Thomas Friedman: The ‘useful idiots’ from America whom Putin is playing like a flute

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I am sure President Donald Trump and his envoys to Russia, Steve Witkoff and Jared Kushner, sincerely want to stop the killing in Ukraine, but they are failing and will continue to fail as long as they persist in their naive view that this is just a big real estate deal and that their backgrounds in real estate give them an advantage. It is utter nonsense on multiple levels.

For starters, yes, you could say that Russian President Vladimir Putin is in the real estate business in Ukraine, but not in the way Trump or Witkoff or Kushner have been in the business. Putin is in the real estate business in Ukraine the same way Adolf Hitler was in the real estate business in Poland. Hitler coveted territory not to build a hotel or housing for profit to benefit the local residents. He, instead, coveted real estate to fulfill a nationalist fantasy. Ditto Putin. He has shown no interest in the welfare of Ukraine’s people.

In that kind of situation, having a bunch of “real estate deal guys” as America’s negotiators is a liability, not an advantage. You want a Henry Kissinger or James Baker-type statesman who understands the difference between real estate and war and peace. Real estate is a positive-sum game: Both sides can profit from a well-struck transaction. And that is the goal. In war and peace, when one side holds fascist views and is the clear aggressor, and the other side holds democratic views and is the clear victim, you are in a zero-sum game.

Or as Ronald Reagan famously put it when asked how the Cold War should end, “We win, they lose.”

America’s values and interests

Reagan understood that real estate deals are purely over value (price per square foot) and interest rates. He understood that war-and-peace deals are about advancing and preserving moral values and strategic interests. And you don’t compromise on those with a fascist aggressor.

We waged three wars, including the Cold War, alongside our allies in Europe to preserve the spread of our shared democratic values and our shared interests — namely, that no major power in Europe that did not share those values could be allowed to dominate the Continent.

I can think of no other American president who would have acted as if America’s values and interests dictated that we now be a neutral arbiter between Russia and Ukraine and, on top of that, an arbiter who tries to make a profit from each side in the process — as Trump has done. This is one of the most shameful episodes in U.S. foreign policy, and the entire Republican Party is complicit in its perpetuation.

I also can think of no other U.S. foreign policy leader who would have said about Putin what Witkoff said about this dictator whose political rivals often end up dead, who engages in vast corruption for himself and his cronies and who does everything he can to undermine free and fair elections in America and the West: “I don’t regard Putin as a bad guy.”

Russian Communists had a term for foreigners who held such views about their leaders: “useful idiots.”

Toward a ‘dirty deal’

You can imagine this retort from JD Vance isolationists: “Hey, Friedman, you and your pals just want to drag America into endless wars.”

Nope, sorry, you have the wrong cowboy. I have written since the first weeks of this war, and repeatedly thereafter, that it is only going to end in, at best, a “dirty deal.” Russia is too big compared with Ukraine, and its willingness to fight on dictates that ending the war will require Ukraine to make concessions. Sad but true — and most Ukrainians will tell you the same today.

But as I wrote last month, there is a huge difference between a “filthy deal” that maximizes Putin’s interests, profits and ability to restart the war at any point of his choosing, and a “dirty deal.” A dirty deal would allow Putin to keep the territory he’s already stolen, but with Western military forces on the ground inside Ukraine that ensure he could never restart the war, except by going to war with all of the West; it would ensure that Putin’s ill-gotten gains were never blessed with formal diplomatic recognition that would reward the acquisition of territory by force; and it would ensure that Ukraine could maintain whatever size army it needed to defend itself and could become a member of the European Union (though not NATO) whenever it was ready. That kind of dirty deal would secure Ukraine’s and America’s core interests and values.

JD Vance isolationists retort: “We don’t have the ability to pressure Putin to agree to such a dirty deal, and we don’t want to be in a nuclear war with Russia, thank you very much.”

The reason you can’t pressure Putin is that you don’t know what you’re doing, and you have a president who lurches back and forth, making different policies on his social network feeds and then requiring the Pentagon and the State Department to adjust on the fly. There is no policymaking process, and there appear to be at least five people acting as the secretary of state: Witkoff, Kushner, Vance, Army Secretary Daniel Driscoll and some guy with the official title, Marco Rubio.

Maximum leverage

What would any normal American president be doing now? He would start with the understanding that negotiations in any realm — real estate or geopolitics — are always decided by one thing: leverage. Whether you are buying a hotel or trying to halt an invasion, you want maximum leverage so your profits or interests and values are maximized in the final deal.

In real estate, leverage is measured in how much money you have on your side. In diplomacy, leverage is measured by how much military force you can bring to the battlefield; how much economic isolation and pain you can inflict on your opponent; and, last but certainly not least, how much you can turn your opponent’s population against its own leadership to force it to change course.

And what has Trump done by those measures? He has halted all U.S. funding for Ukraine to buy U.S. arms, he has refused to give it access to crucial weapons like our Tomahawk cruise missiles that could really hurt Putin close to home — and that the Europeans would pay for — and he has bald-faced lied that it was Ukraine, not Russia, that started the war and that Ukraine’s leader, not Russia’s, was the illegitimate dictator. He also quite publicly told Ukraine’s president, Volodymyr Zelenskyy, that “you don’t have the cards” without America’s help in the fight against Russia.

What if Trump behaved like a stately American president, acting on America’s interests and values? He wouldn’t be telling the brave Ukrainians that they have no cards; he’d be dealing them cards to maximize their leverage while loudly telling the Russian people that they have no future — because Putin stole all their cards.

What would that sound like?

It would sound like this:

“Hey, Putin, while you were invading Ukraine to play out your historical fantasy that Mother Russia rightly owns Ukraine, the rest of the world was participating in what will likely be called the greatest technological revolution in human history: the AI revolution. Where is Russia in that? Let’s check Stanford institute’s Global AI Vibrancy rankings.

“Is Putin’s Russia in the Top 10, where it belongs with the United States and China? No. Well, surely it’s in the Top 20! Nope. It has to be in the Top 30! Well, yes; it just sneaked in at No. 28. Far behind Luxembourg at No. 12. Luxembourg’s population? About 680,000. Russia’s population is roughly 144 million — now minus the estimated quarter-million soldiers Putin sent to their deaths on the Ukraine battlefield and at least 100,000 technologists who have fled Russia since Putin started the war.

“To the Russian people, let me offer an analogy: It is as if James Watt just invented the steam engine that helped launch the Industrial Revolution and your czar said, ‘No, thanks; we’re doubling down on horses.’”

The Russian threat

Putin is a towering fool who will be remembered for a war against Ukraine that made Russia an energy colony of China and an AI footnote to Luxembourg.

Yes, Putin likes to show off his hypersonic missiles. I wonder if they work better than the main launchpad Russia uses for sending astronauts and cargo to the International Space Station; that launchpad collapsed last week, after the launch of three astronauts. It means Russia has “lost its ability to launch humans into space, something that has not happened since 1961,” according to a Russian space expert quoted by The New York Times.

The Russian threat to Ukraine will not end until Putin is gone. But getting rid of him is the job of the Russian people. The job of an American president and vice president — if they know what they are doing — is not to tell Ukraine’s president that he has no “cards.” It is to increase the pressure on Putin by, among other things, telling the Russian people — every day — that their leader is stealing all their cards and all of their futures and all of their children’s futures.

That is how we increase our leverage to get a dirty deal, not a filthy deal.

Thomas Friedman writes a column for the New York Times.

US military conducts strike on another suspected drug boat as probe into the first strike begins

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By KONSTANTIN TOROPIN, Associated Press

WASHINGTON (AP) — U.S. Southern Command announced that it had conducted another strike against a small boat in the eastern Pacific Ocean on Thursday, following a pause of almost three weeks.

It is the 22nd strike the U.S. military has carried out against boats in the Caribbean Sea and eastern Pacific Ocean that the Trump administration claimed were trafficking drugs.

There were four casualties in Thursday’s strike, according to the social media post, bringing the death toll of the campaign to at least 87 people.

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In a video that accompanied the announcement, a small boat can be seen moving across the water before it is suddenly consumed by a large explosion. The video then zooms out to show the boat covered in flames and billowing smoke.

The strike was conducted the same day Adm. Frank “Mitch” Bradley appeared for a series of closed-door classified briefings at the U.S. Capitol as lawmakers began an investigation into the very first strike carried out by the military on Sept. 2. The sessions came after a report that Bradley ordered a follow-on attack that killed the survivors to comply with Defense Secretary Pete Hegseth’s demands.

Bradley told lawmakers there was no “kill them all” order from Hegseth, but a stark video of the entire series of attacks left some lawmakers with serious questions.

Legal experts have said killing survivors of a strike at sea could be a violation of the laws of military warfare.

Bradley spoke to lawmakers alongside the chairman of the Joint Chiefs of Staff, Gen. Dan Caine, in a classified session. His testimony provided fresh information at a crucial moment as Hegseth’s leadership comes under scrutiny, but it did little to resolve growing questions about the legal basis for President Donald Trump’s extraordinary campaign to use war powers against suspected drug smugglers.

Lawmakers offered differing accounts of what they saw on the video.

Republican Sen. Tom Cotton of Arkansas said he saw the survivors “trying to flip a boat loaded with drugs bound for United States back over so they could stay in the fight.”

Connecticut Rep. Jim Himes, the top Democrat on the House Intelligence Committee, said, “What I saw in that room was one of the most troubling things I’ve seen in my time in public service.”

“You have two individuals in clear distress, without any means of locomotion, with a destroyed vessel,” he said, adding they “were killed by the United States.”

Washington Rep. Adam Smith, the top Democrat on the House Armed Services Committee, said the survivors were “basically two shirtless people clinging to the bow of a capsized and inoperable boat, drifting in the water — until the missiles come and kill them.”

St. Paul’s Grand Meander is Saturday. Here’s what to do, see and sample

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Holiday shopping, seasonal eats and photos for the Christmas card can be checked off the to-do list this weekend on one of St. Paul’s historic shopping corridors.

The Grand Meander, a 20-block holiday festival along Grand Avenue, starts at 11 a.m. Saturday where visitors can shop local sales, take photos with Santa, enjoy carolers and ride the Trolley.

The annual event has something to offer even if you’re on a budget: Find free cake tasting at Nothing Bundt Cakes, free hot apple cider at mor (a new women’s boutique) and a free favor bag for kids from Emery’s Playhouse that includes a mini puzzle, crayons and an in-store coupon for parents.

Here’s a look at what else is on tap for Saturday.

Pit stops

Fire truck rides with the Winter Carnival Vulcans start at 10 a.m. at Emmett’s Public House and Saji-Ya, near the corner of Grand Avenue and St. Albans Street.

Moloney’s Irish Imports, an Irish gift shop that recently opened along the avenue, will host a bagpiping Santa until 1:45 p.m. Saturday.

Gourmet grocery store Golden Fig Fine Foods plans to roast Iowa-grown chestnuts in front of its storefront at 794 Grand Ave.

Local authors and illustrators including Karen Wirth, Sam Kalda, Eric Madsen, Mathew Zefeldt and Maren Daniels will be available to sign their books from 11 a.m. to 1 p.m. at Wet Paint, located at 1684 Grand Ave.

To find the full calendar of events, go to grandave.com/events/grandmeander.

Summit Avenue

Another part of the Grand Meander festivities, the 16th annual Summit Avenue Artisan Festival, starts at 10 a.m. Saturday.

More than 40 artisans are on tap for this year’s market including Good Graces Paper Co., InFlux Glass Arts, Off the Hook Fiber Arts and food vendors like Egg Roll Queen, Black Roots Sauces and Seasonings, Renee’s Cooking Oils and Stacy’s Homestead Honey.

Located at St. Paul’s United Church of Christ at 900 Summit Ave., the free event draws more than 1,000 visitors a year.

“We love seeing the church filled with art, laughter and community energy each year,” said festival manager Jennifer Harris, in a news release. “This event brings people together to support local makers, celebrate the season and share in something joyful and uniquely St. Paul.”

To see a full list of events, go to www.spucconsummit.org/artisanfestival.

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Review: Guest conductor brings dynamic vitality to night with Minnesota Orchestra

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Bulgarian conductor Delyana Lazarova returns to Orchestra Hall — after last joining the Minnesota Orchestra in the summer of 2024 — to lead a riveting interpretation of Antonin Dvorak’s “New World” Symphony. Along with works by Caroline Shaw and Joseph Haydn, the concert highlighted inventive works from three centuries.

Principal guest conductor for the BBC Scottish Symphony Orchestra and the Utah Symphony, Lazarova brings a fiery presence and taut precision that recalls conductor laureate Osmo Vanska. With forceful, clean movements, she leads the orchestra with bold articulation.

To begin the concert, the orchestra performs “Entr’acte,” written by Shaw in 2011. It’s an exploration of liminality, where shifting states create disorientation. Named after the interval between acts of a play or opera and inspired by a moment of tonal change in a Haydn quartet, the work has a dream-like quality, with musicians at times barely touching the strings to create a hallowed sound. Swirling notes, pizzicato, muted phrases and swelling passages produce a thrilling experience.

For Thursday morning’s performance, the orchestra pushed through a disruption when an audience member appeared to experience a mental health crisis. With admirable concentration, principal cellist Tony Ross stayed the course through his solo, locking eyes with Lazarova as the orchestra continued despite shouting near the stage.

The performance was briefly paused until the person was escorted out. Audience reactions varied, with one person calling for police from the balcony. The smattering of applause from a few patrons as the person exited provided a disturbing end to the incident.

Soon the moment was forgotten as the orchestra moved on to Haydn’s Sinfonia concertante in B-flat major. Soloists Yi Zhao, Erik Wheeler, Kate Wegener and J. Christopher Marshall performed admirably in a piece that sits somewhere between a symphony and a concerto, allowing the musicians to shift fluidly between ensemble playing and spotlight moments. The work begins with a triumphant clip, followed by an Andante where the four soloists engage in light back-and-forth before the piece concludes with high-spirited virtuosity.

After intermission, the orchestra performs Dvorak’s Symphony No. 9 in E minor, Op. 95, “From the New World.” Written during his 1893 stay in New York, the work reflects the composer’s interpretation of African-American spirituals and what he believed to be Native American musical traditions. It’s telling that an early “American” classical work was penned by a visiting European, and that Dvorak’s ideas about indigeneity were shaped more by literature — notably Henry Wadsworth Longfellow’s “The Song of Hiawatha” — than by direct experience. Even so, his imagining of America has become one of the country’s most iconic symphonic statements.

The first movement moves from a soft, lyrical opening into flashes of energy, pushed forward by timpani and far-off horn calls. Lazarova guides these shifts with a sure hand, letting the brass and winds surge while keeping the strings warm and grounded. The Largo’s famous English horn melody rises with quiet ache, joined gently by the bassoon in a duet that feels both intimate and expansive.

The Scherzo is bright and agile, its restless drive balanced by a lighter, dance-like middle section, with touches of triangle and the cellos tapping their bows adding color. The final movement opens with a dark, weighty theme before charging ahead, the orchestra gathering momentum through plucked strings, sweeping lines, and bold brass, all building to a full-throttle finish.

In the end, Lazarova led a program that balanced poise, imagination, and sheer musical vitality, leaving the audience with a fresh sense of discovery.

Dvorak New World Symphony

When: Friday, Dec. 5, at  8 p.m.

Where: Orchestra Hall, 1111 Nicollet Mall, Mpls.

Tickets: $69-$159

Accessibility: See minnesotaorchestra.org/plan-your-visit/accessibility

Capsule: Guest conductor Delyana Lazarova brings a dynamic vitality to her engagement with the Minnesota Orchestra in an evening that includes Shaw, Haydn and Dvorak.

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