The GOP’s internal war over how to message abortion policy is shifting

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Back in April, Nikki Haley delivered a speech at Susan B. Anthony Pro-Life America’s headquarters that left officials from the anti-abortion group disappointed and positioned her as an outlier in the field.

The former U.N. ambassador declined to commit to a federal 15-week limit on the procedure and spoke broadly about “sensitivity” and finding “national consensus.” Anti-abortion activists warned that her approach would alienate base voters.

On Wednesday, Haley delivered a similar line on abortion during the third GOP primary debate, declaring that she remains personally opposed but does not “judge anyone for being pro-choice.” This time around, she wasn’t being viewed as an anomaly among the candidates, but as the possible template for others in the party to follow.

“It feels like everyone’s kind of heading in the same direction, and it’s toward the position Nikki has articulated from the beginning,” said Republican strategist David Kochel, a longtime fixture of Iowa politics. Haley had “the answer that most Republicans should be learning how to articulate, because it makes so much sense … We need people in our coalition who have diverse opinions about abortion.”

The Republican Party is in the midst of a potentially seismic shift when it comes to how it talks about abortion. In the years before the Supreme Court struck down Roe v. Wade, few, if any, serious presidential aspirants were willing to risk being portrayed as anything less than 100 percent on board with the anti-abortion standards set by leaders of the cause.

But over the past year, as voters have consistently backed codifying abortion rights in their states — including in Ohio, the night before the debate — GOP candidates up and down the ballot have tried to moderate or muddy their message, even while continuing to back abortion restrictions.

The current runaway favorite for president, Donald Trump, has repeatedly warned that the Republican Party risks electoral calamity if it comes off as too doctrinaire. That Haley, the most ascendant of the also-rans, has staked out a softer approach, too, suggests there is currently little political downside in doing so.

The Haley campaign is feeling vindicated. Having endured criticism over her approach early in the race, aides feel she is “teaching the GOP how to talk about this,” as one campaign official put it. It does not go unnoticed that she is doing so as the only woman in the race.

“She is on a primary debate stage surrounded by men,” the campaign official, granted anonymity to speak freely, said. “The first debate, they were literally all wearing the same thing. Here she was, a voice of reason and clarity. I think it just struck people.”

Haley’s moderation, Democrats argue, is on rhetoric, not substance. As a governor and a state legislator, she supported anti-abortion laws and continues to pledge to sign the most restrictive one that would reach her desk. Top surrogates of the Biden campaign, which has made no secret of its plans to run on abortion, were quick to slam her debate response, attempting to frame her as an extremist, despite her hesitance to embrace a specific federal standard.

But as a matter of messaging, it is clear that the GOP primary field has moved in Haley and Trump’s direction. With former Vice President Mike Pence now out of the race, and former Arkansas Gov. Asa Hutchinson no longer on the debate stage, there is little public embrace in the GOP primary of a national abortion law.

Florida Gov. Ron DeSantis — who signed a six-week abortion ban in his state and agreed to sign a 15-week national abortion restriction if president — didn’t mention that pledge during the third debate. Instead, he told a personal story about appointing a state Supreme Court justice whose mother had been counseled to abort her.

Former New Jersey Gov. Chris Christie maintained that the issue was one for states to decide for themselves. Biotech entrepreneur Vivek Ramaswamy declined during the debate to give a direct answer to the question of a 15-week ban — though he has repeatedly said it should be decided at the state level — instead calling for “sexual responsibility for men.”

The one exception was Sen. Tim Scott, who embraced a 15-week ban.

For leaders in the anti-abortion movement, it feels off — and a bit frustrating — that the loudest voices in the party have failed to adopt the proposed 15-week messaging. Having finally achieved their decadeslong goal of dismantling Roe, they believe Republicans need to not act defensive.

“I think clarity is a gift in politics, and the only one with any sense of clarity at all was Tim Scott,” said Marjorie Dannenfelser, president of Susan B. Anthony Pro-Life America, remarking on the most recent debate. “Voters in the Republican primaries deserve to hear not nuance, but they deserve to hear what the candidates would actually do. I don’t think the question could be asked in any simpler way than the moderators have asked.”

Dannenfelser said she has not spoken with Haley since her speech at their headquarters in April, or with Trump since she held a meeting with him later in the spring. But she is holding out hope that they have a change of heart on how they’re approaching abortion policy.

But a change of heart seems increasingly unlikely.

On Tuesday, voters passed an amendment enshrining abortion into the constitution in the red state of Ohio, in what was widely seen as a political bellwether for voters leading into 2024. And Virginia Gov. Glenn Youngkin, having pushed a 15-week limit as a sensible middle ground, saw Democrats in his state retain the state Senate and win over the House.

Long before then, Trump had argued that the GOP needed to change how it tackled abortion. More recently, at back-to-back events in September for the conservative groups Concerned Women for America and Family Research Council, he said it was possible to win on abortion, but “it’s very delicate and explaining it properly is an extremely important thing.”

Trump — who touts nominating the conservative Supreme Court justices who overturned Roe but rarely offers specifics on his abortion position — has underscored the importance of exceptions in the case of rape, incest or when the life of the mother is endangered. And he has criticized six-week abortion bans as “a terrible thing and a terrible mistake.” He has instead offered to sit down with Democrats and Republicans to “negotiate something” on abortion.

Penny Nance, the CEO of Concerned Women for America, said she agreed with Trump’s premise that messaging around abortion needs to improve. But she said the solution was not to try and “dodge the issue and go soft on [it],” but more conviction and resources behind the anti-abortion cause.

“It’s not going to go away, and it’s going to be top of the Democrats agenda in 2024. So, Republicans need to learn their lessons, and they need to put their money where their mouth is,” Nance said. “When we’re getting outspent 9 to 1, what do they think was going to happen?”

Haley’s camp, for its part, sees no need to change course. After Wednesday’s debate, positive feedback, including for her abortion answer, came pouring in publicly and privately, a campaign official said. Haley raised more than $1 million in the 24 hours after the debate, setting a record day for the campaign’s small-dollar fundraising. A post-debate 538/Washington Post/Ipsos poll declared her the clear winner of the night.

While the praise she is receiving for a less-defined abortion policy might frustrate some leaders of social conservative groups, others have been less insistent that the candidates follow a strict script.

Ralph Reed, chairman of the Faith and Freedom Coalition, said there should be a “highly organic process and an ongoing conversation” between the candidates, anti-abortion and other conservative groups, voters and party officials.

“They need to be both principled and pragmatic, where they are not retreating one inch on being pro-life and standing for the ultimate goal of every child being safe in its mothers womb,” Reed said. “But they have to be pragmatic about what’s achievable today on the state and federal level.”

“In the near term,” Reed said, “most of the progress will be in the states.”

The Loop NFL Picks: Week 10

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Saints at Vikings (+2½)
Former Vikings quarterback Fran Tarkenton was wowed by Joshua Dobbs’ performance last Sunday, saying what the replacement QB did was “impossible.” Tarkenton’s a bit of an expert on things “impossible” from his days trying in vain to win Super Bowls.
Pick: Vikings by 3

Jets at Raiders (+1½)
Injured Aaron Rodgers was in full backtrack mode after saying on the field Monday night that he’d be back quarterbacking the Jets in “several weeks.: He quickly amended that to “several fortnights,” then admitted he’s going to spend the next several months playing only Fortnite.
Pick: Raiders by 3

Broncos at Bills (-6½)
Former Bills star O.J. Simpson, looking like the frail 76-year-old he is, was seen shuffling down the street in Las Vegas. Despite his hobbled state, he was recently turned down by Visiting Angels when he tried to hire them to take over his search for The Real Killers.
Pick: Bills by 11

Falcons at Cardinals (+1½)
Kyler Murray is expected to return as Arizona’s QB. That means last week’s starter, Clayton Tune, has probably started his last NFL game, giving him something in common with the Vikings’ Jaren Hall.
Pick: Falcons by 7

Lions at Chargers (+1½)
The Chargers finally looked playoff worthy by routing the New York Jets on Monday Night Football. The game was so bad that it was almost as unwatchable as the Manningcast with Arnold Schwarzenegger’s donkey.
Pick: Chargers by 3

Giants at Cowboys (-16½)
The Giants have made it clear that last-string Tommy Devito will quarterback the rest of the season, making them a strong bet to finish with the NFL’s worst record. That news caused New York fans to shudder and USC’s Caleb Williams to collapse weeping in his mother’s arms.
Pick: Cowboys by 24

Titans at Buccaneers (+1½)
Tennessee has named rookie Will Levis the starting quarterback after just two games leading the Titans’ offense. Levis obviously surpassed the ridiculously low bar of being better than Ryan Tannehill.
Pick: Titans by 3

49ers at Jaguars (+2½)
The 49ers raised eyebrows by trading at the deadline to get Washington pass rushing star Chase Young. It’s a surprisingly astute move for a franchise that just traded away a king’s ransom for the likes of Trey Lance.
Pick: 49ers by 3

Texans at Bengals (-6½)
Houston backup running back Dare Ogunbowale made headlines by kicking a go-ahead field goal last Sunday after the Texans’ kicker was injured .He’s the brother of WNBA star Arike Ogunbowale of the Dallas Wings who, it turns out, have as much chance of winning a Super Bowl as the Houston Texans.
Pick: Bengals by 8

Packers at Steelers (-3½)
Pittsburgh coach Mike Tomlin dismissed tensions with his malcontent receiver, saying Geroge Pickens is “a pebble in my shoes.” The stress is nothing compared to Tomlin’s many years of Antonio Brown being a porcupine in an unmentionable place.
Pick: Steelers by 7

Other games

Colts vs Patriots (+2½):
Pick: Colts by 3

Browns at Ravens (-5½): .
Pick: Ravens by 3

Commanders at Seahawks (-6½):
Pick: Seahawks by 7

Bye weeks

Chiefs, Dolphins, Rams, Eagles

Record

Week 9
9-5 straight up
7-7 vs. spread

Season
84-52 straight up (.618)
70-66 vs. spread (.515)

You can hear Kevin Cusick on Wednesdays on Bob Sansevere’s “BS Show” podcast on iTunes. You can follow Kevin on Twitter — @theloopnow. He can be reached at kcusick@pioneerpress.com.

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Grammys 2024: Top nominees include SZA, Phoebe Bridgers, Victoria Monét and, close behind, Taylor Swift

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By George Varga, San Diego Union-Tribune

SZA didn’t quite make history with Friday morning’s announcement of the 2023 Grammy Awards nominees. But she came close on a ballot that saw women artists dominating the nominations for Best New Artist and Album, Record and Song of the Year in apparent record numbers.

A genre-blurring singer, songwriter and sly musical provocateur, SZA earned a field-leading nine nominations. They include nods for Album of the Year (for her critically acclaimed and chart-topping “SOS”) and Record and Song of the Year (both for “Kill Bill,” which takes its name from the 2003 Quentin Tarantino film and tells a similar tale of vengeance).

SZA’s nine nominations are almost a record, but not quite. Lauryn Hill and Beyoncé each had 10 nominations, in 1999 and 2010, respectively. Beyoncé’s six 2010 wins set a record for the most Grammys won in a single year by a female artist, which Adele tied with her six wins in 2012.

Beyoncé, who won four awards at this year’s Grammys, has a total of 32 wins, a record for any female artist. But she has yet to win for Record or Album of the Year, two of the four most prestigious categories.

Should SZA take the prize for Album of the Year, she will be only the fourth Black woman artist in Grammy history to do so, following in the footsteps of Hill, Natalie Cole and Whitney Houston.

That said, the odds are good that a woman artist will prevail when the winners of the 66th annual edition of the Grammys are announced Feb. 4 during a CBS telecast from Crypto.com Arena in Los Angeles.

With the exception of jazzy pop-and-beyond veteran Jon Batiste — last year’s surprise victor — the other seven Album of the Year nominees this time around are women. They include — in addition to SZA — Taylor Swift, Lana Del Rey, Janelle Monáe, Miley Cyrus, the all-woman trio boygenius and Olivia Rodrigo, 20, who won three Grammys last year.

The similarly high-profile Record of the Year nominations went to many of the same artists, all but one a woman. The contenders are “Worship” by Batiste, “Not Strong Enough” by boygenius, “Flowers” by Cyrus, “What Was I Made For?” (from the movie “Barbie”) by Billie Eilish, “On My Mama” by Monét, “vampire” by Rodrigo, “Anti-Hero” by Swift and “Kill Bill” by SZA.

Jon Batiste performs at “A New York Evening With Jon Batiste” at National Sawdust on October 17, 2023 in New York City. (Photo by Rob Kim/Getty Images for The Recording Academy)

Likewise, Batiste is the only male artist to earn a 2024 Record of the Year nomination, for his understated piano ballad, “Butterfly.” The other nominees in this category — which honors songwriters — include Swift’s “Anti-Hero,” Del Rey’s “A&W,” SZA’s “Kill Bill,” Cyrus’ “Flowers,” Rodrigo’s “vampire,” Eilish’s “What Was I Made For” and Dua Lipa’s “Dance the Night” (which, like Eilish’s song, is featured in the movie “Barbie).

Women artists also fared well in the Best New Artist category. The nominees include Ice Spice, Gracie Abrams, Coco Jones, vocal duo The War and Treaty (which teams Tanya Trotter with her husband, Michael) and neo-R&B singer Victoria Monét, who is nominated in six other categories. They will be vying against the three male Best New Artist nominees — Jelly Roll (whose first recording came out in 2011), Noah Kahan and Fred again..

Surprisingly absent from the list of Best New Artist contenders are such rising performers as Mexico’s Peso Pluma, Iceland’s Laufey and Louisiana native Lainey Wilson, who on Wednesday won in five categories at the 2023 Country Music Association Awards.

The winners will be determined by the 11,000-plus voting members of the Los Angeles-based Recording Academy, under whose auspices nominations in 91 categories are made and votes cast. More than 16,000 recordings were submitted for Grammy consideration. (A list of contenders in the major categories appears later in this article.)

In a significant change, the number of nominees in the Album of the Year category has been reduced to eight, down from 10 the past two years. Ditto the number of nominees in the other three highest-profile Grammy categories — Song of the Year, Record of the Year and Best New Artist. Whether this reduction will change the dynamics or shift the odds when ballots are cast remains to be seen.

If they do, SZA — real name: Solána Imani Rowe — could, at least in theory, top past winners Beyoncé and Adele. But to do so, SZA will have to trounce an array of fellow nominees, at least a few of whom have much higher profiles.

Taylor-made?

Neo-R&B singer Monét, Phoebe Bridgers and Canadian record producer Serban Ghenea each have seven nominations. Close behind, with six apiece, are Swift, Batiste, Rodrigo, Cyrus, boygenius (whose lineup includes Bridgers), Jack Antonoff and country music singer-songwriter Brandy Clark.

Taylor Swift attends “Taylor Swift: The Eras Tour” Concert Movie World Premiere at AMC The Grove 14 on October 11, 2023 in Los Angeles, California. (Photo by Matt Winkelmeyer/Getty Images)

Swift has won three previous Album of the Year Grammys, the most by any women artist. She had the biggest year of her already momentous career in 2023, when her record-setting North American tour drew 3 million fans and earned $780 million for its first 56 stadium concert stops. Interest in her is so high that USA Today this month hired a full-time “Taylor Swift beat reporter.” Her beatification may only be a matter of time.

So, unless there is an unexpected backlash against her from Grammy voters, Swift, 33, could well emerge as the biggest winner when the Grammy telecast is held in February. SZA, 34, may be hindered by the fact that — unlike Swift — she is not yet a household name with all Grammy voters. (SZA’s sole previous win was two years ago in the Best Pop Duo/Group Performance category as a featured artist on Doja Cat’s “Kiss Me More.”)

Antonoff, Swift’s frequent songwriting partner, is one of the most sought-after collaborators in pop music. He will be competing with himself, in a manner. He shares in two Album of the Year nominations (for his work on Swift’s “Midnights” and Del Rey’s “Did you know that there’s a tunnel under Ocean Blvd.”), and two Song of the Year nods (for Swift’s “Anti-Hero” and Del Rey’s “A&W). Antonoff is also up for Producer of the Year, Non-Classical honors.

The 2024 nominees were announced during a 30-minute livestream on live.grammy.com and the Recording Academy’s YouTube channel by multiple artists and Recording Academy CEO Harvey Mason Jr. The scheduled artists included St. Vincent, Vince Gill, Samara Joy, Kim Petras, Muni Long, Arooj Aftab, “Weird Al” Yankovic and Jon Bon Jovi, who will be honored Feb. 2 as the Grammy and Recording Academy’s MusicCares Person of the Year all-star concert in Los Angeles.

“We are thrilled to kick off Grammy season with this year’s diverse and genre-bending slate of nominees, representing the best of their craft and an incredible year of music,” Mason said in a statement released Friday morning. “From breakthrough acts to legacy artists, we are amazed by all the musicians recognized for their outstanding contributions to music today …”

Intriguingly, none of the latest crop of Album of the Year nominees qualify as legacy artists, at least not yet. That designation typically applies to veteran performers, such as 2024 Best Folk Album nominee Paul Simon and Bruce Springsteen, whose sole nomination this time around is so far down the list of 91 categories you may need a magnifying glass to find it.

The unprecedented dominance of women artists for Album of the Year, the single most prestigious Grammy category, can be viewed as a welcome development — and an overdue course correction.

The Recording Academy has been under increasing fire in recent years for its failure to recognize women artists. Between 2013 and 2018, only 9.5 percent of the nominees have been women and the number of women winners since then has not improved dramatically.

Mason has made a palpable impact since coming on board as the head of the Recording Academy in 2020, diversifying the nonprofit organization’s membership and spearheading a number of forward-looking initiatives that have earned him praise even from some staunch Grammy critics.

But the academy was jarred earlier this week by news reports that Mason’s predecessor twice removed — former academy CEO Neil Portnow — is being sued by an unidentified woman musician. She accuses him of drugging and raping her in 2018 in a New York City hotel room, a charge Portnow has vehemently denied. The academy said in a statement that the claims against Portnow are “without merit” and that the organization will “vigorously defend itself in this lawsuit.”

High-profile omissions

As is often the case when Grammy nominations are announced, some of the omissions may draw nearly as much attention as the biggest contenders.

Morgan Wallen did not get an Album of the Year nomination, despite being the top-selling country-music artist of this decade. His omission may reflect that Grammy voters — who also cast ballots to determine the nominees — haven’t forgotten the videotape of Wallen’s racially charged drunken rant in 2021, or his flaunting of pandemic masking rules (which got him booted from his musical guest spot on “Saturday Night Live”).

Morgan Wallen performs onstage during the 57th Annual CMA Awards at Bridgestone Arena on November 08, 2023 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images)

Also conspicuously absent from the list of 2024 Grammy Album of the Year contenders is the band Foo Fighters, which this year released its first new album since the 2022 death of its drummer, Taylor Hawkins.

Another MIA from that category is Drake, who has boycotted the Grammys in recent years to protest Black artists being overlooked in the nominations. He did, however, submit this year his joint 2022 album with British rapper 21 Savage, “Her Loss,” for Album of the Year consideration.

It didn’t make the cut in that category. Neither did the latest albums by Ed Sheeran, Luke Combs, Bad Bunny, Zach Bryan or the soundtrack “Barbie, The Album,” which did garner four nominations in a lower-profile category.

Recordings released between Oct. 1, 2022, and Sept. 15, 2023, was eligible for Grammy consideration. The first round of voting concluded Oct. 20. The final round is from Dec. 14, 2023, to Jan. 4, 2024. The winners will be announced Feb. 4 during the CBS telecast.

2024 Grammy nominees

Here are the contenders in 10 of the 91 Grammy categories. A full list of nominees is available at grammy.com.

Album of the Year

“World Music Radio” — Jon Batiste

“the record” — boygenius

“Endless Summer Vacation” — Miley Cyrus

“Did you know that there’s a tunnel under Ocean Blvd.” — Lana Del Rey

“The Age of Pleasure” — Janelle Monáe

“GUTS” — Olivia Rodrigo

“Midnights” — Taylor Swift

“SOS” — SZA

Song Of The Year

“A&W” — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Recorded by Lana Del Rey)

“Anti-Hero” — Jack Antonoff & Taylor Swift, songwriters (Recorded by Taylor Swift)

“Butterfly” — Jon Batiste & Dan Wilson, songwriters (Recorded by Jon Batiste)

“Dance The Night” (from “Barbie The Album”) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Recorded by Dua Lipa)

“Flowers” — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Recorded by Miley Cyrus)

“Kill Bill” — Rob Bisel, Carter Lang & Solána Rowe, songwriters (Recorded by SZA)

“vampire” — Daniel Nigro & Olivia Rodrigo, songwriters (Recorded by Oliva Rodrigo)

“What Was I Made For?” (from the movie “Barbie”) — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Recorded by Billie Eilish)

Best New Artist

Gracie Abrams

Fred again..

Ice Spice

Jelly Roll

Coco Jones

Noah Kahan

Victoria Monét

The War and Treaty

Best Rock Album

“But Here We Are” — Foo Fighters

“Starcatcher” — Greta Van Fleet

“72 Seasons” — Metallica

“This Is Why” — Paramore

“In Times New Roman…” — Queens of the Stone Age

Best Alternative Music Album

“The Car” — Arctic Monkeys

“the record” — boygenius

“Did you know that there’s a tunnel under Ocean Blvd.” — Lana Del Rey

“Cracker Island” — Gorillaz

“I Inside the Old Year Dying” — PJ Harvey

Best R&B Album

“Girls Night Out” — Babyface

“What I Didn’t Tell You” (Deluxe) — Coco Jones

“Special Occasion” — Emily King

“JAGUAR II” — Victoria Monét

“CLEAR 2: SOFT LIFE” EP — Summer Walker

Best Pop Vocal Album

“chemistry” — Kelly Clarkson

“Endless Summer Vacation” — Miley Cyrus

“GUTS” — Olivia Rodrigo

“- (Subtract)” — Ed Sheeran

“Midnights” — Taylor Swift

Best Pop Dance Recording

“Baby Don’t Hurt Me” — David Guetta, Anne-Marie & Coi Leray

“Miracle” — Calvin Harris Featuring Ellie Goulding

“Padam Padam” — Kylie Minogue

“One in a Million” — Bebe Rexha & David Guetta

“Rush” — Troye Sivan

Best Dance/Electronic Music Album

“Playing Robots Into Heaven” — James Blake

“For That Beautiful Feeling” — The Chemical Brothers

“Actual Life 3 (January 1 – September 9 2022)” — Fred again..

“Kx5” — Kx5

“Quest For Fire” — Skrillex

Producer Of The Year, Non-Classical

Jack Antonoff

Dernst “D’Mile” Emile II

Hit-Boy

Metro Boomin

Daniel Nigro

Songwriter Of The Year, Non-Classical

Edgar Barrera

Jessie Jo Dillon

Shane McAnally

Theron Thomas

Justin Tranter

San Diego Union-Tribune music critic George Varga began drumming in rock bands at 12 and writing professionally about music at 15. A Louisiana native who grew up mostly in Germany, Varga has earned three Pulitzer Prize nominations for his writing at the U-T and is a voting member of the Rock and Roll Hall of Fame. In addition to providing live coverage of the Grammy Awards and festivals from Coachella and KAABOO to the 1994 edition of Woodstock, he has interviewed everyone from Miles Davis, Britney Spears and (over a game of chess) Ray Charles to Willie Nelson, Kanye West and Pulitzer Prize-winning composer Anthony Davis. A triple first-prize winner for criticism and arts writing at the 2022 San Diego Press Club awards, Varga is also a contributing writer for Jazz Times magazine and has written for Billboard, Spin and other publications. After attending San Diego City College and San Diego State University, he created and taught the 2002 UC San Diego Extension course, “Jazz in a Post-Ken-Burns World.” Varga has written liner notes for more than a dozen albums, including by jazz sax greats James Moody and Michael Brecker, and contributed two chapters to the book, “Dylan: Disc By Disc.”

The Ravens have the NFL’s best defense. Kyle Van Noy, a midseason signing, is a big reason why.

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Kyle Van Noy has the same question you do.

How the heck was he available for the Ravens to sign in late September?

Two months ago, before he became an unlikely sack machine for the Ravens, Van Noy was stuck waiting for a team to come calling.

“I mean, what are we doing?” Van Noy recalls thinking as he sat at home with the NFL season beginning without him. “Are people watching the film and whatnot? Because I’ve produced and, you know, you get a little annoyed cause you’re, like, watching and you’re saying I can’t play?”

Van Noy is on the wrong side of 30 and no longer in the prime he was in when he played for Super Bowl-winning New England Patriots teams in 2016 and 2018. But he ended last season with the Los Angeles Chargers on a high note and said it was “frustrating” when NFL teams didn’t seem interested in him this offseason.

“I’ve made plays everywhere I’ve gone, doesn’t matter what team it’s been,” Van Noy said, noting an exception for his first stop in the NFL with the Detroit Lions.

After going unsigned throughout the offseason, training camp, preseason and the first few weeks of the regular season, the Ravens needed help at outside linebacker and signed Van Noy to their practice squad. He said the Las Vegas Raiders were also in contact with him but that he chose the Ravens because he believed it would be a better fit.

Six weeks later, it’s hard to imagine the NFL’s top defense without him.

“He’s the player that we anticipated him being,” defensive coordinator Mike Macdonald said. “The things that he’s done over the course of his career, he’s doing here. He’s playing obviously at a high level, but he’s the type of player that I expected him to be. So, credit to him for being ready to go. I don’t mean that to take anything away, but that’s how highly I thought of him.”

In six games with the Ravens, the 32-year-old outside linebacker has five sacks, all in the past four contests, while playing about half the defense’s snaps. He ranks second in sacks behind Justin Madubuike (7 1/2) for a Baltimore defense that leads the NFL in the category at just under four per game.

Van Noy isn’t surprised by how quickly he caught on in Baltimore.

“I pride myself on having a high IQ,” he said. “You can ask anybody, and I think they’d tell you I’m a smart football player. I take pride in that. I take pride in being a professional. I tried to learn the defense in a week, so I feel like I got a good grasp on it. I know what everyone’s doing and where I fit in.”

His importance was never more obvious than in Sunday’s 37-3 rout of the Seattle Seahawks.

There might not have been a traditional turning point in the blowout victory, but if there was one, it was Van Noy’s back-to-back sacks — the second forcing a fumble — in the second quarter.

Ravens wide receiver Odell Beckham Jr. had just fumbled near midfield to give the Seahawks a chance to score and gain momentum heading into halftime. But Van Noy ensured that wouldn’t be the case, rushing past Seattle left tackle Charles Cross and slapping the ball out of quarterback Geno Smith’s hand before he could attempt a pass.

The play stood out to coach John Harbaugh so much that he mentioned it during his Monday news conference after answering a question about backup tight end Isaiah Likely.

“One thing I also want to mention is Kyle Van Noy,” Harbaugh said. “Didn’t get a chance to mention him [Sunday]. How about the swing of events that he led at the end of the half, right? Probably flipped the game or broke the game in a way. It kept them from getting back within one score, just crazy good pass rush right there.

“So, side note: Kyle was awesome.”

In his first game with the Ravens, Van Noy totaled four quarterback pressures and got his hands on two passes while playing 23 snaps against the Cleveland Browns in Week 4 — just five days after his first practice. He got home two weeks later with a sack in Baltimore’s win over the Tennessee Titans, and two more (with five tackles) versus the Lions. Going back to last season with the Chargers, Van Noy has 10 sacks in his past 11 regular-season games.

He is far from the first veteran pass rusher to make an impact in Baltimore. From Justin Houston, Jason Pierre-Paul and Calais Campbell in recent years to Pernell McPhee’s second stint with the team a few seasons ago to Chris Canty a decade ago, the Ravens have prided themselves on having veterans to bolster their defense. This year, Van Noy and Jadeveon Clowney, who signed in August, make up that group with David Ojabo on injured reserve, Tyus Bowser on the non-football injury list and Odafe Oweh missing four games because of injury.

Oweh, a third-year outside linebacker and 2021 first-round pick, said the “chemistry” among the team’s pass rushers is among the reasons the Ravens lead the NFL in sacks.

“I learn different things from different vets,” Oweh said Wednesday. “[Clowney] is more like a [Pierre-Paul] mold. He’s going to play [all] out and just go hard. [Van Noy] is the [strong-side linebacker] prototype. He just knows everything, coverages, [he’s] savvy, just little things like that that you can really add to your game to get more just to get more plays.”

Whether Van Noy maintains his torrid sack pace, he’s proved there’s more in his tank. And the fact that other teams questioned that has perhaps given him the motivation to keep making the “game-changing plays” he knew he was still capable of months ago.

“Who needs training camp?” Van Noy quipped Sunday after another big performance in a Ravens win.

Clearly not Van Noy.

Baltimore Sun reporter Brian Wacker contributed to this article.

Week 10

Browns at Ravens

Sunday, 1 p.m.

TV: Fox

Radio: 97.9 FM, 101.5 FM, 1090 AM

Line: Ravens by 6 1/2

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