Readers and writers: Haunting tale set in Lake Superior lighthouse is must-read

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One of the season’s most anticipated novels by Peter Geye, adventures on the Mississippi, a cold-case mystery and memoirs of a gay veteran are on today’s varied reading menu made up of books by Minnesota authors launching this month.

“A Lesser Light”: by Peter Geye (University of Minnesota Press, $27.95)

”I am not a preacher. No ma’am. It’s just a beautiful sentiment, this line I am recalling. It seems right for the moment.” He waited for her approval. When she nodded, he said “I believe it says, regarding the creation of the world, that God created two lights. A greater one to rule the day, and a lesser light to rule the night.” — from “A Lesser Light”

Peter Geye (Courtesy of the author)

In his luminous new novel, Peter Geye gives us love and lust, God and science, heavens and deep water, light and dark, and a cast of characters so vividly drawn you are in their minds, hearts, souls. It’s set in a lighthouse on Lake Superior, where the great inland sea has its own moods and is the apparent dwelling place of an omniscient narrator whose comments begin every chapter.

It’s 1910 and Willa, who majored in astronomy at Radcliffe College, is urged by her calculating mother to marry Theodulf Sauer after Willa’s father dies, leaving wife and daughter destitute. Willa and Theo are an odd match in their unconsummated marriage, this young, educated woman and emotionally shut-down Sauer, scion of a prominent, wealthy Duluth Catholic family. The couple doesn’t realize they met years earlier when Willa donned men’s clothing to play the piano at the all-male Mason’s lodge.

Theo, an egotist, has just been made master lighthouse keeper at the new Gininwabiko lighthouse. He expects his wife to attend to domestic life, cooking and keeping their home tidy. But Willa is more interested in the heavens, especially the coming of Halley’s comet. Theo is afraid of this fiery phenomenon, writing to a spiritual mentor to ask if the comet’s tail is poisonous to humans and what scripture says about it.

Willa and Theo sometimes try to understand one another but more often are tense and sometimes hostile. Willa, a careless homemaker, is lonely.  From her window she can see the dock of fisherman Matt and his orphaned niece, Silje, whose parents have just drowned. Silje, who has “summoning powers,” delights Willa and they form a friendship as Willa becomes attracted to Matt. Theo, meanwhile, spends nights tending the big light, brooding about religion and recalling with shame and desire a brief affair he had with a man in Paris.

Geye’s writing is lush, from evoking the sounds, smells and moods of Lake Superior to the mechanics of keeping the lighthouse light functioning to Willa’s amusement at the pomposity of her husband’s uniformed visiting bosses.

(Courtesy of the author)

Secondary characters are as carefully drawn as the protagonists. Willa makes friends with the wives of her husband’s two junior lighthouse keepers and one of them, a wise older woman, helps Willa understand the duty of lighthouse tenders’ wives, whether she likes it or not. Willa’s mother, who is not there when her daughter needs her, cares only for herself, and Theo’s deceased father still haunts his son, whom he saw as worthless. Residents in towns from Two Harbors, Grand Marais and Gunflint show us the variety of people who lived along the North Shore at the turn of the 20th century.

Geye, who lives in his native Minneapolis, is the author of the Eide Family trilogy “The Lighthouse Road,” “Wintering” (Minnesota Book Award), and “Northernmost.” His most recent was “The Ski Jumpers,” published in 2023, now available in paperback.

With each book Geye has gained more fans. He’s surely cemented his place as a leading author with “A Lesser Light,” which is getting glowing advance reviews. What no critic seems able to articulate is the mystery and wonder inherent in this story.

Geye will launch his novel at 7 p.m. April 15 with a party at Norway House, 913 E. Franklin Ave., Mpls., presented by Valley Bookseller of Stillwater and Literature Lovers’ Night Out. $20. For information, go to Valleybookseller.com/events/calendar.

Other metro-area events in Geye’s statewide publicity tour include a 7 p.m. reading April 28 at the University of St. Thomas, 2115 Summit Ave., St. Paul; April 29, Excelsior Bay Books, Excelsior; May 3, Roseville Public Library and Cream & Amber, Hopkins,;and May 10, Big Hill Books, Mpls.

“Pushing the River”: by Frank Bures (Minnesota Historical Society Press, $24.95)

My limbs felt heavy. Water came over my chin, into my mouth. Everything felt hard now. Then, in a moment of clarity, a thought came into my head. It was not a question. It was not a possibility. It was not panic. It was just a fact, solid as a stone: I am not going to make it to that shore. — from “Pushing the River”

Part history of canoes and canoe races, part river adventures, part personal memories, Frank Bures shows his love for the Mississippi in this multi-genre paperback.

(Courtesy of the author)

Bures, an award-winning writer whose work has appeared in national publications such as Outside magazine, subtitles his tribute to the river “An Epic Battle, a Lost History, a Near Death, and Other True Canoeing Stories.”

The author is a child of the river, growing up in Winona with his friend JD Fratzke, who would go on to be a celebrated chef and restauranteur. His 2024 debut poetry collection, “River Language”, is also an ode to the Mississippi.

The first half of “Pushing the River ” is made up of detailed descriptions of the Paul Bunyan Canoe Derby, an exhausting annual 450-mile race associated with the Minneapolis Aquatennial that ran on the Mississippi in the 1940s into the 1960s. The author introduces people such as canoe-racing legend Gene Jensen and members of the Native American Tibbetts family from the Leech Lake reservation, as well as telling the history of how canoes were built by the Ojibwe and used for centuries by fur traders and others. He explains how Jim and Bernie Smith’s design features are now part of contemporary canoe racing and early discussions about just what is a “canoe.”

Real-life stories depict dangers on the river, including how a couple survived being surrounded by the 2011 Pagami Creek fire in the Boundary Waters and the author’s near-death from hypothermia when his canoe tipped and threw him into icy water.

Bures will launch his book with a free program at 7 p.m. Wednesday at Magers & Quinn, 3038 Hennepin Ave. S., Mpls., in conversation with nature writer Cary Griffith.

“The Murder Show”: by Matt Goldman (Forge, $18.99)

They are the easiest of targets. Ethan feels a fear he’s never known, far above the modern-day angst he normally experiences. Faux problems that fester in the bubble of his insulated world. But canoeing over open water, defenseless in an aluminum craft that couldn’t stop a bullet any better than a sheet of paper, Ethan’s fear gets white hot. — from “The Murder Show”

(Courtesy of Forge Books)

Ethan Harris is not in a good place in this fast-paced mystery that also involves the river. His hit TV production, “The Murder Show,” might not see a fourth season if he doesn’t come up with a good idea, and he doesn’t have one. When a writers’ strike gives him free time, he heads home to Minnesota looking for inspiration and is welcomed by his childhood pal Ro Greeman, who was literally the girl next door. Ro, now a police officer, needs help investigating the death 22 years earlier of their classmate, Ricky, killed in a hit-and-run on a lonely county road. Ethan has nothing else to do so he joins her, thinking some sleuthing might unlock his imagination in writing the TV script.

As the partners dig more deeply into Ricky’s death, they discover other teenage boys have disappeared on lonely country roads far from their homes in the Twin Cities. When they get too close to solving the cold case, they are in danger, beginning with gunfire aimed at their vehicle. What part does one of Ro’s police colleagues play in this venture and why doesn’t Ethan trust him?

Goldman is a playwright and Emmy Award-winning television writer for “Seinfeld,” “Ellen” and other shows, as well as the author of four novels featuring lawyer Nils Shapiro, who makes a cameo appearance in this new stand-alone novel.

He will host a free meet-and-greet to launch his book from noon to 2 p.m. April 19 at Once Upon a Crime, 604 W. 26th St., Mpls.

“The Lonely Veteran’s Guide to Companionship”: by Bronson Lemer (University of Wisconsin Press, $19.95)

I picture a character like X-Men’s Nightcrawler, a creature I emulated in my twenties with my constant moving, my nonstop wanderlust. Job to Job. Place to Place. Boyfriend to Boyfriend. I never stayed with anything for longer than two years. I morphed, changed, moved on when the camouflage wore off, when I realized I would probably never fit in. — from “The Lonely Veteran’s Guide to Companionship”

(Courtesy of the University of Wisconsin Press)

St. Paul resident Lemer’s book of interconnected essays is not about warfare. Yes, the author served in South Korea and twice in Iraq. But this is really the story of a gay man trying desperately to be seen, which is difficult because he always holds back a part of himself, instead forging new personas of a confident, outgoing man.

In memories that drift between past and present, he recalls trying to fit in, as when he goes with members of his platoon to meet “juicy girls” in Korea. When one woman tries to make contact, he nearly freezes with embarrassment. And so he becomes rootless, spending two years teaching in China, then teaching on a Navy cruiser carrying missiles, always striving for what seems to be an unreachable goal of becoming a different person. Happily, he does find love and marriage in the end as he settles into the man he was meant to be.

Lemer, a fine writer, is the author of “The Last Deployment: How a Gay, Hammer-Swinging Twentysomething Survived a Year in Iraq.” He will introduce “The Veteran’s Guide …” at 7 p.m. Tuesday at Magers & Quinn, 3038 Hennepin Ave. S., Mpls., in conversation with author Chris Stedman, religion and philosophy professor at Augsburg University.

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Film adaptations, Sondheim and ‘Glensheen’ coming to local theaters

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From a reimagined “Romeo and Juliet” with a soundtrack of Max Martin pop hits to familiar favorites like “Glensheen” to several film-to-stage adaptations, the coming months have numerous options for live theater and musicals. The lineup includes both touring productions and homegrown shows.

Here’s a look at what’s on tap.

‘Mean Girls’

Cast members of “Mean Girls,” a musical based on the 2004 movie, perform during the show’s national tour. The show is one of five coming to the Ordway Center for the Performing Arts during its 2024-25 “Broadway at the Ordway” season. (Courtesy of The Ordway)

Opens April 8: Tina Fey wrote the book for this stage adaptation of her hit 2004 film, which features lyrics by Nell Benjamin (“Legally Blonde”) and music from Fey’s husband Jeff Richmond. In a review of the show’s Broadway debut in 2018, Variety said Fey “front-loaded the show with great gags … (and) throws in lots of snappy one-liners that actually work.” Through April 13; Ordway Center for the Performing Arts, 345 Washington St., St. Paul; $160-$45; 651-224-4222 or ordway.org.

‘Disney’s Frozen’

Opens April 15: Inspired by Hans Christian Andersen’s 1844 fairy tale “The Snow Queen,” the 2013 film “Frozen” was a smash with audiences and critics, some of whom called it Disney’s best animated film since the studio’s Renaissance era. It has since grown into a full-out franchise, with several sequels, Disney theme park attractions, a Disney on Ice show as well as the stage musical, which opened on Broadway in 2018. Through June 15; Children’s Theatre Company, 2400 Third Ave. S., Mpls.; $78-$15; 612-874-0400 or childrenstheatre.org.

‘The Nacirema Society’

Opens April 19: This 2013 play — full title “The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years” — is set in 1964 in Montgomery, where two high-society Black women planning the year’s debutante ball are hoping their grandchildren will become engaged to each other at the event. Things don’t go according to plan. Through May 25; Guthrie Theater, 818 S. Second St., Minneapolis; $92-$32; 612-377-2224 or guthrietheater.org.

‘When We Are Found’

Opens April 24: Queer playwright Donja R. Love’s “When We Are Found” is about two lovers separated at sea, with one man searching for his lost companion. According to Penumbra, “Love’s newest fable is an achingly poignant and sometimes funny meditation on the passage of time and the persistence of love — and a hopeful prayer that what we seek finds us.” Through May 18; Penumbra, 270 N. Kent St., St. Paul; $45-$20; 651-288-6786 or penumbratheatre.org.

‘& Juliet’

Shakespeare’s “Romeo and Juliet” is reimagined as a jukebox musical featuring songs by Swedish pop songwriter Max Martin (Britney Spears, Backstreet Boys, Katy Perry). (Courtesy of Matthew Murphy)

Opens May 13: In a novel take on the jukebox musical, this reimagined take on Shakespeare’s classic love story uses music by the extraordinarily successful Swedish pop songwriter Max Martin. Some six Backstreet Boys songs join five from Britney Spears and hits from Katy Perry, Justin Timberlake, Celine Dion, Bon Jovi, Pink and Ariana Grande. David West Read, who won an Emmy for his work as a writer and producer on “Schitt’s Creek,” wrote the book for the show, which is running on Broadway. Through May 18; Orpheum Theatre, 910 Hennepin Ave., Minneapolis; $118.95; hennepinarts.org.

‘Between Riverside and Crazy’

Opens May 14: This 2015 Pulitzer Prize for Drama winner follows a retired New York City policeman whose wife has died and whose son has just been released from jail. He’s pursuing a discrimination suit against the police department because he was accidentally shot by another police officer. Through June 8; Park Square Theatre, 20 W. Seventh Place, St. Paul; $60-$25; 651-291-7005 or parksquaretheatre.org.

‘Whoa Nellie: The Outlaw King of the Wild Middle West’

Opens May 17: Josef Evans’ new musical is the tale of a fake detective (and former child performer) whose countless criminal exploits and penchant for male attire made her a Minnesota media sensation. Along the way, her story examines historical realities around gender, addiction, mental health and celebrity. Through June 8; History Theatre, 30 E. 10th St., St. Paul; $74-$30; 651-292-4323 or historytheatre.com.

‘Passion’

Opens June 4: Theater Latté Da’s 99th main-stage production is a return to its signature staging of Stephen Sondheim’s masterworks. Set in 1860s Italy, it tells of a fiery love triangle that ignites when an army captain is transferred to a remote military outpost. There, the captain meets a woman who “turns out to be capable of adoration and desire unlike anything he has ever known.” Through July 13; Ritz Theater, 345 13th Ave. N.E., Minneapolis: tickets go on sale soon; 612-339-3003 or latteda.org.

‘Legally Blonde’

Opens June 10: Based on Amanda Brown’s novel and the 2001 film, the show follows a sorority girl who enrolls at Harvard Law School to win back her ex-boyfriend Warner. Along the way, she ends up defending a woman in a murder trial. In a review of the original Broadway production, the New York Times called it a “high-energy, empty-calories and expensive-looking hymn to the glories of girlishness.” Through June 15; Ordway Center for the Performing Arts, 345 Washington St., St. Paul; $135-$45; 651-224-4222 or ordway.org.

‘Cabaret’

Opens June 21: Set in late 1920s Berlin during the Jazz Age as the Nazis rise to power, the musical focuses on the hedonistic nightlife at the Kit Kat Klub. Originally staged on Broadway in 1966, the production ran for 1,166 performances and won eight Tonys. It’s been revived on Broadway several times, including the current version starring country star Orville Peck. Through Aug. 24; Guthrie Theater, 818 S. Second St., Minneapolis; $105-$39; 612-377-2224 or guthrietheater.org.

‘Kimberly Akimbo’

Opens July 8: Written by David Lindsay-Abaire and Jeanine Tesori, this acclaimed musical tells the story of a teenage girl who suffers from a condition that causes her to age rapidly, giving her the appearance of an elderly woman. The Broadway production won five Tony Awards, including best musical, book of a musical, original score and two acting nods. Through July 13; Orpheum Theatre, 910 Hennepin Ave., Minneapolis; $128.70-$49.25; hennepinarts.org.

‘Glensheen’

Opens July 9: Jeffrey Hatcher and Chan Poling’s “Glensheen” tells the true-crime story of the 1977 murder of Elisabeth Congdon and her personal-care attendant, Velma Pietila, in Duluth’s Glensheen mansion. It is a comedy, but the murder victims are treated with respect and compassion in the show. This is the 10th anniversary of this popular musical. Through July 27; History Theatre, 30 E. 10th St., St. Paul; $88-$43; 651-292-4323 or historytheatre.com.

‘Disney’s Beauty and the Beast’

Opens Aug. 5: Disney’s live adaptation of its classic animated film ran 13 years on Broadway and has grossed more than $1.7 billion worldwide. It has since lived on through countless tours and local productions, both professional and student. Its best-known songs include “Be Our Guest,” “Gaston” and “Human Again.” This production is billed as “newly reimagined” for the show’s 30th anniversary. Through Aug. 17; Orpheum Theatre, 910 Hennepin Ave., Minneapolis; $178.95-$50.25; hennepinarts.org.

Fine-art galleries and museum exhibitions are thinking big

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Across St. Paul and the Twin Cities, fine-art curators and gallerists are living large.

Sometimes this is literal: At The Museum of Russian Art, an exhibition aims to showcase the largest canvases curators could track down. The Minneapolis Institute of Art’s major exhibition, showcasing art owned by musicians Alicia Keys and Swizz Beatz, is titled “Giants.”

But the focus on going big is figurative, too. A cool show at the Minnesota Museum of American Art explores portraits as mirror-reflections of our emotions and relationships more broadly; at Calendula Gallery, photographer Jared Arvin explores the expansiveness of St. Paul at night.

And speaking of growing — or thinking small? — conceptual art gallery Night Club, which for a while was downtown thanks to a program offering free rent for vacant storefronts, is moving to a pocket-sized spot in the North End. Less square-footage, more ambition; look for a late summer or fall opening.

This guide is organized as follows: Shows for your spring calendar (openings and closings), shows for your summer calendar (openings and closings) and shows that remain on view throughout the spring and summer months.

Spring

Openings

April 4, Book Arts Exhibition — Friedli Gallery: This is the fourth annual exhibition of artist books, paper sculptures, boxes, letterpress, and other printed works curated by local artist Erin Maurelli. The opening reception (free) is from 6 to 8 p.m. April 4, and the show runs through May 31; 943 W. Seventh St.

“Before the Storm,” painted in 1957 by Nikolai I. Obrynba, is included in an upcoming exhibition at The Museum of Russian Art in Minneapolis. The canvas is quite large: About 5 feet tall and more than 8 feet wide. (Courtesy of The Museum of Russian Art)

April 12, “Monumental Soviet Paintings” — The Museum of Russian Art: If there’s one thing you probably know about Russia or the former U.S.S.R., it’s that it’s a big place. Turns out, Soviet artists created big paintings to match. This exhibition showcases “some of the largest paintings from the Soviet era that TMORA could unearth in private American collections,” the museum says. So as not to overwhelm you, though, don’t worry: “A few smaller canvases are also on view.” Museum entrance is $14 for adults, $12 for seniors, $5 for students, free for kids and members; 5500 Stevens Ave., Minneapolis.

April 12, The Plywood Quilt — St. Catherine University: In the West Gallery from April 12 to May 17, the Plywood Quilt project consists of 12-inch-by-12-inch plywood panels painted by community members between 2022 and 2025, particularly in response to racial justice movements. From 5 to 7 p.m. on April 12, the public is invited to add to the installation by painting their own small murals (free); Catherine G. Murphy Gallery, 2004 Randolph Ave.

April 22, “Stitching Black Legacy: The Quilts of Carolyn Mazloomi” — Textile Center: Carolyn Mazloomi is not just a renowned historian and curator of African American quilts; she is a quilting artist in her own right, and this show at the Textile Center is the largest-ever exhibition of her work. Her quilts are all black-and-white, a stark and bold style inspired by woodblock prints and newspaper images. On view through July 12 (free) during open hours: 10 a.m. to 4 p.m. Tuesday to Saturday (till 7 p.m. Thursdays) at the Textile Center; 3000 University Ave S.E., Minneapolis.

April 25: “Saint Paul After Dark” — Calendula Gallery: Photographer (and gallery co-owner) Jared Arvin estimates he walks about 30 miles a week photographing the city at night, capturing buildings, streets and landscapes in moody darkness. On view 10 a.m. to 4 p.m. weekends (and select Friday evenings) at Calendula Gallery; 275 E. Fourth St., Suite 110.

“Snow Fields” is a 2024 watercolor painting by the late St. Paul painter and arts educator William Murray. Murray, who died in late 2024, spent several decades leading the fine arts program at the Minnesota Correctional Facility-Stillwater. (Courtesy of Groveland Gallery)

May 3, “In Memoriam: William Murray” — Groveland Gallery: St. Paul painter and longtime Minnesota Correctional Facility-Stillwater fine arts instructor William Murray experienced a burst of creativity throughout 2024 and was planning a solo gallery show, but unfortunately died in November 2024, before the show was set to open. In his memory, his family and Groveland Gallery are mounting an exhibition of Murray’s new watercolor paintings, most of which are inspired by the Boundary Waters. Opening reception 2–5 p.m. May 3; show runs through May 24. Free during gallery hours, 12–5 p.m. Tuesdays through Saturdays at Groveland Gallery; 25 Groveland Terrace, Minneapolis.

Last chances

Go before April 27, “When You’re In The Mirror…” — The Minnesota Museum of American Art: Don’t miss this cool show exploring portraiture and the ways our feelings about and relationships with people (and ourselves!) shape the very literal ways we perceive them. Featuring well-known local and national artists including Wanda Gág, Leslie Barlow, Frances Cranmer Greenman, Beatrice Wood and others. Entry is free; 350 N. Robert St.

Go before May 1 — “April Fools,” Grand Hand Gallery: Two pairs of married artists — noted sculptor and printmaker Kinji Akagawa and textile artist Nancy Gipple of Afton, and potters Randy Johnston and Jan McKeachie Johnston of River Falls, Wisc. — are showing work in an exhibition the artists themselves wanted to title “April Fools.” On view during gallery hours (10 a.m. to 5 p.m. Mondays to Wednesdays and Fridays and Saturdays; 10 to 7 p.m. Thursdays; 11 a.m. to 5 p.m. Sundays) at the Grand Hand Gallery; 619 Grand Ave.

“Spring Fever” by Minnesota artist Surelle Strike sits waiting to be hung on March 31, 2025, at ArtReach St. Croix in Stillwater. The artwork is one of more than 100 in the upcoming show “Mental Health, finding creative solace,” on view at both Artreach and the Washington County Courthouse. (Jared Kaufman / Pioneer Press)

Go before May 10, “Mental Health, finding creative solace” — ArtReach St. Croix and Washington County Courthouse: More than 100 works, ranging from sculpture to painting to bookmaking, by more than 60 artists from Minnesota and Wisconsin will be on display in this show, which focuses on themes of mental well-being, stigma and strength. The free show is split across two venues: ArtReach St. Croix (224 N. Fourth St., Stillwater), open 10 a.m. to 4 p.m. Wednesday to Friday and noon to 4 p.m. Saturday; Washington County Courthouse (101 W. Pine St., Stillwater), open 9 a.m. to 4:30 p.m. weekdays and 10 a.m. to 4:30 p.m. weekends.

Go before May 18, “Seen” — Weisman Art Museum: Artists in this exhibition are currently incarcerated and, along with other artists and activists, their seven installations explore the inside/outside distinction, processes of healing and community-building and the impacts of the criminal legal system. Free; 333 E. River Pkwy., Minneapolis.

Go before May 31, “Artistic Kaleidoscope II” — Burl Gallery: This Lowertown art space (formerly known as Argyle Zebra Community Gallery) has a cool curatorial model: All their shows in a year focus on one specific metaphor. Last year was alchemy as transformation; this year, they’re using the kaleidoscope to discuss perspective, turning brokenness into beauty and diverse complexity. Very cool stuff. Specifically, this show includes original art by 69 artists on that theme. Free during gallery hours (10 a.m. to 4 p.m. weekends), with a community reception from 5 to 8 p.m. Saturday, April 26; 308 E. Prince St.

Summer

Openings

June 5, “Queering Indigeneity” — the M: This exhibition at the Minnesota Museum of American Art showcases a multiyear project led by artist Penny Kagigebi to amplify Indigenous culture bearers and the artistic voices of queer or 2-Spirit Native artists.

June 21, “Salad Hilowle: Inscriptions” — American Swedish Institute: This is the first major solo exhibition outside Sweden for artist Salad Hilowle, who was born in Somalia and grew up in the Swedish city of Gävle. His work encompasses video, sculpture, textile, photography and other sound/performative installations that address the complexity of the Afro-Swedish experience. Entrance to the American Swedish Institute is $15 for adults, $13 for seniors, $8 for youth and college students; it’s free for members all the time and for the public after 3 p.m. Thursdays; 2600 Park Ave., Minneapolis.

Trisha Brown Dance Company presented “Glacial Decoy” in 1979. (Boyd Hagen / Walker Art Center)

June 26, “Trisha Brown and Robert Rauschenberg: Glacial Decoy” — Walker Art Center: The now-iconic dance piece “Glacial Decoy” debuted at the Walker in 1979, created by postmodern dancer Brown and early pop artist Rauschenberg. This exhibition honors the work — and what would be Rauschenberg’s 100th birthday — with photo, lithographic prints, original costumes, video installations, and more. Live performances will also be scheduled. Included with required timed-entry museum ticket: $18 for general admission; $16 for seniors; $12 for students; free for kids, teens and Walker members. 725 Vineland Place, Minneapolis.

June 13, “The Medium is the Message: Three Voices in Clay” — Friedli Gallery: This show highlights three artists using similar mediums but conveying unique stories and emotional themes.

Last Chances

The 2016–17 charcoal, pastel and pencil artwork “Paris Apartment,” by Toyin Ojih Odutola, is part of the Dean Collection, owned by musicians Swizz Beatz and Alicia Keys and on display at the Minneapolis Institute of Art. (Joshua White / Minneapolis Institute of Art)

Go before July 13, “Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys” — Minneapolis Institute of Art: The Mia’s blockbuster summer show, visiting from the Brooklyn Museum, highlights nearly 100 works by Black artists including Gordon Parks, Jean-Michel Basquiat and Amy Sherald. The collection is owned by married musicians Alicia Keys and Swizz Beatz, who were in town for the show’s opening this spring. Timed tickets to this special exhibition ($20) are required for visitors over 17 years old at new.artsmia.org/exhibition/giants, but museum admission is otherwise free; 2400 Third Ave. S., Minneapolis.

Go before Aug. 10, “Hokusai | Monet” — the Mia: While you’re there for the Giants show — or on another visit — check out this cool exhibition of floral paintings by painter Claude Monet and printmaker Katsushika Hokusai, bringing mid-1800s French and Japanese art into conversation. This exhibit is free.

On view all season

“Ways of Knowing” — Walker: Eleven artists, many of whose works in this show are being displayed in the U.S. for the first time here, explore how we know what we know and how we find truth in history and in the physical world. How do we come to know information? How do we know what’s real and what’s imagined? Exhibition is included with museum entry ticket.

The Cafesjian Art Trust’s building in Shoreview is adorned with colorful paneling that distinguishes it from nearby buildings, shown here on Sept. 29, 2022. (Jared Kaufman / Pioneer Press)

“Echoes of Life: Paintings from the Collection” — Cafesjian Art Trust: Since the Shoreview modern art museum opened a few years ago, its exhibitions have focused on displaying various aspects of philanthropist Gerard Cafesjian’s extensive personal collection. This show is focused on paintings that highlight small moments of the human existence. (This is the last show programmed by the museum’s previous curator focusing solely on the Cafesjian collection, at least for now; upcoming shows by a new curatorial team will feature more traveling work and a broader modern and contemporary focus.) Free admission; museum is open Thursdays and Fridays by timed reservations only and Saturdays general admission; 4600 Churchill St, Shoreview.

Literary calendar for week of April 6

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(Courtesy of the author)

SELINA LI BI: Filipino-American discusses her debut young adult novel “Sunlight Playing Over a Mountain,” the story of an imperfect mother-daughter relationship and the girl who is trying to hold everything together. In conversation with Cristina Oxtra. 6 p.m. Thursday, Red Balloon Bookshop, 891 Grand Ave., St. Paul.

BOLDT/BURTON: Jeffrey Burton signs copies of “Second Grave,” latest in his Chicago K-9 thriller series, and Jeffrey Boldt signs copies of “Big Lake Troubles,” his eco-thriller set on Lake Superior. Noon-2 p.m. Saturday, Once Upon a Crime, 604 W. 26th St., Mpls.

CORI DOERRFELD: Minnesotan discusses “Nellie’s Big Splash,” about a newly hatched turtle overcoming her fear of the big ocean. 10:30 a.m. Saturday, Red Balloon Bookshop, 891 Grand Ave., St. Paul.

JILL ELAINE HASDAY: Discusses “We the Men: How Forgetting Women’s Struggle for Equality Perpetuates Inequality,” with June Carbone. 7 p.m. Monday, Magers & Quinn, 3038 Hennepin Ave. S., Mpls.

SAMANTHA IRBY: Comedian and bestselling essayist and memoirist presents her new book of essays, “Quietly Hostile,” in a virtual/streaming program in the Club Book series. Free. 7 p.m. Monday.  Registration not required. Go to facebook.com/ClubBook.

DONNA ISAAC: Presents her new poetry collection, “In the Tilling,” joined by poets Ted King, Suki Sun, Dralandra Larkins. 1 p.m. Sunday, April 6, Boneshaker Books, 2002 23rd Ave., Mpls.

WILLIAM KENT KRUEGER: Bestselling Minnesota author of the Cork O’Connor mystery series discusses why evil exists in the world created by a benevolent God with St. Andrew’s Lutheran Church lead pastor Mike Carlson. Free. 1 p.m. Saturday, St. Andrew’s Lutheran Church, 900 Stillwater Road, Mahtomedi

MIDSTREAM READING SERIES: Presents poets Jose Felipe Ozuna, Ellen Rogers, Any Fleury and Ken McCullough, hosted by Richard Terrill. Free. 7:30 p.m. Thursday, Unity Church-Unitarian, 732 Holly Ave., St. Paul.

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