Glenn Whipp | Los Angeles Times (TNS)

LOS ANGELES — Emmy voting is underway, and if you’re one of the 24,000 Television Academy members wondering if there’s still time to binge-watch all three seasons of “Reservation Dogs” to finally get up to speed, the answer is: Yes. But get busy. Ballots are due June 24.

Is there ever enough time to watch everything and be a fully informed Emmy voter? Probably not. There are a handful of shows I never got around to viewing, despite my best intentions. And no, I’m not revealing them because I don’t need your judgment. I didn’t chastise (beyond a little silent rebuke to myself) latecomers to “Reservation Dogs,” as I don’t think you can blame anyone for not sampling each and every one of the more than 300 series submitted. Unless you didn’t watch “Shōgun.” Then we need to talk.

Another problem vexing voters this year is that there are too many worthy contenders in the limited series categories and not enough decent dramas to reward, making balloting equally challenging but for different reasons. Comedies? Just right. As long as “Reservation Dogs” is finally rewarded. But again, no judgment. (Yet.)

Here’s a quick rundown of the series and actors that seem to be registering with voters, along with viewing suggestions for anyone still doing their homework. I’ll revisit these shortly before Emmy nominations are announced July 17.

LIMITED SERIES

“Baby Reindeer”

“Fargo”

“Lessons in Chemistry”

“Ripley”

“True Detective: Night Country”

Could surprise: “Masters of the Air”

Don’t forget: “Expats”

LIMITED SERIES LEAD ACTRESS

Jodie Foster, “True Detective: Night Country”

Nicole Kidman, “Expats”

Brie Larson, “Lessons in Chemistry”

Juno Temple, “Fargo”

Sofía Vergara, “Griselda”

Naomi Watts, “Feud: Capote vs. the Swans”

Could surprise: Kate Winslet, “The Regime”

Don’t forget: Julianne Moore, “Mary & George”

Matt Bomer, left, and Jonathan Bailey in “Fellow Travelers.” (Ben Mark Holzberg/Showtime/TNS)

LIMITED SERIES LEAD ACTOR

Matt Bomer, “Fellow Travelers”

Richard Gadd, “Baby Reindeer”

Jon Hamm, “Fargo”

Tom Hollander, “Feud: Capote vs. the Swans”

Andrew Scott, “Ripley”

Tony Shalhoub, “Mr. Monk’s Last Case”

Could surprise: Hoa Xuande, “The Sympathizer”

Don’t forget: Ewan McGregor, “A Gentleman in Moscow”

LIMITED SERIES SUPPORTING ACTRESS

Lily Gladstone, “Under the Bridge”

Jessica Gunning, “Baby Reindeer”

Aja Naomi King, “Lessons in Chemistry”

Diane Lane, “Feud: Capote vs. the Swans”

Jennifer Jason Leigh, “Fargo”

Nava Mau, “Baby Reindeer”

Kali Reis, “True Detective: Night Country”

Could surprise: Kathy Bates, “The Great Lillian Hall”

Don’t forget: Sarayu Blue, “Expats”

LIMITED SERIES SUPPORTING ACTOR

Jonathan Bailey, “Fellow Travelers”

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Finn Bennett, “True Detective: Night Country”

Robert Downey Jr., “The Sympathizer”

John Hawkes, “True Detective: North Country”

Joe Keery, “Fargo”

Lewis Pullman, “Lessons in Chemistry”

Sam Spruell, “Fargo”

Could surprise: Treat Williams, “Feud: Capote vs. the Swans”

Don’t forget: Hugh Grant, “The Regime”

COMEDY SERIES

“Abbott Elementary”

“The Bear”

“Curb Your Enthusiasm”

“The Gentlemen”

“Hacks”

“Only Murders in the Building”

“Reservation Dogs”

“What We Do in the Shadows”

Could surprise: “Palm Royale”

Don’t forget: “I’m a Virgo”

Kristen Wiig stars in Apple TV’s “Palm Royale.” (Erica Parise/Apple TV+/TNS)

COMEDY ACTRESS

Quinta Brunson, “Abbott Elementary”

Ayo Edebiri, “The Bear”

Selena Gomez, “Only Murders in the Building”

Jean Smart, “Hacks”

Kristen Wiig, “Palm Royale”

Could surprise: Maya Rudolph, “Loot”

Don’t forget: Devery Jacobs, “Reservation Dogs”

From left, Andrea Martin, Steve Martin and Martin Short in Season 3 of “Only Murders in the Building.” (Patrick Harbron/Hulu/TNS)

COMEDY LEAD ACTOR

Larry David, “Curb Your Enthusiasm”

Theo James, “The Gentlemen”

Steve Martin, “Only Murders in the Building”

Martin Short, “Only Murders in the Building”

Jeremy Allen White, “The Bear”

Could surprise: Kelsey Grammer, “Frasier”

Don’t forget: Jharrel Jerome, “I’m a Virgo”

COMEDY SUPPORTING ACTRESS

Liza Colón-Zayas, “The Bear”

Hannah Einbinder, “Hacks”

Abby Elliott, “The Bear”

Janelle James, “Abbott Elementary”

Sheryl Lee Ralph, “Abbott Elementary”

Meryl Streep, “Only Murders in the Building”

Lisa Ann Walter, “Abbott Elementary”

Could surprise: Carol Burnett, “Palm Royale”

Don’t forget: Molly Gordon, “The Bear”

COMEDY SUPPORTING ACTOR

Lionel Boyce, “The Bear”

Paul W. Downs, “Hacks”

Matty Matheson, “The Bear”

Ebon Moss-Bachrach, “The Bear”

Oliver Platt, “The Bear”

Tyler James Williams, “Abbott Elementary”

Bowen Yang, “Saturday Night Live”

Could surprise: Carl Clemons-Hopkins, “Hacks”

Don’t forget: Chris Perfetti, “Abbott Elementary”

DRAMA SERIES

“The Crown”

“The Curse”

“Fallout”

“The Gilded Age”

“Mr. & Mrs. Smith”

“The Morning Show”

“Shōgun”

“Slow Horses”

Could surprise: “Loki”

Don’t forget: “Sugar”

Anna Sawai as Toda Mariko in “Shōgun.” (Kurt Iswarienko/FX/TNS)

DRAMA LEAD ACTRESS

Jennifer Aniston, “The Morning Show”

Maya Erskine, “Mr. & Mrs. Smith”

Anna Sawai, “Shōgun”

Imelda Staunton, “The Crown”

Emma Stone, “The Curse”

Reese Witherspoon, “The Morning Show”

Could surprise: Carrie Coon, “The Gilded Age”

Don’t forget: Ella Purnell, “Fallout”

DRAMA LEAD ACTOR

Donald Glover, “Mr. & Mrs. Smith”

Walton Goggins, “Fallout”

Cosmo Jarvis, “Shōgun”

Gary Oldman, “Slow Horses”

Hiroyuki Sanada, “Shōgun”

Dominic West, “The Crown”

Could surprise: Tom Hiddleston, “Loki”

Don’t forget: Colin Farrell, “Sugar”

DRAMA SUPPORTING ACTRESS

Christine Baranski, “The Gilded Age”

Elizabeth Debicki, “The Crown”

Moeka Hoshi, “Shōgun”

Lesley Manville, “The Crown”

Fumi Nikaido, “Shōgun”

Cynthia Nixon, “The Gilded Age”

Karen Pittman, “The Morning Show”

Holland Taylor, “The Morning Show”

Could surprise: Greta Lee, “The Morning Show”

Don’t forget: Kristin Scott Thomas, “Slow Horses”

DRAMA SUPPORTING ACTOR

Khalid Abdalla, “The Crown”

Tadanobu Asano, “Shōgun”

Billy Crudup, “The Morning Show”

Mark Duplass, “The Morning Show”

Jon Hamm, “The Morning Show”

Takehiro Hira, “Shōgun”

Nathan Lane, “The Gilded Age”

Jonathan Pryce, “The Crown”

Could surprise: Ke Huy Quan, “Loki”

Don’t forget: Tokuma Nishioka, “Shōgun”

©2024 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.

First, there’s the inspiration behind the new movie “The Exorcism” — the idea that the filming of the acclaimed 1973 film was cursed, which is a thing of rich cinema lore.

Then there’s the appealing horror movie-within-a-horror movie structure, the flick built around an exorcism movie with, yes, a possessed girl and a haunted priest.

And, finally, there’s the fact that its director and co-writer, John Miller, is the son of Jason Miller, who portrayed the ill-fated Father Karras in “The Exorcist,” and who told a story about a priest stopping him on the street while the movie was being made and saying, “When we dare to unmask the devil, the devil retaliates.”

All of it is much more interesting than “The Exorcism” itself, which, like so many horror endeavors that have come before it devolves from a promising start to too silly to be scared by or even taken vaguely seriously.

Co-penned by John Miller’s life partner, M.A. Fortin, the two having previously collaborated on the screenplay for the reasonably well-received 2015 comedy slasher “The Final Girls,” “The Exorcism” does hold your interest for a while.

It opens with a fairly well-executed sequence in which the actor who will play the priest in the fictitious movie works on his movements through a three-tiered house set constructed on a soundstage while reading his lines. That is until he’s killed, quickly but gruesomely.

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Next, “The Exorcism” benefits from the presence of its star, Russell Crowe. Once the star of blockbusters and acclaimed films, such as 1999’s “The Insider” and 2000s “Gladiator,” the New Zealand-born, Australian-raised actor more recently has been front and center of less memorable fare such as “Unhinged” and, well, “The Pope’s Exorcist.” And yet he still has this undeniable gravitational pull when he’s within the frame.

Instead of portraying a priest, as he did in last year’s “The Pope’s Exorcist,” he’s an actor portraying a priest (what range!) in this movie-in-a-movie affair.

Crowe’s Tony Miller only snagged the gig after the other actor’s death, this being the former’s first meaningful gig after years of public, alcohol-fueled embarrassments. He now wonders if his late wife’s battle with cancer was really the excuse for this self-destructive behavior he once thought it was.

“Her being sick gave me a reason to just disconnect,” he tells an unseen priest during a Catholic confession.

Before filming begins, his attitude-filled 16-year-old daughter, Lee (Ryan Simpkins, “Sherrybaby”) — who calls him “Tony,” which he doesn’t love — returns home, her father having pulled strings to get her school expulsion reduced to a suspension.

Soon, they’re both on set, Lee working as a production assistant and Tony immediately disappointing the film’s high-minded director, Peter (Adam Goldberg), who believes he’s making a psychological drama disguised as a horror flick. Peter has no reservations about trying to pull a better performance from Tony by reminding him of his recent failures as a person, as well as his traumatic time years earlier as an altar boy.

Tony begins to unravel, but, of course, there may be something darker than subpar acting afoot.

That’s all well and fine, and, for a while, “The Exorcism” is intermittently — if also only mildly — scary as Tony takes his work and demons home with Lee. Before long, though, this roughly 90-minute offering is going predictably over-the-top, with an unmistakably otherworldly on-set incident involving Tony somehow not shutting down the production.

Like the movie-within-the-movie, “The Exorcism” trudges on, with supporting players who include wonderful-to-see “Frasier” alum David Hyde Pierce, playing a priest with a degree in psychology consulting on the production; “Avatar” franchise star (and fellow Aussie) Sam Worthington, as an actor who looks up to Tony and also is playing a priest; and singer-songwriter Chloe Bailey, as an actress who portrays the young woman who becomes possessed in the film and who becomes romantically entangled with Lee.

Ryan Simpkins, left, David Hyde Pierce and Chloe Bailey share a scene in “The Exorcism.” (Courtesy of Lightsavior Productions)

(It seems possible the film being made in “The Exorcism” is a remake of “The Exorcist,” which, in reality, saw the reboot effort “The Exorcist: Believer” be poorly received last year by audience members and critics alike. Ultimately, it doesn’t really matter.)

If the meta aspects of “The Exorcism” bring to mind the ongoing “Scream” movie franchise, it won’t come as a shock to learn its creator, Kevin Williamson, is counted among its producers.

In their filmmakers’ statement, Miller and Fortin say they began writing the film in 2019, when, during the presidency of Donald J. Trump, they watched “certain segments of the Christian faith go after LGBT folks” and “there wasn’t much that didn’t feel cursed anymore.”

Some of that emotion does come through in “The Exorcism,” which is commendable. However, it doesn’t change the fact that at best this is a quick-and-easy popcorn movie when — given its inspiration, structure and connection to “The Exorcist” — it could have been something more.

‘The Exorcism’

Where: Theaters.

When: June 21.

Rated: R for language, some violent content, sexual references and brief drug use.

Runtime: 1 hour, 33 minutes.

Stars (of four): 2.

Michelle Andrews | (TNS) KFF Health News

For Diana Perez, a medical resident at the Family Health Center of Harlem, the handwritten thank-you note she received from a patient is all the evidence she needs that she has chosen the right training path.

Perez helped the patient, a homeless, West African immigrant who has HIV and other chronic conditions, get the medications and care he needed. She also did the paperwork that documented his medical needs for the nonprofit that helped him apply for asylum and secure housing.

“I really like whole-person care,” said Perez, 31, who has been based at this New York City health center for most of the past three years. “I wanted to learn and train, dealing with the everyday things I will be seeing as a primary care physician and really immersing myself in the community,” she said.

Few primary care residents get such extensive community-based outpatient training. The vast majority spend most of their residencies in hospitals. But Perez, who is being trained through the Teaching Health Center Graduate Medical Education program, is among those treating patients in federally qualified health centers and community clinics in medically underserved rural and urban areas around the country. After graduating, these residents are more likely than hospital-trained graduates to stay on and practice locally where they are often desperately needed, research has found.

Amid the long-term shift from inpatient to outpatient medical care, training primary care doctors in outpatient clinics rather than hospitals is a no-brainer, according to Robert Schiller, chief academic officer at the Institute for Family Health, which runs the Harlem THC program and operates dozens of other health center sites in New York. “Care is moving out into the community,” he said, and the THC program is “creating a community-based training environment, and the community is the classroom.”

Yet because the program, established under the 2010 Affordable Care Act, relies on congressional appropriations for funding, it routinely faces financial uncertainty. Despite bipartisan support, it will run out of funds at the end of December unless lawmakers vote to replenish its coffers — no easy task in the current divided Congress in which gaining passage for any type of legislation has proved difficult. Faced with the prospect of not being able to cover three years of residency training, several of the 82 THC programs nationwide recently put their residency training programs on hold or are phasing them out.

That’s what the DePaul Family and Social Medicine Residency Program in New Orleans East, an area that has been slow to recover after Hurricane Katrina in 2005, has done. With a startup grant from the federal Health Resources and Services Administration, the community health center hired staff for the residency program and became accredited last fall. They interviewed more than 50 medical students for residency slots and hoped to enroll their first class of four first-year residents in July. But with funding uncertain, they put the new program on hold this spring, a few weeks before “Match Day,” when residency programs and students are paired.

“It was incredibly disappointing for many reasons,” said Coleman Pratt, the residency program’s director, who was hired two years ago to launch the initiative.

Until we know we’ve got funding, we’re “treading water,” Pratt said.

“In order to have eligible applications in-hand should Congress appropriate new multi-year funds, HRSA will issue a Notice of Funding Opportunity in late summer for both new and expanded programs to apply to be funded in FY 2025, subject to the availability of appropriations,” said Martin Kramer, an HRSA spokesperson, in an email.

For now, the Teaching Health Center program has $215 million to spend through 2024.

By contrast, the Centers for Medicare & Medicaid Services paid hospitals $18 billion to provide residency training for doctors in primary care and other specialties. Unlike THC funding, which must be appropriated by Congress, Medicare graduate medical education funding is guaranteed as a federal entitlement program.

Trying to keep THC’s three-year residency programs afloat when congressional funding comes through in fits and starts weighs heavily on the facilities trying to participate. These pressures are now coming to a head.

“Precariousness of funding is a theme,” said Schiller, noting that the Institute for Family Health put its own plans for a new THC in Brooklyn on hold this year.

The misalignment between the health care needs of the American population and the hospital-based medical training most doctors receive is a long-recognized problem. A 2014 report by the National Academies Press noted that “although the GME system has been producing more physicians, it has not produced an increasing proportion of physicians who choose to practice primary care, to provide care to underserved populations, or to locate in rural or other underserved areas.”

The Teaching Health Center program has demonstrated success in these areas, with program graduates more likely to practice in medically underserved areas after graduation. According to a study that analyzed the practice patterns of family medicine graduates from traditional GME training programs vs. those who participated in the THC program, nearly twice as many THC graduates were practicing in underserved areas three years after graduating, 35.2% vs. 18.6%. In addition, THC graduates were significantly more likely to practice in rural areas, 17.9% vs. 11.8%. They were also more likely to provide substance use treatment, behavioral health care, and outpatient gynecological care than graduates from regular GME programs.

But the lack of reliable, long-term funding is a hurdle to the THC training model’s potential, proponents say. For 2024, the Biden administration had proposed three years of mandatory funding, totaling $841 million, to support more than 2,000 residents.

“HRSA is eager to fund new programs and more residents, which is why the President’s Budget has proposed multi-year increased funding for the Teaching Health Center program,” Kramer said in an email.

The American Hospital Association supports expanding the THC program “to help address general workforce challenges,” said spokesperson Sharon Cohen in an email.

The program appeals to residents interested in pursuing primary and community care in underserved areas.

“There’s definitely a selection bias in who chooses these [THC] programs,” said Candice Chen, an associate professor of health policy and management at George Washington University.

Hospital primary care programs, for instance, typically fail to fill their primary care residency slots on Match Day. But in the THC program, “every single year, all of the slots match,” said Cristine Serrano, executive director of the American Association of Teaching Health Centers. On Match Day in March, more than 19,000 primary care positions were available; roughly 300 of those were THC positions.

Amanda Fernandez, 30, always wanted to work with medically underserved patients. She did her family medicine residency training at a THC in Hendersonville, North Carolina. She liked it so much that, after graduating last year, the Miami native took a job in Sylva, about 60 miles away.

Her mostly rural patients are accustomed to feeling like a way station for physicians, who often decamp to bigger metro areas after a few years. But she and her husband, a physician who works at the nearby Cherokee Indian Hospital, bought a house and plan to stay.

“That’s why I loved the THC model,” Fernandez said. “You end up practicing in a community similar to the one that you trained in.”

___

(KFF Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs of KFF — the independent source for health policy research, polling and journalism.)

©2024 KFF Health News. Distributed by Tribune Content Agency, LLC.

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