Tulsa’s first-ever Black mayor proposes $100M trust to ‘repair’ impact of 1921 Race Massacre

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By SEAN MURPHY

TULSA, Okla. (AP) — Tulsa’s new mayor on Sunday proposed a $100 million private trust as part of a reparations plan to give descendants of the 1921 Tulsa Race Massacre scholarships and housing help in a city-backed bid to make amends for one of the worst racial attacks in U.S. history.

The plan by Mayor Monroe Nichols, the first Black mayor of Oklahoma’s second-largest city, would not provide direct cash payments to descendants or the last two centenarian survivors of the attack that killed as many as 300 Black people. He made the announcement at the Greenwood Cultural Center, located in the once-thriving district of North Tulsa that was destroyed by a white mob.

Nichols said he does not use the term reparations, which he calls politically charged, characterizing his sweeping plan instead as a “road to repair.”

“For 104 years, the Tulsa Race Massacre has been a stain on our city’s history,” Nichols said Sunday after receiving a standing ovation from several hundred people. “The massacre was hidden from history books, only to be followed by the intentional acts of redlining, a highway built to choke off economic vitality and the perpetual underinvestment of local, state and federal governments.

“Now it’s time to take the next big steps to restore.”

Nichols said the proposal wouldn’t require city council approval, although the council would need to authorize the transfer of any city property to the trust, something he said was highly likely.

The private charitable trust would be created with a goal to secure $105 million in assets, with most of the funding either secured or committed by June 1, 2026. Although details would be developed over the next year by an executive director and a board of managers, the plan calls for the bulk of the funding, $60 million, to go toward improving buildings and revitalizing the city’s north side.

“The Greenwood District at its height was a center of commerce,” Nichols said in a telephone interview. “So what was lost was not just something from North Tulsa or the Black community. It actually robbed Tulsa of an economic future that would have rivaled anywhere else in the world.”

Nichols’ proposal follows an executive order he signed earlier this year recognizing June 1 as Tulsa Race Massacre Observance Day, an official city holiday. Events Sunday in the Greenwood District included a picnic for families, worship services and an evening candlelight vigil.

Nichols also realizes the current national political climate, particularly President Trump’s sweeping assault on diversity, equity and inclusion programs, poses challenging political crosswinds.

“The fact that this lines up with a broader national conversation is a tough environment,” Nichols admitted, “but it doesn’t change the work we have to do.”

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Jacqueline Weary, is a granddaughter of massacre survivor John R. Emerson, Sr., who owned a hotel and cab company in Greenwood that were destroyed. She acknowledged the political difficulty of giving cash payments to descendants. But at the same time, she wondered how much of her family’s wealth was lost in the violence.

“If Greenwood was still there, my grandfather would still have his hotel,” said Weary, 65. “It rightfully was our inheritance, and it was literally taken away.”

Tulsa is not the first U.S. city to explore reparations. The Chicago suburb of Evanston, Illinois, was the first U.S. city to make reparations available to its Black residents for past discrimination, offering qualifying households $25,000 for home repairs, down payments on property, and interest or late penalties on property in the city. The funding for the program came from taxes on the sale of recreational marijuana.

Other communities and organizations that have considered providing reparations range from the state of California to cities including Amherst, Massachusetts; Providence, Rhode Island; Asheville, North Carolina; and Iowa City, Iowa; religious denominations like the Episcopal Church; and prominent colleges like Georgetown University in Washington.

In Tulsa, there are only two living survivors of the Race Massacre, both of whom are 110 years old: Leslie Benningfield Randle and Viola Fletcher. The women, both of whom were in attendance on Sunday, received direct financial compensation from both a Tulsa-based nonprofit and a New York-based philanthropic organization, but have not received any recompense from the city or state.

Damario Solomon-Simmons, an attorney for the survivors and the founder of the Justice for Greenwood Foundation, said earlier this year that any reparations plan should include direct payments to Randle and Fletcher and a victims’ compensation fund for outstanding claims.

A lawsuit filed by Solomon-Simmons on behalf of the survivors was rejected by the Oklahoma Supreme Court last year, dampening racial justice advocates’ hopes that the city would ever make financial amends.

New MN measles cases confirmed, including Dakota County child who had not traveled

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The Minnesota Department of Health has confirmed two more measles cases in the state, saying one case is concerning because officials can’t trace a known exposure to the infectious disease, which could mean that the virus is spreading in the state.

The two new cases brings the state’s total this year to four.

The new cases, which officials say are unrelated, were reported in the east metro area. One person in Washington County, whose vaccination status is unknown, was exposed during domestic air travel outside of the state. The second new case is the infection of an unvaccinated Dakota County child who has not traveled outside the state in the last month and has no known exposure to the disease.

Both are recovering at home.

“Anytime we confirm a case of measles unrelated to travel that has no known source it is worrying,” said Jessica Hancock-Allen, infectious disease division director at the health department. “This is because it could be a sign that measles is spreading in the community undetected by public health and healthcare systems. It is uncertain where the child was exposed and whether others may have been exposed.”

The child was infectious while at the Mall of America theme park on May 24. Disease investigators say anyone who was at the mall between 5 and 9 p.m. that day might have been exposed. Any symptoms would appear eight to 12 days after exposure, meaning in this case between May 31 and June 14, officials said. Symptoms include fever, cough, runny nose and watery eyes followed a few days later by a rash that typically spreads from the head to the rest of the body.

People who are unvaccinated or who have not had measles are most at risk and should watch for symptoms.

The state department of health is working with local health departments to reach anyone they believe may have been exposed to either person.

People who suspect they have measles should call their health care provider before going to a clinic to avoid exposing other people, officials said.

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The best prevention is immunization. Children should receive two doses of measles, mumps and rubella (MMR) vaccine: first at 12 to 15 months of age and the second at 4 to 6 years of age.

Minnesotans who don’t have health records or are unclear about their vaccination record can go to Find My Immunization Record. Most people born before 1957 have had measles and are considered immune.

Measles is highly contagious and can lead to hospitalization and even death. The virus can remain in the air for up to two hours after an infected person leaves an area.

Additional information about measles can be found on the MDH Measles website.

PODCAST: ¿Cómo puede la inmigración salvar la economía de EE. UU. si hay pocos nacimientos?

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El informe dice que si continúan las bajas tasas de natalidad y de inmigración, envejecerá la población y crecerá menos el mercado laboral del país.

(Michael Appleton/Mayoral Photography Office)

Los Estados Unidos han venido haciendo frente al progresivo envejecimiento y su población adulta (aquellos mayores de 65 años) ha crecido más deprisa que aquellos menores de 18 años, lo que supone que uno de los problemas a los que se enfrentará el país será la disminución de su población en edad productiva.

Según un informe del Proyecto Derechos Civiles de la Universidad de California en Los Ángeles (UCLA Civil Rights Project), la tasa total de fertilidad del país está por debajo del nivel de reemplazo en la mayoría de los grupos raciales y étnicos, exceptuando a hispanos nacidos en el extranjero y algunos otros grupos inmigrantes.

Se prevé también que los asiáticos y los isleños del Pacífico aumenten sus tasas de fecundidad, aunque sus tasas actuales de fecundidad están por debajo del nivel de reemplazo en el país. 

El informe dice que si continúan las bajas tasas de natalidad y de inmigración, envejecerá la población y crecerá menos el mercado laboral del país.

La proporción de adultos mayores de 65 años superará a la de niños menores de 18 años en 2034, estiman los autores del informe, lo que podría tener enormes consecuencias en la productividad a medio y largo plazo.

El informe recomienda animar a los estudiantes internacionales a quedarse en EE. UU., desarrollar programas de formación profesional para educar a los jóvenes indocumentados que ya viven aquí y promover la formación en el puesto de trabajo para inmigrantes.

Otra recomendación es estudiar políticas para que la gente que viene de fuera pueda trabajar aquí haciendo lo que sabe.

Así que para hablar sobre el informe, invitamos a Raúl Hinojosa-Ojeda, uno de los autores y profesor del Departamento de Estudios Chicanos y Chicanas de la Universidad de California en Los Ángeles (UCLA por sus siglas en inglés).

Más detalles en nuestra conversación a continuación.

Ciudad Sin Límites, el proyecto en español de City Limits, y El Diario de Nueva York se han unido para crear el pódcast “El Diario Sin Límites” para hablar sobre latinos y política. Para no perderse ningún episodio de nuestro pódcast “El Diario Sin Límites” síguenos en Spotify, Soundcloud, Apple Pódcast y Stitcher. Todos los episodios están allí. ¡Suscríbete!

The post PODCAST: ¿Cómo puede la inmigración salvar la economía de EE. UU. si hay pocos nacimientos? appeared first on City Limits.

Top 10 summer movies: ‘Fantastic Four,’ meet ‘Jurassic Park 7’ and the new man from Krypton

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Hey, how’s the water? Pleasant? Sharks? Any shark trouble?

Fifty years ago, a certain film franchise hadn’t yet asked audiences those questions, in so many words. “Jaws” the first, and by several hundred thousand miles the best, opened in 1975; three years later “Jaws 2” arrived, dangling the marketing tagline “Just when you thought it was safe to go back in the water.” That first sequel wasn’t much, but people went. That’s what moviegoers did then, reliably. They went to the movies, in a time just before sequels clogged an entire popular culture’s plumbing system.

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It’s different now. “Star Wars” and then Marvel Studios, among others, have ensured our risk of franchise fatigue, and a rickety industry’s default reliance on a few big familiar name brands. So why am I cautiously optimistic — hope springs occasional, as they say — about the summer season, a time when all the franchisees come out to play and take you away from the sun?

My reasoning is simple.

A few weeks ago, “Thunderbolts” — the 36th title in the Marvel Cinematic Universe, and yes, that’s too many — turned out pretty well. More recently, “Final Destination Bloodlines,” the sixth in the “Final Destination” killing spree, was fresh enough, in its blithe smackdowns between humans and Death, to remind us: You never know when one of these franchise entries will pay off, even modestly.

“Mission: Impossible — the Final Reckoning,” already in theaters, will soon be joined by dinosaurs, superheroes, naked guns and men in capes, all familiar, most having endured earlier big-screen adventures somewhere between bleh and much, much better than bleh. If many can’t help but favor the forthcoming releases promising something new, or -ish, well, the ones that succeed have a way of ensuring the industry’s future. And every time a standalone of populist distinction like this year’s “Sinners” finds an audience, an angel gets its wings.

Here’s a list of 10 summer offerings, five franchisees, five originals. Release dates subject to change.

The romantic comedy “Materialists” stars Dakota Johnson and Pedro Pascal. (A24)

“Materialists” (June 13): Writer-director Celine Song’s second feature, after the quiet triumph of “Past Lives,” stars Dakota Johnson, Chris Evans and Pedro Pascal, aka the Man Who Is Everywhere, in a romantic comedy about a high-end matchmaker’s triangular conundrum. Song knows the value of a triangle; in an apparently glossier vein, her “Past Lives” follow-up should make it crystal clear and, with luck, a winner.

“28 Years Later” (June 20): Ralph Fiennes brings nice, crisp final consonants to a ravaged near-future in director Danny Boyle’s return to speedy, menacing rage-virus junkies, with a script from franchise-starter Alex Garland. This is my kind of continuation; the first two films, “28 Days Later” and “28 Weeks Later,” both worked, in interestingly different ways. Jodie Comer and Aaron Taylor-Johnson co-star.

“Elio” (June 20): Pixar’s back, which historically and statistically means good news more often than not. This one’s about an 11-year-old accidentally but not unpleasantly beamed into outer space’s “Communiverse” after making contact on Earth with aliens. Can Elio save the galaxy while representing his home planet well and truly? The directors of “Elio” are Madeline Sharafian (who made the Pixar short “Burro”), Domee Shi (“Bao,” “Turning Red”) and Adrian Molina (“Coco”).

“28 Years Later” stars Ralph Fiennes as a survivor of the rage virus introduced in “28 Days Later.” (Sony Pictures)

“Sorry, Baby” (June 27): I’ve seen this one, and it’s really good. The story hinges on a maddeningly common incident of sexual assault, this one rewiring the life of a future college English department professor. But “Sorry, Baby” is not a movie about rape; it’s about the days, weeks and years afterward. Writer-director-star Eva Victor (who played Rian on “Billions”), here making a sharp-witted feature directorial debut, proves herself a triple threat with a wide-open future.

“F1” (June 27): “Top Gun: Maverick” director Joseph Kosinski returns for what sounds a little like “Top Gun: Maverick: This Time on Wheels, and the Ground.” Brad Pitt plays a former Formula 1 superstar, now mentoring a reckless hotshot either to victory and wisdom, or defeat and a tragic embrace of his character flaws. Damson Idris, Javier Bardem and Kerry Condon co-star.

Scarlett Johansson plays a covert operations expert on an island that really needs one in “Jurassic World Rebirth.” (Jasin Boland/Universal Studios)

“Jurassic World Rebirth” (July 2): The latest in a hardy multi-decade franchise that has known triumph as well as “Jurassic World Dominion.” Heartening news on the director front: Gareth Edwards, who did so well by Godzilla in the 2014 “Godzilla,” wrangles the new storyline, with Scarlett Johansson leading an ensemble of potential snacks (humans, that is) in and out of digital harm’s way on a secret research facility island fulla’ trouble.

“Superman” (July 11): The whole double-life thing has gotten to the Kryptonian strongman by now, and in director James Gunn’s take on the “Superman” myth, he’s determined to resolve his Smallville upbringing and Clark Kent newspapering with the wider galaxy’s perilous demands. David Corenswet leaps into the title role; his co-stars include Rachel Brosnahan (Lois Lane) and Nicholas Hoult (Lex Luthor).

“The Fantastic Four: First Steps” (July 25): Despite two of the least grabby words ever to fill the right-hand side of a movie title’s colon, “First Steps” already has stoked the enthusiasm of millions with a pretty zingy trailer, which of course automatically means the film is a classic. (Kidding.) We’ll see! The motley yet stylish quartet, led by Pedro “Everywhere, All the Time” Pascal, squares off with the ravenously evil Galactus and Galactus’ flying factotum, the Silver Surfer.

Lois Lane (Rachel Brosnahan) sizes up her coworker in disguise (David Corenswet) in “Superman.” (Jessica Miglio/Warner Bros. Entertainment)

“The Naked Gun” (Aug. 1): First there was “Police Squad!”, the one-season 1982 wonder that introduced America’s most serenely confident law enforcement know-nothing, Frank Drebin, originated by the magically right Leslie Nielsen. Then came the “Naked Gun” movies. Now Liam Neeson takes over in this reboot, with a cast including Pamela Anderson and Paul Walter Hauser.

“Caught Stealing” (Aug. 29): In director Darren Aronofsky’s 1990s-set NYC thriller, a former pro baseball player (Austin Butler) attempts the larceny equivalent of stealing home once he’s entangled in the criminal underworld. This one boasts an A-grade cast, with Zoë Kravitz, Liev Schreiber, Regina King and Vincent D’Onofrio taking care of goods and bads alike.

Michael Phillips is a Tribune critic.