Judge bars deportations of Venezuelans from South Texas under 18th-century wartime law

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By NICHOLAS RICCARDI, Associated Press

A federal judge on Thursday barred the Trump administration from deporting any Venezuelans from South Texas under an 18th-century wartime law and said President Donald Trump’s invocation of it was “unlawful.”

U.S. District Court Judge Fernando Rodriguez Jr. is the first judge to rule that the Alien Enemies Act cannot be used against people who, the Republican administration claims, are gang members invading the United States.

“Neither the Court nor the parties question that the Executive Branch can direct the detention and removal of aliens who engage in criminal activity in the United States,” wrote Rodriguez, who was nominated by Trump in 2018. But, the judge said, “the President’s invocation of the AEA through the Proclamation exceeds the scope of the statute and is contrary to the plain, ordinary meaning of the statute’s terms.”

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In March, Trump issued a proclamation claiming that the Venezuelan gang Tren de Aragua was invading the U.S. He said he had special powers to deport immigrants, identified by his administration as gang members, without the usual court proceedings.

“The Court concludes that the President’s invocation of the AEA through the Proclamation exceeds the scope of the statute and, as a result, is unlawful,” Rodriguez wrote.

The Alien Enemies Act has only been used three times before in U.S. history, most recently during World War II, when it was cited to intern Japanese-Americans.

The proclamation triggered a flurry of litigation as the administration tried to ship migrants it claimed were gang members to a notorious prison in El Salvador.

Rodriguez’s ruling is significant because it is the first formal permanent injunction against the administration using the AEA and contends the president is misusing the law. “Congress never meant for this law to be used in this manner,” said Lee Gelernt, the ACLU lawyer who argued the case, in response to the ruling.

Rodriguez agreed, noting that the provision has only been used during the two World Wars and the War of 1812. Trump claimed Tren de Aragua was acting at the behest of the Venezuelan government, but Rodriguez found that the activities the administration accused it of did not amount to an invasion or “predatory incursion,” as the statute requires.

“The Proclamation makes no reference to and in no manner suggests that a threat exists of an organized, armed group of individuals entering the United States at the direction of Venezuela to conquer the country or assume control over a portion of the nation,” Rodriguez wrote. “Thus, the Proclamation’s language cannot be read as describing conduct that falls within the meaning of ‘invasion’ for purposes of the AEA.”

If the administration appeals, it would go first to the New Orleans-based 5th U.S. Circuit Court of Appeals. That is among the nation’s most conservative appeals courts and it also has ruled against what it saw as overreach on immigration matters by both the Obama and Biden administrations. In those cases, Democratic administrations had sought to make it easier for immigrants to remain in the U.S.

The administration, as it has in other cases challenging its expansive view of presidential power, could turn to appellate courts, including the U.S. Supreme Court, in the form of an emergency motion for a stay pending an appeal.

The Supreme Court already has weighed in once on the issue of deportations under the AEA. The justices held that migrants alleged to be gang members must be given “reasonable time” to contest their removal from the country. The court has not specified the length of time.

It’s possible that the losing side in the 5th Circuit would file an emergency appeal with the justices that also would ask them to short-circuit lower court action in favor of a definitive ruling from the nation’s highest court. Such a decision likely would be months away, at least.

The Texas case is just one piece of a tangle of litigation sparked by Trump’s proclamation.

The ACLU initially filed suit in the nation’s capital to block deportations. U.S. District Judge James E. Boasberg issued a temporary hold on removals and ordered the administration turn around planes that had left with detainees headed to El Salvador, a directive that was apparently ignored. Later, the Supreme Court weighed in.

The justices stepped in again late last month with an unusual postmidnight order halting deportations from North Texas, where the ACLU contended the administration was preparing for another round of flights to El Salvador.

Riccardi reported from Denver. Associated Press writers Lindsay Whitehurst and Mark Sherman contributed to this report.

Metro State University lockdown prompted by man firing shots at his mother

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Metropolitan State University in St. Paul was locked down Thursday afternoon when a man fired a gun in the area, police said.

A man fired shots toward his mother in the area of Sixth Street and Maria Avenue about 12:30 p.m., said Sgt. Toy Vixayvong. Neither she nor others in the area were injured.

Police asked the university to lock down during the police search for the suspect, who they found and took into custody, Vixayvong said.

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Movie review: ‘Thunderbolts*’ with Florence Pugh feels new but familiar

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Tell me if you’ve heard this one before: a group of charming antiheroes with varying degrees of “super” qualities band together to form a team under the direction of a shadowy government organization. No, it’s not the Suicide Squad. What if said motley crew find themselves protecting the citizens of New York City from the flying debris and collateral damage of an all-powerful sky-bound entity? Nope, not the Avengers, either — or not quite, at least.

Déjà vu times two is understandable when it comes to this brand-new darkly merry bunch, known, for now, as the “Thunderbolts*.” Their assembling is the new direction of the Marvel Cinematic Universe (now a whopping 36 films deep) even if it feels, at times, like familiar territory rather than uncharted waters.

Jake Schreier directs the film, written by Eric Pearson and Joanna Calo, which also serves as a stand-alone picture for Yelena Belova, Black Widow’s spunky little sister, played with punky pluck by Florence Pugh. Her performance of Yelena, also trained as an assassin in the Red Room, was worth the price of admission for “Black Widow,” and her return also means the appearance of David Harbour as Alexei, aka Red Guardian, her father figure and the washed-up Soviet version of Captain America.

Passing knowledge of “Black Widow” as well as the new iterations of Captain America (“Brave New World,” “The Falcon and Winter Soldier”) are helpful, as once again, this MCU film is knit together with characters and lore from various film and television properties. But the spine of the narrative is Yelena’s existential crisis, as she struggles to locate a sense of purpose while ruminating on her violent past. As a scrappy mercenary, she struts and snarls through her tasks, though her heart’s not in the work.

Florence Pugh, left, Wyatt Russell, Hannah John-Kamen and David Harbour in Marvel Studios’ “Thunderbolts*.” (Marvel Studios/TNS)

Pugh could make anything compelling to watch on her own, but she excels bouncing off other characters too. The first hour of “Thunderbolts*” is a fun showcase for what has always been the strength of the MCU: the banter and rivalry and jockeying for position between supercharged heroes and villains, whether in the halls of Congress or between murderers-for-hire.

Schreier presents this in a sleek yet grounded style, with an emphasis on practical effects and stunts, slick fight choreography and dialogue that’s funny but never too sarcastically quippy, foregrounding Yelena’s emotional journey. She finds herself on “one last job” at the behest of embattled CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) that turns out to be much more complicated than advertised, and lands her in a sticky situation with the rest of the soon-to-be Thunderbolts team.

These scenes are a joy to watch, with a nagging mystery swirling the center thanks to a wholly unexpected new arrival (Lewis Pullman), comic relief courtesy of Harbour and some beautifully executed action sequences. A motorcycle chase in the desert featuring freshman congressman/reformed baddie Bucky Barnes (Sebastian Stan) is breathtaking, and nods to classic ‘80s action movies. It’s entertaining, paced well and looks great. If only it could sustain that groove the entire time.

Unfortunately, “Thunderbolts*” falls victim to a classic MCU third-act trap: the all-powerful villain is simply too powerful. When the ante is so up, the only way Pearson and Calo can save the day is to take a wild tack into a metaphysical realm that ultimately reads more after-school special than plausible problem solving. There is is a powerful message about self-worth and relying on others for support for a group of people who are variously referred to as “losers,” “trash” and “evidence” of de Fontaine’s extrajudicial overreach, but do the MCU movies have to be about trauma too? Horror has already run through that theme and back around, so it’s a bit hard to take seriously.

For DC’s Suicide Squad of supervillains, their ultra-snide attitude never wavered. As cheeky as our MCU heroes can be, there’s always an inherent earnestness at play, and that is the source of the tonal wobble that bedevils the otherwise strong “Thunderbolts*.” These antiheroes are never really allowed to be all that “anti,” and where’s the fun in that? Pugh does single-handedly hold it together through sheer charm and steely determination, and if this is the new direction of the MCU, we could be in worse hands than hers.

‘Thunderbolts*’

2.5 stars (out of 4)

MPA rating: PG-13 (for strong violence, language, thematic elements, and some suggestive and drug references)

Running time: 2:06

How to watch: In theaters on Friday, May 2

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Chip’s Clubhouse on Snelling Avenue abruptly closes

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Chip’s Clubhouse on Snelling Avenue has quietly closed.

Former co-owner Tara Coleman, who still owns Hot Hands Pie and Biscuit next door, said there was a sign on the door Thursday morning announcing the closure.

Coleman and former co-owner Gina Mangiameli, who is now the head of Surdyk’s prep kitchen, quietly sold the business in February of 2024 to chef Nik Donaker.

Attempts to reach Donaker have been unsuccessful, but the decision must have been sudden, as the business website is still up and appears to be taking orders, and there’s no sign of the closure on the restaurant’s social media pages.

Chip’s was known for its excellent double-smash burger; creative cocktails, originally crafted by barman Tim O’Leary; and a frequently changing menu of comfort foods.

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