Woman forced to drive stolen vehicle in Sunday afternoon carjacking

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A woman was taken at gunpoint in a carjacking Sunday afternoon in St. Paul and released a short while later.

Shortly before 1:30 p.m. officers were called to Herbert Street and Rose Avenue East on a report of a carjacking in which a woman was taken against her will along with the vehicle, according to Nikki Muehlhausen, public information officer with the St. Paul Police Department.

A woman was soon spotted driving the vehicle near 7th Street and Arcade Street.

At one point, a woman, believed to be the woman forced against her will to go with the carjackers, got out of the car. The stolen vehicle then accelerated away from squad cars that began a pursuit.

After a short pursuit, the car thief crashed into another vehicle at 2 p.m. at Maryland Avenue over the 35W bridge.

Police took a man and another woman, who was in the car at the time, into custody.  No one was injured, but the man is being treated at an area hospital for an unrelated condition.

The crime remains under investigation.

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Two-alarm blaze consumes St. Paul flooring business Sunday afternoon

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A two-alarm blaze at a St. Paul business caused a total roof collapse and “consumption” of the building Sunday afternoon, fire officials said.

Fire crews responded to the blaze shortly after 1 p.m. Sunday at Fulton Flooring at 315 Atwater Street. When they arrived, the structure was found engulfed in heavy flames on all sides, said Jamie Smith, deputy chief of the St. Paul Fire Department.  By 1:20 p.m. the roof had collapsed.

Police blocked nearby intersections and shut down the immediate surrounding area as firefighters fought the blaze, he said.

As of 4 p.m. Sunday, fire crews were doing “extensive overhaul to check for hotspots” in the building. The Department of Safety and Inspection has scheduled the structure for demolition, Smith said.

Once the fire is completely under control, an investigation into its cause will begin.

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“They need a little boost right now,” says Wild GM Bill Guerin

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The NHL of 2025 is a different game than the one Bill Guerin played two decades ago. Several talented players of Guerin’s era had their careers curtailed due to the back problems that came from the seemingly incessant cross checks one would endure from going to the opponents’ net front.

Today, the Wild general manager noted that the net-front cross checks are pretty much gone from the game, but going to either crease is still a risky proposition, which the Minnesota roster and an army of Wild fans have learned over and over this season.

“Defensemen can’t clear guys out of the front of the net because we don’t want cross checking in front of the net, because players are gonna get hurt. Well, now they’ve gotta stand there and block shots and they’re getting hurt from that,” Guerin said, in a 20-minute meeting with the media on Sunday before the Wild’s game with Boston. “I don’t have a concern about any of the guys. It just seems like every time this year we get hit with a puck, something breaks or somebody gets a bone bruise or a break or this or that, because our guys play hard and they do what it takes to win and sometimes that comes at a price.”

The price, as of Sunday, was three of Minnesota’s top players – forwards Kirill Kaprizov and Joel Eriksson Ek, and defenseman Jonas Brodin – missing from the lineup as the true push toward the playoffs begin, with no definitive timetable for when any of the trio will return. Although on Sunday Guerin reiterated that all three are expected back in uniform before the end of the regular season.

On Saturday, after the team’s third consecutive loss, Guerin worked a trade with Nashville to bring forward Gustav Nyquist back to the Wild for a second stint. Nyquist spent nine games in Minnesota two years ago, collecting five assists in six playoff games.

“We liked him when he was here before. We think his versatility, the way he plays the game, the sense, he fits,” Guerin said. “I think too, sometimes deadline acquisitions, it depends on who you get, they can have a hard time getting acclimated. So I think it’s kind of a bit of a luxury that he’s been here before and knows the players, knows the area a little bit, that’ll help.”

Guerin also addressed the team’s season-long struggle killing penalties, where they ranked 31st among the NHL’s 32 teams as of Sunday. They have a system in place, he said.

“It’s driving everyone bats–t crazy. But you know what, it’s one of those things, we need more,” Guerin admitted. “The structure is good, the plan is good. That’s part of execution. The players that are on the penalty kill need to execute at a higher level. That’s just it.”

The trade, which included Nashville continuing to pay half of Nyquist’s salary in exchange for a second round draft pick in 2026, puts Minnesota right back up against the NHL salary cap. Guerin said the recent demotion of Marat Khusnutdinov to Iowa was in part due to making the numbers work, and not all due to the forward’s pedestrian offensive numbers. It also means that between now and the Friday afternoon trade deadline, the Wild have little wiggle room with which to do more dealing. But Guerin is keeping his phone turned on.

“I’m not kicking my feet up and just taking a break. We’re going to proceed business as usual and see what’s out there,” he said. “You never know what…it could be a dollar for dollar. It could be an actual hockey trade. Those are pretty rare this time of year, but it could happen.”

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While so much of the narrative in 2024-25 has been about injuries, Guerin reiterated the message we have heard from coach John Hynes and others, that it’s not about the players who are missing, it’s about the once on the ice. The Wild had an outstanding first one-third of the season, and have put themselves in a great position to make the playoffs, despite the recent doldrums. The Nyquist trade, and anything else that happens between now and the trade deadline, is meant to provide more options for April and beyond.

“They put us in a good spot. We’ve played well, mainly all year. There have been some ups and downs but give them a boost. You know, they’ve earned it,” Guerin said. “They need a little boost right now, they need a little help and you know, for this time of year, I think we have to supply that for them.”

Madison, Chalamet, Deadwyler and more: The Oscars red carpet is sure to include some stunners

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By LEANNE ITALIE, Associated Press

NEW YORK (AP) — Mikey Madison, Timothée Chalamet, Danielle Deadwyler, Ariana Grande and Cynthia Erivo. The list of celebrities with red carpet wow momentum at the Oscars is long.

Julianne Hough kicked things off Sunday in an elegant light beige ethereal look straight off the Christian Dior spring 2025 runway.

The 97th Oscars come less than two months after the devastating Los Angeles fires subdued carpet dressing for a time. As the city moves into rebuild mode, stars have been upping their fashion games heading into the biggest awards night of the season.

Julianne Hough arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Some are notable for playing it glam but safe.

Like Margot Robbie’s Barbie pink, Grande has been mostly sticking to a far paler hue, her signature and an homage to her “Wicked” good witch, Glinda. Castmate and carpet bestie Erivo has always taken fashion risks. She ditched her Elphaba black for last week’s Screen Actors Guild awards, opting for a silver Givenchy look with a high shaggy collar worthy of her bad witch role.

Chalamet has been all over the place on carpet dressing as he navigates his Bob Dylan attention from “A Complete Unknown.” At the SAGs, he married a bright brat green button-up shirt from Chrome Hearts with a shiny black leather suit and a bolo tie as he continues to channel the real-life icon he plays.

 

Deadwyler is a risk-taker, too. She wore a bright red strapless 3D structured tiered gown from Louis Vuitton at the SAGs.

Some planning to attend as nominees and presenters have generated fashion buzz for different reasons. Jeremy Strong wore a mint green velvet Loro Piana suit with a bucket hat in the same color to the Golden Globes. His white turtleneck topped it all off. He’s nominated for supporting actor at the Oscars.

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At the SAGs, strong wore a different shade of green. It was a dusty green for a custom Haans Nicholas Mott suit with satin shawl lapels. He wore it with a bowtie.

Madison, a new fashion darling, was among several stars to go vintage at the recent dinner for Oscar nominees. The star of “Anora” wore a dark blue velvet gown by Bill Blass from 1987. She collected a BAFTA award earlier this month in a custom Prada in ivory, accessorizing with a long matching stole and a vintage Tiffany & Co. diamond necklace.

She also went Hollywood bombshell at the SAGs with a strapless silver Louis Vuitton look with a large pleated bow at the waist. She’s been working with stylist Jamie Mizrahi, who has dressed Adele and Jennifer Lawrence, among many other celebs.

Mario Lopez arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Kensington Tallman arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Quenlin Blackwell arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Bowen Yang, center, and Matt Rogers arrive at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Julianne Hough arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Nic Kaufmann arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Amelia Dimoldenberg arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Jae C. Hong)
Nischelle Turner arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Jae C. Hong)
Wolfgang Puck holding a statuette arrives at the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)