Stillwater Middle School students win national award for light-pollution project

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A group of 31 sixth graders from Stillwater Middle School wanted to help migrating birds in the St. Croix River Valley.

About 80 percent of migrating birds do so at night, using the stars and moon for navigation. According to Corrie Christensen, the sixth-graders’ science teacher, about half of those birds perish due to disorientation caused by light pollution.

To help protect the birds, the students designed a special bioluminescent light that curbs light pollution. The downward-facing solar lights — dubbed “Lumen Bloom” — are shaped like a Snowdrop flower and have “petals” that incorporate robotics to open and close based on the time of day.

For their efforts, Christensen’s class was recently named one of 10 national finalists in the Samsung Solve for Tomorrow STEM competition.

The title earned them $50,000 in prizes. The students earned an additional $10,000 in prizes last month when they won the competition’s Community Choice Winner award, which was based on a month-long online public vote.

Christensen said her sixth-grade class was one of the youngest teams to advance in the national competition.

“They were up against groups who were seniors in high school,” she said. “Some of those students talked to us and told us that we should be so proud for making it this far because they were engineering students who were already accepted into college-engineering programs. These kids were incredible.”

Three students, Arthur Lee, Eleanor Keyser and Maria Donnay presented the project at a live pitch event in April at the Samsung Solutions Center in Washington, D.C., answering questions before a panel of expert judges.

Samsung’s nationwide Solve For Tomorrow competition is designed to empower students in grades 6 to 12 to leverage the power of STEM (science, technology, engineering and math) “to create innovative solutions addressing critical issues in their local communities,” according to the competition’s website.

Every year, Solve for Tomorrow awards more than $2 million in Samsung technology and classroom supplies to participating public schools throughout the U.S. The national winners, selected from the 10 national finalists, each received a prize package worth $100,000, while the remaining seven national finalists were awarded $50,000 packages.

Working with city

In order to reduce the impact of light pollution on bird migration patterns in the St. Croix River Valley, the Stillwater Middle School students developed a plan with three priorities: finding an alternative light source using bioluminescence; using sensors to reduce unnecessary light and designing a cover for streetlights to prevent upward lighting.

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They filmed a three-minute video showing the class’s “journey from problem to solution and why,” Christensen said.

They also met with Stillwater Mayor Ted Kozlowski to talk about the issues and better understand the city’s lighting policies and ordinances, she said.

The final design was modeled to look like a Snowdrop, a spring flower in Minnesota, and used robotics and sensors to open and close the petals and have the light illuminating a space, Christensen said.

“Our hope is to be able to implement a few of these lights in our community, especially along the riverfront and use this as a way to educate people with bird migration and light pollution,” the students explain in the video. “We’re working with the Stillwater city engineer to test our prototypes. Every day needs night. Let’s help birds keep flight.”

Trump fined $1,000 for gag order violation in hush money case as judge warns of possible jail time

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By MICHAEL R. SISAK, JENNIFER PELTZ, ERIC TUCKER and JAKE OFFENHARTZ (Associated Press)

NEW YORK (AP) — The judge presiding over Donald Trump’s hush money trial has fined him $1,000 for violating his gag order and sternly warned the former president that additional violation could result in jail time.

The fine marks the second sanction for Trump for inflammatory comments about witnesses since the start of the trial last month. He was fined $9,000 last week for nine violations.

Judge Juan M. Merchan warned Monday that additional gag order violations could potentially result in jail time, though he said that was “the last thing I want to do.”

Prosecutors in Trump’s hush money trial are moving deeper into his orbit following an inside-the-room account about the former president’s reaction to a politically damaging recording that surfaced in the final weeks of the 2016 campaign.

Hope Hicks, a former White House official and for years a top aide, is by far the closest Trump associate to have taken the witness stand in the Manhattan trial.

Her testimony Friday was designed to give jurors an insider’s view of a chaotic and pivotal stretch in the campaign, when a 2005 recording showing Trump talking about grabbing women without their permission was made public and when he and his allies sought to prevent the release of other potentially embarrassing stories. That effort, prosecutors say, included hush money payments to a porn actor and Playboy model who both have said they had sexual encounters with Trump before he entered politics.

“I had a good sense to believe this was going to be a massive story and that it was going to dominate the news cycle for the next several days,” Hicks said of the “Access Hollywood” recording, first revealed in an October 2016 Washington Post story. “This was a damaging development.”

The trial enters its third week of testimony Monday with prosecutors building toward their star witness, Michael Cohen, Trump’s former lawyer and personal fixer who pleaded guilty to federal charges related to the hush money payments. Cohen is expected to undergo a bruising cross-examination from defense attorneys seeking to undermine his credibility with jurors.

Trump faces 34 felony counts of falsifying business records in connection with payments made to stifle potentially embarrassing stories. Prosecutors say Trump’s company, the Trump Organization, reimbursed Cohen for payments to porn actor Stormy Daniels and gave Cohen bonuses and extra payments. Prosecutors allege that those transactions were falsely logged in company records as legal expenses.

Trump has pleaded not guilty and denied sexual encounters with any of the women, as well as any wrongdoing.

So far, jurors have heard from witnesses including a tabloid magazine publisher and Trump friend who bought the rights to several sordid tales about Trump to prevent them from coming out and a Los Angeles lawyer who negotiated hush money deals on behalf of both Daniels and Playboy model Karen McDougal.

Trump’s lawyers have tried to chip away at the prosecution’s theory of the case and the credibility of some witnesses. They’ve raised questions during cross-examinations about whether Trump was possibly a target of extortion, forced to arrange payouts to suppress harmful stories and spare his family embarrassment and pain. Prosecutors maintain the payments were about preserving his political viability as he sought the presidency.

The case is one of four Trump prosecutions and possibly the only one that will reach trial before the November election. Other felony indictments charge him with plotting to subvert the 2020 presidential election after he lost to Democrat Joe Biden and illegally hoarding classified documents after he left the White House.

____

Tucker reported from Washington.

Opera review: 21st-century retelling of ‘La Boheme’ succeeds on universal themes and talented cast

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In 1996, the Tony Award-winning musical “Rent” brought the 1896 opera “La Bohème” into the present day, telling the story of low-income artists struggling to survive at the height of the AIDS crisis. The musical shifted the setting from Paris to Manhattan’s East Village and was presented with new music and text, but much of the original story.

Minnesota Opera’s production of “La Bohème,” featuring Giacomo Puccini’s original music and libretto by Luigi Illica and Giuseppe Giacosa, also endeavors to imagine the plight of Mimì, Rodolfo, Marcello and Musetta and their friends set in contemporary times. With a few design and staging decisions, the story easily translates. That’s in part because the themes in the original work (based on a book by Henri Murger) are so universal — including love, youth, economic hardship, and friendship. At its heart, the story’s focus on the allure of living a creative life surrounded by an artistic community is as relatable today as it must have been when “La Bohème” first performed.

In Illica and Giacosa’s libretto, you never get a sense the bohemians in the story are all that brilliant in their art-making. Being artists is more a matter of their personal identity and sense of place in the world. Their creativity also fuels the high drama of their personal relationships, while also not providing quite enough money to live.

Stage director Rodula Gaitanou adds a few key details that help bring this “La Bohème” into the 21st century. For one thing, Gaitanou transforms a military parade that takes place in Act II into a yellow vest protest like the movement popularized in France beginning in 2018. That artistic choice contextualizes the income inequality at the route of the struggles of the main characters.

Additionally, while the production sticks with the heterosexual coupling of the original opera, Gaitanou adds LGBTQ characters into the chorus scenes and gives a featured moment (though a silent one) to a trans character in the third act.

The designers all add to the look and feel of contemporary times, but often in less than straightforward ways. Scenic Designer takis creates a luminous set (lit beautifully by D.M. Wood) of a glass structure placed within an abstracted construction of trestles. It calls to mind both a train structure and the Eiffel Tower. Costume designer Trevor Bowen, meanwhile, mixes up a great deal of plaid and denim with metallic fabrics and bold patterns in his vision for what people in this world wear.

Won Whi Choi returns to Minneapolis for this production, playing Rodolfo on alternate nights, after stunning in his previous Minnesota Opera role as Don José in “Carmen.” His camaraderie and vocal pairing with Joo Won Kang, who plays Marcello on alternate nights, has a pleasing swagger, and Rodolfo demonstrates his focused strength in his magnetic scenes with MiMí, played by Melinda Whittington on alternate nights. With her scarlet dress and hat, local singer Keely Futterer is a scene stealer as the vivacious Musetta.

Not every moment works. There’s an exuberance to the crowd scenes that verges on chaos at times, and on opening night, the curtain got caught on the set more than once. But musically, the leads carried the story through with care, and Christopher Franklin led the Minnesota Opera Orchestra to the swelling heights of Puccini’s emotionally driven score.

Minnesota Opera’s “La Bohème”

When: 7:30 p.m. Thursday, May 9; 7:30 p.m. Saturday, May 11; 2 p.m. Saturday, May 12; 7:30 p.m. Tuesday, May 14; 7:30 p.m. Thursday. May 16; 7:30 p.m. Saturday, May 18; 2 p.m. Sunday, May 19.

Where: The Ordway, 345 Washington St, St. Paul

Tickets: $58-$139

Capsule: Universal themes carry “La Bohème” into the 21st century.

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Theater review: Penumbra’s ‘Flex’ delivers winning coming-of-age story

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What with women’s basketball’s current surge in popularity, the timing is good for Penumbra Theatre’s production of “Flex,” a very well-crafted play by Candrice Jones about a high school girls basketball team in small-town Arkansas. While it’s about the sport, it mostly concerns the challenges facing the young women playing it.

Under the direction of Tiffany Nichole Greene, Penumbra’s production is an unfailingly absorbing ensemble piece that boasts six strong performances, played out on a set that actually becomes a basketball court, complete with backboard, net and scoreboards. And the five young women display very believable court skills to go with the compelling portrayals they offer as Jones’ script fleshes out the individuality of each.

But a word to any adults thinking of bringing a girl of middle school age or younger who loves the game: “Flex” is a very honest play about the conflicts confronting these high school seniors, and the topics and language pull no punches.

Our story is centered in the relationships between the five starters on the Plainnole Lady Train, a team reaching the climax of its final season together. It’s 1998 and the WNBA has recently debuted, bringing a new set of dreams into these players’ lives, particularly two who are hoping for Division I college scholarships. But one teammate is pregnant and others are addressing issues of sexual identity and religion that seem destined for a collision.

It’s not surprising to learn that playwright Jones was a high school basketball player who went on to play in college. “Flex” bears the ring of truth throughout our two hours with this team. Team captain Starra seems at first the focus as she delivers much of the exposition in verbal missives to her departed mother, but we soon find that each character has a compelling story to tell.

Eboni Edwards as Starra Jones in Penumbra Theatre’s production of “Flex,” a play by Candrice Jones about a girls basketball team full of players confronting some key life decisions. The show runs May 2-19, 2024 at the St. Paul theater. (Caroline Yang / Penumbra Theatre)

Eboni Edwards conveys a fine balance of swagger and insecurity as Starra, who runs into a wall of confidence in a new-to-town teammate she sees as a rival for the attention of college recruiters, Kalala Kiwanuka-Woernle’s smooth, straight-talking Sidney. Also impressively inhabiting their characters are Tyra Lee Ramsey as the sweet peacemaker Cherise, an aspiring Baptist minister whose sexuality may prove problematic to her path, and Charlotte McDaniel as Donna, a teammate with the aura of a wise elder.

But the character who undergoes the most arresting transformation is Aubree Chanel Dixon’s April, who is pregnant and struggling to stay with the team against the wishes of the hard-nosed coach. In this starting five, April is the one for whom the stakes are highest, and Dixon delivers a very involving performance.

The coach is played with just the right mix of compassionate leader and reliving-past-glories nag by Regina Marie Williams. And what a pleasure it is to have Williams back on a local stage after a late-2023 health scare. Her performance as Coach Pace is a fine reminder of the complex layers she seems to bring to every portrayal.

With Ruben Arana-Downs’ set taking us between the court and the living room, and Tommy Franklin and Faith Johnson Patterson helping shape the cast’s basketball skills, “Flex” is a journey with rewards far greater than your average sports story.

Rob Hubbard can be reached at wordhub@yahoo.com.

‘Flex’

When: Through May 19

Where: Penumbra Theatre, 270 N. Kent St., St. Paul

Tickets: $45-$20, available at 651-224-3180 or penumbratheatre.org

Capsule: What looks like a sports story is really a compelling coming-of-age drama.

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