CDC invites back about 180 fired employees, including some who help fight outbreaks

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By MIKE STOBBE

NEW YORK (AP) — The nation’s top public health agency is inviting about 180 employees back to work, about two weeks after laying them off.

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Emails went out Tuesday to some Centers for Disease Control and Prevention probationary employees who got termination notices last month, according to current and former CDC employees.

A message seen by the AP was sent with the subject line, “Read this e-mail immediately.” It said that “after further review and consideration,” a Feb. 15 termination notice has been rescinded and the employee was cleared to return to work on Wednesday. “You should return to duty under your previous work schedule. We apologize for any disruption that this may have caused,” it said.

About 180 people received reinstatement emails, according to two federal health officials who were briefed on the tally but were not authorized to discuss it and spoke on condition of anonymity.

It’s not clear how many of them returned to work Wednesday. And it’s also unclear whether the employees would be spared from further widespread job cuts that are expected soon across government agencies.

The CDC is the latest federal agency trying to coax back workers soon after they were dismissed as part of President Donald Trump’s and billionaire Elon Musk’s cost-cutting purge. Similar reversals have been made among employees responsible for medical device oversight, food safety, bird flu response, nuclear weapons and national parks.

The Atlanta-based CDC is charged with protecting Americans from outbreaks and other public health threats. Before the job cuts, the agency had about 13,000 employees.

FILE – A sign marks the entrance to the federal Centers for Disease Control and Prevention (CDC) in Atlanta, on Oct. 8, 2013. (AP Photo/David Goldman, File)

Last month, Trump administration officials told the CDC that nearly 1,300 of the agency’s probationary employees would be let go. That tally quickly changed, as the number who actually got termination notices turned out to be 700 to 750.

With 180 more people now being told they can return, the actual number of CDC employees terminated so far would seem to stand somewhere around 550. But federal health officials haven’t confirmed any specifics.

Health and Human Services Secretary Robert F. Kennedy Jr. last month pledged “ radical transparency ” at the department, but HHS officials have not provided detail about CDC staff changes and did not respond to emailed requests on Tuesday and Wednesday. An agency spokesman, Andrew Nixon, previously told the AP only that CDC had more full-time employees after the job cuts than it did before the COVID-19 pandemic.

Those who received reinstatement emails included outbreak responders in two fellowship programs — a two-year training that prepares recent graduates to enter the public health workforce through field experience and a laboratory program that brings in doctorate-holding professionals.

U.S. Sen. Raphael Warnock celebrated the reinstatements, but said it’s not enough.

“Today’s announcement is a welcome relief, but until all fired CDC employees are restored, our country’s public health and national security will continue to be at risk,” Warnock, a Georgia Democrat, said in a statement Wednesday.

Associated Press writer Michelle R. Smith in Providence, Rhode Island, contributed to this report.

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.

Federal judge blocks drastic funding cuts to medical research

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By LAURAN NEERGAARD and MICHAEL CASEY

A federal judge on Wednesday blocked the Trump administration from drastically cutting medical research funding that many scientists say will endanger patients and cost jobs.

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The new National Institutes of Health policy would strip research groups of hundreds of millions of dollars to cover so-called indirect expenses of studying Alzheimer’s, cancer, heart disease and a host of other illnesses — anything from clinical trials of new treatments to basic lab research that is the foundation for discoveries.

Separate lawsuits filed by a group of 22 states plus organizations representing universities, hospitals and research institutions nationwide sued to stop the cuts, saying they would cause “irreparable harm.”

U.S. District Judge Angel Kelley in Boston had temporarily blocked the cuts last month. Wednesday, she filed a preliminary injunction that puts the cuts on hold for longer, while the suits proceed.

The NIH, the main funder of biomedical research, awarded about $35 billion in grants to research groups last year. The total is divided into “direct” costs – covering researchers’ salaries and laboratory supplies – and “indirect” costs, the administrative and facility costs needed to support that work.

The Trump administration had dismissed those expenses as “overhead,” but universities and hospitals argue they’re far more critical. They can include such things as electricity to operate sophisticated machinery, hazardous waste disposal, staff who ensure researchers follow safety rules and janitorial workers.

Under prior policy, the government negotiated those rates with institutions. As an example, an institution with a 50% indirect cost rate would get another $50,000 to cover indirect expenses for a $100,000 project. The NIH’s new policy would cap indirect costs at a flat rate of 15% instead, calculated to save the agency $4 billion a year.

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.

Making Space: The Harlem-Raised Stylist to the Stars

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Courtesy of Terrell Jones

In ‘Making Space’ we talk to some of the notable people who call New York home—about their lives, their work, and how the city has shaped them.
Want to suggest our next subject? Email editor@citylimits.org

Terrell Jones has made a name for himself as a stylist to the stars.

But before he was dressing celebrities like Fat Joe and DJ Khaled, Jones was taking outfit inspiration from the streets of New York City, where he grew up.

“Harlem, to me, is the most fashionable [neighborhood] in New York City,” he said. “The streets were basically just like a moving runway.”

Jones recently spoke to City Limits about how he got his start, how the city influences his style, and why New York weather offers more fashion opportunities than Los Angeles.

This conversation has been condensed and edited for clarity.

How did growing up in Harlem influence your sense of style?

I grew up around a lot of style, both on the east side of Harlem, that’s where I was born and raised, and the west side of Harlem was where my grandparents and my parents were from, so I had the connection to both, and they both have very different styles, but very similar, if that makes any sense to you.

The streets were basically just like a moving runway, because everyone had their own sense of style. Obviously we had people who were fashion icons in Harlem. So whether it was Dapper Dan, or whether it was me being at my grandmother’s house, which is in Striver’s Row, watching the people go back and forth to all the different churches…I was always surrounded by tons of style.

I went to a performing arts school, but I’m a twin, and my twin brother went to Catholic school, so I would even get some inspiration from him. Obviously they always had to wear a shirt, tie and pant, but the way that they were actually able to dig deeper for their inspiration, that was always very inspiring for me, because their canvas was basically the same, but it was all over how they accessorized it. So I was just surrounded by tons of influence being in Harlem, and that’s where I was able to kind of mold my personal style.

So you went to a performing arts high school here in the city?

Yes, I started out in elementary school, and that’s where my love for fashion sort of kicked in. I started out in Catholic school with my brother, and in fourth grade, I realized that that just wasn’t for me. So I spoke to my parents about it, and at first they didn’t like the idea, but then my mom decided to not register me again, and I went to a public school and I auditioned for the performing arts division, and I got in. I was a dance major, and I did that all the way up until high school.

But for me, one of the things that really affected me going to Catholic school was wearing the same clothes every day, because at that point, elementary school was a uniform. And my mother asked me, ‘Why don’t you like this school?’ And I said, ‘I just don’t like the idea of wearing the clothes every day.’ And she said, ‘Well, school is not a fashion show.’ When you fast forward, for me, it obviously became one.

When did you first start getting into styling people, and how did that career begin?

I had a few different moments, but one of the ones that stands out to me the most was—obviously, I went to a performing arts high school, and I had a girl who had gone to my school who was extremely fashionable, and she had the best taste, and she was the prettiest girl. She had graduated, she had moved on, but she lived in the neighborhood, so I would see her, and she’d always compliment me and say, ‘You look so nice. You look so fly.’

I found out that she was actually a stylist. And not only was she a stylist, but she was Mary J. Blige’s stylist. And she said to me, ‘You should help me out. You should work with me.’ And I’m like, ‘What does that even mean? I’m in my last year of high school.’ And she said, ‘You should just meet me after school. And like, let’s just go shopping, take me places, tell me what you know.’ And I did it and I became her assistant, and I started to work for Mary J. Blige, and that’s where by journey actually began.

You’ve dressed a lot of well known names in your career, both New Yorkers and celebrities from other places. Is there anything about New York fashion that you think is very quintessentially New York?

New York Fashion is different because we have four seasons, so you’re able to dig a little bit deeper into fashion and style. I feel like Los Angeles only has, kind of two seasons, summer and I would say fall. But for New York…spring was really your spring. So it was all about introducing beautiful colors. It was all about introducing some patterns, some prints. And then you would usher into fall, which was little bit of layering different textures, heavier fabrics, maybe richer, darker tones.

Then you went into winter, where you got to introduce all your accessories: So it was boots, it’s gloves, it’s scarfs, it’s sweaters. Smooth coats, outerwear, which is a beautiful thing. And then you have summer. A New York summer, you can either do something very light, or you have flowy things, just lighter fabric and less, but less is more. So I think New York, the advantage that we have is to be able to transition into different seasons and explore different styles.

City Limits tends to write a lot about housing, and about affordability. How do you see the cost of living here in New York, especially around housing, impact its creative sector?

I’m in a space of pure creatives. a lot of creatives don’t start off with stability, or don’t have stability when it comes to finances, because obviously in the creative space, it’s an ever evolving world and journey, so that can make it very tough for someone to actually make it in New York City, because the rent and to purchase and to live in New York is sort of astronomical.

What I would love to see is more luxury creative housing, where those buildings would exist for all different creators, whether they’re artists, musicians, fashion designers, actors, actresses, chefs, different things like that, but anything that’s in a creative space where they could actually live affordable luxury housing, but also be surrounded by other creatives, because I think that places like that are magical. Magic is born in those spaces because of the exchange of creativity, and the exchange of energy.

And then obviously you can do it without the stresses of trying to own your craft and then also having to have one or two different other hustles just so you can survive. I think it’s pretty tough to actually be an artist, or even try to become an artist in New York City, and live here with the way that our rent and with the way that housing is set up. The prices are just through the roof.

How does the city inspire your work?

Basically because it’s just a melting pot for all different people. I love the idea of being able to jump on the subway and get to see all these different types of style, all these different types of personalities, all these different types of energy moving through the city. That was someplace I was able to draw lots of creativity.

I love New York because it’s also a place where you can walk—some of the cities I go to, you don’t have the freedom of just kind of getting out and walking. I remember trying to take a walk in Beverly Hills in Los Angeles one time, and I just felt like I was walking forever, and literally, there was nothing to look at. Now, there were beautiful homes, but no people. Beautiful, beautiful cars were driving by, beautiful homes, beautiful landscaping and greenery, but absolutely no people to actually see, because everyone drives out there.

So I feel like the fact that you can get out in a New York City street and get out on a particular avenue, whether it’s Fifth Avenue, Madison Avenue, obviously, throughout all the streets of Harlem, that’s an energy that you just can’t get anywhere else.

Is there anything coming up for you this year that you’re most excited about?

One thing that I’ve had the joy of doing is building a career out of dressing men of a certain size. So I’ve been toying with the idea of maybe doing a how-to guide—I don’t even want to really call it a book—I would want to call it a guide to big style. It’s basically just teaching men of a certain size that they don’t really have any ceilings on what they could do. Really just supporting men, and obviously women can take tips from it as well, just really a book of encouragement for guys of a certain size, and welcoming them into the style conversation, and welcoming into the fashion space.

I’m definitely looking to go and do some creative direction in the TV and film space, telling my story and expressing myself differently through character. And I’m also looking forward to putting myself in front of the camera, and who knows where that might land, whether it’s a little bit of acting or personality work. But that’s some stuff that I’m really excited about exploring in 2025. And then also working on my own clothing collection, which would be like a capsule line for men, luxury street wear for men.

To reach the editor, contact Jeanmarie@citylimits.org.

The post Making Space: The Harlem-Raised Stylist to the Stars appeared first on City Limits.

David Wood, Set for Execution, Says He Was Never the ‘Desert Killer’

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Young women had been disappearing from the streets of El Paso for months before the first bodies were discovered in the desert northeast of the city.

On September 4, 1987, police found the remains of Karen Baker and Rosa Maria Casio in shallow graves. The search for other missing women stretched into March of 1988, interrupted by nearly two feet of snowfall in December 1987, a weather anomaly still remembered whenever snow falls in West Texas. Four more victims of the so-called “Desert Killer” were discovered: Ivy Williams, Desiree Wheatley, Angelica Frausto, and Dawn Smith. The victims’ ages ranged from 14 to 24.

Five were discovered in the same square-mile patch of the Chihuahuan Desert, and the sixth less than a mile away. The bodies were badly decomposed, making the causes of death difficult to determine. Police linked them because of the proximity and similarity of the burial sites, as well as signs that some women had been sexually assaulted. As police dogs searched the area for more victims and the public fervor for answers grew, investigators had zeroed in on their prime suspect: David Wood. 

Wood had a history with the El Paso Police Department. In 1976, when he was 19, he was arrested for indecency with a child. After pleading guilty, he was sentenced to five years in prison, and served only half that time. In 1980, he pleaded guilty to two separate rapes: one of an adult woman and one of a 13-year-old girl. He received concurrent 20-year sentences, but he got out seven years later on parole.

That same year, he was jailed on suspicion of another sexual assault, and he had become the prime suspect in the Desert Killer cases. 

“Every time something would happen, [police] would pull me in,” Wood told the Texas Observer in a March interview. “They were accusing me of every unsolved crime on the planet. … My photo was everywhere. I didn’t stand a chance once I got arrested.”

The El Paso Police Department’s “Northeast Desert Murders Task Force” assembled a case against Wood. Officers found witnesses who saw Wood—or someone who fit his description—with some of the women around the time of their disappearances. They found fiber evidence that an investigator would testify linked Wood to one victim’s body. 

While police built their investigation, Wood was convicted of sexually assaulting Judith Brown Kelling, a crime prosecutors argued fit the serial killer’s modus operandi. According to court documents, Kelling had previously identified a different man as her attacker. Wood’s attorneys have also offered up alibi witness accounts for him on the day Kelling was attacked, but he was convicted.

Wood was indicted for the murders of Williams, Wheatley, Baker, Frausto, Casio, and Smith. 

Prosecutors won a conviction in the murder case based mainly on statements from two jailhouse informants who claimed Wood had confessed to them. At the time, the only DNA evidence authorities tested produced inconclusive results. The members of the El Paso jury were instructed only to determine whether he killed Williams and “one or more” of the other women; they didn’t need to specify or agree on which of the other killings they attributed to him. In 1992, the jury convicted Wood of capital murder and sentenced him to death. 

“I want people to understand that I’m not looking for revenge,” Marcia Fulton, Desiree Wheatley’s mother, told an El Paso news station last year. “I’m looking for justice. He did the crime, he needs to do the punishment.”

Wood is scheduled to be executed March 13 in Huntsville. But he says the state got the wrong guy—and his lawyers say the case against him was built on an elaborate lie.

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“I’ve been telling the truth ever since I got arrested, and no one’s ever listened to me,” Wood said. “I’ve been trying for 30 years to tell people I didn’t do this.”

As the date approaches, his lawyers are asking a court to consider evidence that Wood might actually be innocent, including a newer test that excluded Wood as the source of male DNA on one victim’s clothes. Wood’s attorneys have requested that more than 100 additional pieces of evidence be tested for DNA, but the state, represented by the Texas Attorney General’s Office, has opposed the request for over a decade. 

His attorneys also cite reports that Wood’s trial lawyers never saw, which show Wood was being surveilled by Texas Rangers on the days that two victims—Angelica Frausto and Rosa Maria Casio—disappeared. The Rangers don’t mention Wood being with either woman. His truck was stored in a salvage yard and his motorcycle parked on the sidewalk under a tarp on the night Casio disappeared, according to court documents.

Those court filings reveal another bombshell: A former cellmate of one of the informants said he knows that the story that the state used to convict Wood—the purported jailhouse confession—was made up with the help of El Paso police. 

In 1990, George Hall was moved from the Clements Unit, where he was then serving year 10 of a 45-year sentence for homicide, to the El Paso County Jail. He had no idea why he was being transferred—his crime had taken place in Hutchinson County, nearly 500 miles from El Paso. 

Eventually, two other men showed up: Randy Wells and James Carl Sweeney. The three were placed in a holding tank, one that would normally house about 15 people.

Hall knew both men from his time at the Eastham Unit, a sprawling men’s prison in Houston County since renamed the J. Dale Wainwright Unit. The year before, he had shared a cell with Sweeney and, just down the row, Wells had shared a cell with David Wood, who was then serving 50 years for the sexual assault of Judith Brown Kelling.

While at Eastham, Sweeney had been helping Wood file a civil lawsuit against El Paso officials, claiming he had been unfairly targeted in the Desert Killer investigation. Wood’s sister sent more than 200 news articles to the prison for Sweeney to help draft the lawsuit.

In the holding tank at the El Paso jail, Wells told Hall he had been arrested for running a meth lab—which was untrue. Wells had been arrested on suspicion of murder. Not long after that arrest, Wells had called his attorney and said he had information about “bodies buried in the desert in El Paso.” Wells then apparently told police that they should talk to Sweeney and Hall. 

“Wells told me and Sweeney that the cops wanted David Wood ‘real bad,’” Hall wrote in a sworn affidavit filed along with Wood’s appeal. “Wells said he could get his charges dropped if he could help the police. Wells asked us if we could tell him anything specific about the case.” 

Eventually, two El Paso detectives brought the men into a conference room for questioning. On the wall, a photo of Wood was pinned up, surrounded by photos of the serial killer victims. The photos of the women were marked with their names, ages, and information about their disappearances and the discovery of their bodies. 

According to Hall, detectives mentioned reward money—$25,000 from the El Paso Commissioners Court and another $1,000 from Crime Stoppers. He remembers detectives saying, “David Wood is our suspect. It’d be best if you tell us something because we can’t let this guy walk.”

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Detectives then handed over their case files to the three men, court filings allege. Hall wrote in his affidavit that Sweeney and Wells read the documents, full of details that wouldn’t have been public knowledge, and then told police that Wood had confessed to “what they had just seen in the files.” Hall told officers that he wasn’t going to cooperate. “I said I wasn’t going to lie about David Wood.” 

Thirty-five years later, in September 2024, Hall shared his story with Wood’s lawyers. He had waited decades because he was on parole until February 2024. But he had spoken up before, sending a letter to Debra Morgan, an El Paso assistant district attorney, the year before David Wood’s capital murder trial, that Wood’s defense team later obtained. Hall wrote, “I know Sweeney committed perjury before the grand jury and that Wells and him fabricated their stories together.” 

Hall’s recollection of the methods police used to obtain jailhouse informant testimony casts serious further doubt on the state’s case.

Wells had been facing his own capital murder charge when he told police about Wood’s alleged jailhouse confession. Leslie Roberts was shot and killed in Eastland County in 1990, and Wells was arrested for her murder, along with two co-defendants. Wells brokered a deal: He would testify against Wood and against his co-defendants in the Roberts case. In exchange, the state dropped the capital murder charge against him. Wells was later indicted for aggravated perjury after providing conflicting statements about who pulled the trigger in the Roberts case.

Sweeney, the other jailhouse informant who testified, sued El Paso to get the reward money. The county eventually settled and cut him a check for $13,000.

Jailhouse snitch testimony is considered a red flag by many legal experts. According to the National Registry of Exonerations, 256 people who have been exonerated of felonies in the United States since 1989 were convicted in a case using jailhouse informant testimony. Sixteen were from Texas, including Federico Macias, who was convicted of murder and sentenced to death in El Paso in 1984. Macias was exonerated in the 1990s—after it was discovered that his conviction rested on false accusations and perjury. 

Before David Wood’s capital trial in 1991, the state had three pieces of evidence tested for DNA. All tests came back inconclusive.

Nearly 20 years later, Wood’s lawyers asked for retests, and the state didn’t object. The results for two of the objects were still inconclusive. But in 2011, the lab’s test of a blood spot on a yellow terry-cloth outfit Dawn Smith was buried in revealed it came from another man—not David Wood.

One blood sample doesn’t prove Wood’s innocence. Because the jury was instructed that they had to find him guilty of Ivy Williams’ and “one or more” other murder, his exclusion as a suspect in the Dawn Smith case wouldn’t necessarily affect his conviction. After receiving that result, his lawyers requested more tests. But the state refused, calling further requests “absurd.” 

“Wood’s requests were the very definition of a fishing expedition,” state attorneys wrote.

A state statute gives prisoners access to post-conviction DNA testing: Chapter 64 of the Code of Criminal Procedure. But after more than a decade of litigation, the trial court denied Wood’s request for testing in 2022. “I think they’re afraid of what they’ll find out,” said Greg Wiercoch, a clinical law professor at the University of Wisconsin and one of Wood’s appeals attorneys.

Along with untested pieces of evidence, investigators have not ruled out an alternative suspect—a man who failed a polygraph exam and lied about knowing multiple victims. Police collected samples from him back in 1987, but investigators never created a DNA profile for him, and his genetic profile has never been compared to the male DNA found on Smith’s clothing, according to court filings.

Forensically, only one piece of evidence tied Wood to a victim: orange fibers that police found on and around Desiree Wheatley’s body on October 20, 1987.  Fibers weren’t found at the other burial sites, but police found similar fibers in a vacuum cleaner bag recovered from the garage of a building where Wood used to live. Police obtained the bag from a landlord several weeks after Wood moved out and a new tenant had moved in.

David Wood (Michelle Pitcher)

At Wood’s trial, a chemist from the Texas Department of Public Safety (DPS) testified that the fibers were a “match,” linking Wood and the crime scene. But other experts say it’s impossible to have that much certainty from fiber evidence. “In general, what fiber analysts can say is, ‘This is cotton, and it’s this color.’ They can take measurements of it and describe the characteristics,” said Kate Judson, executive director of the Center for Integrity in Forensic Sciences. “But in terms of matching it to a piece of evidence, there’s nothing to support that that’s accurate.”

More important forensic evidence was likely lost when investigators examined Ivy Williams’ body and used a cleaner—Clorox or something similar, according to court records—to remove tissue from the bones. They then scrubbed the bones with an abrasive pad, before the body had been examined by a forensic anthropologist to determine an estimated time of death for Williams, the only victim whose murder the jury had to agree on. Williams had never been reported missing, so those determinations were critical to the case.

“The discovery of Ivy Williams’s body in March 1988, over five months after David Wood’s arrest and incarceration, created a case-jeopardizing issue for the State: if Williams had disappeared and been murdered within the prior five months, David Wood could not be the Northeast Desert serial killer,” Wood’s lawyers wrote in an appeal document filed in February. Despite the flawed forensic examination, the state placed her death in May, making her the first victim of the Desert Killer. 

Wood’s case has been in the appeals process since his conviction was handed down in 1992. His direct appeal was denied in 1995, as were multiple state and federal appeals over the next sixteen years. After the U.S. Supreme Court declined to hear his case, he was first scheduled for execution on August 20, 2009. 

The Texas Court of Criminal Appeals (CCA) halted that execution so the courts could determine whether Wood had an intellectual disability, which would disqualify him from being executed based on a 2002 Supreme Court ruling. The courts eventually determined he did not have an intellectual disability, but by that point his innocence claim and requests for DNA testing were already moving through the courts.

The current appeal, in which lawyers lay out Wood’s innocence claims, is pending before the CCA. Wood’s lawyers have also filed a clemency petition with the Board of Pardons and Paroles.

The post David Wood, Set for Execution, Says He Was Never the ‘Desert Killer’ appeared first on The Texas Observer.