Best men’s tennis shoes

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Which men’s tennis shoes are best?

If you’re a tennis player, you might think you’ve got it made if you have a durable racket. While your racket is undoubtedly important, don’t underestimate the importance of a reliable pair of shoes. Worn-out shoes can hinder your performance just as much as a racket with a lousy handle or broken strings.

Adidas Men’s Gamecourt Tennis Shoes are a top choice if you’re looking for high-quality shoes. They offer an excellent combination of comfort, stability and durability, so you can be sure you’re always playing at your best.

What to know before you buy men’s tennis shoes

Court surface

Before buying a new pair of men’s tennis shoes, consider the type of court you play on. There are four kinds of courts, each with different bounce and traction characteristics, so it’s essential to get the right shoes depending on the surface.

Hard: You’ll need a durable pair of shoes that provide plenty of traction if you’re going to play on a hard court, as they tend to wear out shoes faster than other courts. Also, good support is vital, since playing on hard surfaces can be strenuous on the feet.
Grass and clay: Traction is important since it’s easy to slip or slide on these surfaces, and lightweight shoes are what you want as they offer more flexibility for agile movements.
Indoor: These courts usually have a rubber surface, so shoes with smooth outsoles are your best bet.

Player type

Your style of play is important, too, when looking for a good pair of shoes for tennis.

Volley specialists play close to the net, so a durable pair of shoes with good stability and arch support is critical since you’re on your toes a lot of the time.
Baseline players move laterally more than any other way, so the best shoes for you are lightweight, with plenty of cushioning and a secure fit to help prevent rolling ankles.

Size

Tennis shoes should fit like your other shoes, albeit with some room in the toe. If you have a wide foot, it’s essential to consider shoes with a broader shape, and the opposite applies if you have a narrow foot.

What to look for in quality men’s tennis shoes

Comfort

Comfort should always be your top priority when buying shoes. They can be made with high-quality materials, but you won’t perform at your best if you don’t find them comfortable. Your shoes should have a good amount of cushioning in the midsole, fit securely around the ankles and have a toe box with enough room to wiggle your toes.

Breathability

Tennis is fast-paced, so you’ll sweat a lot while playing. However, you want to prevent your feet from overheating and keep them cool as long as possible. Tennis shoes can be stiff, but they have breathable uppers that allow for more efficient ventilation.

Stability

You need to move quickly while playing tennis, but you don’t want to feel any imbalance as you move laterally. The wider the sole, the more stability a shoe provides. Some also have plastic inserts in the middle of the midsole that limit bending as you take steps.

How much you can expect to spend on men’s tennis shoes

A standard pair of tennis shoes cost anywhere from $50-$100, but if you want durable shoes made using high-quality materials, be prepared to spend up to $160.

Men’s tennis shoes FAQ

Are tennis shoes necessary for playing tennis?

A. While it’s true that you can play tennis with other athletic shoes, tennis shoes are engineered to provide stability, responsiveness and comfort necessary to facilitate the quick and sudden movements that are common.

Are tennis shoes machine-washable?

A. Most tennis shoes are machine-washable, but it’s always best to check the manufacturer’s website to make sure. However, it’s inadvisable to place them in a dryer as it can compromise the integrity of their build.

What are the best men’s tennis shoes to buy?

Top men’s tennis shoes

Adidas Men’s Gamecourt Tennis Shoes

What you need to know: These shoes have a lightweight design and provide excellent grip and traction.

What you’ll love: They have a durable rubber outsole and a midsole cushioned with Cloudfoam for superior comfort and stability. They’re also ultra-breathable thanks to a mesh upper reinforced with thermoplastic polyurethane and are available in 12 colors as well as extra-wide options.

What you should consider: They run large, and some customers complained about laces being too long.

Top men’s tennis shoes for the money

Nike Men’s Court Lite 2 Tennis Shoes

What you need to know: These are excellent for the court but comfortable enough to wear for other activities.

What you’ll love: They’re fairly inexpensive, but they have a high-quality leather construction, making them durable and reliable. The foam midsole provides added stability, and the padded tongue and collar offer a secure but comfortable fit around the ankles.

What you should consider: Some customers found them stiff out of the box, needing to be broken in for optimal tennis performance.

Worth checking out

Asics Men’s Gel-Dedicate 7 Tennis Shoes

What you need to know: Although they’re not as glamorous as shoes by other brands, they are comfortable and provide excellent flexibility for fast, agile movement.

What you’ll love: These shoes are recognized for their gel technology in the forefoot and textile lining, making them ultra-comfortable. Also, the wrap-up rubber outsole provides increased traction, stability and grip on most court surfaces.

What you should consider: Some customers reported that they run small and that the laces are too short.

Prices listed reflect time and date of publication and are subject to change.

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Oscars 2025 winners list

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By Tracy Brown and Kevin Crust, Los Angeles Times

LOS ANGELES — The 97th Academy Awards were presented Sunday at the Dolby Theatre in Hollywood, and on a show that ran nearly four hours and saw five different films win multiple awards, “Anora” filmmaker Sean Baker was the big winner with a record-tying four Oscars. Baker’s quartet of statuettes were for original screenplay, editing, director and best picture. Mikey Madison of “Anora” took the prize for actress in a leading role.

Adrien Brody won actor in a leading role for “The Brutalist,” and while “A Real Pain’s” Kieran Culkin and “Emilia Pérez’s” Zoe Saldaña triumphed in the supporting acting categories. “Emilia Pérez” added a second win for original song. In addition to Brody, “The Brutalist” won for cinematography and original score. “Wicked” (costume design and production design), and “Dune: Part Two” (sound and visual effects) won two Oscars each.

Here are the winners at the 97th annual Academy Awards:

Best picture

Anora” | WINNER

“The Brutalist”

“A Complete Unknown”

“Conclave”

“Dune: Part Two”

“Emilia Pérez”

“I’m Still Here”

“Nickel Boys”

“The Substance”

“Wicked”

Directing

Sean Baker, “Anora” | WINNER

Brady Corbet, “The Brutalist”

James Mangold, “A Complete Unknown”

Jacques Audiard, “Emilia Pérez”

Coralie Fargeat, “The Substance”

Actor in a leading role

Adrien Brody, “The Brutalist” | WINNER

Timothée Chalamet, “A Complete Unknown”

Colman Domingo, “Sing Sing”

Ralph Fiennes, “Conclave”

Sebastian Stan, “The Apprentice”

Actress in a leading role

Cynthia Erivo, “Wicked”

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Karla Sofía Gascón, “Emilia Pérez”

Mikey Madison, “Anora” | WINNER

Demi Moore, “The Substance”

Fernanda Torres, “I’m Still Here”

Actor in a supporting role

Yura Borisov, “Anora”

Kieran Culkin, “A Real Pain” | WINNER

Edward Norton, “A Complete Unknown”

Guy Pearce, “The Brutalist”

Jeremy Strong, “The Apprentice”

Actress in a supporting role

Monica Barbaro, “A Complete Unknown”

Ariana Grande, “Wicked”

Felicity Jones, “The Brutalist”

Isabella Rossellini, “Conclave”

Zoe Saldaña, “Emilia Pérez” | WINNER

International feature

“I’m Still Here”| WINNER

“The Girl With the Needle”

“Emilia Pérez”

“The Seed of the Sacred Fig”

“Flow”

Original screenplay

Sean Baker, “Anora” | WINNER

Brady Corbet and Mona Fastvold, “The Brutalist”

Jesse Eisenberg, “A Real Pain”

Moritz Binder and Tim Fehlbaum; co-written by Alex David, “September 5”

Coralie Fargeat, “The Substance”

Adapted screenplay

James Mangold and Jay Cocks, “A Complete Unknown”

Peter Straughan, “Conclave” | WINNER

Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi, “Emilia Pérez”

RaMell Ross & Joslyn Barnes, “Nickel Boys”

Clint Bentley and Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin and John “Divine G” Whitfield, “Sing Sing”

Documentary feature

“Black Box Diaries”

No Other Land” | WINNER

“Porcelain War”

“Soundtrack to a Coup d’Etat”

“Sugarcane”

Documentary short

“Death by Numbers”

“I Am Ready, Warden”

“Incident”

“Instruments of a Beating Heart”

“The Only Girl in the Orchestra” | WINNER

Animated feature

Flow” | WINNER

“Inside Out 2”

“Memoir of a Snail”

“Wallace & Gromit: Vengeance Most Fowl”

“The Wild Robot”

Animated short

“Beautiful Men”

“In the Shadow of the Cypress” | WINNER

“Magic Candies”

“Wander to Wonder”

“Yuck!”

Live-action short

“A Lien”

“Anuja”

“I’m Not a Robot” | WINNER

“The Last Ranger”

“The Man Who Could Not Remain Silent”

Original song

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard) | WINNER

“The Journey” from “The Six Triple Eight” (Music and lyric by Diane Warren)

“Like a Bird” from “Sing Sing” (Music and lyric by Abraham Alexander and Adrian Quesada)

“Mi Camino” from “Emilia Pérez” (Music and lyric by Camille and Clément Ducol)

“Never Too Late” from “Elton John: Never Too Late” (Music and lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Original score

Daniel Blumberg, “The Brutalist” | WINNER

Volker Bertelmann, “Conclave”

Clément Ducol and Camille, “Emilia Pérez”

John Powell and Stephen Schwartz, “Wicked”

Kris Bowers, “The Wild Robot”

Cinematography

Lol Crawley, “The Brutalist” | WINNER

Greig Fraser, “Dune: Part Two”

Paul Guilhaume, “Emilia Pérez”

Ed Lachman, “Maria”

Jarin Blaschke, “Nosferatu”

Film editing

Sean Baker, “Anora” | WINNER

Dávid Jancsó, “The Brutalist”

Nick Emerson, “Conclave”

Juliette Welfling, “Emilia Pérez”

Myron Kerstein, “Wicked”

Costume design

Arianne Phillips, “A Complete Unknown”

Lisy Christl, “Conclave”

Janty Yates and Dave Crossman, “Gladiator II”

Linda Muir, “Nosferatu”

Paul Tazewell, “Wicked” | WINNER

Makeup and hairstyling

Mike Marino, David Presto and Crystal Jurado, “A Different Man”

Julia Floch-Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini, “Emilia Pérez”

David White, Traci Loader and Suzanne Stokes-Munton, “Nosferatu”

Pierre Olivier Persin, Stéphanie Guillon and Marilyne Scarselli, “The Substance” | WINNER

Frances Hannon, Laura Blount and Sarah Nuth, “Wicked”

Production design

“The Brutalist” (Production design: Judy Becker; set decoration: Patricia Cuccia)

“Conclave” (Production design: Suzie Davies; set decoration: Cynthia Sleiter)

“Dune: Part Two” (Production design: Patrice Vermette; set decoration: Shane Vieau)

“Nosferatu” (Production design: Craig Lathrop; set decoration: Beatrice Brentnerová)

“Wicked” (Production design: Nathan Crowley; set decoration: Lee Sandales) | WINNER

Sound

“A Complete Unknown” (Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco)

“Dune: Part Two” (Gareth John, Richard King, Ron Bartlett and Doug Hemphill) | WINNER

“Emilia Pérez” (Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta)

“Wicked” (Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis)

“The Wild Robot” (Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts)

Visual effects

“Alien Romulus” (Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan)

“Better Man” (Luke Millar, David Clayton, Keith Herft and Peter Stubbs)

“Dune: Part Two” (Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer) | WINNER

“Kingdom of the Planet of the Apes” (Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burk)

“Wicked” (Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould)

©2025 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.

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Breakout star Mikey Madison wins best actress Oscar for ‘Anora’ over Hollywood veteran Demi Moore

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By BETH HARRIS, Associated Press

LOS ANGELES (AP) — Mikey Madison won the best actress Oscar on Sunday for “Anora,” a role that catapulted the 25-year-old into a burgeoning film career after achieving initial success on television.

The Brooklyn-set comedy-drama had received six nominations.

Madison had been best known for playing a sullen teenager in the FX comedy series “Better Things,” which ended in 2022. She also appeared in the hit movies “Once Upon a Time … in Hollywood” and the fifth installment of the horror franchise “Scream.”

Those jobs attracted the attention of director-writer Sean Baker, who penned the title role in “Anora” for Madison. She studied Russian and did her own stunts in the film, in addition to learning to pole dance to play an exotic dancer who marries the son of a Russian oligarch.

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The film debuted to critical acclaim at Cannes last year, winning the Palme d’Or. It has gained momentum ever since, with its box-office success easily outearning its $6 million budget.

Hollywood veteran Demi Moore of “The Substance” had been the Oscar front-runner, having won over Madison at the Golden Globes and SAG Awards. However, Madison beat out Moore for the BAFTA two days before Oscar voting ended, as well as at last weekend’s Independent Spirit Awards.

She was born Mikaela Madison Rosberg in Los Angeles, one of five children of psychologist parents. Her mother signed her up for an acting class in her mid-teens after Madison had trained in competitive horseback riding, which she found lonely compared to the collaborative nature of acting.

In addition to Moore, the other nominees were Cynthia Erivo for “Wicked,” Karla Sofía Gascón for “Emilia Pérez” and Fernanda Torres for “I’m Still Here.”

Sean Baker wins best director Oscar for ‘Anora’

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By HANNAH SCHOENBAUM, Associated Press

LOS ANGELES (AP) — Sean Baker won best director at the Oscars on Sunday for “Anora,” bookending a dominant awards season for the American filmmaker whose stories seek to humanize sex workers and immigrants.

Baker, 53, wrote, produced, directed and edited the film, which is also among the top contenders for best picture. The comedy-drama stars Mikey Madison as a Brooklyn exotic dancer who marries the impetuous son of a Russian oligarch. They impulsively tie the knot on a ketamine-induced Las Vegas getaway, angering his parents, who send their bumbling henchmen after the couple to force an annulment.

“If you didn’t cast Mikey Madison in ‘Once Upon a Time,’ there would be no ‘Anora,’” Baker told Quentin Tarantino, who presented the award.

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Baker came into the night the favorite for the directing Oscar after earning the top prize from the Directors Guild of America, a win that historically all but guarantees an Oscars victory. He also took home the top awards at the Producers Guild and Independent Spirit Awards.

This year’s best director lineup featured five first-time nominees in the category for the first time in nearly three decades. All had writing credits on their respective films, demonstrating the academy’s growing preference for auteurs who can masterfully bring their own vision to life. For the Oscar, he beat out Brady Corbet of “The Brutalist,” James Mangold of “A Complete Unknown,” Jacques Audiard of “Emilia Pérez” and Coralie Fargeat of “The Substance.”

Going into the night, Baker had the potential to win a record four Oscars for “Anora,” which was nominated for six in total. He won for best original screenplay and best editing — a rarity as directors don’t typically cut their own films. He is also up for best picture.

“Anora” brings Baker’s signature style of provocative comedy from indie theaters into the mainstream, blending slapstick humor with social commentary in a way that makes lessons about marginalized groups palatable to a wider audience. He made the film on a modest budget of $6 million — an amount one producer joked is smaller than the catering budget of some of its competitors. Last year’s best picture winner, “Oppenheimer,” had a $100 million budget.

Baker has been vocal about the difficulty of making independent films and surviving as an indie filmmaker in an industry that increasingly supports big-budget spectacles. In a rousing speech at the Independent Spirit Awards, he said indies are in danger of becoming “calling card films” — movies made only as a means to get hired for projects at major studios. Without backing for independent films, he said, some of the most creative and innovative projects might never be made.

He exhorted filmmakers to keep moving films for the big screen, bemoaning the erosion of the theatergoing experience.

“Watching a film in the theater with an audience is an experience. We can laugh together, cry together, scream in fright together, perhaps sit in devastated silence together. In a time in which the world can feel very divided, this is more important than ever. It’s a communal experience you simply don’t get at home,” he said.

Baker has long been passionate about using his craft to help destigmatize sex work. His 2012 film “Starlet” follows a budding friendship between an adult film star and a crotchety widow who sells her a thermos full of cash at a yard sale. Baker said the connections he formed with sex workers involved in the project inspired him to feature them in several other films.

He received widespread praise for “Tangerine” (2015), in which he used three iPhone 5S smartphones to tell a story about transgender sex workers in Los Angeles. In “The Florida Project” (2017), a single mother living in an Orlando motel turns to sex work to provide for her daughter. And “Red Rocket” (2021) follows a retired porn actor’s journey back to his small Texas hometown.