Biden is marking Earth Day by announcing $7 billion in federal solar power grants

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WASHINGTON — President Joe Biden is marking Earth Day by announcing $7 billion in federal grants for residential solar projects serving 900,000-plus households in low- and middle-income communities. He also plans to expand his New Deal-style American Climate Corps green jobs training program.

The grants are being awarded by the Environmental Protection Agency, which unveiled the 60 recipients on Monday. The projects are expected to eventually reduce emissions by the equivalent of 30 million metric tons of carbon dioxide and save households $350 million annually, according to senior administration officials.

Biden’s latest environmental announcements come as he is working to energize young voters for his reelection campaign. Young people were a key part of a broad but potentially fragile coalition that helped him defeat then-President Donald Trump in 2020. Some have joined protests around the country of the administration’s handling of Israel’s war with Hamas in the Gaza Strip.

Senior administration officials said young Americans are keenly invested in the Biden climate agenda and want to actually help enact it. The Climate Corps initiative is a way for them to do that, the officials said.

Solar is gaining traction as a key renewable energy source that could reduce the nation’s reliance on fossil fuels, which emit planet-warming greenhouse gases. Not only is it clean, but solar energy can also boost the reliability of the electric grid.

But solar energy can have high costs for initial installation, making it inaccessible for many Americans — and potentially meaning a mingling of environmental policy with election-year politics.

Forty-nine of the new grants are state-level awards, six serve Native American tribes and five are multi-state awards. They can be used for investments such as rooftop solar and community solar gardens.

Biden is making the announcement at northern Virginia’s Prince William Forest Park, about 30 miles southwest of Washington. It was established in 1936 as a summer camp for underprivileged youth from Washington, part of President Franklin D. Roosevelt’s Civilian Conservation Corps to help create jobs during the Great Depression.

Biden used executive action last year to create the American Climate Corps modeled on Roosevelt’s New Deal. He is announcing Monday that nearly 2,000 corps positions are being offered across 36 states, including jobs offered in partnership with the North American Building Trades Unions.

Biden has often used Earth Day as a backdrop to further his administration’s climate initiatives. Last year, he signed an executive order creating the White House Office of Environmental Justice, meant to help ensure that poverty, race and ethnic status do not lead to worse exposure to pollution and environmental harm.

He has tried to draw a contrast with GOP congressional leaders, who have called for less regulation of oil production to lower energy prices. Biden officials counter that GOP policies benefit highly profitable oil companies and could ultimately undermine U.S. efforts to compete with the Chinese in the renewable energy sector.

Biden will use his Virginia visit to discuss how “a climate crisis fully manifest to the American people in communities all across the country, is also an opportunity for us to come together,” said White House National Climate Adviser Ali Zaidi.

He said the programs can “unlock economic opportunity to create pathways to middle-class-supporting careers, to save people money and improve their quality of life.”

The awards came from the Solar for All program, part of the $27 billion “green bank” created as part of a sweeping climate law passed in 2022. The bank is intended to reduce climate and air pollution and send money to neighborhoods most in need, especially disadvantaged and low-income communities disproportionately impacted by climate change.

EPA Deputy Administrator Janet McCabe said she was “looking forward to these funds getting out into the community, giving people skills, putting them to work in their local communities, and allowing people to save on their energy bills so that they can put those dollars to other needs.”

Among those receiving grants are state projects to provide solar-equipped roofs for homes, college residences and residential-serving community solar projects in West Virginia, a non-profit operating Mississippi solar lease program and solar workforce training initiatives in South Carolina.

The taxpayer-funded green bank has faced Republican opposition and concerns over accountability for how the money gets used. EPA previously disbursed the other $20 billion of the bank’s funds to nonprofits and community development banks for clean energy projects such as residential heat pumps, additional energy-efficient home improvements and larger-scale projects like electric vehicle charging stations and community cooling centers.

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St. John reported from Detroit.

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The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

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Prosecutors to make history with opening statements in hush money case against Trump

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By MICHAEL R. SISAK, JENNIFER PELTZ, ERIC TUCKER and JAKE OFFENHARTZ (Associated Press)

NEW YORK (AP) — For the first time in history, prosecutors will present a criminal case against a former American president to a jury Monday as they accuse Donald Trump of a hush money scheme aimed at preventing damaging stories about his personal life from becoming public.

A 12-person jury in Manhattan is set to hear opening statements from prosecutors and defense lawyers in the first of four criminal cases against the presumptive Republican nominee to reach trial.

The statements are expected to give jurors and the voting public the clearest view yet of the allegations at the heart of the case, as well as insight into Trump’s expected defense.

Attorneys will also introduce a colorful cast of characters who are expected to testify about the made-for-tabloids saga, including a porn actor who says she had a sexual encounter with Trump and the lawyer who prosecutors say paid her to keep quiet about it.

Trump is charged with 34 felony counts of falsifying business records and could face four years in prison if convicted, though it’s not clear if the judge would seek to put him behind bars. A conviction would not preclude Trump from becoming president again, but because it is a state case, he would not be able to attempt to pardon himself if found guilty. He has repeatedly denied any wrongdoing.

Unfolding as Trump vies to reclaim the White House, the trial will require him to spend his days in a courtroom rather than the campaign trail. He will have to listen as witnesses recount salacious and potentially unflattering details about his private life.

Trump has nonetheless sought to turn his criminal defendant status into an asset for his campaign, fundraising off his legal jeopardy and repeatedly railing against a justice system that he has for years claimed is weaponized against him.

Hearing the case is a jury that includes, among others, multiple lawyers, a sales professional, an investment banker and an English teacher.

The case will test jurors’ ability to set aside any bias but also Trump’s ability to abide by the court’s restrictions, such as a gag order that bars him from attacking witnesses. Prosecutors are seeking fines against him for alleged violations of that order.

The case brought by Manhattan District Attorney Alvin Bragg revisits a chapter from Trump’s history when his celebrity past collided with his political ambitions and, prosecutors say, he sought to prevent potentially damaging stories from surfacing through hush money payments.

One such payment was a $130,000 sum that Michael Cohen, Trump’s former lawyer and personal fixer, gave to porn actor Stormy Daniels to prevent her claims of a sexual encounter with Trump from emerging into public shortly before the 2016 election.

Prosecutors say Trump obscured the true nature of the payments in internal records when his company reimbursed Cohen, who pleaded guilty to federal charges in 2018 and is expected to be a star witness for the prosecution.

Trump has denied having a sexual encounter with Daniels, and his lawyers argue that the payments to Cohen were legitimate legal expenses.

To convict Trump of a felony, prosecutors must show he not only falsified or caused business records to be entered falsely, which would be a misdemeanor, but that he did so to conceal another crime.

The allegations don’t accuse Trump of an egregious abuse of power like the federal case in Washington charging him with plotting to overturn the 2020 presidential election, or of flouting national security protocols like the federal case in Florida charging him with hoarding classified documents.

But the New York prosecution has taken on added importance because it may be the only one of the four cases against Trump that reaches trial before the November election. Appeals and legal wrangling have delayed the other three cases.

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Tucker reported from Washington.

Theater review: Jungle’s ‘Jumping-Off Point’ is a comedy with layers of friction to clear

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Write what you know.

That’s age-old advice for writers, but is it a law? An inflexible decree? Should you only write about things you’ve experienced firsthand?

That question is key to “A Jumping-Off Point,” a new play by Inda Craig-Galvan receiving its area premiere at Minneapolis’ Jungle Theater, a week after its world premiere at Round House Theatre in the Washington, D.C., area. Craig-Galvan has crafted a script both funny and thought-provoking about who has the right to tell what stories and how American popular culture curates whose stories we hear.

Vinecia Coleman in the Jungle Theater’s “A Jumping-Off Point,” which runs April 20 – May 19, 2024 at the Minneapolis theater. (Lauren B. Photography / Jungle Theater)

It takes place behind the scenes in the world of television, or whatever you want to call the current landscape of streamed original video content. While writing a hit play has put our protagonist, a young Black woman named Leslie, in the spotlight, she’s moved on to a career as a TV writer and is about to become showrunner for a new HBO Max series.

That’s when Andrew re-enters her life. They were graduate students together in playwriting, and he shows up unexpectedly at Leslie’s apartment to confront her with the accusation that her hit play was lifted from a script he presented to their cohort. Complicating the issue is that Andrew is a white man who’s written a script about Black people in the Mississippi Delta (whom he’s learned about through a series of National Public Radio stories).

So, basically, Andrew and Leslie are accusing one another of breaking the rules of writing, he claiming she’s a plagiarist, she finding him guilty of cultural misappropriation.

It’s also a comedy, and quite a funny one at that. Craig-Galvan is a very clever writer who uses levity as a leavening agent in this tale of ethical quandaries. While the central conflict is between two people who take themselves very seriously, the playwright tosses a comical wild card betwixt them in Leslie’s wisecracking best friend, Miriam. It’s to Craig-Galvan’s credit that there’s no clear hero or villain in the battle between Leslie and Andrew. Both are nuanced and complex, admirable and flawed.

After a series of impressive performances in supporting roles at the Jungle and Penumbra Theatre, Vinecia Coleman has earned the opportunity to portray a layered lead role such as this, and her Leslie is invariably intriguing. The power dynamic between her and Gabriel Murphy’s socially awkward Andrew fluctuates in fascinating fashion, tugging the audience’s sympathies to and fro.

As the production progresses, I’m betting that Coleman and Murphy will ease into their characters with more naturalism, sloughing off some of their opening-night stiffness. Encountering no such issue is Ashawnti Sakina Ford. As Miriam, she takes the TV trope of the funny friend and makes it totally believable. And much welcome amid the tense confrontation at the story’s core.

The other star of the show is Daniel Allen’s visually stimulating set, which takes us from a lecture hall to a bright apartment to a TV writing room, all in several shades of yellow and gray and framed by phrases in big block lettering. Under Sha Cage’s direction, the Jungle’s production is driven by an electrifying friction. After its 90 intermission-less minutes, make time for a healthy post-show conversation about the questions it inspires.

‘A Jumping-Off Point’

When: Through May 19

Where: Jungle Theater, 2951 Lyndale Ave. S., Mpls.

Tickets: “Pay as you are,” but $98-$16 recommended; available at 612-822-7063 or jungletheater.org

Capsule: A thought-provoking comedy about who should tell what stories.

Rob Hubbard can be reached at wordhub@yahoo.com.

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Two years after filming in St. Paul, ‘Downtown Owl’ will be released online on Tuesday

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Two years after filming in St. Paul and the surrounding area, “Downtown Owl” will be released digitally on Tuesday.

Actors and real-life couple Lily Rabe and Hamish Linklater make their directorial debut in the film, which they shot in April 2022. In addition to filming scenes at the Spot Bar and Highland Park High School in St. Paul, the crew shot elsewhere in the area, including Minneapolis, Elko New Market and Independence.

Based on the 2008 novel by essayist and North Dakota native Chuck Klosterman, “Downtown Owl” is set in 1983 in the fictional North Dakota town of Owl. It follows Julia Rabia (Rabe), a Milwaukee teacher who moves to the small town for a one-semester teaching job in order to give her husband the space to finish his doctoral thesis. Ed Harris, Vanessa Hudgens, Jack Dylan Grazer, Finn Wittrock and Henry Golding are also in the cast.

“Downtown Owl” had its world premiere in June 2023 at the Tribeca Film Festival in New York. It went on to play at other festivals, including the Twin Cities Film Festival in October. Sony Pictures Worldwide Acquisitions and Stage 6 Films are distributing the film.

In a positive review that called it “a thoughtful, broad-canvas ensemble piece” and highlighted T Bone Burnett’s “eclectic alt-country score and soundtrack, infused with the music and spirit of Elvis Costello,” Deadline suggested it could be turned into a television show. “It’s a testament to the integrity of this likable, modest indie that it leaves us wanting to spend just a little bit more time with these people and find out what happens next,” wrote Damon Wise.

The Hollywood Reporter’s headline proclaimed “Rabe is the radiant hot-mess center of an affecting small-town tragicomedy.” Sheri Linden’s review goes on to praise the directors (“That Rabe and Linklater, accomplished veterans of stage and screen, have drawn such nuanced work from their cast is no surprise”), production designer Francesca Palombo’s “judiciously deployed meta touches that strike the intended chords and a fluent visual language for this invented small-town world (played by the Minneapolis-St. Paul area)” and cinematographer Barton Cortright’s “use of wide-screen framing in ways that refute rural cliches and embrace the barest touches of the surreal.”

In a statement released to People magazine, the filmmaking couple said: “Making ‘Owl’ was so rewarding, and we hope audiences have as exhilarating an experience watching it as we had working on it together.”

As of Tuesday, “Downtown Owl” will be available to purchase online through sites like Amazon and Fandango. While Sony has yet to announce plans, it will likely show up on a streaming service like Netflix or Hulu later this year.