Readers and writers: Two debut novels and a thriller for summer reading

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Here are two debut novels from talented Twin Cities-based authors and a new thriller from an award-winning Minnesota series writer. All perfect summer reading.

(Courtesy of the author)

“The Sirens of Soleil City”: by Sarah C. Johns (Random House, $18)

Donna swam too slowly, leading to Phyllis bumping into her, which led to Donna stopping to curse Phyllis out. When the order was reversed, Ilona got kicked in the back by Donna, which led to Dale jumping in between them to prevent a physical altercation. A bird flying above would have seen chaos. Wet, angry women who couldn’t swim together in a simple shape. — from “The Sirens of Soleil City.”

Sarah C. Johns (Courtesy of the author)

It’s a writer’s dream to have their debut novel published by one of the biggest publishers in the country. St. Paulite Sarah C. Johns made it happen with “The Sirens of Soleil City,” which she’ll launch Tuesday, publication day, in Minneapolis.

There is so much right in this novel about three generations of women in one family at different stages of life. The setting is West Palm Beach., Fla., in 1999 where senior citizen women live in a slightly run-down apartment building. They are a bonded group, even though there is bickering. They are on either side of 70,  and they’ve lived full lives. Now they’re content to gather around the pool at sundown, gossiping and keeping track of one another’s well-being. There is a tenderness to Johns’ treatment of these women. Yes, they have aches and pains, but they are mostly tough and not surprised by much of anything. They are worried about the possibility of leaving Soleil City because the building needs repairs and the manager does nothing about it.

Among the residents is Dale, who’s led a colorful life. Dale left her daughter, Cherie, when the child was 5 so she could go to Mexico. Cherie grew up to be a fixer, a problem-solver to whom people turn when they need help. She has money and she is well-organized but nobody knows that she’s having second thoughts about her marriage. Then there’s Marlys, who also lives at Soleil City, the woman who raised Cherie. Marlys is dying but nobody will talk about it. Pregnant Laura, Cherie’s daughter, is leaving her husband just a few months before her baby’s birth.

When Cherie arrives at Soleil City to visit her “two mothers,” she already has a plan. Could the women form a synchronized swim team and win enough money to have the apartment building repaired? So Cherie recruits daughter Laura to be the team’s reluctant coach.

The story is told in alternating voices of Dale, Marlys and Laura. Their lives are revealed in intimate conversations and there is hilarity in the Soleil City women’s efforts to learn the basics of team swimming, including kicking aged legs high out of the water.

This is a delightful book with everything you want in a story — an intricate plot, lively and well-drawn characters, good dialogue, humor, and three generations of love.

Johns, who lives in St. Paul, is a writer and video producer who studied in South Africa, Hungary, Israel and Germany, graduating from McGill University in Canada before attending film school in Australia.  She will launch her novel at 7 p.m. Tuesday, July 9, at Magers & Quinn, 3038 Hennepin Ave. S., Mpls., in conversation with award-winning Gretchen Anthony, author of “Tired Ladies Take a Stand” and “The Kids Are Gonna Ask.” The program is free but registration is required. Go to magersandquinn.com/events.

(Courtesy of the author)

“City of Secrets”: by P.J. Tracy (Minotaur Books, $28)

They veered off in different directions, always staying within sight of each other as they went room-to-room. All their senses were honed to painful clarity by the slipstream of adrenaline that was carrying them both. Nolan’s heart had climbed up to her throat, and with every step, every breath, it hammered harder, threatening to suffocate her. — from “City of Secrets”

P.J. Tracy launches (Courtesy of the author)

A lot has happened to Los Angeles police Detective Margaret Nolan since she debuted in P.J. Tracy’s “Deep Into the Dark” in 2021. Nolan didn’t much like other humans when the series began. She was an emotionally cold cop who teamed up with Sam Easton, a Gulf War vet whose face was mangled by an IED explosion. In “City of Secrets,” fourth in the Nolan series, Maggie and Sam are both in better places in life. Nolan is drawn to a colleague, Remy, and Sam is in a relationship with Melody, a recovering alcoholic who was a major character in the first Nolan thriller. Thanks to Melody, Sam has mostly overcome his PTSD  and no longer cringes when people look at his ruined face. He’s also a consultant for the police department’s SWAT team.

But crime never goes away in Los Angeles, and Remy is thinking of leaving law enforcement because of it.  He thinks the city “had a shrill, dangerous hum that hadn’t existed five years ago, and it scared him.”

As “City of Secrets” begins the body of a man is found in his car in one of the city’s worst neighborhoods. Why was a well-to-do guy there in the middle of the night? Nolan and her partner, Al Crawford, learn the victim was the head of a pet food company about to sell for millions. He was also a sex addict so there were plenty of women who might have wanted him dead.

A day after the body is found, the wife of the man’s partner is kidnapped. The partner, a sweet guy who would never hurt anyone, hasn’t been involved with the company for years. Then, he’s also abducted. Remy, meanwhile, is pursuing a street rumor that the Angel of Death has returned. At the center of the plot seems to be someone known only as Mimi, an elusive woman whose motives aren’t clear. The case gets murkier, and more violent, as the team finds connections going all the way to an aristocratic family’s winery in Spain and a brutal betrayal.

Tracy, who lived in Los Angeles for 10 years, writes spot-on dialogue, and her characters are complex  She brings the beauty and ugliness of Los Angeles alive as her characters move from the elegant Bel-Air hotel to the seedy neighborhoods where murder is nothing new.

P.J. Tracy is the pen name of Traci Lambrecht, who wrote eight books in the  Monkeewrench series with her mother, P.J., and two more after P.J.’s death. Books in the series won almost every mystery/thriller national award. Other titles in the Margaret Nolan series are: “The Devil You know,” “Desolation Canyon” and “Deep Into the Dark.”

Tracy and Allen Eskens, award-winning author of nine novels, including “The Life We Bury,” will tag team in a lively discussion about their work at Minnesota Mystery Night at 7 p.m. Monday, July 15, Axel’s Restaurant, 1318 Sibley Memorial Highway, Mendota. The program is free, but reservations are required at 651-686-4840. Pre-program dinner is available. Those making reservations should mention Minnesota Mystery Night. For information go to minnesotamysterynight.com. Tracy’s book, to be published in August, and Eskens’ forthcoming novel “The Quiet Librarian,” due out in February, 2025, are available now for pre-publication sale.

(Courtesy of Third State Books)

“Edison”: by Pallavi Sharma Dixit (Third State Books, $29.95)

…he returned to his apartment of men with the thought that he was cursed by the principal paradox of his country: an obsession with big-screen love stores matched only by the inordinate amount of time spent arranging marriages and forbidding dating. How could practically every Hindi movie ever made involve the subject of love when love was wholly prohibited by parents across the country and throughout the diaspora? — from “Edison”

Pallavi Sharma Dixit (Courtesy of the author)

All the immigrant Indians in Edson, N.J., thought Prem Kumar was just a “pumpwalla” who worked at a gas station. They didn’t know Prem came from one of India’s wealthiest families and ended up in Edison because Prem’s father got tired of him sitting around watching Hindi films all day. Prem was tired of people telling him he needed a plan for his life, so he found himself in Edison, sometimes called Little India because it was a center of the Indian diaspora.

Prem didn’t do well at first. Just off the plane he was robbed by two guys, one of whom even felt sorry for this clueless nerd. He lived in an apartment with other guys, sleeping on a mattress under a bag of onions. Then he got a job at a nearby grocery and fell in love at first sight with the owner’s daughter, Leena, who returned his loving looks. For a while they found ways to be together, but her father found out about their relationship and told Prem he could marry Leena when he made a million and one dollars. (The extra dollar is for luck.) For the next decade Prem loves Leena, even though he rarely sees her and her engagement is announced. Prem, always a lover of Hindi movies, becomes a prominent producer of shows featuring major Indian film stars but life is meaningless without Leena.

In her debut novel, Dixit takes us into the lives of Prem’s friends, all of whom want to become entrepreneurs. These are not immigrants from India who came in the first flood — doctors and lawyers — but men and women who work hard to grab their part of the American dream. Woven through the story are glimpses of the future in which these newcomers make their dreams come true.

This is also a story of the town of Edison, where the author grew up and where her parents still live. She describes how the the city morphed into Indian-owned businesses as Edison became “the name that became synonymous among expatriate Indians and those in the homeland as a homeland in America.” For instance, Indian-owned businesses moved into Pizza Hut and Dairy Queen without changing the buildings’ basic architecture. One of Prem’s most lovable friends, Beena, runs a catering business out of her apartment, constantly chopping vegetables while Prem curls up on her sofa when he’s despondent even after the successes of his big shows.

This is a fun, happily-ever-after story the publisher calls “a Bollywood-style love story in the guise of literary fiction.” There are lots of references to Indian films, stars and music, but the author translates the titles into English when necessary.

Publishers Weekly describes Dixit’s novel as an “effervescent debut. This romp is one to savor.” Kirkus praised: “A sparkling epic worthy of Bollywood’s silver screens.”

“Edison” is so lively, and Prem is such an endearing character, the reader is happily transported to Little India with all its zest for life, including the foods and colors these good-hearted folks brought to the United States.

Dixit, who was born in India, won the first annual Asian American Writers’ Workshop Pages in Progress prize, co-sponsored by Third State Books. She holds degrees from the University of Pennsylvania and an MFA in creative writing from the University of Massachusetts at Amherst. She has been aided by grants and fellowships from the Jerome Foundation, Minnesota State Arts Board and others. She lives with her husband and two children in Minneapolis.

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Lisa Jarvis: Women need more than Roe v. Wade. Biden should know that

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Late last month, a series of developments related to abortion underscored the maddening state of access in the U.S. — and the urgent need for President Joe Biden to update the way he talks about the issue before November’s presidential election, when reproductive rights are again on the ballot. The president’s platform calls for “restoring reproductive freedom,” and he has often repeated the mantra that “If I’m elected, I’m going to restore Roe v. Wade.” But simply calling for a return to Roe is not nearly enough.

Early in the last week of June, new data published in the pediatric edition of the Journal of the American Medical association showed the toll an abortion ban takes on women and babies’ health. Two days later, Bloomberg reported that the U.S. Supreme Court would be delaying a decision that feels like the lowest-hanging fruit in reproductive freedom: guaranteeing women’s access to abortion care amid medical emergencies. The next day, an excruciating exchange on abortion during the debate between Biden and former President Donald Trump served to validate women’s panic over their eroding reproductive autonomy. And on the day after that, Iowa’s Supreme Court allowed a six-week abortion ban to go into effect, while Nevada became the latest state to add a question about abortion rights to its ballot.

Whew. That’s a lot.

Let’s start with that new data from JAMA. In the first year since Texas’s ban on abortions after six weeks, there was a 13% rise in infant deaths. In that time, infant deaths due to congenital anomalies rose by nearly 23% in the state, while falling by 3.1% in the rest of the country. To put it plainly, women are being forced to carry to term pregnancies that they know will end in heartbreak.

As for the Supreme Court, its ruling opened the door to emergency abortion access for women in Idaho whose pregnancy imperiled their own health, but it applies only to Idaho. It did nothing to address limits on care in other states, including Texas, where draconian bans have made doctors afraid to cross confusing legal lines.

“For the many more women that live in Texas than live in Idaho, they are not going to be able to get medically necessary, but not necessarily life-saving abortions,” says Greer Donley, an associate professor at the University of Pittsburgh School of Law and expert on abortion and the law.

Then there’s that unforgettable presidential debate. After first bizarrely asserting that some states allow “abortion after birth,” (they don’t), Trump launched into a false narrative around “late term” abortions.

Let’s inject some facts: “Late term” abortion is a political term, not a medical one. It’s a loaded phrase, rolled out with a contemptuous sneer that implies that women are, at the last minute, callously changing their minds. As Biden should have said in the moment, that’s pure malarkey. Instead, he at one point responded to Trump’s commentary with, “We are not for late-term abortion, period.”

“There isn’t actually a medical consensus about what makes an abortion later,” says Diane Horvath, who cofounded the Partners in Abortion Care clinic in College Park, Maryland. But by any definition, such terminations are rare. Nearly all abortions, 93.5%, took place in the first trimester in 2021.

More important are the people behind these numbers. “Every single later abortion I do is life-saving,” says Leilah Zahedi-Spung, a maternal fetal medicine provider in the Denver area.

Typically, that means something catastrophic has happened with the fetus, such as an anomaly that is not survivable, or with the mother, such as a chronic health condition that has worsened. Sometimes a new, serious condition that needs urgent attention, such as dangerously high blood pressure or a cancer diagnosis, emerges. Ending the pregnancy becomes the safer choice. “It is devastating for people,” Zahedi-Spung says. “They are grieving parents. They are losing a child.”

And then there are the other tragic, often-undiscussed reasons people seek later abortions — cases that are more common than we seem willing to acknowledge, says Horvath. These are the children who had no idea they were pregnant. It’s the women experiencing escalating intimate partner violence as their pregnancy progresses.

All these people deserve health care delivered with compassion and dignity, yet in post-Dobbs America, that care keeps moving further out of reach.

Ceding abortion laws to the states has made it harder to get timely care. Figuring out the logistics of traveling to an out-of-state clinic can take weeks, sometimes months. That’s meant an eightfold increase in later abortions at the hospital where Zahedi-Spung works, a situation echoed by doctors at clinics in other haven states. At that stage, the care is more complex, orders of magnitude more expensive and can require days of travel and recovery — and of course, exacts a steep emotional toll on the patient.

To be clear, a vote for Trump is a vote to go further down a road that many women reasonably fear ends in Gilead. But addressing the growing public health crisis caused by abortion bans requires more than Biden’s full-throated support of Roe v. Wade.

The problem is that Roe never granted women reproductive freedom. It never did enough to ensure equitable access to abortions in the U.S. Women in parts of the South and Midwest have spent years living under various versions of the harsh reality women in states with recent bans are now experiencing, being forced to cross state lines to get care.

Trump’s obsession with later abortions helps illustrate the ways Roe routinely failed women and their doctors. Under Roe, states were able to craft laws that imposed unnecessary boundaries around when and how care could be delivered.

Before moving to the Denver area, Zahedi-Spung spent years working at a hospital in Tennessee, where she had to navigate complex and inane laws that included a 22-week cutoff for abortion. When someone came in with a possible fetal anomaly or worsening health at 19 weeks, those laws meant rushing them into a deeply personal decision.

Now working in Colorado, a state with broad reproductive freedoms, Zahedi-Spung says she can tell her patients, “Why don’t you get more information?” She can give them time to do things like consult with a specialist and get additional tests so that they can better grasp what taking a pregnancy to term might mean for their child and their family.

In a sane world, the law would recognize a doctor’s expertise and give them the freedom to treat patients with dignity and respect — and, in turn, give patients the space to make the best, most informed decision rather than racing against the clock to make a choice at their most vulnerable moment.

That only comes from going further than Roe. Codifying reproductive freedom needs trusting women and doctors to make medical decisions on their own.

Lisa Jarvis is a Bloomberg Opinion columnist covering biotech, health care and the pharmaceutical industry. Previously, she was executive editor of Chemical & Engineering News.

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What does ‘The Bear’ get wrong about its big Chicago Tribune restaurant review? From the real food critic

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CHICAGO — “The Bear” is back with a storyline about a surprisingly big restaurant review.

It gets weird when the fictional world of The Bear restaurant bleeds into my real world as a food critic.

“Their fate hangs in the balance pending a review in the Chicago Tribune,” writes my fellow Tribune critic Nina Metz in her mixed three-star review of Season 3.

So what does “The Bear” series get right and wrong about how I would review the Bear restaurant as the real Chicago Tribune food critic?

Spoiler alert! The following includes details from Seasons 1 to 3 of the show. If you want to protect your viewing experience, go watch, then come back.

OK, let it rip!

If you haven’t been watching the Emmy Award-winning dark comedy drama series, you probably still know it has something to do with Italian beef. The show starts with a fictional sandwich stand called the Original Beef of Chicagoland, better known as the Beef. That’s based on the Original Mr. Beef on Orleans Street, better known as Mr. Beef, the real stand in the River North neighborhood.

Eventually, the Beef becomes the Bear, a fine dining restaurant, retaining its chaotic cast of characters.

Chef Carmen “Carmy” Berzatto (played by Jeremy Allen White) and his chef de cuisine Sydney Adamu (Ayo Edebiri) lead the transformation. She also collaborates with him on their debut tasting menu. They have help from Carmy’s “cousin” Richard “Richie” Jerimovich (Ebon Moss-Bachrach), a close family friend who once ran the stand’s counter, but now runs the restaurant’s front of the house.

Season 2 ended after a heartbreaking friends and family testing night. Season 3 begins the next day, with the business officially open.

But let’s go back to Season 1, (Episode 6: “Ceres”) when Sydney gives a dish she’s working on as a special to a diner at the beef shack in transition.

“Hi, um, these are cola-braised short ribs with risotto, and they’re yours,” she says.

He asks, “Really?”

“Yep, I had an extra,” she replies. “And I’m Sydney, if you need anything else.”

He says, “Well, thank you, Sydney.”

Then we learn that the diner wrote a rave review (Episode 7: “Review”) in the fictional Chicago Telegraph newspaper.

“‘The menu is slightly updated and it’s clear more changes are coming,’” reads the Beef’s Somali veteran cook Ebraheim (Edwin Lee Gibson).

“‘The sandwiches are so delicious as ever, but the standout dish that encapsulates all this was the risotto with braised beef,’” he continues. “‘The rice was luscious with a surprising ribbon of brine running through the sauce.’”

That review never should have been based on a free dish!

If Sydney had offered her plate to me, I would have automatically declined, saying I appreciate the offer, but can’t accept, because I want to support a small business. That’s my standard response on those rare occasions. Ultimately, I would’ve gone back to order the dish on my own before ever mentioning it in a review.

But we know that didn’t happen because the risotto with the “ribbon of brine” never made it to the menu even as a special!

Fast-forward to Season 3 (Episode 4: “Violet”) when Carmy’s sister and business co-owner Natalie “Sugar” Berzatto (Abby Elliott) walks into the kitchen after taking a call.

“Why is the Tribune coming to take pictures?” she asks.

Carmy answers with an expletive.

Sydney says, “Because we’re being reviewed.

Sous chef Bettina “Tina” Marrero (Liza Colón-Zayas) asks, “Like, tonight?”

Sydney says, “Like they’ve already been here.”

What “The Bear” gets wrong here is that Natalie would never need to ask why the Tribune is coming.

I would have sent an email with a subject line that clearly reads “Chicago Tribune review: The Bear.” I would’ve explained that I was working on a review, and asked if our photographer could come to take photos of some food and drink, plus a portrait of the chef, or chefs in this case. It’s a request, not a mystery demand.

What “The Bear” gets right is the timing. The restaurant held its friends and family tasting night on May 26, 2023, according to the calendar shown, and opened to the public the next night. Carmy says he quit smoking 41 days ago, so that brings us to early or mid-July, because time in “The Bear” isn’t always clear.

I still wait at least a month before going for a first review visit. But we don’t know when the fictional Trib critic actually went. I would have waited a little longer for a final review visit since the Bear changes their menu so much based on seasonal farmers market sourcing.

Photo day comes (Episode 5: “Children”) and our chaotic characters get the dining room ready.

Richie asks the photographer, “So, uh, how was the review?”

“Oh, they don’t tell me,” he replies. “I just show up and shoot.”

What “The Bear” gets right is that no, I don’t share a finished review with anyone before it’s published, except my editors.

But what “The Bear” gets so wrong here is that any one of our photographers would “‘just show up and shoot!’” They are award-winning journalists on assignment — who don’t just show up and shoot.

And real Chicago Tribune photographers have faced down more challenges than floor refinisher Sammy Fak (John Cena), brother to handyman and runner Neil Fak (Matty Matheson), who demands, “Hey! What’s it say?”

After Richie defuses the situation, the photographer asks, “Can you ask them to prep the dish?”

“What dish?” asks Richie.

What “The Bear” gets right is that yes, our photographer will have my requests for photos.

What “The Bear” gets wrong is that no one at the restaurant knows about the dish. I would have confirmed it with Natalie and Carmy. They would’ve chosen to re-create the changed tasting menu dish or just make the current version.

Time goes by (Episode 9: “Apologies”) and investor James “Cicero” Kalinowski, better known as Uncle Jimmy (Oliver Platt) asks if Carmy knows when the review is coming.

“No,” answers Carmy.

What “The Bear” gets wrong is that they wouldn’t know. I share the date and time that your review goes live online, and when it’s published in print. I get it, especially as someone who grew up working in my family’s chop suey shop, staged at some of the best restaurants in Chicago and around the world and worked for a screamer chef as part of a team that earned a Michelin star.

Finally, (Episode 10: “Forever”) in a flashback we see Cicero say to Carmy, “I’m telling you that if we get a bad review, I gotta cut the f—ing string.”

After Carmy attends the final service of the fictional depiction of the real restaurant Ever in Chicago, and faces down a former toxic chef from New York, he receives a Google alert on his phone: “Chicago Tribune restaurant review: The Bear.”

Keywords flash by fast as he reads the review: confusing, excellent, culinary, dissonance, innovative, brilliant, sloppy, inconsistent, delicious, simple, complex, disappointed, Berzatto, subtract, overdone, incredible, tired, stale, talent.

His phone also shows notifications for four missed calls from Cicero, and five from Computer (Brian Koppelman), their money guy.

What “The Bear” gets wrong is that one bad review can break a restaurant. I unfortunately had to give a half-star review to the Wieners Circle, the most notorious hot dog stand in Chicago. But in a dramatic redemption story, just months later they earned a Chicago Tribune Food Award.

Plus we know from Cicero and Computer that there’s a lot more going on with money that has nothing to do with the restaurant.

What “The Bear” might get right is the review itself from what we can see about the food.

But I sure as heck would have reviewed the new Italian beef sandwiches too! As I did with the Filipino-inspired combos with fatty longganisa sausage and sliced pork adobo by chefs, owners and spouses Tim Flores and Genie Kwon in my four-star review of Kasama. Kwon appears in the final episode of the new season at the chefs’ table.

My reviews are about much more than the food. They’re about the experience as a whole. And most importantly the stories, sometimes real-life dark comedy dramas, behind it all.

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Pioneer Press celebrates St. Paul’s four MLB Hall of Famers in new book

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With the exception of Mobile, Ala., St. Paul boasts more native sons in the National Baseball Hall of Fame than any other mid-sized American city.

When former Minnesota Twin and Cretin-Derham Hall grad Joe Mauer takes his place in Cooperstown later this month, he’ll be the fourth major league ballplayer from the Saintly City to do so, following in the footsteps of Dave Winfield, Paul Molitor and Jack Morris.

Through the years, the Pioneer Press chronicled each of their careers from the sandlots of St. Paul to big league immortality in the Hall of Fame, and we’ve compiled the best of our coverage into a new hardcover book that celebrates the legendary baseball legacy of Minnesota’s capital city.

With a foreword by longtime sports columnist Charley Walters, “From St. Paul to the Hall” features more than 50 articles and dozens of archival photos that tell each player’s story as it originally appeared in their hometown newspaper.

The 160-page coffee table book begins with Winfield, maybe the most gifted all-around athlete St. Paul ever produced, who was inducted into the Hall alongside Twins legend Kirby Puckett in 2001.

Like Winfield, Molitor joined the rarified ranks of the 3,000-hit club during his time in a Twins uniform, earning a spot in Cooperstown in 2004 before going on to manage Minnesota for four seasons.

A frequent opponent of Molitor’s in St. Paul’s youth leagues, Morris thrilled Twins fans in Game 7 of the 1991 World Series, pitching a 10-inning masterpiece to help his team win its second championship title in five years. Morris waited more than two decades for his bid to the Hall of Fame, which arrived in 2018.

Mauer grew up in the shadow of these three local giants, drawing frequent comparisons to Molitor and Winfield as he built his own legacy as a standout multi-sport athlete from a young age.

Mauer spent his entire career in a Twins uniform, earning him a special place in the hearts of many Minnesota sports fans.

“From St. Paul to the Hall” is now available at a discounted presale price in our online store. Presale orders are expected to ship in August.

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