Fired federal prosecutor Maurene Comey sues Trump administration to get her job back

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By LARRY NEUMEISTER, Associated Press

NEW YORK (AP) — Former federal prosecutor Maurene Comey sued the U.S. government Monday to get her job back, saying her firing was for political reasons and was unconstitutional.

Her lawsuit in Manhattan federal court blamed the firing on the fact that her father is James Comey, a former F.B.I. director, “or because of her perceived political affiliation and beliefs, or both.”

Comey is seeking to be reinstated as well as a declaration that her firing was unlawful and a violation of the “Separation of Powers” clause in the U.S. Constitution.

“Defendants have not provided any explanation whatsoever for terminating Ms. Comey. In truth, there is no legitimate explanation,” the lawsuit said.

Comey, who successfully prosecuted hundreds of cases since becoming an assistant U.S. attorney in 2015, was notified of her dismissal in an email with an attachment saying she was being fired “(p)ursuant to Article II of the United States Constitution and the laws of the United States,” the lawsuit said.

James Comey was fired as FBI director by President Donald Trump in 2017. The lawsuit noted that he has since written a memoir critical of Trump and has continued to publicly criticize Trump and his administration, including a social media post in May that Trump and others perceived as threatening.

The lawsuit noted that Maurene Comey’s firing in July came the day after her supervisors had asked her to take the lead on a major public corruption case and three months after she’d received her latest “Outstanding” review.

“The politically motivated termination of Ms. Comey — ostensibly under ‘Article II of the Constitution’ — upends bedrock principles of our democracy and justice system,” the lawsuit said. “Assistant United States Attorneys like Ms. Comey must do their jobs without fearing or favoring any political party or perspective, guided solely by the law, the facts, and the pursuit of justice.”

Named as defendants in the lawsuit were, among others, the Justice Department, the Executive Office of the President, U.S. Attorney General Pamela Bondi, the Office of Personnel Management and the United States.

A message for comment from the Justice Department was not immediately returned.

Comey’s July 16 firing came amid a spate of dismissals of prosecutors by the Justice Department without explanation, raising alarm that civil service protections meant to prevent terminations for political reasons were being overlooked.

Comey’s lawsuit noted that she was employed with protections under the Civil Service Reform Act governing how and why she could be terminated, including specific prohibitions against termination for discriminatory reasons such as political affiliation.

“Her termination violated every one of those protections,” the lawsuit said.

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The Justice Department also has fired some prosecutors who worked on cases that have provoked Trump’s ire, including some who handled U.S. Capitol riot cases and lawyers and support staff who worked on special counsel Jack Smith’s prosecutions of Trump.

She became a rising star in her office for her work on the case against financier Jeffrey Epstein and his onetime girlfriend, British socialite Ghislaine Maxwell, and the recent prosecution of music mogul Sean “Diddy” Combs.

Maxwell is serving a 20-year prison sentence after her December 2021 conviction on sex trafficking charges. She was recently transferred from a prison in Florida to a prison camp in Texas.

Epstein took his own life in a federal jail in August 2019 as he awaited trial on sex trafficking charges. Combs is awaiting sentencing next month after his conviction on prostitution-related charges after he was exonerated in July of more serious sex trafficking and racketeering conspiracy charges.

The National Center for Civil and Human Rights expands at a critical moment in US history

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By MICHAEL WARREN, Associated Press

ATLANTA (AP) — A popular museum in Atlanta is expanding at a critical moment in the United States. And unlike the Smithsonian Institution, the privately funded National Center for Civil and Human Rights is beyond the immediate reach of Trump administration efforts to control what Americans learn about their history.

The monthslong renovation, which cost nearly $60 million, adds six new galleries as well as classrooms and interactive experiences, changing a relatively static museum into a dynamic place where people are encouraged to take action supporting civil and human rights, racial justice and the future of democracy, said Jill Savitt, the center’s president and CEO.

The center has stayed active ahead of its Nov. 8 reopening through K-12 education programs that include more than 300 online lesson plans; a LGBTQ+ Institute; training in diversity, equity and inclusion; human rights training for law enforcement; and its Truth & Transformation Initiative to spread awareness about forced labor, racial terror and other historic injustices.

These are the same aspects of American history, culture and society that the Trump administration is seeking to dismantle.

Inspiring children to become ‘change agents’

Dreamed up by civil rights icons Evelyn Lowery and Andrew Young, the center opened in 2014 on land donated by the Coca-Cola Company, next to the Georgia Aquarium and The World of Coca-Cola, and became a major tourist attraction. But ticket sales declined after the pandemic.

Now the center hopes to attract more repeat visitors with immersive experiences like “Change Agent Adventure,” aimed at children under 12. These “change agents” will be asked to pledge to do something — no matter how small — that “reflects the responsibility of each of us to play a role in the world: To have empathy. To call for justice. To be fair, be kind. And that’s the ethos of this gallery,” Savitt said. It opens next April.

“I think advocacy and change-making is kind of addictive. It’s contagious,” Savitt explained. “When you do something, you see the success of it, you really want to do more. And our desire here is to whet the appetite of kids to see that they can be involved. They can do it.”

This ethos is sharply different from the idea that young people can’t handle the truth and must be protected from unpleasant challenges but, Savitt said, “the history that we tell here is the most inspirational history.”

“In fact, I think it’s what makes America great. It is something to be patriotically proud of. The way activists over time have worked together through nonviolence and changed democracy to expand human freedom — there’s nothing more American and nothing greater than that. That is the lesson that we teach here,” she said.

Encouraging visitors to be hopeful

“Broken Promises,” opening in December, includes exhibits from the post-Civil War Reconstruction era, cut short when white mobs sought to brutally reverse advances by formerly enslaved people. “We want to start orienting you in the conversation that we believe we all kind of see, but we don’t say it outright: Progress. Backlash. Progress. Backlash. And that pattern that has been in our country since enslavement,” said its curator, Kama Pierce.

On display will be a Georgia historical marker from the site of the 1918 lynching of Mary Turner, pockmarked repeatedly with bullets, that Turner descendants donated to keep it from being vandalized again.

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“There are 11 bullet holes and 11 grandchildren living,” and the family’s words will be incorporated into the exhibit to show their resilience, Pierce said.

Items from the Morehouse College Martin Luther King Jr. collection will have a much more prominent place, in a room that recreates King’s home office, with family photos contributed by the center’s first guest curator: his daughter, the Rev. Bernice King. “We wanted to lift up King’s role as a man, as a human being, not just as an icon,” Savitt explained.

Gone are the huge images of the world’s most genocidal leaders — Hitler, Stalin and Mao among others — with explanatory text about the millions of people killed under their orders. In their place will be examples of human rights victories by groups working around the world.

“The research says that if you tell people things are really bad and how awful they are, you motivate people for a minute, and then apathy sets in because it’s too hard to do anything,” Savitt said. “But if you give people something to hope for that’s positive, that they can see themselves doing, you’re more likely to cultivate a sense of agency in people.”

Fostering a healthy democracy

And doubling in capacity is an experience many can’t forget: Joining a 1960s sit-in against segregation. Wearing headphones as they take a lunch-counter stool, visitors can both hear and feel an angry, segregationist mob shouting they don’t belong. Because this is “heavy content,” Savitt says, a new “reflection area” will allow people to pause afterward on a couch, with tissues if they need them, to consider what they’ve just been through.

The center’s expansion was seeded by Home Depot co-founder and Atlanta philanthropist Arthur M. Blank, the Mellon Foundation and many other donors, for which Savitt expressed gratitude: “The corporate community is in a defensive crouch right now — they could get targeted,” she said.

But she said donors shared concerns about people’s understanding of citizenship, so supporting the teaching of civil and human rights makes a good investment.

“It is the story of democracy — Who gets to participate? Who has a say? Who gets to have a voice?” she said. “So our donors are very interested in a healthy, safe, vibrant, prosperous America, which you need a healthy democracy to have.”

Emmy Awards highlights: Tramell Tillman, Colbert wins and a teen who stepped out of his comfort zone

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By MARK KENNEDY

The Emmy Awards weren’t all about Seth Rogen walking up the aisle in his burnt brown tux to collect yet another award. It just sometimes seemed that way.

Rogen’s “The Studio” won a total of 13 Emmys, breaking the all-time record for most wins for a comedy series. Rogen himself won four, tying the record for most Emmys won by a single individual in one night.

“I’m legitimately embarrassed,” Rogen admitted at one point.

But behind the undeniable march of “The Studio” were some other pieces of Emmy history. The youngest male actor ever was crowned for the series “Adolescence” and “Severance” star Tramell Tillman became the first Black actor to win in his category. And the up and down year of Stephen Colbert hit a high.

An adolescent makes history

Owen Cooper, 15, shattered the Emmy record for youngest male acting winner.

The “Adolescence” star won best supporting actor in a limited or anthology series. The Netflix four-part series which traces the emotional fallout after a U.K. teenage stabbing, became a sensation, a sort of 2025 version of last year’s “Baby Reindeer.”

In his acceptance speech, Cooper revealed he only started acting classes a few years ago and encouraged those watching to step out of their comfort zones.

“A couple years back I didn’t expect to be in the United States, let alone here. Tonight proves if you listen, you focus and you step out of your comfort zone, you can achieve anything in life. I was nothing three years ago. I’m here now,” he said.

The record for youngest male actor had previously been held by Scott Jacoby, who was 16 when he won in the supporting drama actor trophy for “That Certain Summer” in 1973. The youngest Emmy winner ever is Roxana Zal, who won a Primetime Emmy for outstanding supporting actress in a limited series in 1984 at age 14.

Cooper beat Javier Bardem, Bill Camp, Rob Delaney, Peter Sarsgaard and his “Adolescence” co-star Ashley Walters.

Stephen Colbert going out with a bang

“The Late Show With Stephen Colbert” won the award for best talk series for the first time, just months after learning it was being canceled.

Stephen Colbert presents the award for outstanding lead actor in a comedy series during the 77th Primetime Emmy Awards on Sunday, Sept. 14, 2025, at the Peacock Theater in Los Angeles. (AP Photo/Chris Pizzello)

In July, CBS announced it was ending the show, attributing the cause to financial reasons. The series will go off the air in May 2026.

Colbert, who has hosted his show since 2015, was gracious, thanking CBS for his shot and quoting from Prince’s hit “Let’s Go Crazy”: “If the elevator tries to bring you down/Go crazy, punch a higher floor.”

Earlier in the night, he turned his time as award presenter into a job ad, getting a standing ovation as he approached the microphone to announce the winner of lead actor in a comedy series.

“While I have your attention, is anyone hiring? Because I’ve got 200 very well-qualified candidates with me here tonight. We’ll be available in June,” he said.

He then pulled out a resume and an old headshot but realized he only had the one copy. “Harrison Ford, could you get this to Spielberg?” He ran over to Ford, who seemed to promise he would.

Tramell Tillman charms

Tramell Tillman made history, but he made it all about his mom.

Tramell Tillman accepts the award for outstanding supporting actor in a drama series for “Severance” during the 77th Primetime Emmy Awards on Sunday, Sept. 14, 2025, at the Peacock Theater in Los Angeles. (AP Photo/Chris Pizzello)

The “Severance” star became the first Black actor to win best supporting actor in a drama playing the creepy, unnerving Seth Milchick.

Tillman thanked his first acting coach — his mother, who was also his date.

“You remember what you want to remember. You make time for what you want to make for. Do the work. Show up. And most importantly, for the love of God, don’t embarrass me in public,” he said. “My first acting coach was tough, y’all, but all great mothers are.”

Tillman, holding the statuette high, added: “This is for you. I am full, I am humbled, I am honored.”

A fake ER worker honors the real ones

Noah Wyle’s narrative was just too powerful to deny. After getting five nominations without a win for “ER,” the actor came back to don scrubs 30 years later and won his first Emmy for playing another emergency doctor on “The Pitt.”

Noah Wyle accepts the award for outstanding lead actor in a drama series for “The Pitt” during the 77th Primetime Emmy Awards on Sunday, Sept. 14, 2025, at the Peacock Theater in Los Angeles. (AP Photo/Chris Pizzello)

Wyle thanked HBO Max and Warner Bros. Television for allowing “the conditions to exist for lightning to strike in my life twice.”

And then he dedicated his award to those in the health care field.

“To anybody who’s going on shift tonight or coming off shift tonight, thank you for being in that job. This is for you,” Wyle said.

A little politics

CBS is likely wiping its network forehead that a bitterly divided nation didn’t make the Emmys a divisive place.

Yes, Javier Bardem wore a kaffiyeh in support of Palestinians and Television Academy Chairman Cris Abrego criticized Congress for voting to defund the Corporation for Public Broadcasting. But Donald Trump and Charlie Kirk were never mentioned on the broadcast and even Stephen Colbert — never shy to mock the powerful — stayed apolitical.

The most explosive it got was when “Hacks” star Hannah Einbinder ended her acceptance speech win with vocal support for the Philadelphia Eagles, an expletive aimed at the U.S. Immigration and Customs Enforcement agency and a call to “free Palestine.”

Speeches that cost a lot

At the last Emmys, host Anthony Anderson turned to his mother to enforce shorter acceptance speeches. This year host Nate Bargatze used guilt.

He revealed he would pledge $100,000 to the Boys & Girls Clubs of America but that donation would shrink by $1,000 for every second a winner exceeded their 45-second speech limit.

Some winners went too long — like Einbinder, who promised to pay the difference — and some went purposely fast — like John Oliver and Rogen — to take advantage of a new rule Bargatze proposed: Every second saved from the 45-second limit would get back $1,000.

In the end, Bargatze promised to still donate not just the original amount, but — when adding CBS’ contribution — came out to be a full $350,000.

“Go to heaven a-shoutin’”

Phylicia Rashad introduced the in memoriam section, highlighting the loss of her TV son, Malcolm Jamal Warner, the “Cosby Show” star who died in July. “Like all our friends and colleagues who transitioned this past year, Malcolm Jamal Warner remains in our hearts.”

Then Lainey Wilson and Vince Gill sang a tender “Go Rest High on That Mountain” during the tribute, which included Teri Garr, Ozzy Osbourne, Chuck Woolery, Loni Anderson, Bill Moyers, George Wendt, Loretta Swit. Maggie Smith, David Lynch, Richard Chamberlain, Linda Lavin, Anne Burrell, Michelle Trachtenberg and Quincy Jones. Notable absences were Hulk Hogan and Polly Holliday.

Tributes, tributes, tributes

The Emmys looked back by celebrating the anniversary of several shows, including having Reba McEntire, Karen Fairchild and Kimberly Schlapman performing the theme song of “The Golden Girls” for its 40th anniversary.

Jeff Probst was on hand to celebrate the 50th season of “Survivor,” presenting the award for scripted variety series as if it was a tribal council meeting.

Alexis Bledel and Lauren Graham stood in a replica of their Connecticut home set to celebrate “Gilmore Girls,” a coming-of-age story, blending wittiness with relatable family dynamics that celebrated its debut 25 years ago.

Additional tributes honored “Law & Order’s” 35th anniversary, featuring Ice-T, Tony Goldwyn, Mariska Hargitay, S. Epatha Merkerson and Christopher Meloni.

“Grey’s Anatomy” — the longest-running prime-time medical drama in American television history — was supposed to mark its 20th anniversary with appearances by Eric Dane and Jesse Williams. Only Williams was there; Dane revealed his ALS diagnosis in April.

Ray Romano, left, and Brad Garrett present the award for outstanding comedy series during the 77th Primetime Emmy Awards on Sunday, Sept. 14, 2025, at the Peacock Theater in Los Angeles. (AP Photo/Chris Pizzello)

Ray Romano and Brad Garrett had a mini-reunion of “Everybody Loves Raymond.” It was one of the night’s funniest bits, with both men sad about how long it had taken them to be back at the Emmys. Garrett wondered if he’d make the in memoriam section after he died. “If it’s a slow year, no doubt,” Romano told him.

This story corrects the title of “Baby Reindeer.”

For more coverage of this year’s Emmy Awards, visit: https://apnews.com/hub/emmy-awards

Brazil’s Lula pushes back against tariff, tells Trump the country’s democracy ‘is not on the table’

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By ELÉONORE HUGHES and EDUARDO FRANÇOIS, Associated Press

BRASILIA, Brazil (AP) — Brazil’s President Luiz Inácio Lula da Silva on Sunday pushed back against a 50% tariff on Brazilian imported goods to the United States, arguing that it was “political” and “illogical.”

Lula said in a New York Times op-ed that his government is open to negotiating anything that can bring mutual benefits. “But Brazil’s democracy and sovereignty are not on the table,” he said.

U.S. President Donald Trump imposed the tariff on Brazil in July, citing what he called a “witch hunt” against former President Jair Bolsonaro, who at the time stood accused of trying to illegally hang onto power.

The trial came to an end on Thursday after a panel of Supreme Court justices ruled that Bolsonaro had attempted a coup after his 2022 electoral defeat to Lula, sparking fears of further U.S. measures against Brazil.

Lula said he was proud of the Supreme Court for its “historic decision” which safeguards Brazil’s institutions, the democratic rule of law and is not a “witch hunt.”

“(The ruling) followed months of investigations that uncovered plans to assassinate me, the vice president and a Supreme Court justice,” Lula said.

Lula added that the tariff increase was “not only misguided but illogical,” citing the surplus of $410 billion in bilateral trade in goods and services the U.S. has accumulated over the past 15 years.

The op-ed is a sign that Brazil is bracing for more possible sanctions after the Supreme Court’s decision.

After Thursday’s ruling, U.S. Secretary of State Marco Rubio posted on X that Trump’s government “will respond accordingly.”

Brazil’s Foreign Ministry called Rubio’s comments an inappropriate threat that wouldn’t intimidate the government, saying the country’s judiciary is independent and that Bolsonaro was granted due process.

Bolsonaro on Sunday briefly left his home in Brasilia where he is under house arrest to undergo a medical procedure at a nearby hospital, his first public appearance since Thursday’s ruling.

Escorted by police, Bolsonaro went to the DF Star hospital in Brazil’s capital in the morning for procedures related to skin lesions — a temporary release granted by Justice Alexandre de Moraes on Sept. 8.

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He was later discharged, doctors from the hospital said in a statement. Medical staff removed eight skin lesions that will be sent for analysis to establish a definitive diagnosis and assess the need for further treatment.

The 70-year-old far-right politician was placed under house arrest in early August, after de Moraes said that Bolsonaro had violated precautionary measures imposed on him in the context of the coup trial. He had already been wearing an ankle monitor.

In late August, de Moraes increased security measures further and ordered that police conduct inspections of all vehicles leaving Bolsonaro’s residence and monitor the exterior of the house.

After the medical visit, Bolsonaro must file a certificate of attendance, indicating the date and times of the appointments, to the Supreme Court.

Bolsonaro’s son Carlos took to social media to complain about what he deemed to be excessive policing around his father’s trip to the hospital.

“I’m with my father and witnessing the continuation of the biggest circus in Brazilian history,” he wrote on X. “A convoy with more than 20 men ostensibly armed with rifles (…) just to promote the humiliation of an honest man.”

Die-hard supporters of Bolsonaro awaited the ex-president when he arrived at the hospital on Sunday and greeted him with shouts of “Amnesty now!” The chant is in reference to the push of Bolsonaro’s allies in Congress to grant the former president some kind of amnesty.

“We’re here to provide spiritual and psychological support,” said Deusélis Filho, 46, the president of a group of Bolsonaro supporters called Influencers of Brazil.

Thursday’s sentence doesn’t mean that Bolsonaro will immediately go to prison. The court panel has now up to 60 days to publish the ruling. Once it does, Bolsonaro’s lawyers have five days to file motions for clarification.

His lawyers have said that they will try to appeal both the conviction and sentence before the full Supreme Court of 11 justices, although some experts think it’s unlikely to be accepted.

Eléonore Hughes reported from Rio de Janeiro.