Prepare for a change in your US travel with this visa waiver. It involves a selfie

posted in: Politics | 0

Daniel Shoer Roth | Miami Herald (TNS)

The program that allows travelers from 41 countries to enter the United States for short-term stays without a visa is undergoing a significant update.

The Department of Homeland Security’s Customs and Border Protection has proposed changes to the ESTA application for the Visa Waiver Program that could take effect soon and affect travel. ESTA stands for Electronic System for Travel Authorization.

The ESTA authorization — an automated system used to determine the eligibility of visitors traveling to the United States — is the easiest and quickest entry permit for travelers to enter the U.S. territory visa-free.

As published in the Federal Register on April 30, Customs and Border Protection intends to update the ESTA application website to require applicants to provide a “selfie” of their faces, in addition to the usual photograph on the passport biographical page.

What about the selfie requirement to enter the US?

The selfie photos would be used to ensure that the applicant is the legitimate holder of the document used to obtain an ESTA travel authorization, authorities said.

According to the proposal, which is subject to public comments over the next 30 days, applicants previously could allow a third party to submit the ESTA application on their behalf. However, with this update, travel agents or family members would now be required to provide a photograph of the ESTA applicant.

“The ESTA Mobile application currently requires applicants to take a live photograph of their face, which is compared to the passport photo collected during the ESTA Mobile application process,” the Department of Homeland Security`s notice states. “This change will better align the application processes and requirements of ESTA website and ESTA Mobile applicants.”

The CBP notification said the public should provide comments no later than May 30.

©2024 Miami Herald. Visit miamiherald.com. Distributed by Tribune Content Agency, LLC.

Summer travel boom: 82% of Americans plan to get away in 2024

posted in: News | 0

Avery Newmark | (TNS) The Atlanta Journal-Constitution

Get ready for a summer filled with adventure and exploration. As Memorial Day weekend approaches, signaling the official start of summer travel season, Americans are buzzing with plans to explore, relax and make lasting memories.

The Vacationer’s yearly summer travel and trends survey has dug up some insights into what vacationers have in store for the upcoming season.

An impressive 82% of adults in the United States — more than 212 million people — are planning to travel this summer. While this number is slightly lower than last year, it still demonstrates a strong desire to get away. Among these travelers, 42% plan to embark on multiple trips.

Despite a slight decrease in intention to travel by plane from last year, with 52% planning to fly at least once this summer, international travel is gaining popularity. Nearly 25% of Americans are ready to stamp their passports, with adults between 18 and 29 being the most likely to embrace this trend. In contrast, only about 10% of Americans over 60 have similar plans.

Domestic travel continues to be the top choice, with 57% of respondents opting to explore the beauty and diversity within the United States.

More than 75% of adults surveyed are revving up to hit the road this summer, with folks aged 45 to 60 leading the pack — nearly 85% in this age bracket intend to take a road trip. Although many Americans will take shorter drives — less than 100 miles or less than 250 miles — more than 33% will take a road trip more than 250 miles from home. Approximately 5.82% will journey more than 1,000 miles.

When it comes to the busiest weekends for travel, the Fourth of July takes the lead at 30%, followed by Memorial Day at nearly 22% and Labor Day at 19%, with 54% opting for none of those times. Respondents could choose all dates that applied, so percentages did not add up to 100.

So whether you’re dreaming of sandy shores, bustling city streets or quiet countryside getaways, just know you won’t be alone whether you’re on the road or in the air.

_____

©2024 The Atlanta Journal-Constitution. Visit at ajc.com. Distributed by Tribune Content Agency, LLC.

Gyoza is an easy-to-make Japanese comfort food

posted in: Adventure | 0

Gretchen McKay | Pittsburgh Post-Gazette (TNS)

Rie McClenny grew up in southwestern Japan with family members who not only loved to cook but, as the owners of a tearoom and cafe in their small seaside city, were pretty darn good at it.

Related Articles


Recipes: Celebrate spring by making these dishes with asparagus


This Asparagus, Sorrel and Pine Nut Salad is easy, bright and delicious


Recipe: Steven Raichlen’s Italian-inspired Grilled Artichokes


Recipe: Make Cola Barbecue Sauce for that Cola-Can Chicken


Recipe: How to make Steven Raichlen’s Cola-Can Chicken

The simple, home-cooked meals her mother, Yoko, and maternal grandmother, Kiyoko, prepared for their rural customers, using seasonal local ingredients and traditional recipes, were far from fancy. Yet their skillful mix of salty, sweet, sour and bitter — key elements in authentic Japanese cuisine — were rich with umami flavor.

The women were particularly good at making one beloved Japanese comfort food: the ground pork- and cabbage-filled, pan-fried dumplings known as yaki-gyoza.

As McClenny recalls in her first cookbook “Make it Japanese” (Clarkson Potter, $30), they were absolute whizzes at folding dough wrappers around the savory filling to create tasty bundles that were juicy and tender on the inside and crispy, golden-brown on the outside. So good, in fact, that she never felt the urge to learn to make them herself.

“I enjoyed baking, and also enjoyed reading recipes in cookbooks and magazines,” she says from her home in Los Angeles, “but my mom was such a great cook I didn’t feel I needed to do it.”

Instead, she watched her mother for “hours on end as she folded gyoza faster than my eyes could follow and never measured ingredients — one circular pour of soy sauce, a handful of bonito flakes, a dash of sake,” she writes in the book’s intro.

While her mom imparted a few basics before she left the house to go to university in Osaka, it wasn’t until McClenny landed in a rural town in West Virginia during a year abroad that she realized reading about cooking is a sad substitute for actually doing it.

Also, being away from Japan for so long made her more aware of her heritage as well as homesick for her mom’s cooking. So pulling herself up from her non-cooking bootstraps, she started re-creating those recipes — gyoza included — using a “mishmash” of three ingredients found in every Japanese pantry: soy sauce, sake and mirin.

“There was only one Asian market, so I used what was available,” she says.

The Post-Gazette’s Gretchen McKay shows the process for making Japanese gyoza, fried dumplings at her home in Ben Avon Friday, April 12, 2024. (Sebastian Foltz/Pittsburgh Post-Gazette/TNS)

She found herself compromising once again with ingredients in her chase to conjure the flavors of her childhood during a post-college job at Disney World’s Japan Pavilion in Orlando, Florida. But at least she was honing her skills as a cook, which would prove useful in her next job working for a Japanese culinary school.

When the school asked her to open a patisserie cafe in New York in 2007, it proved to be a turning point in her career. Being surrounded by ambitious people who were following their dreams, she realized it was now or never.

“I just thought the food industry was so interesting,” she says, “so I started learning more and more. Students were so passionate about restaurants and bakeries.”

At age 33, she enrolled at the French Culinary Institute (now the Institute of Culinary Education), thinking she might become a food stylist. She had so much fun and loved cooking so much that, after graduating, she became a chef instead, moving to Los Angeles with her husband to work as a chef at two Santa Monica restaurants.

She cooked professionally for three years before burning out one night after working more than 300 meals. Deciding that a food media job would be less stressful (but still fun), in April 2016 she applied for a position as a recipe developer at Tasty Japan, the Japanese edition of BuzzFeed’s food media brand Tasty.

Three months later, she was hired as a full-time video producer and she soon was also appearing in videos on YouTube for BuzzFeed, though she admits to being very self-conscious about her English skills and Japanese accent.

“But the more I did it, the more I realized people didn’t care so much,” she says. “They just want to learn how to cook. They are not learning English from me, but Japanese culture and food from a person from Japan.”

Despite the long hours to get there, she says, “it was exhilarating to finally pursue what I loved.”

Showcasing the beauty of Japanese cuisine on camera made her realize she wanted to show that “Japanese home cooking can be for everyone.” So when a publisher reached out to her in 2021 to do a cookbook, she said yes, and started writing that same year, drawing on the nourishing food her mom cooked throughout her childhood for inspiration.

“There are a lot of Japanese cookbooks, but I wanted one [that focused] on very approachable Japanese cooking, where you can make it if you have some of the basic items,” she says of the book, which took two years to complete.

As she discovered in West Virginia so many years ago, with salt from soy sauce, acidity from sake and sweetness from mirin, “you can basically cook anywhere.”

While some of her offerings require time, many of the dishes in “Make it Japanese” will easily come together on a busy weekend night. Most recipes are based on food she grew up eating or learned to cook once she moved to the U.S., using ingredients you can get at any Trader Joe’s or Whole Foods instead of a specialty store.

Geared to those new to Japanese cooking, the book also includes instructions on how to stock a Japanese pantry and has a short chapter on essential Japanese cooking tools.

It’s not only very traditional, she says, but demonstrates exactly how she cooks at home. That includes a step-by-step recipe for her mother’s gyoza that discloses the secret ingredient that makes them so incredibly tasty — nira, or garlic chives. (They’re also known as Chinese leeks.)

“You definitely don’t want to go on a date after eating them. They’re so stinky,” McClenny says with a laugh.

Eaten in Japan since ancient times, the long, grass-like blades are more pungent and garlicky than regular chives. In addition to dumplings, they’re a go-to flavor-booster for everything from soup to kimchi, stew to green onion pancakes, after trimming off the root end and white tips.

Her mom’s recipe also includes seasoning the ground pork filling with grated ginger, soy sauce and sake and adding fresh shiitake mushrooms and lots of finely chopped cabbage for a bit of silky heft. “But every home has a different recipe,” she says.

She also makes the gyoza with a lacy, crispy crust on the bottom called “wings,” or hane in Japanese — created by adding a cornstarch slurry to the pan while the dumplings are steam-frying. They’re served, with golden-brown aplomb, upside down on the plate, with a dipping sauce made from soy sauce, rice vinegar and sesame and chili oils.

While gyoza originated in China, where they are called jiaozi, they’re actually very different, says McClenny. For starters, Chinese potstickers boast a thicker dough. They’re also boiled, whereas “when we say ‘gyoza,’ we usually mean pan-fried.”

Though you can (and just might) make a meal of them, gyoza in Japan are almost always a side dish, says McClenny. They’re also made with super-thin premade wrappers in Japanese homes because they’re easy to find in any grocery store. Plus, a recipe makes so many of them, and stuffing and folding the dumplings just so — gathered on one side and flat on the other — takes time. So why complicate matters by adding homemade dough to the equation?

That said, even with premade wrappers, it might take beginners a lot of practice before their fingers develop the requisite muscle memory to fill, fold and pleat at a record pace.

“But don’t stress,” says McClenny. “It’s just practice. Channel your inner grandmother or mother, try your best and, if it doesn’t look great, it still tastes good anyway.”

Her one tip is to go kind of skimpy on the filling, with less than a tablespoon. “You feel like you want to fill a lot, but if you overfill it will come out.”

Once you get the hang of it, you’ll find gyoza are incredibly fun to make, even if they’re not perfect.

“It’s just home cooking,” says McClenny. “Your family won’t judge you. They’ll be impressed you’re making [dumplings] from scratch.”

Ingredients for Japanese gyoza, fried dumplings. Photo: Friday, April 12, 2024. (Sebastian Foltz/Pittsburgh Post-Gazette/TNS)

Gyoza with Crispy ‘Wings’

PG tested

For the prettiest pleats, be careful not to overfill the wrappers. Adding a little cornstarch slurry to the pan while cooking the dumplings will create a lacy, crispy crust on the bottom called “hane” — Japanese for wings.

Unless you’re an overachiever, don’t worry about making dough from scratch for these pan-fried dumplings. Even in Japan, most home cooks use premade wrappers, which you can find in any Asian market.

Japanese gyoza are meant to be very garlicky, so if you can’t find nira chives at your local Asian market, use the same amount of scallions or chives, but also add 2 grated garlic cloves to the filling.

For dipping sauce

1/4 cup soy sauce
1/4 cup rice vinegar
1 tablespoon toasted sesame oil
1 teaspoon chili oil

For filling

8 ounces ground pork
1 cup finely chopped green cabbage (about 3 ounces)
3/4 cup finely chopped nira chives (about 1 1/2 ounces)
1/4 cup finely chopped fresh shiitake mushrooms (about 3/4 ounce)
1/2 teaspoon finely grated fresh ginger
1 1/2 teaspoons soy sauce
1 1/2 teaspoons toasted sesame oil
1 1/2 teaspoons sake
1/2 teaspoon kosher salt
1/2 teaspoon freshly ground black pepper

For dumplings

Cornstarch or potato starch
35-40 gyoza wrappers
2 teaspoons neutral oil, such as canola or grapeseed
Kosher salt
Toasted sesame oil

Japanese gyoza are steam-fried with a cornstarch slurry to create crispy “wings,” or hane in Japanese. (Sebastian Foltz/Pittsburgh Post-Gazette/TNS)

Make dipping sauce

In small bowl, whisk together soy sauce, vinegar, sesame oil and chili oil. The sauce will keep in an airtight container in the refrigerator for up to 3 weeks.

Make filling

In a large bowl, combine ground pork, cabbage, nira chives, shiitake, ginger, soy sauce, sesame oil, sake, salt and pepper. Using your hands, mix well to combine.

Make dumplings

Dust a baking sheet with cornstarch. Fill a small bowl with water.

Place a gyoza wrapper in the palm of your nondominant hand. Using the other hand, place a scant 1 tablespoon filling in the center of the wrapper.

Dip your fingers in water and lightly wet one half of the wrapper’s rim. Fold the wrapper in half.

Using your fingertips, pleat only the top half of the wrapper, pressing against the bottom half to seal the gyoza. (The bottom half of the wrapper remains flat; you only fold one side of the wrapper.)

Place gyoza on the prepared baking sheet. Repeat with the remaining wrappers and filling. Sprinkle with more cornstarch if the gyoza seem to be sticking together. Uncooked gyoza will keep in the freezer in a resealable plastic freezer bag for up to 3 months.

In a 10-inch nonstick skillet with a lid, heat 2 teaspoons neutral oil over medium heat. Add enough gyoza to fit in a single layer (about 12), arranging them in a circular pattern.

Cook until slightly golden on the bottoms, 1-3 minutes.

In a small bowl or measuring cup, combine 1/3 cup water, 1 1/2 teaspoons cornstarch and a pinch of salt. Pour cornstarch mixture into the skillet.

Cover with lid and steam the gyoza until most of the water has evaporated, 6-8 minutes.

Uncover and continue cooking until the water has completely evaporated and the cornstarch has thickened to a gel-like web at the bottom of the skillet, about 2 minutes.

Drizzle some sesame oil around the edges of the gyoza. Increase the heat to medium-high and cook, uncovered, until the cornstarch dissolves and dries, forming “wings” that are lacy and crispy, 2-4 minutes. Remove skillet from heat and let the gyoza rest in the skillet until any bubbling subsides, 1-2 minutes.

Using chopsticks or a spatula, loosen the “wings.” Place a large plate on top of the gyoza. Flip the skillet upside down to invert the gyoza onto the plate. Wipe the skillet clean and repeat with remaining gyoza.

Serve hot with dipping sauce.

Serves 6-8.

— “Make it Japanese: Simple Recipes for Everyone” by Rie McClenny (Clarkson Potter $30)

©2024 PG Publishing Co. Visit at post-gazette.com. Distributed by Tribune Content Agency, LLC.

TV Tinsel: National Memorial Day Concert to mark 35 years of honoring those who died in service to country

posted in: News | 0

Luaine Lee | Tribune News Service

PBS will strike a blow to the idea that America is hopelessly divided when it presents its annual National Memorial Day Concert on Sunday.

The 90-minute show, which starts 8 p.m. (ET), features an abundance of top stars honoring those who have sacrificed their lives for their country.

Reporting for duty will be “Breaking Bad” star Bryan Cranston; two-time Oscar nominee Cynthia Erivo; country music stars Gary LeVox and Jamey Johnson; actors Jena Malone, BD Wong, Mary McCormack of “West Wing”; and Patina Miller, as well as the National Symphony Orchestra.

Unabashed patriots Joe Mantegna and Gary Sinise will return as co-hosts of the special, which is broadcast from the nation’s capital.

This marks Mantegna’s 20th year as host of the event and the concert’s 35th anniversary. The star of “Criminal Minds: Evolution,” which returns to Paramount+ June 6, says it was the late actor Charles Durning who first approached him to emcee the special.

“I was like anybody else I just thought of Memorial Day weekend as a three-day weekend,” says Mantegna. “Well, all I can say is that weekend changed my life because it just brought into focus how important that holiday is.

“On Sunday, the night of that performance, when I walked on that stage, there were 300,000 people watching — so you’re talking Woodstock. In front of you is all this mass of humanity and the Capitol building with flags flying. The next thing are these huge movie screens and they’re showing films from 9/11. Behind me, the Washington Philharmonic is playing Mozart’s requiem. And I have to – for about 10 minutes – read the words of four New York firemen who lost their sons in the World Trade Center,” he recalls.

“And they’re sitting in the front row. Next to them is Colin Powell and the Joint Chiefs of Staff and hundreds of thousands of people. And I’ve been an actor for over 40 years, but I’d never done anything like that. It took all I had to get through it because I realized this is not an acting job. This is not a fictional story I’m talking about on these screens, these planes are flying into the buildings and people died. So when I got through it, I walked off the stage. I literally was weak in the knees. I had to sit down. I thought anything that can move me that much, there’s something to this. And getting to know some of those firemen. To this day I’m in contact with some of them. It made me realize this is an important thing.”

Though he never served himself, many members of Mantegna’s family were part of the armed forces. “I have a lot of military in my family but luckily they all came back,” he says. “So I never had that thing of going to the cemetery to lay a wreath over Uncle Willie. There actually is an Uncle Willie who was a World War II vet. And his three brothers, plus my wife’s father, plus my dad’s father. The only reason my dad wasn’t there was he was in the hospital during the entire war with tuberculosis.

“So I had a lot of military in my family. But I got lucky. Then I realized the ones who weren’t so lucky. It all came into focus. So at the end of the day, I realized I’d do this again if they want me to. Of course, they asked me back the next year and I did that. And Ossie Davis was the host that year and he was wonderful, just an incredible human being. He passed before the third year,” recalls Mantegna.

“When Ossie passed, they asked me if I’d host. I was flattered. This was a monumental job. So I did it. I asked my friend Gary Sinise if he’d like to come in with his band and perform. I knew Gary would react exactly the same way I did. And he did. He was so blown away by the whole weekend. He said, ‘I’ll do this as long as you want me to.’”

PBS will present its 35th annual National Memorial Day Concert on Sunday at 8 p.m. (ET). The event will feature Bryan Cranston, Jena Malone, BD Wong, Mary McCormack and Jamey Johnson in the salute to those who have given their lives for this country. (Handout/PBS/TNS)

Among the specials will be Bryan Cranston’s tribute to those who performed in the field and at home during World War II’s raging battles both in the Pacific and in Europe.

Jena Malone will honor the generation that served in Iraq and Afghanistan and returned with crippling injuries. One of those is Marine Corps veteran and amputee Kirstie Ennis, who inspires others with her spirit and optimism in encouraging veterans to seek help when they need it.

BD Wong will commemorate the Gold Star families – those who’ve lost loved ones in service. Featured is Vietnam veteran Allen Hoe, whose two sons served in the military, one of whom was killed in Iraq.

A fan favorite is the Salute to Services introducing the Joint Chiefs of Staff and Service Color teams. Also participating are the musical members from The U.S. Army Herald Trumpets, The U.S. Army Chorus, The Soldiers’ Chorus of the U.S. Army Field Band, The U.S. Navy Band Sea Chanters, The U.S. Air Force Singing Sergeants, and the Armed Forces Color Guard provided by the Military District of Washington, D.C.

The concert will also be streaming on http://www.pbs.org/national-memorial-day-concert and on YouTube and available as Video on Demand, Sunday to June 9.

Irish actress costars in ‘IF”

The partially animated movie “IF” opened in theaters Friday. It’s the work of John Krasinski (who would have thought the laid-back Jim from “The Office” would turn into a film tycoon?). The show is about a girl who can see people’s imaginary friends.

Among the glittering cast is the Irish actress Fiona Shaw, who plays Grandmother. Shaw, so memorable in “Killing Eve,” is one of those actresses they hire for everything because she can literally play everything.

She tells me that she thinks that her Irish people are great storytellers and inveterate liars. “I’ve had a fair amount of stories told to me when you’re expecting to be paid or a contract to be done or a promise to be kept. ‘Oh, yes, well the thing was, the dog ran off with it.’ Is it (this ability) something to do with the fact that if you take everything away from people it’ll heighten what they have got? And the Irish were not allowed wealth and weren’t allowed opportunity or language, to speak their own language, and they weren’t allowed religion. But of course, nobody could stop them talking,” she smiles.

“They’re not a sober race. There’s something about the English tradition of argument that of course became diplomacy and gave the English great strength,” she says.

So you have lines like ‘To be or not to be, that is the question,’ and you go on discussing that … line. The Irish would never write or speak like that. They’d say, ‘To be or not to be, one way or the other.’ They’ll invert something and stop it before it has meaning. But in doing that, they make a sort of mini- bomb, an explosion of wit. Whereas the English will genuinely try and structure their thought. The English are descended from the Romans, and it’s dialectic. The Irish are full of confusions but not thesis and antithesis; they’re full of opposites. They love nonsense. Except for ‘Alice in Wonderland,’ the English are otherwise a very reasonable race.”

Trio packs up for ‘Summer Camp’

That tectonic trio Kathy Bates, Diane Keaton and Alfre Woodard costar in the effervescent seasonal romp “Summer Camp,” opening in theaters May 31. Three friends who have not seen each other since childhood reunite at a summer camp to watch the sparks fly.

Bates, who will be filling the size 10s of the old “Matlock” detective series this fall on CBS, says, “I was born late to my mom and dad. And when I wanted to go off to New York and be in the theater, I think it was tough for them at first, but they gave me the money to go and were really supportive of it afterward. After I did my first play, they said, ‘Are you ready to come home now? Haven’t you gotten it out of your system?’ ‘No, I’m just getting going.’ But I think they were very pleased.”

She says she had trouble establishing herself as an actress. “I was discouraged the first few years in New York because it’s tough getting known, and it’s tough finding ways to practice your craft. And I wasn’t sure what being an actor did for society. It took me a while to realized that one could make a contribution through theater and film.”

Bates certainly has made a contribution through her memorable roles in “Misery,” “Primary Colors” and “Titanic.”

From Aaron Burr to pastor in ‘Purlie’

Leslie Odom Jr. heads the cast of Ossie Davis’ play “Purlie Victorious,” being resurrected by PBS for television on “Great Performances” Friday. The show is about a pastor who’s determined to win back his church from a plantation owner. “This is a play that hadn’t been done commercially for 62 years, a comedy,” says Odem.

“We invited people into the room, small audiences … into our rehearsal process to really get that feedback,” says the star who played Aaron Burr in “Hamilton.”

“We didn’t want to be surprised by New York audiences. And I had had that experience with ‘Hamilton.’ By the time we made it (“Hamilton”) to Broadway, I had done hundreds of performances off-Broadway and in development.

“And so we brought that to this (project). And we had small performances, so we knew that this writing — really at the end of day, it is about the writing. We knew that the writing still crackled, the writing still surprised, it still sang. … I could feel it, I could feel it every night,” he says.

“I could feel it from those early performances. My training has taught me how to feel that thing. And this play, this Ossie Davis American classic, this gem of the American theater still worked, and it worked well.”

_______

(Luaine Lee is a California-based correspondent who covers entertainment for Tribune News Service.)

©2024 Tribune Content Agency, LLC