canada also had to play the extra game and went on to win it all on Sidney Crosby’s golden goal in overtime in the final against the United States. If the Swedes do the same this time, they will have earned every carat of their gold medals.

Sweden as the seventh seed has an incredibly difficult path through the men’s hockey tournament, starting in the qualification playoffs on Tuesday against 10th-seeded Latvia. The winner of that game faces the unbeaten U.S. in the quarterfinals Wednesday night.

“We’re going to have to play … one more game than some other teams, but that’s an opportunity for us to come together even more as a team, work on our details, work on our game as a unit out there,” forward Adrian Kempe said. “That’s just the way I’m seeing it.”

Sweden dropped out of the No. 3 spot only because it allowed a last-minute goal to Slovakia that changed who won the group based on a tiebreaker. That 5-3 victory Saturday was arguably the best Sweden has played thus far in Milan, from goaltender Jacob Markstrom out.

“Everyone contributed,” alternate captain Victor Hedman said. “Marky played great. A lot to build on and look forward to the next one.”

Hallam has a decision to make in net given the back-to-back scheduling. Markstrom may have played well enough to become Sweden’s starter, but Filip Gustavsson could get the nod against Latvia.

“Let us see,” Hallam said. “(Markstrom) showed good presence. I like the way he plays with the puck. He started a couple of breakouts for us. He felt big, felt solid, so he did a good impression on me, yeah.”

No. 5 Switzerland vs. No. 12 Italy

Switzerland beating Czechia in overtime Sunday on Dean Kukan’s goal was a big one to play winless host Italy, which was outscored 19-4 in round-robin play. The Swiss should be able to get into the quarterfinals and face Finland, even after losing one of their top forwards, Kevin Fiala, to a leg injury that required surgery and ended his Olympics and probably his NHL season.

No. 6 Germany vs. No. 11 France

The other team with what should be a safe path into the quarterfinals is Germany against France, which lost 10-2 to Canada on Sunday. France made things interesting against Czechia but like Italy went 0-3-0 and was outscored by 15 goals.

Led by 2020 NHL MVP Leon Draisaitl, Germany lost to the U.S. on Sunday but still finds itself with a plausible path through to the semifinals. If Germany beats France, it would play third-seeded Slovakia on Wednesday.

No. 8 Czechia vs. No. 9 Denmark

Martin Necas was not happy after he and the Czechs lost to Switzerland, knowing what it would mean for their seeding. Denmark defeating Latvia thanks to a 33-save performance by Frederik Andersen moved it up in what’s a positive bounce for Czechia.

“If we want to win, we have to get through everybody,” defenseman Radko Gudas said. “(We have) a lot of guys who have been around these type of games. For us that means playing smart, putting pucks in the right places and make the other team go 200 feet and make go through all of us at all times.”

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By BOB THOMAS, Associated Press

LOS ANGELES — Robert Duvall, the Oscar-winning actor of matchless versatility and dedication whose classic roles included the intrepid consigliere of the first two “Godfather” movies and the over-the-hill country music singer in “Tender Mercies,” has died at age 95.

Duvall died “peacefully” at his home Sunday in Middleburg, Virginia, according to an announcement from his publicist and from a statement posted on his Facebook page by his wife, Luciana Duvall.

“To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything,” Luciana Duvall wrote. “His passion for his craft was matched only by his deep love for characters, a great meal, and holding court. For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented.”

The bald, wiry Duvall didn’t have leading man looks, but few “character actors” enjoyed such a long, rewarding and unpredictable career, in leading and supporting roles, from an itinerant preacher to Josef Stalin. Beginning with his 1962 film debut as Boo Radley, the reclusive neighbor in “To Kill a Mockingbird,” Duvall created a gallery of unforgettable portrayals. They earned him seven Academy Award nominations and the best actor prize for “Tender Mercies,” which came out in 1983. He also won four Golden Globes, including one for playing the philosophical cattle-drive boss in the 1989 miniseries “Lonesome Dove,” a role he often cited as his favorite.

In 2005, Duvall was awarded a National Medal of Arts.

He had been acting for some 20 years when “The Godfather,” released in 1972, established him as one of the most in-demand performers of Hollywood. He had made a previous film, “The Rain People,” with Francis Coppola, and the director chose him to play Tom Hagen in the mafia epic that featured Al Pacino and Marlon Brando among others. Duvall was a master of subtlety as an Irishman among Italians, rarely at the center of a scene, but often listening and advising in the background, an irreplaceable thread through the saga of the Corleone crime family.

“Stars and Italians alike depend on his efficiency, his tidying up around their grand gestures, his being the perfect shortstop on a team of personality sluggers,” wrote the critic David Thomson. “Was there ever a role better designed for its actor than that of Tom Hagen in both parts of ‘The Godfather?’”

In another Coppola film, “Apocalypse Now,” Duvall was wildly out front, the embodiment of deranged masculinity as Lieutenant Colonel Bill Kilgore, who with equal vigor enjoyed surfing and bombing raids on the Viet Cong. Duvall required few takes for one of the most famous passages in movie history, barked out on the battlefield by a bare-chested, cavalry-hatted Kilgore: “I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ‘em, not one stinkin’ dink body.

“The smell, you know that gasoline smell, the whole hill. Smelled like — victory.”

Coppola once commented about Duvall: “Actors click into character at different times — the first week, third week. Bobby’s hot after one or two takes.”

Honored, but still hungry

He was Oscar-nominated as supporting actor for “The Godfather” and “Apocalypse Now,” but a dispute over money led him to turn down the third Godfather epic, a loss deeply felt by critics, fans and “Godfather” colleagues. Duvall would complain publicly about being offered less than his co-stars.

Fellow actors marveled at Duvall’s studious research and planning, and his coiled energy. Michael Caine, who co-starred with him in the 2003 “Secondhand Lions,” once told The Associated Press: “Before a big scene, Bobby just sits there, absolutely quiet; you know when not to talk to him.” Anyone who disturbed him would suffer the well-known Duvall temper, famously on display during the filming of the John Wayne Western “True Grit,” when Duvall seethed at director Henry Hathaway’s advice to “tense up” before a scene.

Duvall was awarded an Oscar in 1984 for his leading role as the troubled singer and songwriter Mac Sledge in “Tender Mercies,” a prize he accepted while clad in a cowboy tuxedo with Western tie. In 1998, he was nominated for best actor in “The Apostle,” a drama about a wayward Southern evangelist which he wrote, directed, starred in, produced and largely financed. With customary thoroughness, he visited dozens of country churches and spent 12 years writing the script and trying to get it made.

Among other notable roles: the outlaw gang leader who gets ambushed by John Wayne in “True Grit”; Jesse James in “The Great Northfield Minnesota Raid”; the pious and beleaguered Frank Burns in “M-A-S-H”; the TV hatchet man in “Network”; Dr. Watson in “The Seven-Per-Cent Solution”; and the sadistic father in “The Great Santini.”

“When I was doing ‘Colors’ in 1988 with Sean Penn, someone asked me how I do it all these years, keep it fresh. Well, if you don’t overwork, have some hobbies, you can do it and stay hungry even if you’re not really hungry,” Duvall told The Associated Press in 1990.

In his mid-80s, he received a supporting Oscar nomination as the title character of the 2014 release “The Judge,” in which he is accused of causing a death in a hit-and-run accident. More recent films included “Widows” and “12 Mighty Orphans.”

Ungifted in school, gifted on stage

Robert Selden Duvall grew up in the Navy towns of Annapolis and the San Diego area, where he was born in 1931. He spent time in other cities as his father, who rose to be an admiral, was assigned to various duties.

The boy’s experience helped in his adult profession as he learned the nuances of regional speech and observed the psyche of military men, which he would portray in several films.

Duvall reportedly used his Navy officer father as the basis for his portrayal of the explosive militarist in “The Great Santini,” based on the Pat Conroy novel. He commented in 2003: “My dad was a gentleman but a seether, a stern, blustery guy, and away a lot of the time.” Bobby took after his mother, an amateur actress, in playing a guitar and performing. He was a wrestler like his father and enjoyed besting kids older than himself.

He lacked the concentration for schoolwork and nearly flunked out of Principia College in Elsah, Illinois. His despairing parents decided he needed something to keep him in college so he wouldn’t be drafted for the Korean War. “They recommended acting as an expedient thing to get through,” he recalled. “I’m glad they did.” He flourished in drama classes.

“Way back when I was in college,” Duvall told the AP in 1990, “there was a wonderful man named Frank Parker, who had been a dancer in World War I. We did a full-length mime play and I played a Harlequin clown. I really liked that.

“Then, I played an older guy in ‘All My Sons,’ and at one point I had this emotional moment, where this emotion was pouring out. Parker said at that moment he didn’t think acting can be carried any further than that. And this guy was a very critical guy. So I thought, at that moment at least, this is what I wanted to do.”

After two years in the Army, he used the G.I. Bill to finance his studies at the Neighborhood Playhouse in New York, hanging out with such other young hopefuls as Robert Morse, Gene Hackman and Dustin Hoffman. After a one-night performance in “A View From the Bridge,” Duvall began getting offers for work in TV series, among them “The Naked City” and “The Defenders.”

Between his high-paying jobs in major productions, Duvall devoted himself to directing personal projects: a documentary about a prairie family, “We’re Not the Jet Set”; a film about gypsies, “Angelo, My Love”; and “Assassination Tango,” in which he also starred.

Duvall had been a tango dancer since seeing the musical “Tango Argentina” in the 1980s and visited in Argentina dozens of times to study the dance and the culture. The result was the 2003 release about a hit man with a passion for tango.

His co-star was Luciana Pedraza, 42 years his junior, whom he married in 2005. Duvall’s three previous marriages — to Barbara Benjamin, Gail Youngs and Sharon Brophy — ended in divorce.

—-

Former Associated Press Hollywood correspondent Bob Thomas, who died in 2014, was the primary writer of this obituary.

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By BOB THOMAS

LOS ANGELES (AP) — Robert Duvall, the Oscar-winning actor of matchless versatility and dedication whose classic roles included the intrepid consigliere of the first two “Godfather” movies and the over-the-hill country music singer in “Tender Mercies,” has died at age 95.

Duvall died “peacefully” at his home Sunday in Middleburg, Virginia, according to an announcement from his publicist and from a statement posted on his Facebook page by his wife, Luciana Duvall.

“To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything,” Luciana Duvall wrote. “His passion for his craft was matched only by his deep love for characters, a great meal, and holding court. For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented.”

The bald, wiry Duvall didn’t have leading man looks, but few “character actors” enjoyed such a long, rewarding and unpredictable career, in leading and supporting roles, from an itinerant preacher to Josef Stalin. Beginning with his 1962 film debut as Boo Radley, the reclusive neighbor in “To Kill a Mockingbird,” Duvall created a gallery of unforgettable portrayals. They earned him seven Academy Award nominations and the best actor prize for “Tender Mercies,” which came out in 1983. He also won four Golden Globes, including one for playing the philosophical cattle-drive boss in the 1989 miniseries “Lonesome Dove,” a role he often cited as his favorite.

In 2005, Duvall was awarded a National Medal of Arts.

He had been acting for some 20 years when “The Godfather,” released in 1972, established him as one of the most in-demand performers of Hollywood. He had made a previous film, “The Rain People,” with Francis Coppola, and the director chose him to play Tom Hagen in the mafia epic that featured Al Pacino and Marlon Brando among others. Duvall was a master of subtlety as an Irishman among Italians, rarely at the center of a scene, but often listening and advising in the background, an irreplaceable thread through the saga of the Corleone crime family.

“Stars and Italians alike depend on his efficiency, his tidying up around their grand gestures, his being the perfect shortstop on a team of personality sluggers,” wrote the critic David Thomson. “Was there ever a role better designed for its actor than that of Tom Hagen in both parts of ‘The Godfather?’”

In another Coppola film, “Apocalypse Now,” Duvall was wildly out front, the embodiment of deranged masculinity as Lieutenant Colonel Bill Kilgore, who with equal vigor enjoyed surfing and bombing raids on the Viet Cong. Duvall required few takes for one of the most famous passages in movie history, barked out on the battlefield by a bare-chested, cavalry-hatted Kilgore: “I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ‘em, not one stinkin’ dink body.

“The smell, you know that gasoline smell, the whole hill. Smelled like — victory.”

Coppola once commented about Duvall: “Actors click into character at different times — the first week, third week. Bobby’s hot after one or two takes.”

Honored, but still hungry

He was Oscar-nominated as supporting actor for “The Godfather” and “Apocalypse Now,” but a dispute over money led him to turn down the third Godfather epic, a loss deeply felt by critics, fans and “Godfather” colleagues. Duvall would complain publicly about being offered less than his co-stars.

Fellow actors marveled at Duvall’s studious research and planning, and his coiled energy. Michael Caine, who co-starred with him in the 2003 “Secondhand Lions,” once told The Associated Press: “Before a big scene, Bobby just sits there, absolutely quiet; you know when not to talk to him.” Anyone who disturbed him would suffer the well-known Duvall temper, famously on display during the filming of the John Wayne Western “True Grit,” when Duvall seethed at director Henry Hathaway’s advice to “tense up” before a scene.

Duvall was awarded an Oscar in 1984 for his leading role as the troubled singer and songwriter Mac Sledge in “Tender Mercies,” a prize he accepted while clad in a cowboy tuxedo with Western tie. In 1998, he was nominated for best actor in “The Apostle,” a drama about a wayward Southern evangelist which he wrote, directed, starred in, produced and largely financed. With customary thoroughness, he visited dozens of country churches and spent 12 years writing the script and trying to get it made.

Among other notable roles: the outlaw gang leader who gets ambushed by John Wayne in “True Grit”; Jesse James in “The Great Northfield Minnesota Raid”; the pious and beleaguered Frank Burns in “M-A-S-H”; the TV hatchet man in “Network”; Dr. Watson in “The Seven-Per-Cent Solution”; and the sadistic father in “The Great Santini.”

“When I was doing ‘Colors’ in 1988 with Sean Penn, someone asked me how I do it all these years, keep it fresh. Well, if you don’t overwork, have some hobbies, you can do it and stay hungry even if you’re not really hungry,” Duvall told The Associated Press in 1990.

In his mid-80s, he received a supporting Oscar nomination as the title character of the 2014 release “The Judge,” in which he is accused of causing a death in a hit-and-run accident. More recent films included “Widows” and “12 Mighty Orphans.”

Ungifted in school, gifted on stage

Robert Selden Duvall grew up in the Navy towns of Annapolis and the San Diego area, where he was born in 1931. He spent time in other cities as his father, who rose to be an admiral, was assigned to various duties.

The boy’s experience helped in his adult profession as he learned the nuances of regional speech and observed the psyche of military men, which he would portray in several films.

Duvall reportedly used his Navy officer father as the basis for his portrayal of the explosive militarist in “The Great Santini,” based on the Pat Conroy novel. He commented in 2003: “My dad was a gentleman but a seether, a stern, blustery guy, and away a lot of the time.” Bobby took after his mother, an amateur actress, in playing a guitar and performing. He was a wrestler like his father and enjoyed besting kids older than himself.

He lacked the concentration for schoolwork and nearly flunked out of Principia College in Elsah, Illinois. His despairing parents decided he needed something to keep him in college so he wouldn’t be drafted for the Korean War. “They recommended acting as an expedient thing to get through,” he recalled. “I’m glad they did.” He flourished in drama classes.

“Way back when I was in college,” Duvall told the AP in 1990, “there was a wonderful man named Frank Parker, who had been a dancer in World War I. We did a full-length mime play and I played a Harlequin clown. I really liked that.

“Then, I played an older guy in ‘All My Sons,’ and at one point I had this emotional moment, where this emotion was pouring out. Parker said at that moment he didn’t think acting can be carried any further than that. And this guy was a very critical guy. So I thought, at that moment at least, this is what I wanted to do.”

After two years in the Army, he used the G.I. Bill to finance his studies at the Neighborhood Playhouse in New York, hanging out with such other young hopefuls as Robert Morse, Gene Hackman and Dustin Hoffman. After a one-night performance in “A View From the Bridge,” Duvall began getting offers for work in TV series, among them “The Naked City” and “The Defenders.”

Between his high-paying jobs in major productions, Duvall devoted himself to directing personal projects: a documentary about a prairie family, “We’re Not the Jet Set”; a film about gypsies, “Angelo, My Love”; and “Assassination Tango,” in which he also starred.

Duvall had been a tango dancer since seeing the musical “Tango Argentina” in the 1980s and visited in Argentina dozens of times to study the dance and the culture. The result was the 2003 release about a hit man with a passion for tango.

His co-star was Luciana Pedraza, 42 years his junior, whom he married in 2005. Duvall’s three previous marriages — to Barbara Benjamin, Gail Youngs and Sharon Brophy — ended in divorce.

—-

Former Associated Press Hollywood correspondent Bob Thomas, who died in 2014, was the primary writer of this obituary