Want to be prescribed a new hospital drama? These TV doctors are ready to treat you

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By HILARY FOX, Associated Press

LONDON (AP) — No matter your ailment, there are plenty of TV doctors waiting to treat you right now on a selection of channels and streamers.

Whether it’s Noah Wyle putting on his stethoscope for the first time since “ER,” Morris Chestnut graduating to head doctor, Molly Parker making her debut in scrubs or Joshua Jackson trading death for life on a luxury cruise, new American hospital dramas have something for everyone.

There’s also an outsider trying to make a difference in “Berlin ER,” as Haley Louise Jones plays the new boss of a struggling German hospital’s emergency department. The show’s doors slide open to patients Wednesday on Apple TV+.

These shows all contain the DNA of classic hospital dramas — and this guide will help you get the TV treatment you need.

This image released by Apple TV+ shows Haley Louise Jones as Dr Suzanna Parker in a scene from “Berlin ER.” (Apple TV+ via AP)

“Berlin ER”

Dr. Suzanna “Zanna” Parker has been sent to run the Krank, which is only just being held together by hardened — and authority-resistant — medical staff and supplies from a sex shop. The result is an unflinching drama set in an underfunded, underappreciated and understaffed emergency department, where the staff is as traumatized as the patients, but hide it much better.

From former real-life ER doc Samuel Jefferson and also starring Slavko Popadić, Şafak Şengül, Aram Tafreshian and Samirah Breuer, the German-language show is not for the faint of heart.

Jones says she eventually got used to the blood and gore on the set.

“It’s gruesome in the beginning, highly unnerving. And then at some point, it’s just the most normal thing in the world,” she explains. “That’s flesh. That’s the rest of someone’s leg, you know, let’s just move on and have coffee or whatever.”

As it’s set in the German clubbing capital, the whole city seems to live at a frenetic pace and the staff deals with the pressure by partying. The music, the lighting and the pulse of the drama also rubs off on the audience.

“When I saw it the first time I was sitting there, my heart was racing,” says Jones of watching the program. “I knew what was coming, but I just, you know, my body just reacted. And I think that really says a lot.”

Would she agree to be treated by Dr. Parker? Jones reckons it depends on what day you catch her.

DIAGNOSIS: “This is Going To Hurt” gets the “ER” treatment — side effects include breathlessness and heartbreak.

This image released by Max shows Noah Wyle, left, Mackenzie Astin and Rebecca Tilney, right, in a scene from “The Pitt.” (Warrick Page/MAX via AP)

“The Pitt”

Emergencies are often against the clock, but in “The Pitt,” they are on a timer. Attached to a bomb.

Each episode shows an hour of Dr. Michael Robinavitch’s emergency room shift on one of the worst days of his life. After avoiding all doctor roles since the finale of “ER” in 2009, Wyle pulls on the navy hoodie of a weary Dr. Robby — this time in Pittsburgh.

Initially an idea for a “ER” reboot with producer John Wells, the show morphed into a fresh take on the challenges medical professionals face in the wake of the world-shifting pandemic.

“It felt a little sacrilegious to try to walk back into that arena prematurely,” says Wyle. “It was really only thoughtfully, soberly, cautiously and meticulously that we attempted it again.”

Robby is calm and competent in showing his medical students how it’s done, while keeping his own mental health crisis hidden. Not that there are many places to hide: Wyle explains that they are setting themselves apart from other hospital dramas by turning up the lights, cutting the mood-telegraphing music and showing the real dimensions of the department.

“All of those kind of lend themselves to doing something different,” he says. “Rattling the cage, you know, trying to put a new spin on an old form.”

Joining him in Max’s “The Pitt” are co-stars Tracy Ifeachor, Katharine LaNasa, Patrick Ball and Supriya Ganesh.

As for his own medical knowledge, Wyle says there are procedures he feels adept at least pretending to do. With the amount of time he’s spent playing a doctor, he could have earned his own degree by now.

“I’ve been doing this long enough,” he says. “So I’m either the worst student or one of the best doctor actors around.”

DIAGNOSIS: With front-line workers against the clock, it has a similar pathology to both “ER” and “24.”

This image released by CBS shows Morris Chestnut as Dr. John Watson in a scene from “Watson.” (Colin Bentley/CBS via AP)

“Watson”

Also in Pittsburgh, you’ll find The Holmes Clinic for Diagnostic Medicine, where it’s still life-and-death, but your heart rate can afford to slow a little.

It’s run by Dr. John Watson, former colleague of Sherlock Holmes, the famous sleuth who has bequeathed the funding for the medical center.

Chestnut plays the lead “doc-tective,” as he puts it, leading a team trying to solve medical mysteries while avoiding old foe Moriarty (Randall Park) — Watson is still dealing with a traumatic brain injury from their last encounter.

And Chestnut is no stranger to the long words and Latin terms that accompany hospital dramas. Chestnut was a nurse in “ER,” a former army doc in “Nurse Jackie” and a pathologist in “Rosewood.” More recently, he was the ruthless and talented neurosurgeon Barrett Cain on “The Resident.”

Luckily, his Watson has a better beside manner and uses cutting-edge science to help puzzle out a unique selection of patients, alongside his staff, played by Eve Harlow, Inga Schlingmann and Peter Mark Kendall.

The Sherlock mythology is provided by show creator, Arthur Conan Doyle fan and ex-“Elementary” writer Craig Sweeny, who brings a case-of-the-week style to the program. Chestnut reckons it’s this literary twist on the medical mystery formula that sets it apart from “House MD,” whose lead character was more of a Sherlock.

And he wouldn’t hesitate to be treated by Dr. Watson because “he wants to understand you as a person” and “truly cares” about his patients.

DIAGNOSIS: More tests needed to confirm if “Elementary” or “House” is the leading condition.

This image released by Fox shows Molly Parker in a scene from “Doc.” (Peter H. Stranks/Fox via AP)

“Doc”

Over her 30-year career, Molly Parker has never played a doctor before. In “Doc,” based on a true story, she jumped right in with the top job, chief of internal medicine, at Minneapolis’ Westside Hospital.

A car crash causes the overachieving, work-centric Dr. Amy Larsen to lose eight years of her memory, turning her into a patient with a traumatic brain injury. Parker portrays both versions of Larsen through Fox’s debut season — the career woman in flashback and the mother learning to trust again in the present.

The focus of the show is on feelings over physical ailments, as Larsen has to deal, all over again, with the loss of her son.

“What I liked about this is that it has all the elements of that genre, like it has the high stakes and the mystery illness and the romantic love triangle,” explains Parker, who stars alongside Anya Banerjee, Jon-Michael Ecker, Amirah Vann and Omar Metwally. “But at the center of it is this woman who is going through this really profound grief.”

Parker has learned “not to diagnose yourself on the internet,” a deeper respect for health care workers and that playing a doctor is not easy.

“The most you can do is sort of try to get the words right sometimes,” she says with a smile, admitting she still can’t pronounce the name of one particular drug.

“It’s, like, so important in the entire season,” Parker adds, “and I said it wrong every single time.”

DIAGNOSIS: For fans of “Grey’s Anatomy,” where complications come from relationships rather than infections.

This image released by Disney shows Kate Berlant, left, and Joshua Jackson in a scene from “Doctor Odyssey.” (Ray Mickshaw/Disney via AP)

“Doctor Odyssey”

An honorable mention goes to Dr. Max Bankman of “Doctor Odyssey,” who set sail at the end of 2024 and is finishing up Season One’s maiden voyage March 6 on ABC.

Joshua Jackson, who previously portrayed real-life man of malpractice Christopher Duntsch in “Dr. Death,” is on board as the accomplished and smiley new head of a luxury cruise liner’s medical team. “Doctor Odyssey” comes from super producer Ryan Murphy and is set in the same world as his “9-1-1” franchise, with an upcoming crossover episode starring Angela Bassett.

Phillipa Soo and Sean Teale complete the ship’s medical threesome contending with a surprisingly frequent number of bizarre illnesses and accidents that befall the guest stars (episode one: a broken penis). Jackson acknowledges the cases are “absurd and fun and wild and over-the-top,” much to the amusement of his brother, who runs an actual ER.

But that is the appeal, he says, for viewers to “exhale” and find “welcome relief” from the stress of real life.

“To have this, you know, pretty bauble in the middle of your week to just come in and go on an adventure,” Jackson explains. “The stakes are high, the relationships are intense. Everything’s very dramatic. And 42 minutes later, you realize you’re just in the most beautiful place in the world.”

Unfortunately, his own medical skills remain more Dr. Death than Dr. Bankman.

“I could really, really, deeply mess somebody up,” he says. “I have just enough terminology and jargon to sound like I know what I’m doing, but none of the practical skills.”

Jackson wouldn’t hesitate to put his own health in the hands of Dr. Bankman, though, citing the miracles he’s able to perform weekly on The Odyssey.

DIAGNOSIS: Call “9-1-1” for a therapeutic trip on “The Love Boat.”

Recipe: Comedian Stephen Colbert suggests this method for cooking swordfish

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Comedian, actor, and TV host Stephen Colbert and his wife Evie McGee Colbert have written a lovely cookbook, “Does This Taste Funny?” (Celadon Books). The recipes sound delicious and the photos make me hungry. I dogeared many pages, signals meant to remind me to return to them and test them out.

The easy-to-prepare swordfish was my first try, and it paid off big time. Because that scrumptious fish is expensive, my thought was that it would make a great entrée for a special company meal. The swordfish is broiled with butter, quick and easy. The accompanying mustard sauce can be cooked up while the fish broils; it includes white wine, capers, heavy cream, and of course, Dijon mustard.

And as for the expense, I decided to offer smaller swordfish portions, about 8 ounces, and load up the menu with rice, vegetables and a big salad. Delicious.

Kitty’s Swordfish with Mustard Cream Sauce

Yield: 4 servings

INGREDIENTS

4 swordfish steaks, about 1 inch thick and about 12 ounces each, serve a smaller amount if desired

Salt and freshly ground black pepper

12 tablespoons (1 1/2 sticks) unsalted butter, cut into small pieces, divided use

1/3 cup dry white wine

1/3 cup heavy cream

1 1/2 tablespoons Dijon mustard

1 1/2 teaspoons drained caper, coarsely chopped

Optional garnish: Lemon wedges

Cook’s notes: Be aware that broilers in home ovens vary, and the Colberts note that in a tip next to the recipe. The instructions advise placing the rack in the highest possible position. That would be too high in my oven, a position that would put the fish less than three inches from the broiler element. Instead, I opt for the position that’s a little over 5 inches from the broiler, placing the top of the swordfish about 4 inches from the broiler.

DIRECTIONS

1. Adjust oven rack to about 5 inches below the broiler element (see cook’s notes). Preheat broiler. Place swordfish in a single layer on a rimmed baking sheet. Season generously with salt and freshly ground black pepper on both sides. Dot each with 2 1/2 tablespoons of butter.

2. Broil the fish for approximately 5 minutes on each side, basting with butter before you turn them over. When it is time to flip the butter should be rich nutty brown. (In my oven I broiled for 5 minutes, basted, flipped, and cooked 3 more minutes.)

3. Meanwhile, prepare the sauce. Stir wine, cream, mustard, and capers in a small saucepan and bring to a boil on medium-high heat, then lower heat and gently simmer until sauce is reduced by half, about 5 minutes. Remove from heat and stir in the remaining 2 tablespoons butter. Serve the swordfish topped with sauce. If desired, accompany each served with a lemon wedge.

Source: “Does This Taste Funny” by Stephen Colbert and Evie McGee Colbert (Celadon Books)

Award-winning food writer Cathy Thomas has written three cookbooks, including “50 Best Plants on the Planet.” Follow her at CathyThomasCooks.com.

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Jace Frederick: Think the NBA stinks now? Check the numbers. A lot of them haven’t changed from the Good Old Days

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There has been a lot of dialogue in recent years over the decline of the NBA.

Ratings fluctuate, and they weren’t good for the Association this fall when the pro season battled with football and the coverage of a presidential election.

Then came the all-star break, in which the NBA’s lackluster exhibition squared off with an international, NHL-sponsored hockey competition the likes of which we haven’t seen in a decade.

Those moments were perfect opportunities to open the closet and pull out the trusty bag of complaints centered on the state of today’s professional basketball: They don’t play defense. You can’t touch someone without it being a foul. Too many 3-pointers, not enough dunks.

There are plenty of valid complaints about the way the NBA operates as a league. Players have missed too many games in recent years, though that issue has largely been curtailed. Still, 82 games is too many, and the travel schedule is often nonsensical, so any night you show up to the arena, there’s a chance your favorite player may not be in uniform.

That stinks.

The roster movement, while exciting to track, can be unflattering. It’s nauseating to hear how often a star player is distraught with an organization, and vice versa. You’re not unreasonable for wishing that more players would remain with their teams throughout the length of their mutually agreed upon contracts.

But the actual quality of play has not dwindled — quite the opposite. It seems every attack on the state of play can be debunked through data dating back to when play-by-play  arrived in time for the 1996-97 season. For many, that’s smack dab in the middle of the Glory Days.

No defense?

Twenty-eight years ago, even with less shooting on the floor and pre-rules changes that aided offensive success, Utah shot 50.4% from the floor. That would rank second in today’s NBA. The New Jersey Nets were the worst shooting team in 1996-97 at 42.2%. Charlotte is 30th this season at 42.5%.

Teams are getting stops at the same rate.

Overall point totals are skyrocketing because teams are taking more efficient shots, such as the 3-pointer, and the overall number of possessions is soaring as pace increases. Memphis averages 104 possessions per game this season, compared to the 84 that Cleveland averaged in 1996-97.

No-touch league?

The Toronto Raptors this season lead the NBA with an average of 21.4 fouls committed per game. That same number would have put them in the top 10 for least fouls committed during the ’96-’97 campaign.  Atlanta committed the fewest fouls per game that season, with an average of 19.4. Miami is averaging 15.9 fouls this season.

Memphis leads the NBA with 24.6 free throws attempted per game. That would have ranked 17th in the league 28 years ago, when the 76ers led the NBA with a jaw-dropping 29.9 free throws a game.

It’s all 3-pointers?

Surely, that last number is because teams attacked the basket more back then, while NBA offenses are set up to get players 3-point looks now.

The reality is the percentage of points teams score in the paint versus 28 years ago is nearly identical. The Washington Bullets scored 49% of their points in the paint in the 96-97 season, the highest mark in the NBA. Denver currently leads the NBA in the same stat at … 49%.

The Chicago Bulls were in the basement in the category 28 years ago at 35.6%. The team currently ranked No. 30 overall in the NBA in percentage of points in the paint is Boston, at 35.7%.

Drive, they said

At a more granular level, Second Spectrum tracking data became available starting with the 2013-14 season. Included in that is the number of times a player “drives” the ball and the result of those attempts.

Of players with more than 300 drives in a season, Kevin Durant and Carmelo Anthony were both fouled on more than 15% of their drives in the 2013-14 campaign. This year, Karl-Anthony Towns has the highest number at 14.9%

In total, 21 high-volume drivers drew fouls on more than 10% of their drives a decade ago. That number is down to just 12 this season, and doesn’t include Shai Gilgeous-Alexander, who has been criticized for his high volume of free-throw attempts this season. But he only draws fouls on 9.7% of his driving attempts, and goes to the stripe so frequently because his number of driving attempts (1,141) far exceeds his contemporaries.

The middle

The general consensus is correct about 3-point attempts being way up. The Heat led the NBA in tries 28 years ago at 22.7 per game. That is nine attempts fewer than Denver, dead last in 3-point attempts this season at 31.4. Last place in 3-point attempts in the 96-97 season? Utah … with 11.

Boston currently leads the NBA at 48.4 3-point looks per game.

If NBA teams nearly three decades ago weren’t taking even half as many 3s, and weren’t scoring more in the paint, where were the other attempts coming from aside from the free-throw line? The mid-range.

Los Angeles Lakers forward LeBron James (23) dunks the ball while under pressure from Charlotte Hornets center Mark Williams (5) during the second half of an NBA basketball game Wednesday, Feb. 19, 2025, in Los Angeles. Dunks are far more frequent today than they were 20 years ago. (AP Photo/William Liang)

The Kings lead the NBA this season with 14.7 mid-range shots per game. That would have been last in the NBA in 1997 by nine attempts. The Bulls fired off an astounding 41.5 mid-range shots to lead the league that season. The Hawks are taking 5.6 such attempts this year.

Teams had to shoot from closer to the bucket because the 3-point shooting ability simply didn’t often exist. And even on the rosters where it did, the math problem had not yet been solved to reveal the advantage in efficiency.

So, defenses were able to condense and pack the paint to the degree where the NBA had to add a defensive 3 seconds violation prior to the 2001-02 season to prevent teams from parking a defender in the paint.

Even with that rule in place, it wasn’t until the game was truly spaced out by shooters that the sheer volume of dunks took off. An over-extended defense simply can’t defend the rim at the same rate.

Twenty years ago, Shaquille O’Neal led the NBA in dunks with 213. No. 2 was Kenyon Martin with 134. Those are microscopic numbers compared to last season, when Giannis Antetokounmpo finished with 251, closely followed by 248 from Rudy Gobert. Martin’s 134 slams from 20 seasons prior would have finished in a tie for 14th a year ago.

So …

While nostalgia reigns supreme when creating the perceptions of pro basketball of yesteryear and that of today’s game, the stats show the case. Yes, there are more 3-pointers, but there are also far more dunks and significantly fewer free throws amid what’s become a much faster-paced game.

By most accounts, that would equal a better brand of basketball.

But if you’re someone who craves walking the ball up the floor, mid-range jumpers, post ups and endless free throws, yes, sorry, your version of the NBA is likely not returning anytime soon.

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1099-K tax rules: What you need to know if you get paid via Venmo, Cash App or PayPal

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By Kemberley Washington, CPA, Bankrate.com

If you sell goods or services or rent property, and get paid through Venmo, PayPal, Cash App or another payment app, you may have been surprised by a Form 1099-K this year.

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Here’s why you might be among the millions of taxpayers who got this form for the first time: If you received a total of $5,000 or more through a payment app in 2024, that company is now required to report that amount to you — and to the IRS.

The standard before 2024 was that a 1099-K had to be issued only if you received $20,000 or more and had more than 200 transactions. Now the threshold dollar amount is much lower, and there’s no minimum transaction requirement.

And that threshold amount is slated to drop even more, with even more people likely to receive 1099-Ks next year: The $5,000 reporting threshold for tax year 2024 drops to $2,500 for 2025 and then plummets to $600 for 2026 and beyond.

While the new reporting rules might be a shock to some freelancers or people with side hustles, technically the tax rules didn’t change: You were always supposed to report that income to the IRS.

What is the 1099-K?

The 1099-K form reports payments for goods and services received from credit cards, mobile payment apps, online marketplaces, auction sites, ride-hailing apps, crowdfunding sites and more. Form 1099-K must be sent to taxpayers by Jan. 31 of the following year. That is, you should have received your 1099-K for 2024 by the end of January 2025. (See the 2025 tax deadlines.)

If you sell goods or services, or rent out property, the money you earn is generally taxable income (which, don’t forget, you can reduce by your costs, including qualified business deductions). Even selling your own clothes or furniture could count as taxable income, the IRS says, if you earned a profit.

If, however, you’re using Venmo or another payment app to pay your friend back for dinner, or to send a birthday present to your sister, this money shouldn’t be reported on a 1099-K. If you do receive a 1099-K, you’ll want to check to make sure that only taxable income is included on the form. (See below for how to deal with incorrect 1099-Ks.)

The income threshold for Form 1099-K was lowered to $600 as part of the American Rescue Plan Act (ARPA) of 2021. Prior to ARPA’s passage, only total payments of $20,000 or more, and more than 200 transactions, required a Form 1099-K.

During the debate over ARPA, tax pros and others expressed opposition to the lowered payment thresholds, with the American Institute of Certified Public Accountants among those warning Congress that the lower threshold would lead to confusion and errors. Ultimately, the IRS postponed the new reporting requirements in 2022 and 2023, allowing more time for the payment apps, officially known as third-party settlement organizations, to conform.

New 1099-K reporting requirements

To give third-party settlement organizations more time to comply with 1099-K reporting requirements, in 2024 the IRS announced a phased-in approach to the reporting thresholds:

2023 and earlier: $20,000+ and 200+ transactions

2024: $5,000+

2025: $5,000+

2025: $2,500+

2026: $600+

Not all payment apps are alike

While taxpayers can expect Form 1099-Ks from PayPal, Venmo, or Cash App, Zelle won’t be included in that list.

“The Zelle platform directly transfers funds from one bank account to another, similar to a wire transfer. Thus, it never has custody of the funds, it simply moves money,” says Monica Houston, a certified public accountant in Brentwood, Calif.

Therefore, Zelle transactions are not subject to reporting requirements.

Who is likely to receive a 1099-K?

The Form 1099-K is issued to taxpayers who receive direct payments for selling goods or providing services. While the reporting income threshold is $5,000 for 2024, in some cases you may receive a Form 1099-K even if the dollar amount is below the reporting threshold.

Whether you receive a Form 1099-K or not, if you received taxable income from the sales of goods or services, you’ll need to report it on your tax return.

What if you get an incorrect 1099-K?

If you used a payment app to exchange money with friends and family, that exchange isn’t taxable, and you shouldn’t receive a Form 1099-K for those transactions.

If you do receive a 1099-K with these types of transactions reported, then you shouldn’t report these as taxable income. Instead, contact the issuer of the Form 1099-K, request that they remove these items from the form and reissue a corrected Form 1099-K. The IRS has instructions on how to handle this situation.

If you use payment apps for personal and business use, then it makes sense to have a solid accounting system to clearly distinguish between business and personal payments.

“I recommend using an Excel spreadsheet or consider using QuickBooks online to adopt a computerized accounting system,” Houston says. Taking these steps can ensure you report your income correctly on your income tax return.

How to report income reported on Form 1099-K

Form 1099-K reports various types of payments, which affect how you report your income on your Form 1040 and related forms and schedules. If you sold personal items, you will need to report them on your tax return. If the item was sold for a loss, you cannot deduct the loss from your taxes, but you can zero out the reported income. However, if you sold an item for a profit, you must report the profit, which is the amount received less your cost, as taxable income.

Whether you receive payments for goods sold, services provided or rental property, these must be reported on your tax return. Freelancers, gig workers and self-employed people generally report income on Schedule C of their income tax returns. Rent payments are reported on Schedule E.

Houston stresses the importance of staying abreast of the new tax law changes and encourages taxpayers to take an active part in the tax process. “I highly recommend that they enlist assistance from a qualified tax professional in the final preparation of their return especially if they are receiving a Form 1099-K. The return on investment is usually worth it in many ways,” Houston says.

©2025 Bankrate.com. Distributed by Tribune Content Agency, LLC.