Forget the calendar: This method reveals the ideal time to tackle garden pests

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By JESSICA DAMIANO

I hate to break it to you, but just like your calendar can’t tell you the best time to harvest, it won’t provide you the perfect date to attack the pests waging war on your plants.

Timing effective pest control is all about understanding how the weather affects insect life cycles.

We know that most plants and insects emerge in spring, advance through summer, and, in cold regions, go dormant over winter. But beyond those general seasonal cycles, there’s no way to predict precisely when, for example, seeds will sprout, garlic will be ready for harvest or pests will be at their most vulnerable.

Those developmental stages vary from year to year because they’re dependent on the weather.

That’s where growing degree days come in.

GDD is a cumulative system used to determine exactly when plants and insects will reach certain stages of maturity. And with so much variability — with different pests having different life stages that are vulnerable (or resistant) to different control methods at different times — it’s a helpful tool for gardeners.

The system, introduced by the French entomologist René Antoine Ferchault de Réaumur in 1735, is a measurement of heat accumulation that accurately predicts when seeds will germinate, crops will mature and specific pest populations will hatch and reach advancing stages of maturity.

The progression of an insect’s life cycle, like much of the natural world’s biological activity, is dictated by environmental factors like temperature. And because not every life stage will succumb to treatment, weather is the only thing that can truly accurately inform the timing of many control methods.

Here’s how it works

The average daily temperature is typically recorded on March 1, and for each degree over 50 degrees Fahrenheit, one point is assigned. Then, every day throughout the remainder of the season, the number of degrees over 50 is added to a running tally. If the temperature is exactly at or below 50 degrees, the day is assigned a score of zero.

Let’s say the temperature was 53 degrees on March 1; the GDD on that day would be 3. If it was 60 on March 2, the GDD would be 3 plus 10, or 13. If the temperature was 49 on March 3, that would add nothing, and the accumulated growing degree days would remain at 13. The tally continues to grow through a regionally specific date in the fall.

Seems complicated? The good news is you don’t have to crunch the numbers yourself.

Your local cooperative extension office likely tailors and tracks this information for your region, and many post the GDD, as well as pest- and plant-specific GDD guidelines, on their websites. In addition, the agricultural company Syngenta offers a handy tool among its GreenCast online resources that quickly generates the GDD for your zip code.

What does this mean for your garden?

As an example, Colorado potato beetle eggs and pupae are not susceptible to pesticides, so attempting control during those stages would be pointless. But their larvae are vulnerable to the natural biological control Bt from the time they emerge until they reach ¼ inch in length. Rather than heading out into the garden with a ruler — or spraying every day and hoping for the best — you can time the application for between 65 and 185 GDD.

Similarly, the first generation of euonymus scale insects are most vulnerable to Neem oil and horticultural oil treatments between 400 and 575 GDD.

And for pre-emergent crabgrass controls, like corn gluten meal, to be effective, they should be applied just before 200 GDD. That’s why I recommend a treatment window that coincides with the time between when the first forsythia blooms and the last of the lilacs fade: It’s a visual cue tied to nature’s reaction to temperature.

Depending on the variety, most tomatoes, which love the heat, are ripe for the picking between 1,000 and 2,000 GDD. But, for the record, my tomatoes always let me know when they’re ready.

Jessica Damiano writes weekly gardening columns for the AP and publishes the award-winning Weekly Dirt Newsletter. You can sign up here for weekly gardening tips and advice.

For more AP gardening stories, go to https://apnews.com/hub/gardening.

Hockey Day Minnesota game schedule announced

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The Wild on Friday released the game schedule for this year’s Hockey Day Minnesota festivities in Hastings, including an outdoor game between the AHL teams for Minnesota and the Nashville Predators.

The 20th iteration of Hockey Day will be played at United Heroes League’s outdoor rink in Hastings with a weekend schedule beginning Jan. 23 with a 5 p.m. puck drop between the Iowa Wild and Milwaukee Admirals.

Saturday’s schedule includes three high school outdoor games, as well as the Wild’s 8 p.m. game against defending NHL champion Florida at Grand Casino Arena in St. Paul.

Hockey Day Minnesota

All games at United Heroes League outdoor rink, Hastings except where noted:

Friday, Jan. 23

Iowa Wild vs. Milwaukee Admirals, 5 p.m.

Saturday, Jan. 24

Hastings vs. Park Cottage Grove girls, TBA

Hastings vs. East Ridge boys, TBA

Rock Ridge vs. St. Thomas Academy boys, TBA

Minnesota Wild vs. Florida Panthers, Grand Casino Arena, 8 p.m.

— Staff report

Book Review: ‘Algospeak’ shows just how much social media is changing us

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By RACHEL S. HUNT

How much has social media changed the way we talk and behave?

That’s the question linguist and content creator Adam Aleksic sets out to answer in his debut book “Algospeak.”

If you already know what words like “yeet,” “rizz,” “brainrot” or “blackpilled” mean, some of this information might not come as a surprise to you. Still, Aleksic’s analysis reaffirms how this language came about and why it continues to proliferate. For those unfamiliar, it acts as an accessible entry point into social media slang and its evolution.

“Algospeak” touches on a wide array of topics, including in-groups and out-groups, censorship, language appropriation, extremism online, microtrends, clickbait and generational divides. The chapters build on each other with a textbook-level attention to vocabulary.

This book serves as a sobering reality check on how social media is affecting not just our speech, but our entire identities.

This book cover image released by Knopf shows “Algospeak: How Social Media is Transforming the Future of Language” by Adam Aleksic. (Knopf via AP)

“Social media creates new identities in order to commodify them,” Aleksic writes in a chapter about microtrends and micro-labels. “Your decisions are now curated for you under the guise of personalization, while in reality they’re engineered to make platforms as much money as possible.”

As a self-proclaimed “etymology nerd,” Aleksic leans heavily into his experience as a content creator, providing a crash course into social media history and how to game the ever-changing and opaque “algorithm.” His tone is academic, yet approachable, and he’s bold but pragmatic in his assertions, exploring counterarguments sufficiently.

He identifies the transient nature of language and the algorithm immediately, since the cultural references in “Algospeak” risk expiring quickly as trends change and social media platforms shift — but that’s the point.

“‘The algorithm’ is here to stay. This is why I think it’s absolutely worth talking about even the most fleeting words,” Aleksic writes.

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Aleksic’s writing feels personable and knowledgeable as he translates his online presence offline, and in doing so, demonstrates his own claims about parasocial relationships and owning one’s audience. Keeping up with the algorithmic cycle is portrayed as exhausting, but as a necessary evil for influencers supporting their livelihoods through social media.

“Algospeak” is a fascinating blend of etymology, psychology, cultural analysis and first-person perspective. The book acts as both a snapshot of our current, social media-imbued society and as an intellectual foundation for language developments to come.

Aleksic leaves his reader with questions about the threats and opportunities that stem from social media developments, but undeniably one principle is true: social media has breached containment and is influencing not only the way we talk, but the way we live.

“Algorithms are the culprits, influencers are the accomplices, language is the weapon, and you, dear reader, are the victim,” he writes.

Fans say new romance bookstores and online groups are giving the genre some overdue respect

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By TRACEE M. HERBAUGH

CAMBRIDGE, Mass. (AP) — Romance novels have always spiced up quiet nights. Now, a genre that has sometimes been dismissed as a guilty pleasure is bringing readers and writers together through social media, book clubs and a growing number of romance-specific bookstores.

At a recent launch party for Nora Dahlia’s enemies-to-friends romance “Pick-Up” at Lovestruck Books, a romance-dedicated store in Cambridge, Massachusetts, a crowd of women sipped cocktails from the bar-café as they browsed the shelves.

After Dahlia’s reading, patrons stuck around to mingle, swap contact info and trade author recommendations.

It was a particularly social event for a book talk. But the communal atmosphere is typical of events for romance fans.

Dahlia likened romance readers to “Comic-Con folks,” referring to the deep-rooted passion that defines comic-book fandom.

“They’re educated on the genre in a real way,” Dahlia said. “Many of them started reading romance — Danielle Steel, V.C. Andrews, Jude Deveraux — as teenagers.”

At The Ripped Bodice bookstore in Brooklyn, New York, manager Katherine Zofrea said romance fans who have connected online frequently come into the store to meet in person. Along with author events, the store hosts three different book clubs and a romance comedy night.

“We’ve had a couple proposals here, we’ve had a wedding here which was really fun,” Zofrea said.

She said customers range “from teenagers who are starting to really get into the romance genres to older folks who have been romance readers for their entire lives and remember way back when they were reading the Harlequins and romance wasn’t as widely accepted.

“Now they’re loving seeing how widely accepted romance has become.”

A boom in romance bookstores

Bookstores like Lovestruck and The Ripped Bodice (which has a flagship store in Los Angeles) have begun popping up all over the U.S., from Wichita, Kansas, to Wilmington, North Carolina, to Hopkinsville, Kentucky.

Of the 157 romance-dedicated bookstores in the American Booksellers Association, more than half opened within the last two years, said Allison Hill, CEO of the trade group for independent sellers.

“Romance books have been one of the fastest growing book sales categories in recent years, driven by a number of factors including the need for escape reading and BookTok,” Hill said.

And the genre has evolved. “The romance genre is more diverse in every way including character identity and plot,” she said.

Lovestruck Books owner Rachel Kanter poses in her bookstore in Cambridge, Massachusetts on Dec. 15, 2024. (Reagan Byrne/Lovestruck Books via AP)

Lovestruck’s owner, Rachel Kanter, called the boom “incredible — and honestly, overdue. Romance has always been one of the most commercially successful genres, but for a long time it didn’t get the respect or space it deserved in the literary world.”

Romance-specific bookstores, she says, “are places where readers can feel joy, comfort, and connection — and where love is taken seriously as a literary theme.”

A lifeline during COVID

As with many hobbies, romance fandom solidified and expanded after the COVID-19 pandemic.

“The pandemic had pushed so many people toward reading for escape and comfort, and romance became a lifeline for a lot of folks,” said Kanter.

“At the same time, there was a wider cultural shift happening — people were rethinking what mattered, craving joy and softness, and looking to support indie businesses that reflected their values. Romance, with all its hope and heart, met that moment beautifully,” she said.

Reimagining the romantic bond

Romance has countless subgenres — hockey romance, Western romance, LGBTQ romance, even romance set on prison planets. But a common theme is their “inherently hopeful storylines,” says Elizabeth Michaelson Monaghan, a 52-year-old freelance writer and editor in New York who said she’s read “hundreds” of romance novels.

“Romance must have a happily-ever-after — or at least a happily-for-now. Romance writers and readers are very clear on this,” she said.

Romantic fiction that doesn’t end that way? That’s just a love story.

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Traits of the romance genre also include strong character descriptions, attraction, conflict, and a satisfying resolution and emotional growth. Expect plenty of steam — some authors deploy it explicitly, others are more tame.

There’s a long-standing culture of (mostly) women reading and sharing these books across generations.

“It is pleasurable to reimagine courtship or the romantic bond,” said Jayashree Kamble, professor of English at LaGuardia Community College and president of the International Association for the Study of Popular Romance. “There is limited risk involved.”

Kamble has been a voracious romance reader since her teenage years in India, where she devoured Harlequin romances.

Romance novels, she said, are “a lovely reminder that individualism and companionship can go together. These are basic bonds.”

Community: online and in real life

Podcasts, too, have become a source for discovering what’s trending. Andrea Martucci, creator and host of the romance-focused “Shelf Love” podcast, said romance bookstores have become places of connection akin, in some ways, to churches — for the romantically devoted.

“I can go to a bookstore and not just find people who love books,” she said, “but find people who love the very same books I love.”

As Annabel Monaghan, author of several love stories including “Nora Goes Off Script,” puts it, “People who read romance want to feel good. And when you gather a bunch of people who want to feel good, it’s magic.”