Maureen Dowd: Nancy Pelosi, mother of dragons

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CHICAGO — Nancy Pelosi has spent a month coyly trying not to take credit for ringing down the curtain on the half-century run of a prolix play called “Scranton Joe.”

But blissed-out delegates here are not having it. Their attitude mirrors poet Andrew Marvell, who wrote, “Had we but World enough and Time, This coyness, Lady, were no crime.”

In his speech Wednesday night, Bill Clinton praised Joe Biden for “voluntarily” giving up the presidency.

But the crowd here, who gave Pelosi a standing ovation when she came out after Clinton, knew who the mastermind was behind the nick-of-time, get-the-hook, take-no-prisoners maneuver that they believe saved their party’s chances in November and turned this convention into a rager.

It was the first female House speaker and, as Republican former Speaker John Boehner called her, the best speaker of all time. The most powerful woman — and, along with LBJ, the most talented vote wrangler — in the history of Congress. The boss, who clearly inherited the DNA of her father, Thomas D’Alessandro, a famed party boss in Baltimore. People here were posting admiring Instagrams of Pelosi walking through the convention area, adding the soundtrack of “The Godfather.” “Godmother” buttons sprang up.

Unlike the party bosses of yore, Pelosi, 84, doesn’t swig Scotch and talk dirty. She’s a devout Catholic who likes chocolate ice cream sundaes. Before TikTok discovered “demure,” Pelosi looked demure.

But she has a dozen different ways to threaten and cajole and make you submit to her will — even if you are the commander in chief.

The cameras kept cutting to Pelosi’s face during Biden’s speech Monday night amid a sea of bobbing blue “We (heart) Joe” signs and “We love you, Joe!” chants, looking for signs of the pair’s schism. Some skeptical observers thought Pelosi was forcing her smile, as though, one person joked on X, you were singing “Happy Birthday” to a co-worker you hate.

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The two old friends and political allies have not been speaking since Pelosi and a coterie of other top Democrats — including Barack Obama, Chuck Schumer and Hakeem Jeffries — told Biden to step away from Air Force One. Pelosi wanted an open convention, where more Democratic stars could compete, but Biden forestalled that by quickly endorsing Kamala Harris, who then exploded off the blocks.

Pelosi is sad about the rift with Biden, but what could she do? She wasn’t going to let someone who encouraged insurrectionists to take over the Capitol on Jan. 6 regain the Oval if she could help it. Her take-the-cannoli-leave-the-gun fierceness is a good model for Harris in how to play the game. When sentimentality collides with viability, it’s not a contest. “It’s not personal, Joe. It’s strictly business.”

Mindy Kaling introduced Pelosi on Wednesday night as “brat before brat was brat,” and as “the Mother of Dragons.”

Looking meticulous as always, in a lavender pantsuit, chunky necklace and her beloved stilettos, Pelosi started her remarks with the de rigueur thank you to Biden, and a litany of his accomplishments.

Then she moved to the matter of most importance to her: defeating the former president who egged on his “patriots” to smear the Capitol with feces and blood, bringing violence and sedition to that hallowed building.

“Let us not forget who assaulted democracy on Jan. 6,” Pelosi said. “HE DID. But let us not forget who saved democracy that day. WE DID.”

She quoted “The Star-Spangled Banner,” saying, “We gave proof through the night that our flag was still there.”

Nancy Pelosi did help save democracy that night. And she helped save her party when she worked with others to persuade Biden that it was time to go home to Wilmington.

Mother of Dragons, indeed.

Maureen Dowd writes a column for the New York Times.

Trump is visiting the border to highlight immigration as Democrats accuse him of sabotaging progress

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By JONATHAN J. COOPER and ADRIANA GOMEZ LICON Associated Press

SIERRA VISTA, Ariz. (AP) — Donald Trump is traveling to the shrub-dotted hills of Arizona near the U.S.-Mexico border to campaign Thursday on immigration, his signature issue since launching his first successful presidential bid nine years ago.

The visit is the fourth in a series of events held in battleground states this week to try to draw the focus away from Democrats’ celebration of Vice President Kamala Harris’ presidential nomination in Chicago. The Trump campaign placed a lectern with a sign that says “the southern border” on a dirt road between a border wall and piles of steel beams.

The theme of Thursday’s visit is “Make America Safe Again,” and Trump plans to meet with people whose relatives were attacked or slain by immigrants who arrived in the country illegally during the Biden administration. Nearby, snipers stood at an elevated position, their eyes and weapons pointed toward Mexico. On Wednesday, the GOP nominee held his first outdoor rally since an assassination attempt, speaking to supporters while surrounded by bulletproof glass.

Republican presidential nominee former President Donald Trump speaks during a campaign rally at North Carolina Aviation Museum, Wednesday, Aug. 21, 2024, in Asheboro, N.C. (AP Photo/Julia Nikhinson)

Trump and his Republican allies are criticizing Harris and other Democrats for spending more time talking about him this week at the Democratic National Convention than talking about issues like the border and immigration.

“It’s like they’re having a party. They don’t mention the border. All they do is make up lies about me,” Trump complained as he called into “Fox & Friends” on Thursday morning.

Some of the speakers at the convention on Wednesday accused Trump of using the border to stir up his base. They argued that Democrats are the ones offering “real leadership” while Trump demonizes immigrants.

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“When it comes to the border, hear me when I say, ‘You know nothing, Donald Trump,’” said U.S. Rep. Veronica Escobar, who represents the border city of El Paso, Texas. “He and his Republican imitators see the border and immigration as a political opportunity to exploit instead of an issue to address.”

U.S. Sen. Chris Murphy, a Connecticut Democrat, spoke after a video played showing Republican opposition to a bipartisan border deal earlier this year. Murphy was the top Democrat negotiating the proposal with conservative senators and said the bill would have had unanimous support if it weren’t for Trump.

Trump has spent the week campaigning across the battleground states. He traveled to Pennsylvania, Michigan and North Carolina and will hold events in Las Vegas and the Phoenix suburb of Glendale on Friday. His running mate, Sen. JD Vance of Ohio, spoke at the same location near the border a few weeks ago.

Gomez Licon reported from Fort Lauderdale, Fla. Associated Press writer Farnoush Amiri contributed to this report from Chicago.

Trump posted a fake Taylor Swift image. AI and deepfakes are only going to get worse this election cycle

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Queenie Wong and Wendy Lee | (TNS) Los Angeles Times

The patriotic image shows megastar Taylor Swift dressed up like Uncle Sam, falsely suggesting she endorses Republican presidential nominee Donald Trump.

“Taylor Wants You To Vote For Donald Trump,” the image, which appears to be generated by artificial intelligence, says.

Over the weekend, Trump amplified the lie when he shared the image along with others depicting support from Swift fans to his 7.6 million followers on his social network Truth Social.

Deception has long played a part in politics, but the rise of artificial intelligence tools that allow people to rapidly generate fake images or videos by typing out a phrase adds another complex layer to a familiar problem on social media. Known as deepfakes, these digitally-altered images and videos can make it appear someone is saying or doing something they aren’t.

As the race between Trump and Democratic nominee Kamala Harris intensifies, disinformation experts are sounding the alarm about generative AI’s risks.

“I’m worried as we move closer to the election, this is going to explode,” said Emilio Ferrara, a computer science professor at USC Viterbi School of Engineering. “It’s going to get much worse than it is now.”

Platforms such as Facebook and X, formerly known as Twitter, have rules against manipulated images, audio and videos, but they’ve struggled to enforce these policies as AI-generated content floods the internet. Faced with accusations they’re censoring political speech, they’ve focused more on labeling content and fact checking, rather than pulling posts down. And there are exceptions to the rules, such as satire, that allow people to create and share fake images online.

“We have all the problems of the past, all the myths and disagreements and general stupidity, that we’ve been dealing with for 10 years,” said Hany Farid, a UC Berkeley professor who focuses on misinformation and digital forensics. “Now we have it being supercharged with generative AI and we are really, really partisan.”

Amid the surging interest in OpenAI, the maker of popular generative AI tool ChatGPT, tech companies are encouraging people to use new AI tools that can generate text, images and videos.

Farid, who analyzed the Swift images that Trump shared, said they appear to be a mix of both real and fake images, a “devious” way to push out misleading content.

People share fake images for various reasons. They might be doing it to just go viral on social media or troll others. Visual imagery is a powerful part of propaganda, warping people’s views on politics including about the legitimacy of the 2024 presidential election, he said.

On X, images that appear to be AI-generated depict Swift hugging Trump, holding his hand or singing a duet as the Republican strums a guitar. Social media users have also used other methods to falsely claim Swift endorsed Trump.

X labeled one video that falsely claimed Swift endorsed Trump as “manipulated media.” The video, posted in February, uses footage of Swift at the 2024 Grammys and makes it appear as if she’s holding a sign that says, “Trump Won. Democrats Cheated!”

Political campaigns have been bracing for AI’s impact on the election.

Vice President Harris’ campaign has an interdepartmental team “to prepare for the potential effects of AI this election, including the threat of malicious deepfakes,” said spokeswoman Mia Ehrenberg in a statement. The campaign only authorizes the use of AI for “productivity tools” such as data analysis, she added.

Trump’s campaign didn’t respond to a request for comment.

Part of the challenge in curbing fake or manipulated video is that the federal law that guides social media operations doesn’t specifically address deepfakes. The Communications Decency Act of 1996 does not hold social media companies liable for hosting content, as long as they do not aid or control those who posted it.

But over the years, tech companies have come under fire for what’s appeared on their platforms and many social media companies have established content moderation guidelines to address this such as prohibiting hate speech.

“It’s really walking this tightrope for social media companies and online operators,” said Joanna Rosen Forster, a partner at law firm Crowell & Moring.

Legislators are working to address this problem by proposing bills that would require social media companies to take down unauthorized deepfakes.

Gov. Gavin Newsom said in July that he supports legislation that would make altering a person’s voice with the use of AI in a campaign ad illegal. The remarks were a response to a video billionaire Elon Musk, who owns X, shared that uses AI to clone Harris’ voice. Musk, who has endorsed Trump, later clarified that the video he shared was parody.

The Screen Actors Guild-American Federation of Television and Radio Artists is one of the groups advocating for laws addressing deepfakes.

Duncan Crabtree-Ireland, SAG-AFTRA’s national executive director and chief negotiator, said social media companies are not doing enough to address the problem.

“Misinformation and outright lies spread by deepfakes can never really be rolled back,” Crabtree-Ireland said. “Especially with elections being decided in many cases by narrow margins and through complex, arcane systems like the electoral college, these deepfake-fueled lies can have devastating real world consequences.”

Crabtree-Ireland has experienced the problem firsthand. Last year, he was the subject of a deepfake video circulating on Instagram during a contract ratification campaign. The video, which showed false imagery of Crabtree-Ireland urging members to vote against a contract he negotiated, got tens of thousands of views. And while it had a caption that said “deepfake,” he received dozens of messages from union members asking him about it.

It took several days before Instagram took the deepfake video down, he said.

“It was, I felt, very abusive,” Crabtree-Ireland said. “They shouldn’t steal my voice and face to make a case that I don’t agree with.”

With a tight race between Harris and Trump, it’s not surprising both candidates are leaning on celebrities to appeal to voters. Harris’ campaign embraced pop star Charli XCX’s depiction of the candidate as“brat” and has used popular tunes such as Beyoncé’s “Freedom” and Chappell Roan’s “Femininomenon” to promote the Democratic Black and Asian American female presidential nominee. Musicians Kid RockJason Aldean and Ye, formerly known as Kanye West, have voiced their support for Trump, who was the target of an assassination attempt in July.

Swift, who has been the target of deepfakes before, hasn’t publicly endorsed a candidate in the 2024 presidential election, but she’s criticized Trump in the past. In the 2020 documentary “Miss Americana,” Swift says in a tearful conversation with her parents and team that she regrets not speaking out against Trump during the 2016 election and slams Tennessee Republican Marsha Blackburn, who was running for U.S. Senate at the time, as “‘Trump in a wig.”

Swift’s publicist, Tree Paine, did not respond to a request for comment.

AI-powered chatbots from platforms such as Meta, X and OpenAI make it easy for people to create fictitious images. While news outlets have found that X’s AI chatbot Grok can generate election fraud images, other chatbots are more restrictive.

Meta AI’s chatbot declined to create images of Swift endorsing Trump.

“I can’t generate images that could be used to spread misinformation or create the impression that a public figure has endorsed a particular political candidate,” Meta AI’s chatbot replied.

Meta and TikTok cited their efforts to label AI-generated content and partner with fact checkers. For example, TikTok said an AI-generated video falsely depicting a political endorsement of a public figure by an individual or group is not allowed. X didn’t respond to a request for comment.

When asked how Truth Social moderates AI-generated content, the platform’s parent company Trump Media and Technology Group Corp. accused journalists of “demanding more censorship.” Truth Social’s community guidelines has rules against posting fraud and spam but doesn’t spell out how it handles AI-generated content.

With social media platforms facing threats of regulation and lawsuits, some misinformation experts are skeptical that social networks want to properly moderate misleading content.

Social networks make most of their money from ads so keeping users on the platforms for a longer time is “good for business,” Farid said.

“What engages people is the absolute, most conspiratorial, hateful, salacious, angry content,” he said. “That’s who we are as human beings.”

It’s a harsh reality that even Swifties won’t be able to shake off.

____

Staff writer Mikael Wood contributed to this report.

©2024 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.

Movie review: ‘Blink Twice’ puts suspense in full view, but no message comes into focus

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In her daring directorial debut, “Blink Twice,” writer/director Zoë Kravitz doesn’t flinch once — not even when her film might be served by looking away. She maintains a steely gaze in this caustic social horror fable, laced with black comedy, which nods to Jordan Peele’s “Get Out,” though Kravitz chooses to aim her artistic weapon at sexual politics, not necessarily race. Co-written with E.T. Feigenbaum, “Blink Twice” is a big, bold swing from the actress-turned-filmmaker, even if her message becomes muddled along the way. It’s clear Kravitz wants to make a statement with this film. What’s less clear is what exactly that statement might be.

“Blink Twice” opens with a dead-eyed scroll in a dingy bathroom; our protagonist, Frida (Naomi Ackie), thumbs her phone screen on the toilet catatonically, observing the lives of others on Instagram, before she and her roommate Jess (Alia Shawkat) rush to work, serving champagne and canapés at a swanky gala hosted by a disgraced tech mogul, Slater King (Channing Tatum). Yearning to feel a part of something bigger, the cater waiters slip into slinky gowns and join the party themselves, warmly welcomed into an inner circle of wealthy men as beautiful young women typically are. Jet off to Slater’s private island with his pals? Frida’s been longing for a vacation.

Channing Tatum stars as Slater King in director Zoe Kravitz’s “Blink Twice,” an Amazon MGM Studios film. (Zachary Greenwood/Amazon Content Services LLC/TNS)

Kravitz observes this moneyed milieu well, and what she capably achieves in “Blink Twice” is an absurdist comedy of gendered manners once the guys (Tatum, Simon Rex, Haley Joel Osment, Levon Hawke and Christian Slater) and gals (Ackie, Shawkat, Adria Arjona, Liz Caribel and Trew Mullen) touch down at Slater’s secluded colonial spread located in a lush tropical forest. Outfitted in matching white bikinis and resort wear, the girls are plied with fine wine, fine food and good drugs. The setting and its accoutrements couldn’t be more richly luxurious, but Kravitz presents this world with a sickening, unsettling hyperreality.

Everything feels off in “Blink Twice,” intentionally so. The style is quite jarring, with an abrasiveness that’s almost chafing to watch. The camera angles are strange, the edit jagged, as Kravitz and editor Kathryn J. Schubert construct scenes as if they’re all montage, with seconds and even minutes dropping out. The images created by cinematographer Adam Newport-Berra are saturated, too bright, and have an almost burning lucidity and crispness; the sound design is also overly pronounced and too sharp. This postcard-perfect setting becomes almost unbearable to endure.

It’s a terrible truth to realize that you can have all of the nice things and still be having a bad time. Jess eventually realizes it, after a spree of endless nights spent binging on fun-fun-fun, the girls racing around the lawn in a champagne and psychedelics-induced stupor after their stultifying dinners with the men. Of course something’s not right. They have no phones, no one knows what day it is, and mysterious injuries keep appearing. When Jess goes missing and no one seems to remember she was even there, it’s up to Frida to claw her way out of the fog and find out what happened to her best friend.

Kravitz nails the social analysis and the dark, satirical tone, but as the film becomes a horror/suspense thriller, her directorial execution falters. There are some dynamic shots and compositions, and overt references to her inspirations, but the element of suspense and her ability to stage a horror sequence is lacking. She doesn’t shy away from the ugly truth at the center of her story, but Kravitz miscalculates the careful calibration of “conceal” vs. “reveal” that is necessary in horror filmmaking, making the mistake of showing us the monster clearly, forgetting that what the audience can’t see is far scarier than what they can.

Despite its flaws, what Kravitz demonstrates with “Blink Twice” is a directorial vision bursting with creative, audacious choices, at least cinematically (narratively, the script is riddled with ideas that are rather facile and preposterous). It’s a fine first effort, and she pulls fantastic performances out of Ackie, Arjona and especially Tatum, his quiet, seductive menace boiling over impressively.

However, Kravitz never works out exactly what she wants to say about sex, power and revenge. A deeply cynical coda at the end of the film undercuts any “empowerment” themes that might naturally emerge from this story. Successfully blending righteous rage, sardonic humor and a fist-pumping “girl power” narrative is quite a challenging task, if that’s even what she wants to do (it remains a mystery). Ultimately, there’s a certain emotion and earnestness missing from “Blink Twice” that would undergird this entire endeavor and keep it from feeling so hollow. But the unrelenting cynicism robs the film of any impactful meaning. Maybe that’s the point, but it doesn’t feel good.

‘Blink Twice’

2 1/2 stars (out of 4)
MPA rating: R (for strong violent content, sexual assault, drug use and language throughout, and some sexual references)
Running time: 1:42
Where to watch: in theaters Friday

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