NASA’s Mike Fincke identifies himself as the ailing astronaut who prompted space station evacuation

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By MARCIA DUNN

NASA’s Mike Fincke identified himself Wednesday as the astronaut whose medical condition prompted the space agency’s first medical evacuation.

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In a written statement, the 58-year-old spaceflight veteran revealed he was the ailing crew member last month aboard the International Space Station. He did not say what was wrong with him but explained that his condition quickly stabilized thanks to his crewmates and flight surgeons on the ground.

Fincke said he’s doing well now.

“Spaceflight is an incredible privilege, and sometimes it reminds us just how human we are,” he said in the statement.

Fincke launched with three others on a SpaceX flight last summer. Their mission came to an early end on Jan. 15, a week after he experienced what he called a “medical event that required immediate attention” by his fellow astronauts. The health concern also forced the cancellation of a planned spacewalk by Fincke and another NASA astronaut.

Following their splashdown in the Pacific, all four astronauts were taken to a San Diego hospital. They flew home to Houston the next day.

With the sick astronaut’s identity still a secret, Fincke said at a news conference a week after returning that the space station’s ultrasound machine came in handy during the medical crisis.

He elaborated Wednesday, stressing that his situation was not an emergency but that everyone wanted “to take advantage of advanced medical imaging not available on the space station.”

Fincke, a retired Air Force colonel who became an astronaut in 1996, has logged 549 days in space over four missions.

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Department of Science Education and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.

Sondra Lee, a veteran Broadway dancer with roles in ‘Peter Pan’ and ‘Hello Dolly!’ dies at 97

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BY MARK KENNEDY

NEW YORK (AP) — Sondra Lee, a dancer and actor discovered by the legendary choreographer-director Jerome Robbins and originated the role of Tiger Lily on Broadway in “Peter Pan” and played Minnie Fay in the original production of “Hello, Dolly!,” has died. She was 97.

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Lee died Monday of natural causes in her New York City apartment, according to her friend and colleague, the Rev. Joshua Ellis, a former Broadway press agent.

After her dancing days, Lee taught at Stella Adler’s Conservatory and New York University. She also was a consultant to such films as “Places in the Heart” with Sally Field, “The Last of the Mohicans” with Daniel Day Lewis and “The Morning After” starring Jane Fonda, Jeff Bridges and Raul Julia.

In her 2009 memoir, “I’ve Slept With Everybody,” she recounted meeting Robbins at the Shubert Theatre. She had just missed his audition for “High Button Shoes” and did not know who he was.

“Oh,” she told him. “I just auditioned for ‘Allegro’ and they found I was too short so they let me go. So I’m going home to commit suicide.” Robbins replied: “Don’t go home and commit suicide, come over here and dance for me.” She did and got the job, actually two comic roles in the show.

Robbins would become her champion and also gave her a nickname: “Peanuts,” from the Charles Shultz cartoon strip. “I had been given a gift and I ran with it,” she writes.

Other career highlights included supporting Bert Lahr and Angela Lansbury on Broadway in the farce “Hotel Paradiso,” a role in the Robert Redford-led “Sunday in New York” on Broadway and an uncredited turn in Federico Fellini’s “La Dolce Vita.”

Lee originated the role of Tiger Lily in the 1954 Broadway production of “Peter Pan” — as well as playing the part in the 1955, 1956 and 1960 TV broadcasts of “Peter Pan” — working alongside Mary Martin.

In 1964, she began the longest run of her career. The director Gower Champion asked her to play Minnie Fay in the original production of “Hello, Dolly!” with Carol Channing. She would stay with the show for years and also tour with it from 1965-68.

Lee’s last public appearance was at Carnegie Hall in 2025 as part of the Transport Group’s concert performance of “Hello, Dolly!” She received a prolonged standing ovation.

Opinion: What a Model of NYC Reveals About Our Housing Crisis

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“I was shocked at how vividly the contrast of the city’s low and high density came to life when I visited the new exhibit at the Museum of the City of New York,” the author writes. “Today’s zoning code is for a city that no longer exists.”

Buildings in Jamaica, Queens. (Adi Talwar/City Limits)

I have long understood that New York City lacks available housing. Moreover, I know that approximately 50 percent of the city’s area is zoned only for one and two-family houses. But I was shocked at how vividly the contrast of the city’s low and high density came to life when I visited the new exhibit at the Museum of the City of New York.  

Entitled “He Built This City: Joe Macken’s Model,” the work is a 27-by-50 foot model of New York City. It was done at a scale of one millimeter equals 10 feet. It’s so big that  all of Staten Island does not fit in the gallery. It shows all the buildings of the city, from The World Trade Center to the houses at Breezy Point in the Rockaways. Mr. Macken spent 21 years making the model out of everyday balsa wood and cardboard. He started with 30 Rockefeller Plaza and then decided to do the buildings around it. Two decades later he had done the whole city. And remarkably, Joe Macken’s Model demonstrates before our eyes why we have a housing crisis

What the model most powerfully shows is that most of the city is actually a suburb of one and two-story buildings. The New York of our minds, towering structures and vast numbers of people, is really quite limited. The downtown financial district and Midtown east and west are massive in Manhattan, but the rest of that island is much less imposing. Brooklyn at the end of the bridge, Long Island City, recent towers along the East River and, interestingly, public housing developments stand out. Parks are beautifully crafted, but their relative absence in vast stretches of the Bronx, Brooklyn and Queens is painfully clear. 

Strikingly, the model is a three-dimensional rendering of the 1961 zoning map. 

New York City introduced the country’s first zoning code in 1916. It was designed to regulate urban planning principles that evolved in the 19th century. High density was considered a problem. Separation of classes and uses was promoted. Residences in manufacturing districts were not allowed. Otherwise, homes were, more or less, as of right. The automobile was barely mentioned.  

The implementation of the code occurred at the same time that the newly consolidated city committed to vastly expanded subway service. Residents of overcrowded Manhattan could find homes in the new “subway suburbs.” The 1920s witnessed an explosion of housing in Brooklyn, the Bronx and Queens.

Over 400,000 apartments, 100,000 single-family houses and another 100,000 two-family homes were constructed in this decade. The apartments were predominantly in four, five and six story middle-sized buildings. The expanding subway stitched these new neighborhoods together. Unfortunately, it all came to a stop with the Great Depression in 1929. 

The financial suffering of the 1930s and the world war during the first half of the 1940s  suppressed neighborhood expansion. By 1940, subway extension had ended. However, car use continued to grow, even if slowly. The development of the outer boroughs where the subways had not reached became organized by automobile use.  

The post-war era of the GI Bill and the reemergence of the auto industry was the time of the suburbs. The growth of New York City’s population started to slow. The 1960 census was the first to show a reduction of the number of New Yorkers. Thus, Mayor Robert Wagner Jr. oversaw a major revision of the zoning code in 1961. 

It was far stricter than the original code. Separation of uses—residential, commercial and manufacturing—was even more exacting. Given the assumption that the city would no longer grow, density was restricted. Half the city was zoned for only one and two-family houses. The middle-sized apartment building became highly restricted. Joe’s model shows it all. 

New York continued to shrink through the 1980 census and then turned around. The 2020 census showed 8.8 million New Yorkers, a 20 percent increase from 1980. The 1961 zoning code, however, did not respond to this dramatic change. Under Mayor Michael Bloomberg the code was amended for even lower densities.  

Today’s zoning code is for a city that no longer exists. New York needs a new zoning code. The city requires a construction surge at the scale of the 1920s. The current code will not allow it. It also needs its subways extended to make higher densities livable. 

Those committed to a single-family house and a garage can have them—somewhere else. For those who want to live in New York, densities have to rise. A new code can make that happen. Joe Macken’s model shows in three dimensions where we need to build.

Charles Lauster is an architect in New York City whose firm does institutional work and public planning.

To reach the editor, contact Jeanmarie@citylimits.org

The post Opinion: What a Model of NYC Reveals About Our Housing Crisis appeared first on City Limits.

Bill Gates ‘spoke candidly’ about Epstein ties at a Gates Foundation meeting, spokesperson says

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By GLENN GAMBOA and JAMES POLLARD

Bill Gates addressed his connection to convicted sex offender Jeffrey Epstein and “took responsibility for his actions” during a town hall meeting of his nonprofit Gates Foundation on Tuesday, the nonprofit said.

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“Bill spoke candidly, addressing several questions in detail,” a Gates Foundation spokesperson said in a statement.

Gates appears multiple times in the Justice Department’s release of documents connected to its investigation of the late financier. Emails between Gates and Epstein, as well as drafts that Epstein wrote to Gates, have been released as part of the files, along with photos of Gates on trips taken with Epstein.

Gates has not been accused of any wrongdoing in connection to Epstein and denies any knowledge of Epstein’s crimes. Gates has said he had met with Epstein to discuss philanthropy and believed he could help Gates raise money for issues like global health. “Every minute that I spent with him I regret and I apologize that I did that,” Gates told Australia’s 9News earlier this month.

Photos and mentions of Gates in the Epstein files have attracted increased attention since the Justice Department released millions of documents last month. Last week, Gates pulled out of delivering the keynote address at the India AI Impact Summit in New Delhi “to ensure the focus remains on the AI Summit’s key priorities.”

Melinda French Gates, who exited the Gates Foundation in 2024 to focus on her philanthropy through Pivotal Ventures, said her ex-husband must “answer to those things” when asked about his ties to Epstein. Both Gates and French Gates have said that his relationship with Epstein created problems in their marriage.

The Associated Press receives financial support for news coverage in Africa from the Gates Foundation and for news coverage of women in the workforce and statehouses from Melinda French Gates’ organization, Pivotal Ventures.

Associated Press coverage of philanthropy and nonprofits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.