Mike Preston: Make no mistake, Ravens defense is still the star of the show | COMMENTARY

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The Ravens defense is as good as advertised.

Baltimore entered Sunday’s game against Detroit with the NFL’s No. 2 overall defense but had not played an offense as complete as the Lions’. Then the Ravens shut them down. Actually, it was a beatdown, 38-6.

There will be a lot of talk about Ravens quarterback Lamar Jackson and the offense after they scored five touchdowns and a field goal on 10 possessions and piled up 503 yards of total offense, but the story of this win was the Ravens defense.

This group has been consistent all season, and it has to be that way because the offense is erratic. On Sunday, the Ravens shut out Detroit for three quarters and allowed only 337 yards of total offense, 97 of which came in the first half when the game was still somewhat competitive.

If the Lions are one of the best offenses in the NFL, then what does that say about the Ravens defense? Baltimore crushed Detroit until the last quarter, when it was garbage time.

“If I recall, I think earlier in the week, I said I’m from the ‘show me’ business,” Ravens middle linebacker Roquan Smith said. “A lot of things happened here and there, but you have to show me once we’re on the field.

“I don’t believe in all the things you hear and say. Like I said, that team hadn’t been tested just yet, so that’s what it was.”

The same could have been said about the Ravens. In the second half of the 2022 season, they had perhaps the best defense in the NFL after the San Francisco 49ers. But in 2023, they hadn’t been tested by a good quarterback because both the Cincinnati Bengals’ Joe Burrow and Pittsburgh Steelers’ Kenny Pickett played injured and Deshaun Watson missed the Ravens’ 28-3 victory against Cleveland on Oct. 1 because of a shoulder injury.

Then came the Lions. They were without injured starting running back David Montgomery, but the Ravens were also missing their top back, J.K. Dobbins.

Let’s call that a draw. The game wasn’t.

The Ravens sacked Lions quarterback Jared Goff five times. In previous years, there were always questions about the Ravens’ pass rush, but they entered Sunday leading the league in sacks. It will be interesting to see if outside linebackers Kyle Van Noy, 32, and Jadeveon Clowney, 30, hold up at the end of the season, but so far they’ve played well.

Van Noy had five tackles Sunday, including two sacks. By the end of the third quarter, Goff’s body language was easy to read: “Can’t we go home now?”

“[Defensive coordinator] Mike [Macdonald] reiterated all the time throughout the week that if you startle Goff early, he starts to get panicky,” Ravens defensive end Justin Madubuike said. “That’s exactly what happened.”

The Ravens also stuffed the Lions’ running game, which finished with 84 yards, 21 of which came on a touchdown run by rookie Jahmyr Gibbs early in the fourth quarter.

No team has been able to run the ball against the Ravens, which is why they entered Sunday ranked 10th in the league allowing 97.7 rushing yards per game.

A major key to winning in the NFL is to shut down the run and the play-action passing game, making the opponent one-dimensional. That’s what the Ravens did to the Lions.

“You know, the run game always helps us,” Detroit coach Dan Campbell said. “That’s something that we always want to hang our hat on. It’s kind of where everything starts for us. I’ll be the first to say, when you go three-and-out your first two series, and then they gain 14 points in their first two series, that’s a hard recipe there early in the game. You feel like you get put in a pretty tough spot in both areas.

“I thought we would be able to overcome it and get some momentum back. We thought, but we couldn’t get it turned over. We couldn’t quite get going.”

Maybe the most surprising development has been the play of the Ravens secondary. All week there was concern about the Lions’ passing game with receivers Josh Reynolds and Amon-Ra St. Brown and rookie tight end Sam LaPorta. Detroit had the NFL’s fourth-ranked passing game (averaging 259.5 yards per game), and the Ravens were concerned about yards after the catch, especially since Detroit entered with 32 plays of more than 20 yards.

But the Lions averaged only 8.6 yards per catch Sunday. St. Brown had 13 catches for 102 yards but wasn’t much of a factor. The receivers couldn’t shake free of cornerback Marlon Humphrey and safety Kyle Hamilton.

The Ravens also got strong games from reserve safety Geno Stone — who added his league-leading fourth interception — and cornerback Arthur Maulet. They also started cornerback Brandon Stephens, a converted safety. Maulet had eight tackles and a sack, and Hamilton added seven tackles.

Where do the Ravens find these guys?

“You have to be steeled to play back there,” Ravens coach John Harbaugh said. “You have to have a certain mindset, and we want tough guys. We want guys that will do their job, but guys that will have their eyes where they’re supposed to be when they’re supposed to be there, tackle and play hard.”

That’s the brand of football Baltimore fans are used to seeing.

The game has changed since the Ravens won Super Bowl XXXV with one of the best defenses ever, but this year’s unit, built around linebackers Smith and Patrick Queen, is good, too. It sounds familiar to the one in 2000 with linebackers Peter Boulware, Jamie Sharper and Ray Lewis.

Only time will tell if the 2023 Ravens can be mentioned in the same breath as that legendary group. But for right now, the calling card of this team is still defense, which has to carry the Ravens until the offense becomes more consistent.

The offense is a work in progress. The defense is already a finished product.

They proved it again Sunday.

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DeMar DeRozan cherishes opening night in his 15th NBA season, but the Chicago Bulls fall to the Oklahoma City Thunder 124-104

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Even after 14 years, opening night never gets old for DeMar DeRozan.

The Chicago Bulls forward started his 15th NBA season Wednesday night against the Oklahoma City Thunder at the United Center. DeRozan scored a team-high 20 points, but the Bulls lost 124-104.

DeRozan, 34, has collected numerous All-Star accolades and trips to the playoffs. But the first day of a fresh season still holds the same glow.

“It’s amazing to play this game so long, especially having looked at a lot of people that I watched play, some of them played 13, 14 years,” DeRozan said. “To still be going, to still love the game, to still have motivation, passion, everything about it — I don’t look at it like I feel old. It’s a blessing more than anything to still be playing.”

DeRozan wasn’t quite as confident on his first opening night in 2009, when he made his debut in Toronto for the Raptors against a Cleveland Cavaliers team that included Shaquille O’Neal and LeBron James.

“I was terrified as s—,” DeRozan said with a laugh. ”I was walking out there and it felt really like a dream.”

Despite his nerves, DeRozan’s debut went according to plan in a Raptors win. He scored eight points, had five rebounds and even blocked a shot from O’Neal midway through the first quarter.

DeRozan was simply star-struck to share the court with the former Lakers legend, whom he had grown up watching as a young fan in Los Angeles.

“I was like — I’m playing with Shaq,” DeRozan said. “I’ve been watching Shaq my whole life so stepping on the court with him — I’m like, ‘That’s Shaq.’ ”

More than a decade later, the tables are turned, and DeRozan is the star that rookies grew up watching. But he feels opening night only becomes more meaningful with time as he grows to cherish the game in the latter half of his career.

“It’s always exciting because that’s the first night of the journey,” DeRozan said. “The good, the bad, the ups and downs, the heartbreak, the wins, the losses, the learning experiences. My last eight opening nights, I’ve had that understanding of the journey that’s ahead of you.”

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McKone: Congress must pass credit card act to ease fees

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In the world of sponsorships, VIP seats, and lavish executive privileges, credit card giants like Visa and Mastercard, along with every major bank, have perfected the art of selling their products. From top sponsorships at everything from the Olympics to the World Cup, you can’t turn on the TV without getting inundated with credit card marketing. Yet, behind them lies a startling truth: these ads are being bankrolled by excessive credit card swipe fees charged to your local businesses and, inevitably, you.

American businesses pay the highest swipe fees in the industrialized world. While these fees remain hidden from consumers, their impact is far-reaching. Last year alone, U.S. merchants paid over $126 billion in credit card processing fees, a staggering increase of more than 20% from just a year earlier. Such an exponential rise has severe implications for businesses, especially small enterprises, struggling to recover from the economic aftermath of the pandemic.

Yet Visa and Mastercard just announced they will raise these fees again to further pad their bottom line. The credit card giants are preparing to heap additional financial burdens on merchants with fee hikes that could cost merchants an extra $502 million annually.

These costs aren’t absorbed solely by businesses; because when profit margins are tight, merchants have no choice but to pass these fees on to consumers, leading to higher prices across the board. Estimates show the average American family pays an additional $1,000 a year in higher priced goods as a result of these swipe fees.

The impending fee hikes set to be imposed by Visa and Mastercard in the coming months signal more than just a financial blow to merchants and consumers alike. It underscores a systemic issue where money spent in your local community is subtly siphoned away to Wall Street, only to reappear in the form of extravagant sponsorships and VIP privileges sponsored by the credit card giants.

Currently, Visa and Mastercard set the swipe fees merchants pay. While network fees directly benefit the card companies, the big banks issuing the cards get a portion of those fees, which incentivizes them to oppose any effort to lower fees for merchants. With a substantial rise in fees on the horizon, Congress must address this clear market collusion.

Thankfully, there is a solution. The Credit Card Competition Act (CCCA) aims to alleviate the burden put on businesses by allowing merchants to choose between multiple transaction routing options when processing a credit card. This step, though seemingly minor, can have a profound impact by fostering a more competitive payment processing market, leading to a reduction in swipe fees and the cost of goods overall.

Opponents on Wall Street often raise concerns that heightened competition might jeopardize the availability of credit card rewards points. However, new reporting shows that is not the case. If not clear by how much money the credit card giants spend on flashy advertising, Visa maintains incredibly high profit margins of over 50%, with Mastercard trailing closely with almost 45%.

A competitive payment landscape would compel credit card companies to enhance their offerings to stay relevant. Heightened competition need not dampen credit card rewards; it can serve as a catalyst for innovation.

Visa and Mastercard’s opulent displays might be captivating, but it’s essential to see beyond the glitter. Behind the scenes, small businesses in your community are being stifled by these ever-rising fees, and you are paying more every time you check out.

Hopefully, Congress will put Main Street before Wall Street.

Kelly McKone is Executive Vice President of Real Estate for 1784 Capital Holdings, a nationwide leader in self-storage development./InsideSources 

‘The Persian Version’ a multi-layered cinematic feast

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To the tune of Wet Leg’s hit “On the Chaise Longue,” the surprisingly angry coming-of-age film “The Persian Version” begins with its lesbian heroine narrating the action, attending a drag party dressed in a “burka-tini” and having a one-night stand with a straight but cross-dressing British actor playing the lead in a Broadway production of “Hedwig and the Angry Inch.”

Life is so complicated. Our heroine Leila Jamshidpour (Layla Mohammadi) gets pregnant, and in spite of her independent spirit, she decides to have the baby with the halting approval of “Hedwig.” “The Persian Version” then proceeds to examine the terrible relationship Leila, who has five or six grown-up brothers, has had with her tall, beautiful mother Shireen (Niousha Noor). Complicating Leila’s relationship with her mother is her father’s daunting medical state.

Her father, whose name is Ali Reza (Bijan Daneshmand) is a longtime physician so in need of a heart transplant that he is about to be given an organ that will probably fail in two years in order to keep him alive. Typically, matriarch Shireen proclaims that Leila, a budding filmmaker, must stay home with grandmother Mamanjoon (Bella Warda) while her father is under the knife and the rest of the family shelters at the hospital. When Leila was a child, Shireen often forced her daughter to make dinner for the entire family.

In a magical realist style name-checked by Leila, we will then experience the family’s tangled and intricate back story, including the reason why her parents fled Iran in the 1960s for Brooklyn; the early months of Shireen’s marriage to Ali Reza when they lived in the remote mountains; and the true identity of one of Leila’s brothers. We will also hear about why Iran and U.S. “got a divorce.”

Now, try to imagine all of this being related to us using Cindy Lauper’s anthem “Girls Just Want to Have Fun” as a refrain, along with both Iranian and contemporary music, including an appearance by Iranian pop star Googoosh, and both traditional Iranian dance and contemporary dance. Whew.

“The Persian Version” is both the story of an Iranian-American family, an entity that is naturally conservative due to its Muslim background, and the coming-of-age story about an Iranian-American lesbian having the child of a straight British actor dubbed “the ugly one” by her brothers, told in a free-wheeling, free-associative manner. Shireen has a guardian spirit named Iman Zaman, who appears in the nick-of-time to save her and her children. Faced with a disastrous medical bill, Shireen announces, “We don’t do bankruptcy,” and launches a brilliant career as a realtor in nearby New Jersey.

Written and directed by Maryam Keshavarz (“Circumstance”) in her sophomore outing, “The Persian Version” combines semi-autobiography, soap opera, music, dance and the kind of enthusiasm that cannot be faked. Keshavarz may think that the film is about Leila. But the truth is that it is a celebration of Shireen. And for the absolutely magnetic and fearless Noor, whose Shireen is alternately mother, evil stepmother and “strong Iranian woman,” “The Persian Version” may be her star-is-born moment.

(“The Persian Version” contains sexually suggestive material and profanity)

“The Persian Version”

Rated R. In English and Farsi with subtitles. At the Landmark Kendall Square and AMC Boston Common. Grade: A-