2026 Pioneer Press medallion found: Lucky lookers locate legendary loot

posted in: All news | 0

Laborious yet lithe lads and lasses have loyally leapt to luminate the lexical labyrinths of logic locking the lucrative lotto, longing to lure the lavish luxury lying latently in local landmarks.

In other words: Veteran hunter Steve Sanftner found the 2026 Pioneer Press Treasure Hunt medallion at Linwood Park on Wednesday, Jan. 28, after 11 clues, in a hunt that had treasure-seekers split between several parks that began with L.

The medallion, inside a Coca-Cola can painted white, was found slightly east of the corner of St. Clair Avenue and Grotto Street, just off the sidewalk into the park.

This year’s particularly vexing hunt comes after a pair of speedier ones: Both the 2024 and 2025 hunts concluded after seven clues, which were the quickest hunts since 2015. This was also one of the coldest hunts in recent memory, with temps at or below single digits most days.

Sanftner’s total $15,000 prize package, sponsored by Cub Foods and the St. Paul Winter Carnival, is also the largest to be awarded in treasure hunt history, marking the Winter Carnival’s 140th anniversary.

This is the first time in the hunt’s eight-decade history that the medallion has been hidden in Linwood Park proper. However, in 1969, the medallion was sandwiched between two rocks at the corner of Victoria Street and what would soon become Interstate 35E, just south of the park.

Related Articles


2026 Pioneer Press Treasure Hunt Clue 11


2026 Pioneer Press Treasure Hunt Clue 10


2026 Pioneer Press Treasure Hunt Clue 9


2026 Pioneer Press Treasure Hunt Clue 8


2026 Pioneer Press Treasure Hunt Clue 7

Mystic Lake Amphitheater adds three new shows, including Dave Matthews Band

posted in: All news | 0

Three acts have announced shows at the new Mystic Lake Amphitheater in Shakopee: Dave Matthews Band on June 23, the Black Crowes and Whiskey Myers on July 28 and Ne-Yo and Akon on Aug. 5.

Tickets will go on sale through Ticketmaster for DMB at 10 a.m. Feb. 20, Black Crowes and Whiskey Myers at 10 a.m. Feb. 6 and Ne-Yo and Akon at 10 a.m. Friday.

Singer/guitarist/South Africa native Dave Matthews formed his band in Virginia in 1991 and hand-picked players from the local jazz scene. The group went on to sign with RCA Records and release a series of hit singles, including “What Would You Say,” “Crash into Me,” “Crush” and “The Space Between.”

But the group’s biggest success has come on the road, where their improv-heavy shows are now a coming-of-age tradition. At No. 4, the Dave Matthews Band is the highest-ranked American headliner on Pollstar’s list of the “25 Most Popular Touring Artists of The Millennium” and has sold more than 25 million tickets over the group’s history.

Black Crowes and Whiskey Myers

Brothers Chris and Rich Robinson formed the Black Crowes while in high school. Their 1990 debut album “Shake Your Money Maker” topped five million in sales and included the hits “Hard to Handle” and “She Talks to Angels.”

They continued to have success in the ’90s before going on hiatus in 2002. They’ve since reunited twice with a variety of backing musicians.

Whiskey Myers is a country rock band that formed in 2007 and count Lynyrd Skynyrd, Hank Williams Jr. and Waylon Jennings as key influences. They’ve self-released seven albums, including 2019’s self-titled effort, which hit No. 1 on the country chart.

Ne-Yo and Akon

Arkansas native Shaffer Smith adopted the stage name Ne-Yo early in his career when he was a member of the group Envy. After Envy broke up in 2000, Ne-Yo signed a short-lived deal with Columbia Records, which dropped him before he could release his debut album.

Related Articles


Lionel Richie and Earth, Wind and Fire will return to St. Paul in June


Bonnie Raitt will play the Minnesota State Fair Grandstand for the ninth time


The Zac Brown Band will headline Target Center in October


Concert review: Rascal Flatts transitions into a nostalgia act at Grand Casino Arena


Virtual Mozart is almost as good as the classic analog option

Ne-Yo went on to find success as a songwriter and after penning Mario’s 2004 hit single “Let Me Love You,” he landed another solo deal. He went on to release a series of Top 10 smashes, including “So Sick,” “Sexy Love,” “Because of You,” “Closer” and “Miss Independent.”

While he was born in St. Louis, Akon — whose proper name is 12 words long — spent much of his early youth in his father’s native Senegal, where he learned several instruments including the guitar and drums. While still in high school he became part of the Refugee Camp, the extended musical family of the Fugees.

A producer who is also a frequent guest artist on songs like Gwen Stefani’s “The Sweet Escape” and David Guetta’s “Sexy Bitch,” Akon’s biggest solo hits include “Lonely,” “Smack That,” “I Wanna Love You,” “Don’t Matter” and “Sorry, Blame It on Me.”

Orpheum’s touring take on ‘Chicago’ could use some jazzing up

posted in: All news | 0

Two months ago, Minneapolis’ Orpheum Theatre hosted a touring production of the longest-running show in Broadway history, “The Phantom of the Opera,” and it proved an eye-opening surprise. The theatrical warhorse had new life breathed into it by a London staging that leaned upon the 1986 original for inspiration, and the opening-night performance I attended was brilliantly executed, full of passion and energy.

Now, the second-longest-running show in Broadway history has set down stakes at the Orpheum, but, alas, this version of “Chicago” feels far from fresh. Employing the same basic set, direction and choreography as the 1996 revival that’s been running ever since, it’s a remarkably ponderous and perfunctory production that lacks spunk, spirit or sexiness. Despite some fine channeling of the 1920s musical aesthetic from the onstage 10-piece band, it’s a staging that trudges where it would better bounce.

The cast of the North American touring production of “Chicago,” John Kander and Fred Ebb’s musical about women murderers of the 1920s and the way that the press covered their cases. The show runs through Feb. 1, 2026, at the Orpheum Theater in Minneapolis. (Courtesy of Jeremy Daniel)

“Chicago” is rooted in a 1920s play inspired by a couple of murder trials its author covered as a reporter. Five decades on, the composer/librettist team of John Kander and Fred Ebb joined with writer-director-choreographer Bob Fosse to create a “vaudeville” from its story, employing several styles from the early days of jazz to tell the tale of two murderers, Roxie Hart and Velma Kelly. Although both are guilty of their crimes, they and a crafty attorney seek to spin juries and the press in their favor while reveling in their newfound celebrity.

A show like “Chicago” doesn’t survive for a half-century without accruing a devoted fan base, and there seemed to be several enthusiasts in attendance at the Orpheum Tuesday night, judging from the lusty howls of appreciation that greeted such songs as “All That Jazz,” “Cell Block Tango” and “When You’re Good to Mama.” But they did little to jump-start this touring company’s engine on this chilly January night. With rare exceptions, all the tempos seemed way too slow and the onstage energy barely palpable.

Exceptions finally arrived with the emergence of Max Cervantes as slick and cagey defense lawyer Billy Flynn. Exuding a level of charisma yet to be reached by either of the musical’s lead characters, his “All I Care About” proved a fun little Busby Berkeley knockoff that led to a smile-inducing take on the march-like “A Little Bit of Good” from easily manipulated reporter Mary Sunshine, lent lively sparkle by J. Clanton. When the peppy Charleston, “We Both Reached for the Gun,” followed, it seemed that this show was at last kicking into gear.

But no. One potential showstopper after another fell flat, every song undersold and suffering from a paucity of punch. Despite some strong dancing, the cast came off as simply tired of the material, the most egregious of missed opportunities being a version of one of the show’s signature songs — Flynn’s courtroom tutorial, “Razzle Dazzle” — being delivered at a sleepy, ballad-like pace, leeching all the fun from a number that could stand as something of a distillation of the musical’s cynical spirit.

After a slow start, Ellie Roddy proved increasingly engaging as Roxie Hart, but “Chicago” has always been a musical with a problematic anticlimax, and her best efforts couldn’t overcome that. Yet this low-wattage production fizzles out more disappointingly than most.

‘Chicago’

When: 7:30 p.m. Wednesday-Friday, 2 and 7:30 p.m. Saturday, 1 and 6:30 p.m. Sunday

Where: Orpheum Theatre, 910 Hennepin Ave., Minneapolis

Tickets: $328-$40, available at hennepinarts.org

Capsule: A staging that makes “Chicago” seem old, slow and tired.

Related Articles


In apparent financial trouble, Minneapolis’s Jungle Theater cancels remainder of season


Review: The nonstop gags make ‘Shucked’ a sweet, must-see treat


Theater Review: Guthrie’s ‘Somewhere’ needs something


Review: ‘The Wiz’ revival at the Orpheum is a must-see delight


A key character in Ballet Minnesota’s ‘Nutcracker’? Clara’s dress — for 37 years and counting

Opinion: For Affordable Clean Energy at Home, New York Needs Solar ASAP

posted in: All news | 0

“The ASAP Act can deliver two things New Yorkers urgently need: lower bills for households and more clean electrons on an increasingly strained power grid.”

Solar power panels at the Sherman Terrace co-op in the South Bronx. The panels were installed in 2020.

As the federal administration continues to brazenly pull the country into yet another shortsighted bid for oil dominance that enriches only the fossil fuel industry, the stakes are obvious: American energy independence and affordability are being sacrificed.

We can keep tethering ourselves to volatile geopolitics, to fossil fuel prices we’ll never control, and to an energy system built on instability and extraction—or we can choose the alternative that’s right in front of us: harnessing the sun here at home on our own rooftops. By rapidly accelerating local solar in New York, we can build power right here in our communities, beyond the reach of coups, cartels, and commodity shocks.

This legislative session offers New York a chance to do just that: pass the Accelerate Solar for Affordable Power Act (ASAP Act), S6570 and A8758. The ASAP Act would double New York’s rooftop and community solar goal, and cut red tape to lower the costs of getting community solar connected to the grid. In short, the ASAP Act can deliver two things New Yorkers urgently need: lower bills for households and more clean electrons on an increasingly strained power grid.

Why waste time and taxpayer dollars on chasing foreign oil or greenlighting new and expensive gas pipelines—like the recently approved NESE (Northeast Supply Enhancement) pipeline project in New York City, which had previously been rejected three times for projected environmental harms—when we already have a thriving industry built around the cheapest, most abundant power source on Earth: the sun.

Distributed solar, meaning rooftop systems and smaller community-scale projects, is delivering real results. So much so that New York is already on track to meet the Climate Act target of 10 gigawatts of statewide distributed solar ahead of schedule. To date, we’ve already built 7.6 gigawatts, which is enough energy to power roughly 1.3 million homes. These projects have the power—literally and economically—to directly benefit people’s daily lives. They show up as lower electricity bills, cleaner air, more resilient local grids, good-paying clean energy jobs, and real investments in local communities.

Take, for example, the rooftop solar project recently completed by GreenSpark Energy at Rochester’s Foodlink Center, a nonprofit that tackles food insecurity across the region. This 679 kilowatt solar array cuts energy costs for the organization and frees up resources to serve more local families.

In New York City, Solar One is working with nonprofit and industry partners – including Green City Force, Solar Uptown Now Services, PowerMarket and Accord Power– to build solar on 142 NYCHA buildings in Brooklyn and Queens. In addition to producing seven megawatts of community solar that will generate bill discounts for thousands of low- and moderate-income neighbors, project partners are training NYCHA residents in solar installation, and providing STEM internships to high school students, pairing installations with resident engagement and workforce development. These projects grow local renewable energy for low-income New Yorkers while advancing energy justice where it matters most: in people’s homes and communities.

These projects also bring clean energy jobs to our state. NYSERDA’s recent Clean Energy Industry Report shows that New York’s solar and storage industry currently supports 18,688 jobs. The ASAP Act would create another 15,000 jobs, adding to a growing ecosystem of good-paying clean energy jobs across the state.

But political headwinds are making it harder to get more projects like these online. The federal government recently gutted our country’s longstanding clean energy program (the Investment Tax Credit), increasing costs of projects by at least 30 percent. While at the state level, expensive, outdated, and time-intensive processes to connect new projects to the grid are forcing companies to take their business, jobs, and investment elsewhere.

The ASAP Act will change that: it doubles the state goal, creating a mandate for state agencies and the Public Service Commission to invest in local renewables, and enacts common-sense “interconnection” reforms to lower grid connection costs and maximize existing infrastructure while reducing costly upgrades.

recent study spells out the benefits in no uncertain terms. Scaling up distributed solar and storage to the levels envisioned in the ASAP Act would save New Yorkers roughly $1 billion a year in energy costs. That translates to real money: about $87 a year for the average upstate ratepayer and $46 a year downstate—and the savings reach everyone, whether they directly participate in solar or not.

As the affordability and climate crises collide, we have no time to lose. New York lawmakers have the chance this year to unlock gigawatts of local clean energy and deliver real bill relief by passing a law that adds nothing to our state budget. With the ASAP Act, we can choose a healthier, more resilient, more affordable future that puts clean energy—not volatile fossil fuels—in the hands, and on the rooftops, of New Yorkers.

Kate Selden works at Solar One, an environmental nonprofit whose mission is to design and deliver innovative education, workforce training, and technical assistance that fosters sustainability and resiliency in diverse urban environments.  

The post Opinion: For Affordable Clean Energy at Home, New York Needs Solar ASAP appeared first on City Limits.