St. Paul police investigate a fatal shooting on Sunday morning

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St. Paul homicide detectives are investigating a fatal shooting Sunday morning, according to the police department’s account on X.

The shooting occurred on the 700 block of North Victoria Street and one person has died.

This is a developing story.

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Men’s hockey: Javon Moore scores OT winner as Gophers top No. 4 Denver

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Freshman Javon Moore scored in overtime as Minnesota’s men’s hockey team beat fourth-ranked Denver, 6-5, in the U.S. Hockey Hall of Fame Game Saturday night at Ball Arena in Denver.

One of six Gophers to score goals, Moore scored with 35 seconds left in the extra session to cap the Gophers’ second victory over a Top 5 opponent in eight days. They beat No. 5 Penn State, 3-2, on Nov. 21 in Minneapolis.

Brody Lamb finished with his team-leading eighth goal and added a pair of assists, his fifth multi-point game of the season. Luca Di Pasquo made a career-high 47 saves for Minnesota (7-9-1 overall, 3-3-0 Big Ten).

“Crazy things happen in the sport, and we’ll take it,” Minnesota coach Bob Motzko said. “Our goaltender, not many times you’re going to give up five goals (and) think he was the best player; and he was our best player tonight. In Denver, they’re one of the best teams we’ve seen this year. And we grew up in this game.”

Boston Buckberger and Samu Salminen, Samu each scored a pair of goals for the the Pioneers (9-5-1 overall, 5-1-0 NCHC).

Minnesota closes its first half of the schedule on Thursday against Big Ten rival Ohio State in Columbus. Puck drop is set for 6:30 p.m.

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Winter movie preview: Holiday fare, this, that, the other — and an ‘Avatar’

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This holiday season, remember to save room for dessert — and movies.

The coming months will bring everything from family fare to award-hopeful dramas to thrillers.

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Oh, and the next “Avatar.”

Here’s a look at much of what’s coming to a theater near you and a streaming device in your living room into early 2026. And remember that these release dates, the latest we have for the Northeast Ohio market, are subject to change.

“Eternity” | Nov. 26 | Theaters >> This high-concept romantic comedy directed by David Freyne (“Dating Amber”) is set during the week after your death, when you make decisions about your eternity, including with whom you’ll spend it. Miles Teller, Elizabeth Olsen and Callum Turner star.

“Jingle Bell Heist” | Nov. 26 | Netflix >> Christmas, crime, comedy and romance mix in this seasonal romp. Olivia Holt’s Sophie and Connor Swindells’ Nick are thieves who discover they both have their sights set on the same score. Hmm, could jingle bells give way to wedding bells for this morally challenged pair?

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from “Zootopia 2.” (Disney via AP)

“Zootopia 2” | Nov. 26 | Theaters >> It’s one of the great mysteries of the world: Why did it take Walt Disney Animation Studios so long to put out a sequel to the 2016 hit “Zootopia”? Sure, you can cite the idea of not rushing things, strategic positioning and the like, but we’re talking about an initial offering that made north of $1 billion at the box office. Regardless, the follow-up is finally here, with Ginnifer Goodwin and Jason Bateman back to voice optimistic rabbit police officer Judy Hopps and con artist-turned-cop fox Nick Wilde, respectively. Ke Huy Quan (“Everything Everywhere All at Once”) joins the fun as Gary De’Snake, a viper trying to save his family from some bad animals. Jared Bush, co‑writer of the original, returns to write and co‑direct alongside fellow returnee Byron Howard.

“The Thing With Feathers” | Nov. 28 | Theaters >> Benedict Cumberbatch portrays a father left to raise two boys after his wife’s death in this British drama. This challenging time in his life is amplified by the presence in the house of what he perceives as a large crow, which taunts him from the shadows. Dylan Southern, whose experience is largely with documentaries, writes and directs, adapting the 2015 novel “Grief Is the Thing with Feathers” by Max Porter.

Jessie Buckley, left, and Paul Mescal in “Hamnet.” (Focus Features/Entertainment Pictures ZUMA PRESS/TNS)

“Hamnet” | Dec. 5 | Theaters >> Chloé Zhao (“Nomadland”) is the director of this historical drama. It concerns the death of Hamnet, the son of William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley), which leads to him penning “Hamlet.” Zhao co-wrote the screenplay with the author of the novel from which the film has been adapted, Maggie O’Farrell.

“Oh. What. Fun.” | Dec. 5 | Prime Video >> Talented director Michael Showalter (“The Big Sick,” “The Lovebirds”) tries his hand at a Christmas comedy with this romp. With action built around a missing mom who’d previously gone underappreciated, it boasts an ensemble that includes Michelle Pfeiffer, Felicity Jones, Dominic Sessa, Chloë Grace Moretz, Eva Longoria and Denis Leary. The story is credited to Chandler Baker (“Discretion”), who co-wrote the movie with Showalter.

 

“Five Nights at Freddy’s 2” | Dec. 5 | Theaters >> Emma Tammi is returning to helm the sequel to her 2023 supernatural horror romp “Five Nights at Freddy’s,” which was adapted from the popular video game series in which players must survive an evening of attacks from animatronic characters in a pizza joint. Returning cast members include Josh Hutcherson, Elizabeth Lail, Piper Rubio and Matthew Lillard. They’re joined by newcomers Mckenna Grace, Wayne Knight and Lillard’s old “Scream” buddy Skeet Ulrich. The creator of the games, Scott Cawthon, who co-wrote the first movie, has the lone screenwriting credit on this one, which is expected to be an adaptation of the game “Five Nights at Freddy’s 2.”

This image released by Netflix shows George Clooney in a scene from “Jay Kelly.” (Peter Mountain/Netflix via AP)

“Jay Kelly” | Dec. 5 | Netflix >> Already enjoying a limited theatrical release, the latest effort from filmmaker Noah Baumbach (“The Squid and the Whale,” “White Noise”) serves up the intriguing on-screen tandem of George Clooney and Adam Sandler. Famous actor Clooney is asked to show his range by playing … a famous actor, the titular Jay Kelly, while Sandler portrays Jay’s manager and friend, Ron Sukenick, in this dramedy about life and legacy. The supporting cast includes Laura Dern, Billy Crudup, Riley Keough and “Barbie” director Greta Gerwig, Baumbach’s wife and his co-writer on the acclaimed 2012 film “Frances Ha.” Baumbach penned “Jay Kelly” with actress Emily Mortimer, who also appears in the movie.

“Merrily We Roll Along” | Dec. 5 | Theaters >> As director Richard Linklater applies his decades-long, “Boyhood” approach to a live-action adaptation of this Stephen Sondheim-George Furth musical, theater fans can experience this live-recording film of the Tony Award-winning 2023 revival. The story follows three friends over the course of 20 years, and actors Jonathan Groff and Daniel Radcliffe earned Tonys for their work, while actress Lindsay Mendez was nominated. The Sony Pictures Classics offering is arriving in theaters via Fathom Entertainment.

“Merv” | Dec. 10 | Prime Video >> In this romcom, Zooey Deschanel and Charlie Cox play exes who are concerned their dog isn’t himself after their split, so it’s off to Florida with him for the holidays! Jessica Swale directs from a screenplay by Canadian husband-and-wife tandem Dane Clark and Linsey Stewart (“I Put a Hit on You”).

“Dust Bunny” | Dec. 12 | Theaters >> Known for well-thought-of TV shows “Pushing Daisies” and “Hannibal,” Bryan Fuller makes his feature-film debut as the writer-director of this horror thriller. Fuller has recruited “Hannibal” star Mads Mikkelsen to play a hitman asked by a girl (Sophie Sloan) to help kill a monster under her bed, whom she believes to be responsible for her parents’ death. Sigourney Weaver is among the supporting players.

This image released by Netflix shows Josh O’Connor, left, and Daniel Craig in a scene from “Wake Up Dead Man: A Knives Out Mystery.” (John Wilson/Netflix via AP)

“Wake Up Dead Man: A Knives Out Mystery” | Dec. 12 | Netflix >> Considering that 2022’s “Glass Onion: A Knives Out Mystery” was an improvement over 2019’s “Knives Out,” we’re expecting big, deadly fun things from this third entry in writer-director Rian Johnson’s whodunit film series built around clever detective Benoit Blanc (Daniel Craig). Already playing in select theaters, “Wake Up Dead Man” boasts an ensemble that also includes Josh Brolin, Glenn Close, Jeremy Renner, Josh O’Connor, Kerry Washington and Andrew Scott. The titular dead man is a priest, Brolin’s Jefferson Wicks, with Blanc poking around the monsignor’s congregation for clues connected to his mysterious passing.

“Avatar: Fire and Ash” | Dec. 19 | Theaters >> It’s hard to believe that, after all these years, we’ll soon be over the theoretical “Avatar” hump. After delays, director James Cameron’s second of four planned sequels to his technologically amazing 2009 film, “Avatar,” is due in theaters. (Yes, it’s time to wear 3-D glasses again.) This follow-up to 2022’s visually dazzling “Avatar: The Way of Water” is expected to continue the tale of the Na’vi family led by former human Jake Sully (Sam Worthington) and Neytiri (Zoe Saldana). They will encounter the dangerous Ash Na’vi people while also continuing to contend with longtime enemy Colonel Miles Quaritch (Stephen Lang) and his forces. How this third, very expensive “Avatar” does at the box office — “The Way of Water” made mountains of money — will help determine whether Cameron is able to move forward with the fourth and fifth installments.

“The Housemaid” | Dec. 19 | Theaters >> Paul Feig (“A Simple Favor”) directs this psychological thriller starring Sydney Sweeney. She portrays Millie Calloway, hired by Nina Winchester (Amanda Seyfried) as a housemaid for her wealthy family. Millie has a troubled past, and she discovers the Winchesters may be hiding some things themselves. Rebecca Sonnenshine (“The Boys”) penned the screenplay, adapting Freida McFadden’s 2022 novel.

“Is This Thing On?” | Dec. 19 | Theaters >> Will Arnett, of “Arrested Development,” “SmartLess” and TV commercial voiceover work fame, portrays a stand-up comic trying to figure out his existence now that he’s no longer living with his ex-wife and their kids. This is the latest directorial effort from Arnett’s pal Bradley Cooper, following impressive efforts “A Star Is Born” (2018) and “Maestro” (2023). Cooper, Arnett and Mark Chappell (“See How They Run”) collaborated on the screenplay.

“The SpongeBob Movie: Search for SquarePants” | Dec. 19 | Theaters >> SpongeBob (voiced by Tom Kenny) goes on a dangerous journey to prove his bravery to Mr. Krabs (Clancy Brown) in this fourth big-screen adventure for the kid-friendly animated character. A notable addition to the voice cast: Mark Hamill takes on the role of The Flying Dutchman.

“Goodbye June” | Dec. 24 | Netflix >> Kate Winslet makes her directorial debut with this holiday drama, which is getting a limited theatrical release on Dec. 12 before landing on the streaming giant. Just before Christmas, the health of a matriarch (Helen Mirren) takes a turn, bringing her children together, with messy family dynamics to be explored as the potential loss approaches. The cast also boasts Toni Collette, Andrea Riseborough, Timothy Spall, Johnny Flynn and Winslet. The movie is penned by Joe Anders, Winslet’s son.

“Anaconda” | Dec. 25 | Theaters >> The appealing duo of Paul Rudd and Jack Black headlines this comedy-focused meta reboot of the “Anaconda” horror franchise, dating to the 1997 movie of the same name. The pair play buddies who venture to the Amazon rainforest on a passion project — remaking (cough) a certain film from the late 1990s — and run afoul of … well, you know. (Nothing says “Christmas” like giant snakes!) “The Unbearable Weight of Massive Talent” director Tom Gormican is at the helm and co-wrote the screenplay with Kevin Etten, with whom he also penned that enjoyable Nicolas Cage-focused romp.

“Marty Supreme” | Dec. 25 | A24 >> A few months after his younger brother and filmmaking partner on “Uncut Gems” and other projects, Benny Safdie, brought fact-based sports drama “The Smashing Machine” to theaters, Josh Safdie serves up this sports dramedy inspired by the story of Marty Reisman, an American table tennis player from the mid 1900s. Timothée Chalamet stars as Marty Mauser, with the film’s supporting cast featuring Gwyneth Paltrow. Safdie co-wrote the screenplay with Ronald Bronstein, who has long worked with the brothers.

“Song Sung Blue” | Dec. 25 | Theaters >> Craig Brewer (“Hustle & Flow”) writes and directs this biopic musical film based on the documentary from 2008 of the same name about a Neil Diamond tribute band, Lightning & Thunder. Hugh Jackman and Kate Hudson portray the band’s husband-and-wife tandem. Will you spend part of your Christmas belting out “Sweet Caroline”?

“We Bury the Dead” | Jan. 2 | Theaters >> “Star Wars” alum Daisy Ridley plays a woman desperately seeking her husband in a quarantine zone after a military accident, where, a news release tells us, “the dead don’t just rise — they hunt.” Written and directed by Zak Hilditch (“1922”), this one may be just what you need to kick the last remnants of your New Year’s hangover.

“Greenland 2: Migration” | Jan. 9 | Theaters >> Director Ric Roman Waugh returns, as do stars Gerard Butler and Morena Baccarin, for the sequel to the 2020 post-apocalyptic disaster thriller “Greenland.” In this second chapter, the Garrity family — led by Butler’s John and Baccarin’s Allison — must abandon their bunker in Greenland and make a dangerous trek across Europe in the name of finding a new home.

“The Rip” | Jan. 16 | Netflix >> Longtime pals and collaborators Matt Damon and Ben Affleck share the screen again as Miami cops. In the drama written and directed by Jo Carnahan (“Narc,” “The A-Team”), their characters’ lives are complicated when they seize millions of dollars.

“28 Years Later: The Bone Temple” | Jan. 16 | Theaters >> Director Nia DaCosta (2021’s “Candyman”) takes the reins from Danny Boyle on this follow-up to his “28 Years Later” from earlier this year. (Boyle directed 2003’s “28 Days Later,” launching the post-apocalyptic franchise in which humans try to survive those turned into vicious creatures by the Rage Virus, but served only as a producer on its 2007 sequel, “28 Weeks Later.”) It felt as if “28 Years Later” existed largely to set up “Bone Temple,” which will see Jack O’Connell front and center as cult leader Sir Jimmy Crystal, a character teased in the previous movie. Ralph Fiennes will again play Dr. Ian Kelson, a major figure from this year’s entry. Like all films in the series save for “28 Weeks Later,” this one is penned by Alex Garland (“Civil War”).

“Send Help” | Jan. 30 | Theaters >> Sam Raimi (the “Spider-Man” trilogy) is in the director’s chair for this black comedy thriller that will see a pair of coworkers (Rachel McAdams and Dylan O’Brien) marooned on an island after a plane crash. They’ll have to get past some work-related baggage if they are to survive.

“Mercy” | Jan. 23 | Theaters >> Chris Pratt portrays a detective who has only an hour and a half to prove he didn’t kill his wife in this science-fiction thriller helmed by Timur Bekmambetov (“Wanted”). The supporting cast includes Rebecca Ferguson and Kali Reis, who was impactful as one of the leads of the excellent HBO series “True Detective: Night Country” in 2024.

“Crime 101” | Feb. 13 | Theaters >> In this crime thriller, Chris Hemsworth portrays a jewel thief and Mark Ruffalo a detective on the case. The supporting cast features Barry Keoghan, Halle Berry, Jennifer Jason Leigh and Monica Barbaro. Known for documentary films such as 2012’s “The Imposter,” Bart Layton is the director and writer, having adapted the screenplay from a novella by Don Winslow.

“Goat” | Feb. 13 | Theaters >> The voice cast of this sports-centered animated offering boasts Gabrielle Union, Nick Kroll, David Harbour, NBA great Stephen Curry and myriad others. Caleb McLaughlin (“Stranger Things”) voices the main character, Will, a goat who’s out to prove a smaller animal can hang with the big ones in the sport of roarball.

“Good Luck, Have Fun, Don’t Die” | Feb. 13 | Theaters >> In this tale said to be a mix of science fiction, comedy and action, Sam Rockwell stars as a man from the future who drops by Los Angeles to battle an artificial intelligence. Haley Lu Richardson, Michael Peña, Zazie Beetz and Juno Temple are among the supporting players. Gore Verbinski (“The Ring,” ”Pirates of the Caribbean: The Curse of the Black Pearl”) directs.

“Wuthering Heights” | Feb. 13 | Theaters >> After two impressive directorial efforts, 2020’s “Promising Young Woman” and 2023’s “Saltburn,” Emerald Fennell helms this latest adaptation of Emily Brontë’s classic novel. Also responsible for the screenplay, Fennell has recruited “Saltburn” star Jacob Elordi to portray Heathcliff, while Margot Robbie is the woman Heathcliff desires, the wealthy Catherine Earnshaw. It’s a bit surprising this one is landing in theaters after awards season, but you can understand the business folks at Warner Bros. Pictures seemingly believing “Wuthering” will reach great financial heights as a Valentine’s Day release.

 

A $100,000 robot dog is becoming standard in policing — and raising ethical alarms

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By Samantha Kelly, Bloomberg News

Spot, the four-legged robot from Boston Dynamics Inc., is perhaps best known for its viral dance routines to songs like “Uptown Funk.” But beyond its playful antics, Spot’s ability to climb stairs and open doors signals a potentially controversial role as a policing tool.

Five years after its commercial debut, the 75-pound, German Shepherd-sized robot is increasingly being deployed by local law enforcement to handle armed standoffs, hostage rescues and hazardous materials incidents — situations where sending in a human or a real dog could be life-threatening.

More than 60 bomb squads and SWAT teams in the US and Canada are now using Spot, according to previously unreported data shared by Boston Dynamics with Bloomberg News.

A police officer holds a police dog from the RAID French national police unit specialized in the search of explosives as it inspects a Boston dynamics dog robot in the CMA CGM Tangram innovation and formation campus, in Marseille, southern France on May 8, 2024, ahead of a visit by the French President. (Ludovic Marin/Pool/AFP/Getty Images/TNS)

The use of such technology raises questions about ethics, oversight and the risks of military-grade tools being deployed in civilian settings. Defense and public safety agencies are increasingly adopting cutting-edge technologies to enhance their operations. Defense tech funding has soared past $28 billion in 2025 — up 200% year over year, even as broader venture markets cooled, according to PitchBook data.

Robots in particular have been finding a home among law enforcement agencies. ICE, or US Immigration and Customs Enforcement, recently spent around $78,000 on a robot from Canadian tech manufacturer Icor Technology Inc. that can perform similar tasks as Spot and also deploys smoke bombs, according to contract records.

Spot’s role on law enforcement teams varies. In 2022, it approached a man who had crashed a car trying to kidnap his son in St. Petersburg, Florida, to keep an eye on the situation and see if he was armed. In Massachusetts last year, in two different incidents, it helped assess a chemical waste accident at a middle school in North Andover, and it intervened when a suspect in Hyannis took his mother hostage at knifepoint and fired at officers. Spot was deployed to corner him and police eventually followed with tear gas to apprehend him.

“It did its job,” said trooper John Ragosa, a Massachusetts State Police bomb squad member and the Spot operator assigned to the hostage-rescue mission. “The suspect was stunned, thinking ‘What is this dog?’”

Boston dynamics experimental robots are displayed during the CoHoMa Challenge event in a French Gendarmerie national military training camp in Beynes west of Paris, on May 6, 2025. (Ludovic Marin/AFP/Getty Images/TNS)

The robot, which starts at around $100,000, can operate autonomously in many cases — performing maintenance checks, detecting gas leaks and inspecting faulty equipment — but still relies on human operators like Ragosa for decision making. Using a tablet that resembles a video game controller, an operator guides the machine while monitoring a live video feed from its onboard camera system. Additional built-in sensors handle navigation and mapping. During high-stakes situations, officers can also view the live feed on larger nearby screens.

Spot’s technology continues to evolve. The company recently added a mode to help Spot navigate slippery spots. And it’s working to help Spot better manipulate objects in the real world.

The use of robots in emergency situations is hardly new. Police bomb squads have relied on ground robots since the 1980s, but their deployment became more widespread in the early 2000s, according to Robin Murphy, a professor emeritus of computer science and engineering at Texas A&M University. What makes Spot stand out, she said, is its four-legged design — giving it far greater agility and dexterity than traditional robots that move on tracks or wheels.

Roughly 2,000 Spot units are now in operation globally, Boston Dynamics said. The deployments include organizations such as the Dutch Ministry of Defense and Italy’s national police. While most of the company’s customers are still industrial clients, including manufacturers and utility providers, interest from law enforcement has surged over the past two years, said Brendan Schulman, Boston Dynamics’ vice president of policy and government relations.

The Massachusetts State Police currently owns two Spot robots — one purchased in 2020 and another in 2022 — each costing about $250,000, including add-ons, and funded primarily through state grants, Ragosa said. He said he hopes the agency will add a third unit soon. Some other major cities also have fleets: Houston operates three Spots, while Las Vegas has one, Boston Dynamics said.

Not all departments are equipped to own advanced robots, Murphy said, adding that the question is whether the high cost and complexity of legged robots are worth the extra mobility they provide.

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Costs aren’t the only concern. Some civil liberties groups and technologists warn that using semi-autonomous robots in law enforcement could normalize a more militarized approach to policing. In 2021, the New York Police Department suspended for a time its limited use of Spot following public backlash, with critics questioning both the expense amid city budget constraints and the robot’s broader role in surveillance. The NYPD later reinstated the program and went on to purchase two of the robots, according to Boston Dynamics.

Some larger police forces also deploy military-grade robots such as PackBots, originally developed by iRobot Corp. These portable machines can be teleoperated, using actuators to handle weapons or inspect suspicious packages, and can communicate with suspects during hostage situations via an onboard audio system. They have long been used in disaster response, including at the World Trade Center site in the aftermath of the September 11 attacks, where they helped search through debris.

Boston Dynamics also says it requires its public safety customers to outline how exactly Spot will be used before they ship a unit.

Beryl Lipton, senior investigative researcher at the Electronic Frontier Foundation, or EFF, said companies can only do so much to limit how their tools are used when they are in the hands of law enforcement.

“You can’t really rely on the goodwill of a particular company when it comes to almost any of these technologies,” she said. “It doesn’t matter who makes the gun — in general, there are rules about how guns get to be used.”

From a surveillance standpoint, Lipton said the EFF believes there should be state — and ideally federal — laws providing basic guidance on what is appropriate. While she acknowledged they aren’t going to “hold our breath” waiting for a specific application to be regulated, she emphasized the need for public disclosure and involvement from local city councils and elected oversight bodies.

She also expressed concern that the use of robot dogs helps law enforcement agencies put a friendly spin on the accumulation of technology that can be used for policing.

“One of the things about the so-called robot dogs that we are a little wary of is this normalization and this sort of affectionate framing of calling it a dog,” she said. “It’s normalizing that for the public when it’s not actually a dog. It’s another piece of police technology.”

Ryan Calo, a professor at the University of Washington School of Law focusing on robotics law, said that the technology could deepen public skepticism toward law enforcement, and said clear guidelines are critical for safe deployment.

“The unease people feel around robotics is not just a psychological quirk,” he said. “They are disconcerting for a reason. The overuse of robotics in policing will further dehumanize police to the public and break down those community ties that have been so important to policing over so many years.”

Ragosa from the Massachusetts State Police said his force also uses drones and other robotics on certain missions. But the advantages of using Spot, in his view, is that it can often go where many other drones can’t, and it can work more efficiently than other robots. The battery life is also longer, he added: about an hour and a half for Spot, in his experience, compared with 20 to 30 minutes for drones.

It can also typically perform better indoors and be taught to run autonomous missions without a teleoperator, Calo said. “Few drones can do this reliably,” he said.

Still, Calo believes robotics can play a valuable role when used transparently and within clear boundaries.

“I don’t think every police officer needs a robot partner,” he said. “But the use of robots in certain situations that have been specified in writing in advance is good. No one wants police to risk their lives or fail to gain situational awareness during an emergency — nor do we want to live in a robotic police state.”

©2025 Bloomberg News. Visit at bloomberg.com. Distributed by Tribune Content Agency, LLC.