What happened to the likes? X is now hiding which posts you like from other users

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NEW YORK (AP) — Social media platform X is now hiding your likes.

In an update posted on the platform formerly known as Twitter earlier this week, X’s engineering team said it would be “making Likes private for everyone to better protect your privacy.” That means that users will still be able to see their own likes, but others will not — putting an end to a feature that many had long used.

The change went into effect Wednesday. As of the afternoon, the “Likes” tab appeared to only be available on users’ own profile page. But when visiting other accounts, that tab is no longer available.

Users also received a pop-up notification that seemed to suggest the change would result in more user engagement.

“Liking more posts will make your ‘For you’ feed better,” the message read.

According to the engineering team’s update, like counts and other metrics for a user’s own posts will still show up under notifications. Posts still appear to show how many likes they have — but the author will be the only person who can see a list of those who liked it.

The option to hide likes was previously just available to paying Premium subscribers. When X announced that option in September, it said users could “keep spicy likes private by hiding your likes tab.”

The hidden like count is one of many changes that have come to the platform since billionaire Elon Musk purchased it for $44 billion in 2022. Beyond a new name and logo, other changes include doing away with the once-coveted blue checks for non-Premium users — and then restoring them to some.

The in-app changes have seen mixed receptions on the platform. In the early days of X stripping the verification badges from prominent officials and news organizations, for example, many voiced misinformation concerns. The platform has also faced both rising user and advertiser pushback amid ongoing concerns about content moderation and hate speech on the San Francisco-based platform, which some researchers say has been on the rise under Musk.

He’s back! Keith Marler, Fox 9 meteorologist, is back on the air after knee surgery

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Fox 9 meteorologist Keith Marler returned to live television on Wednesday — just in time to report on our stormy weather.

“He’s back!” proclaimed anchor Tom Butler during the 11 a.m. news.

After Marler’s knee went out on live television in January, he took time off in February from KMSP-TV for reconstructive surgery. After more than three months away, Marler returned to the station’s studio in Eden Prairie on Monday and appeared on air again on Wednesday.

This was not a simple fix Marler endured as it involved — among other interventions — breaking his right leg to re-align it, part of what Marler has described as a “high tibial osteotomy.”

“Holy moly!” Marler said to Butler about the extensive reworking of his knee and leg. “Zero stars. Would not recommend.”

His sense of humor was not affected, though. Here’s what Marler said he asked his orthopedic surgeon, Dr. Ryan Fader:

“Doctor, will I be able to play the piano after the surgery?”

Yes, of course!

But … Marler admitted he couldn’t play the piano before the surgery.

“I was just curious,” Marler said with a smile.

Fortunately, Marler reports that his other knee won’t require this same procedure and is currently stable.

But per doctor’s orders, Marler is returning to work part time for now, with physical therapy continuing. So while viewers won’t see Marler back on the early morning news show quite yet, he’s still got his eye on the sky.

“I am paying attention,” Marler said.

Viewers seemed glad; Marler’s weather reports often include wry asides as well as the necessary information.

“Have REALLY missed you in the morning!” one person commented on Marler’s Facebook page. “A perfect blend of nonsense & weather.”

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The 24 best songs of 2024 so far

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Mikael Wood | (TNS) Los Angeles Times

With nearly half of 2024 behind us, it’s looking unlikely that anyone will top Taylor Swift’s record sales, that anyone will write a diss-track grimmer than “Meet the Grahams” or that anyone will cancel an arena tour more unhappily than Jennifer Lopez just did hers. What we will get over the next six-and-a-half months are more great songs (and more terrible ones) that go on to define the year. Yet mid-June presents an opportunity to take stock of what’s already come.

Here, in alphabetical order by artist’s name, are the 24 best songs of 2024 so far.

Beyoncé, “II Hands II Heaven”: Months after “Cowboy Carter’s” release, this sprawling yet intricate electro-country fantasia still feels like it’s revealing itself.

Laci Kaye Booth, “Cigarettes”: A song about thwarted ambition that should broaden this country songwriter’s professional horizons.

Camila Cabello feat. Playboi Carti, “I Luv It”: Never underestimate the motivating force of a few years without a hit.

Sabrina Carpenter, “Espresso”: “Me espresso” may end up the year’s best pop neologism — but let’s not overlook the linguistic invention in “Walked in and dream-came-true’d it for you.”

Diiv, “Brown Paper Bag”: Savor the bad vibes of a world in decline.

Billie Eilish, “Birds of a Feather”: The shimmering guitar? The shoulder-rocking beat? The breathy vocal runs? Let Billie bop.

Ernest feat. Lukas Nelson, “Why Dallas”: Pitch-perfect western swing from one of Nashville’s modern pros.

Taylor Swift performs onstage at the Paris La Defense Arena in Nanterre, France, on May 9, 2024. (Julien de Rosa/AFP via Getty Images/TNS)

Billie Eilish performs during Lollapalooza in Chicago’s Grant Park on Aug. 3, 2023. (Terrence Antonio James/Chicago Tribune/TNS)

Kendrick Lamar performs during the 2023 Governors Ball Music Festival at Flushing Meadows Corona Park in New York on June 11, 2023. (Yuki Iwamura/AFP via Getty Images/TNS)

Beyoncé accepts the Innovator Award onstage during the 2024 iHeartRadio Music Awards at the Dolby Theatre in Los Angeles on April 1, 2024. (Kevin Winter/Getty Images for iHeartRadio/TNS)

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Future, Metro Boomin and Kendrick Lamar, “Like That”: Look what they made him do.

GloRilla with Megan Thee Stallion, “Wanna Be”: Look what he made them do.

Ariana Grande, “We Can’t Be Friends (Wait for Your Love)”: Think of the similarities to Robyn’s “Dancing on My Own” as a feature, not a bug: Fourteen years after that Swedish singer gifted lonely clubgoers with the ultimate sad banger, Grande jacks Robyn’s groove for a song about the blissful agony of remembering.

Norah Jones, “Running”: Scuzzy in a good way.

Tori Kelly, “High Water”: This self-affirming pop-soul anthem would’ve owned “TRL.”

Kendrick Lamar, “Not Like Us”: The kill shot from Lamar’s beef with Drake has reached the point where you’re sure to hear it half a dozen times — including from the organist — over the course of a game at Dodger Stadium.

Dua Lipa, “These Walls”: Whether or not we can officially declare “Radical Optimism” a flop, Lipa must be discouraged by the fact that her latest LP sits 30 slots behind Fleetwood Mac’s half-century-old “Rumours” right now on the Billboard 200. And yet! Here’s a luscious soft-rock jam that Christine McVie herself might’ve admired.

Post Malone feat. Morgan Wallen, “I Had Some Help”: “Dukes of Hazzard” reboot in 3, 2, 1…

Mk.gee, “Are You Looking Up”: Imagine John Mayer’s “Sob Rock” as a DIY SoundCloud experiment.

Kacey Musgraves, “Deeper Well”: Walk on the mild side.

Charlie Puth, “Hero”: It’s true, you know — he really should be a bigger artist.

Tommy Richman, “Million Dollar Baby”: Your post-peak Justin Timberlake could never (and indeed with his latest did not).

Chappell Roan, “Good Luck, Babe!”: “When you wake up next to him in the middle of the night/ With your head in your hands, you’re nothing more than his wife.”

Sasha Alex Sloan, “Tiny’s Song (demo)”: Careful — this hushed guitar-and-voice ballad is about a missing pet, and it will destroy you.

Taylor Swift, “But Daddy I Love Him”: Grandly theatrical, righteously aggrieved and witheringly funny, the high point of “The Tortured Poets Department” is a Taylor all-timer.

Tems, “Love Me JeJe”: All the sweat and pleasure of summer in a song.

Xavi, “La Diabla”: Música Mexicana meets Midwestern emo; big feelings — and TikTok virality — ensue.

©2024 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.

What to stream: Get ready for upcoming slate of summer sequels

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Katie Walsh | Tribune News Service (TNS)

Like most summer movie seasons, summer 2024 is lousy with sequels. Last weekend we saw “Bad Boys: Ride or Die,” the fourth installment of the “Bad Boys” franchise, take over the box office, and one of the buzziest titles of the summer is “Furiosa,” the prequel to “Mad Max: Fury Road.” This weekend, “Inside Out 2” hits theaters. So here’s a quick streaming guide on this summer’s sequels, and where and how to watch or rewatch everything you might need to catch up, from family-friendly animated fare to horror franchises.

As mentioned, “Inside Out 2” comes out Friday, June 14. The first film, 2015’s “Inside Out,” directed by Pete Docter, is on Disney+ or available to rent on other platforms.

At the end of June, “A Quiet Place: Day One” will tiptoe into theaters. This third installment is a prequel to “A Quiet Place” (2018) and the sequel, “A Quiet Place Part II” (2021), which were both directed by John Krasinski and are available to stream on Paramount+ or for rent on other platforms (“Part II” is also on Hulu). This third film is written and directed by Michael Sarnoski, who wrote and directed the critically acclaimed “Pig,” and stars Lupita Nyong’o as a woman attempting to survive the initial alien invasion in New York City.

Gru (Steve Carell) has grand plans for his future in “Minions: Rise of Gru.” (Illumination Entertainment & Universal Pictures/TNS)

In time for Independence Day weekend, the fourth movie in the popular “Despicable Me” franchise will release on July 3. Catch up with the first three movies all on Peacock, though if you’re a parent you likely don’t need the refresher. Our antihero Gru also features in “Minions: Rise of Gru,” so perhaps take in that film on Prime Video or rent them all on Amazon or iTunes.

July 5 sees the release of Ti West’s “MaXXXine,” the third slasher film in his “X” horror film series starring Mia Goth. “MaXXXine,” the sequel to “X,” is set in 1985, and follows Goth’s Maxine as she makes her way to Los Angeles to pursue her dreams of stardom after the massacre in Texas in 1979. She of course then encounters the Night Stalker killer in L.A. “Pearl” is the prequel film, set in 1918, with Goth playing the title character (and the film’s villain), who also appears in “X.” Watch “X” on Netflix, Showtime or rent it elsewhere, and catch “Pearl” on Prime Video or rent it on other platforms.

Mia Goth stars in “Pearl.” (A24/TNS)

In mid-July, the long-awaited sequel to Jan de Bont’s 1996 storm-chasing disaster picture “Twister” spins into theaters. “Twisters” is directed by Lee Isaac Chung, who directed “Minari,” and stars new Hollywood It Guy Glen Powell alongside a host of up-and-coming stars. Revisit “Twister” before the new movie by renting it on all platforms.

On July 26, it’s a Marvel mashup with “Deadpool & Wolverine.” You may want to revisit the potty-mouthed superhero played by Ryan Reynolds in “Deadpool” (2016), which is on Max and Disney+, or “Deadpool 2” (2018), on Disney+, or catch up with the lethally clawed mutant played by Hugh Jackman. He’s in most of the “X-Men” movies, all streaming on Disney+. Or you can stream “X-Men Origins: Wolverine” (2009) on Max, or rent “The Wolverine” (2013) and “Logan” (2017) on other digital platforms.

Sigourney Weaver, left, and Carrie Henn in “Aliens.” (20th Century Fox/TNS)

Finally, the Aug. 16 release of “Alien: Romulus,” directed by Fede Alvarez, is a good enough reason as any for a full rewatch of the “Alien” series (it’s always a good time for an “Alien” rewatch). So here goes: “Alien” (1979), directed by Ridley Scott, is streaming on Hulu; “Aliens” (1986), directed by James Cameron, is on Max and Starz; the underrated “Alien 3” (1992), directed by David Fincher, is on Hulu; and “Alien Resurrection” (1997), by Jean-Pierre Jeunet, is also on Hulu and Starz. Let’s skip the “Alien vs. Predator” films, and then go straight into Scott’s return to the franchise, with “Prometheus” (2012), on Hulu and Apple TV+, and his “Alien: Covenant” (2017), which is available to rent on all platforms. Whew. It will be worth your while.

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There are of course some sequels and remakes in the fall that you may want to rewatch a few things for (“Beetlejuice,” “Joker,” “Venom,” “Gladiator”) but here’s what you need to prep for this summer’s sequels and prequels.

(Katie Walsh is the Tribune News Service film critic and co-host of the “Miami Nice” podcast.)

©2024 Tribune Content Agency, LLC