Travis Kelce named host of ‘Are You Smarter than a Celebrity?’ for Prime Video

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By ALICIA RANCILIO (Associated Press)

Travis Kelce’s NFL off-season with the Kansas City Chiefs has been a busy one.

The Super Bowl LVIII-winning tight end is the host of a new game show called “Are You Smarter than a Celebrity?” for Prime Video, the streaming service confirmed Tuesday. Filming for the 20-episode season has already completed.

The premise is a twist on “Are You Smarter Than a 5th Grader?”, which debuted on Fox in 2007 and was hosted by Jeff Foxworthy. It also aired in syndication. John Cena hosted a 2019 revival for Nickelodeon.

In Kelce’s show, an adult contestant will be given 11 elementary-level questions where they can ask a classroom of various celebrities for help answering. The final question is from the 6th grade curriculum and is worth $100,000. Only one celebrity is allowed to talk through the answer to the last question with the contestant.

Kelce, who is dating music superstar Taylor Swift, said in a statement he grew up watching game shows and is “excited to be following in the footsteps of so many TV icons.”

This isn’t Kelce’s first TV gig. He starred in his own 2016 dating competition show for E! called “Catching Kelce” and hosted an episode of “Saturday Night Live” last year.

‘The Beast’ review: In 2044, AI takes care of business, while Léa Seydoux takes care of the movie

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Truly this is the week for future shock — darkly compelling visions of a near-future that humankind can only interpret as a rejection letter, or a comeuppance for its determined lack of disaster prevention and preparedness.

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The narratively straightforward “Civil War” has some far-out company, in other words. Now at the Music Box Theatre, cowriter-director Bertrand Bonello’s “The Beast” imagines a world 20 years hence. Climate change, and presumed corporate and political resistance to changing with it, have led to ruinous air quality, unlivable for humans without enormous masks and sealed buglike visors. Human unemployment hovers around 67 percent, thanks to the workforce dominance of artificial intelligence. The world has been saved by AI, we’re told in passing, and is run with reliable calm by humanoid dolls calling the shots, unburdened by the pesky brain chemistry and volatility of human “affects.”

In the 2044 Paris sequences of “The Beast,” the protagonist, Gabrielle — one of three Gabrielles we come to know, two of them past incarnations from 1910 and 2014 — seeks something more fulfilling than simple (and by the movie, undefined) drudgery work, the kind of thing humans used to believe AI would handle. Gabrielle’s emotions prevent her viability for better-paying jobs. She faces a decision point: Should she undergo “purification,” a zeroing-out of the psychic residue of her past lives? Or is a life of real feeling, even if surrounded by a sea of neutral faces and frictionless blank spirits, the better option?

In her previous selves Gabrielle was a celebrated pianist in the time of the momentous Paris flood (1910), then a struggling actress adrift in Los Angeles (2014). In each of the film’s three intertwined eras, her passionate artist’s heart belongs to the same man, Louis (George MacKay). Like Gabrielle, he undergoes wholesale personality and destiny makeovers in each time frame. Yet a pervasive fear of imminent catastrophe prevents Gabrielle from seizing the day, and the life she truly wants. She’s the gender-switched equivalent to the male character of the screenplay’s origin, the 1903 Henry James novella “The Beast in the Jungle,” though Bonello and cowriters Guillaume Bréaud and Benjamin Charbit pile their own fabulations atop fabulations, with imaginative impunity.

It all might’ve sunk under the weight of itself — if not for Léa Seydoux. No one in contemporary film expresses so much with eyes, voice, silence, small talk, whatever the moment requires, while repressing or hinting at so much more. Seydoux makes this trio of Gabrielles specific, droll and very moving, even when “The Beast” wanders a bit, or pulls from its various literary and cinematic influences — a little David Lynch, a little David Fincher, a lot of slightly curdled romanticism — to occasionally uncertain effect. MacKay’s good; Seydoux is excellent.

Bonello treats his layer cake of a movie as an occasion for a layering of genres. I found the 2014 LA narrative the least interesting, though certainly tension-building, since MacKay’s 2014 Louis is modeled after serial killer Elliot Rodger. For roughly 40 minutes of “The Beast,” we’re watching a virtual standalone thriller, with Gabrielle housesitting in a swank, cold glass domicile just begging for voyeurs, or worse. The dread that has dogged past versions of Gabrielle becomes manifest here, as MacKay’s incel stalker directs his lonely rage on women everywhere, anywhere.

This unbalances the movie, I think. And yet “The Beast” is an elegant cinematic achievement. Its devotion to the untamed territory of the human heart, its artfully discombobulating time and locale shifts, the shifting personae handled with marvelous fluidity by Seydoux; it takes you somewhere, and more than one somewhere.

“AI has become responsible and fair,” the 2044 Gabrielle is told by her unseen job interviewer, not human. Then, he adds: “And so human.” “The Beast” doesn’t need much in the way of digital imagery to create a strange new world; it’s enough to make Gabrielle audition for a phone commercial in a green-screen sound stage at the beginning (and later), where she pretends to see things she can only imagine. Later, Seydoux’s wearily reincarnated Gabrielle wanders the near-empty streets of the formerly beguiling City of Light, with only a stray deer for company. The sight is grimly amusing: tragicomedy. So is the telltale throwaway line early on, referencing Gabrielle’s childhood in America and her family’s abrupt return to France.

Why flee? Two words, which happen to be the title of the Alex Garland movie opening this week: civil war.

Is our civic, political and democratic collapse as dead certain as the movies are making it right now?

“The Beast” — 3 stars (out of 4)

No MPA rating (violence, some nudity, language)

Running time: 2:26

How to watch: Now playing at Music Box Theatre, 3733 N. Southport Ave.; musicboxtheatre.com. In French and English with English subtitles.

Michael Phillips is a Tribune critic. 

Group hoping to get Jim Carter’s name attached to South St. Paul stadium

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After South St. Paul legend Jim Carter passed away in the fall, his friends immediately started thinking of ways to potentially honor the local icon.

Terry Abrams came up with the idea to put Carter’s name up on the football field. Of course, South St. Paul’s playing surface is Ettinger Field. The plan a group has put together to present to the school board is to name the football field: Ettinger Field at Jim Carter Stadium.

A photo of Jim Carter autographed to high school teammate Gaylen Bicks. (Courtesy of Gaylen Bicks)

Paul Miller and Gaylen Bicks, who both attended high school with Carter, presented the case to a school board committee on Tuesday evening.

Carter’s athletic achievements speak for themselves. He was a standout football and hockey player, earning All-American status at the high school level. As a senior running back, Carter tallied 2,345 yards rushing — 261 per game on nine yards per carry — and 30 touchdowns while guiding the Packers to an undefeated record.

Gregg Veldman’s father, Pete, was the long-time athletic director at South St. Paul. Gregg surmised his dad watched “as many football games as anybody in the world.”

“And he never saw a football player as good as Jim Carter,” Gregg said. “He said he was just absolutely a dominating presence on the field.”

Carter went on to play fullback for the Gophers, where he captained the 1967 Minnesota squad. Professionally, he was a Pro Bowl linebacker for the Packers.

Carter is in the University of Minnesota Hall of Fame, the South St. Paul Sports Hall of Fame and the Mancini’s Hall of Fame, among others. There are few honors he has not accrued.

“From South St. Paul, we’re a little biased, but he was as good as anybody ever from Minnesota,” Miller said. “When he ran the football, he was relentless. Stuff you’ve never seen. … At the time he was playing, he really represented our town with the manner in which he played.”

Yet that was only part of the reason Carter was so beloved. At the tail end of Carter’s senior hockey season, he was in the locker room with Bicks, voting on captains for the following season, as well as the current year’s team MVP.

Carter wrote down Bicks’ name for the latter.

“I said, ‘Carts, what did I do? I was just a backup goalie. I didn’t play much,’” Bicks recalled.

Carter responded: “You were as much a part of this team as anybody.”

“That’s how humble he was. He was a team player. He wanted to share,” Bicks said. “It was a treasure to play with him.”

Carter struggled with alcoholism during his NFL career. But he managed to turn that blemish into a positive for others, as well. Not only was Carter heavily involved in Alcoholics Anonymous over the second half of his life — Bicks said Carter didn’t have a drink after 1983 — but he was active in supporting others going through similar issues through sponsorship or any other method of aid.

“People talked about how he helped them with their addiction,” Miller said. “If somebody wanted help, he would go to no ends to help anybody that really wanted help.”

That helping hand extended to most areas of life, but was especially prevalent in South St. Paul athletics. Pete Veldman would tell those around him that Carter’s number was “on speed dial” if there was ever anything the department needed. He is listed as a platinum donor at Doug Woog Ice Arena.

Additional aid from Carter ranged from funding an additional assistant coach to covering costs for kids who needed shoes or camp fees covered, but couldn’t afford it.

“And Jim just gave (my dad) the money. And this was unbeknownst to really anybody until after he died, because he didn’t want anybody to know,” Gregg Veldman said. “He was that kind of guy. He was just a really great person in that way in that he was very unselfish and didn’t want to be out in the limelight.”

Most things Carter did were anonymous. It’s quite apparent the only way to grant him with such an honor as this would be posthumously.

In 2003, Carter was named the annual honoree of the South St. Paul Open Foundation Board, which honors “the impact an individual or a group can have on a community and that community’s youth.”

In his latter years, Carter was a frequent invitee to come speak to current high schoolers, and also made his visits about the kids.

Bicks has received numerous letters voicing support for “Jim Carter Stadium,” ranging from Carter’s Gophers teammate Bob Stein to former governor Arne Carlson, and well beyond. Should the naming rights eventually be approved by the school board, Bicks said the hope is to also make improvements to the field in Carter’s honor, noting there are contributors anxiously waiting to step up.

Gregg Veldman said putting Carter’s name on the stadium is “perfect.” Because, for so long, Carter’s name has been synonymous with South St. Paul athletics, first as an athlete, and then as a benefactor.

“Some of that (memory) is starting to fade a little bit, because we’re all getting old,” Miller said. “But we think it’s a good way of maybe honoring people. It’s almost like you’re honoring a generation, in that sense.”

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Passover recipe: Turmeric Vegetable Matzo Ball Soup

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“If chicken soup is Jewish penicillin, then matzo ball soup is the key to world peace,” writes Jewish author Micah Siva in her debut cookbook, “Nosh: Plant-Forward Recipes Celebrating Modern Jewish Cuisine.”

This recipe for matzo ball soup is great for Passover and for vegetarian eaters anytime of year. It gets its golden color and warm flavors from turmeric, ginger and a pinch of red chile flakes. Find the how-tos for Floater Herbed Matzo Balls here or use your favorite recipe instead.

Turmeric Vegetable Matzo Ball Soup

Serves 6

INGREDIENTS

1 tablespoon extra-virgin olive oil

1 medium white onion, cut into½-inch pieces

5 medium carrots, cut into ¼-inch slices

3 stalks celery, cut into ½-inch pieces

4 garlic cloves, finely chopped

1 tablespoon freshly grated ginger

1 teaspoon ground turmeric

1/2 teaspoon ground cumin

1/2 teaspoon sweet paprika

1/2 teaspoon sea salt, plus more as needed

1/4 teaspoon black pepper, plus more as needed

1/4 teaspoon red chili flakes

9 to 10 cups vegetable broth, low-sodium if preferred

Juice of 1 lemon

1/2 cup chopped fresh cilantro

Matzo balls

DIRECTIONS

In a large pot, heat the olive oil over medium heat. Add the onion and cook until it begins to soften, 5 to 6 minutes. Add the carrots, celery and garlic and cook until they begin to soften, 4 to 5 minutes.

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Add the ginger, turmeric, cumin, paprika, salt, pepper and chile flakes and stir until combined. Pour in 9 cups of the vegetable broth and bring to a boil. Decrease the heat and simmer, partially covered, for 25 minutes.

Remove from the heat. Taste the soup; if it is too salty or spicy, add the remaining 1 cup vegetable broth, as needed. Add the lemon juice and mix well. Season with salt and pepper to taste.

Serve with chopped cilantro and matzo balls.

Note: You can freeze the soup in airtight containers for up to 6 months.

Variation: If you’re making this soup outside of Passover, add a 12-ounce can of light beer or cider in place of some of the broth for richer flavor.

— Courtesy Micah Siva, “Nosh: Plant-Forward Recipes Celebrating Modern Jewish Cuisine” (The Collective Book Studio, $35)