Recipe: Endive ‘boats’ are the perfect vessels for tasty appetizers

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Belgian endive leaves are an inviting vessel to hold a wide assortment of flavorful fillings. I like to call these appetizers “boats,” and stuff them with a mix of parsley, green olives, toasted walnuts or pecans, and feta cheese.

Pomegranate molasses adds a lovely sweet-sour spark to the mix. It’s sold at Middle Eastern markets and in many natural food stores. If unavailable, substitute balsamic vinegar.

Endive Boats with Green Olives, Parsley and Walnut Salad

Yield: About 24 appetizers

INGREDIENTS

2 cups coarsely chopped Italian parsley leaves

1 cup coarsely chopped pitted green olives, such as Castelvetrano

2 green onions, thinly sliced, including half of dark green stalks

1/4 cup toasted walnut pieces, coarsely chopped, see cook’s notes

1/4 cup crumbled feta cheese, see cook’s notes

2 teaspoons fresh lemon juice

1 teaspoon pomegranate molasses or balsamic vinegar

Salt and freshly ground black pepper to taste

2 tablespoons extra-virgin olive oil

24 endive leaves

Salt and freshly ground black pepper to taste

Optional garnish: 1/4 cup pomegranate seeds

Cook’s notes: To toast the walnut pieces place them on rimmed baking sheet in single layer. Place in 350-degree oven until lightly toasted, 3 to 4 minutes. Watch carefully because nuts burn easily. Cool before using. If you like, substitute pecans for walnuts. If you aren’t a fan of feta cheese, substitute finely diced Parmesan.

DIRECTIONS

1. In a medium bowl, place parsley, olives, green onion, walnuts and feta. Toss.

2. In a small bowl or glass measuring cup with a handle, combine juice, pomegranate molasses or balsamic, salt and pepper. Stir to combine. Whisk in oil. Taste and adjust seasoning. Pour dressing over the parsley mixture; toss.

3. Arrange endive leaves on large platter. Fill endive leaves half full with mixture. If desired, scatter pomegranate seeds on top and serve.

Source: “50 Best Plants on the Planet” by Cathy Thomas (Chronicle)

Award-winning food writer Cathy Thomas has written three cookbooks, including “50 Best Plants on the Planet.” Follow her @CathyThomas Cooks.com.

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St. Paul school board approves moving elections to even years

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The St. Paul Public Schools Board of Education voted to move their elections to even years, lining them up with city elections, during its Tuesday committee of the board meeting.

St. Paul residents voted in November to elect their mayor and city council members in even-numbered calendar years which will align them with presidential and statewide races. The city has voted on local offices in odd-numbered years.

The school board’s 6-1 vote means there will not be a school board election in 2025 and current board members’ terms will be extended by one year. The next school board race will take place in November 2026. Terms begin the first Monday in January after the election and members can run for successive terms.

School board members serve four-year overlapping terms and represent the entire city. Elections are held every two years and positions are non-partisan. Terms for current board members Halla Henderson, who is board chair, Jim Vue and Uriah Ward were originally set to go through 2025. Original terms for board members Chauntyll Allen, Yusef Carrillo, Carlo Franco and Erica Valliant were set to go through 2027.

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Review: Angelina Jolie glides through ‘Maria’ like an iceberg, but a chilly Callas isn’t enough

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Amy Nicholson | (TNS) Los Angeles Times

Maria Callas seized fame as the voice of Tosca, Medea and Carmen, opera’s eternally doomed heroines. If opera still commands audiences a century from now, perhaps it will sing of Callas, a fighter who survived the Nazi occupation of Greece, a heckling at La Scala, a media hazing on multiple continents and a humiliating public affair only to be hobbled by her own coping tools: sedatives and starvation.

“Maria,” starring Angelina Jolie, is director Pablo Larraín’s latest effort to build his own canon of 20th-century tragediennes. His previous melodramas “Jackie” and “Spencer” were fables about two painfully self-aware celebrities at their nadirs: Larraín peeked behind Jacqueline Kennedy‘s and Princess Diana’s facades less to humanize them than to expose their wounds. Callas, however, was infamous for her fits, so Larraín, perversely and underwhelmingly, chooses to respect her imperious veneer. If she’s the big boss-level diva he’s been working up to, Larraín lets her win.

This is Callas at the end of her life. Her corpse is the first thing we see onscreen, although cinematographer Edward Lachman has such a dazzling trick of cramming chandeliers into the frame that it takes a minute to spot her body. In the flashbacks that follow, Callas attempts to grandly dismiss liver disease as though it were spoiled wine. She spends most of the film doped up on Quaaludes, which in ’70s Paris were sold under the brand name Mandrax. Screenwriter Steven Knight even has her stroll around with an imaginary character named Mandrax (Kodi Smit-McPhee), a TV reporter she’s hallucinated into existence in order to feel important. Mandrax tosses her softball questions. She swats them down.

If you’ve seen any old interviews with Callas, you know that actual journalists tended to be rude with her. First, they’d ask Callas if she was a monster. Then they’d needle her about spending nine years with Aristotle Onassis only to get dumped for the future Jackie O. They needed to prick the goddess to see if she bled.

Early on, Callas parried these inquisitions with humor. Accused of hurtling a bottle of brandy at a director, she replied: “I wish I did. It would be a shame for the bottle.” As Callas got older, though, she got stiffer, and that’s the version we’re staring at here. Regal, guarded and stubborn, Jolie plays Callas as a lonely 50-something who rejected love, fame, joy and music and won’t fight that hard to get them back. Her character arc is just a blueprint plan of one; from scene to scene, you’re never sure whether she’s going to take action. Callas wants to be adored but she doesn’t want to be known. Her exhausted housekeepers Ferruccio (Pierfrancesco Favino) and Bruna (Alba Rohrwacher) speak volumes with every silent, fearful look, and when they get too personal with her, Callas commands them to move the piano as punishment.

Larraín makes a half-hearted attempt to recast Callas as a feminist martyr, alleging, as obliquely as possible, that she was once forced to trade her body to soldiers for cash and food. Biographical dots are unapologetically skipped, including her marriage to a man who doesn’t even merit a name before he’s ditched for Onassis (Haluk Bilginer). Adding to the disorientation, young Callas (Aggelina Papadopoulou) looks nothing like Jolie — not her lips, eyes, nose, jaw, frame, nothing. Yet the casting choice highlights how Callas recast herself in the 1950s, shedding a third of her body mass to transform from a zaftig soprano cliche into a high-fashion sylph (and in the process, sacrificing a bit of her oomph).

Callas could fold herself in a cloak and force an audience to focus on her. Her stillness was magnetic. All the emotions flooded out through her eyes and throat. Jolie trained in opera for seven months to prepare for the role and, according to Larraín, did her own singing on set. What we’re hearing is her voice blended into the real one at concentrations that range from 1% to 70% — the latter, I assume, in the scenes when a retired Callas tests her own vocal strength. To my ears, Jolie sounds fantastic, the kind of voice that would knock ’em dead on karaoke night. But peak Callas hits the senses like a lightning strike. Larraín tries to capture that power in his first close-up of Jolie, shoulders bare, singing at the camera in bold black and white. But the starkness of the shot works against him, giving us too much time to notice that Jolie’s throat barely seems to move, to wonder if her eyes shouldn’t have more passion.

Blazing passion used to be Jolie’s whole thing. I could close my eyes right now and see the wicked grin that made her a star in 1999’s “Girl, Interrupted.” But having endured her own tabloid scrutiny, she too has emerged too tightly controlled. Here, there’s only one second in one montage when, during a performance of Medea, Jolie unleashes a hot glare. The moment is so electric that you wish the whole film had that juice. We don’t see Callas that vibrant again until the end credits, and then, it’s archival footage of the real thing flashing a mischievous smile.

“A song should never be perfect,” Callas insists. I agree. Some critics called her singing ugly. Not in the factual sense, because that would be crazy, but closer to how fashionistas know to add one discordant accessory. The clash keeps things interesting. Jolie, however, uses perfection as armor, so no matter how much her Callas insists that opera is intoxicating, no matter how intoxicated her character actually is, her performance is a sober take on madness.

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Larraín allows himself the occasional visual thrill, say a throng of Parisians suddenly assembling into a chorus. Otherwise, we’re so deep inside Callas’ delusions that things just feel flat. “What is real and what is not real is my business,” she pronounces, having bent the world to her will.

Oddly, after swooning along with giant aria after giant aria, I left the theater fixating on one of Larraín’s smallest sound-design choices. It comes when Callas, resplendent even in a bathrobe, glides into the kitchen to sing at Bruna while the poor deary cooks her an omelet. The solo goes on forever, long enough to make the point that, yes, Callas had fans clamoring outside the Metropolitan Opera, but she could also be a bit of a bore. And then, mid-song, Larraín adds a tiny clang — the sound of the spatula hitting the pan — to let us know that even in the prima donna’s fiercely protected bubble, her ego doesn’t always trump a plate of eggs.

I wish Larraín had cut Callas down to size more. He’s too protective of his fellow artist to slosh around in the fury that fueled her art. Callas could sing three octaves, but the film is mostly one note.

‘MARIA’

(In English and Greek with subtitles)

MPA rating: R (for some language including a sexual reference)

Running time: 2:04

How to watch: Now in theaters and streaming on Netflix Dec. 11

©2024 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.

MN-based UnitedHealthcare CEO Brian Thompson fatally shot in NYC. Here’s what to know.

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Minnesota-based UnitedHealthcare CEO Brian Thompson was fatally shot outside a hotel in midtown Manhattan on Wednesday.

Business Wire via AP

Brian Thompson

Here’s what we know so far about this breaking news:

The shooting

The 50-year-old executive was shot around 6:45 a.m. on Wednesday as he walked alone to the New York Hilton Midtown from a nearby hotel, police said.

Thompson was struck at least once in the back and once in the calf, authorities said. He was taken to a hospital, where he was pronounced dead.

The suspect

The gunman appeared to be “lying in wait for several minutes” before approaching Thompson from behind and opening fire, New York City Police Commissioner Jessica Tisch said.

The suspect, dressed in a hooded sweatshirt and carrying a distinct gray backpack, then fled on foot down an alleyway before pedaling an e-bike into Central Park a few blocks away.

The shooter was still at large as of Wednesday afternoon, sparking a search that included police drones, helicopters and dogs.

This combination of images provided by the New York City Police Department shows the suspect sought in the the killing of UnitedHealthcare CEO Brian Thompson outside a Manhattan hotel where the health insurer was holding an investor conference, Wednesday, Dec. 4, 2024. (New York City Police Department via AP)

Police issued a poster showing a surveillance image of the suspect pointing what appeared to be a gun and another image that appeared to show the same person on a bicycle. Police offered a reward of up to $10,000 for information leading to an arrest and conviction.

Unknown motive

Police have not yet established a motive.

“Many people passed the suspect, but he appeared to wait for his intended target,” Commissioner Tisch said, adding that the shooting “does not appear to be a random act of violence.”

The hotel

The Hilton is in a bustling part of Manhattan, a short walk from tourist sites such as the Museum of Modern Art and Rockefeller Center, and often dense with tourists and office workers on weekday mornings.

Part of the block where the shooting took place was cordoned off with police tape, with a large contingent of police officers at the scene. Many security cameras are nearby.

Shaken

The killing happened about four blocks from where tens of thousands of people are set to gather Wednesday night for the annual Rockefeller Center Christmas tree lighting.

Police sought to reassure New Yorkers and promised extra security for the tree lighting, which will go on as scheduled.

“We’re encouraging New Yorkers to go about their daily lives and their daily business but to be alert,” NYPD Chief of Department Jeffrey Maddrey said.

Thompson’s widow

Thompson’s wife, Paulette Thompson, told NBC News that he had been receiving threats.

“There had been some threats,” she said in a phone call to NBC News. “Basically, I don’t know, a lack of coverage? I don’t know details. I just know that he said there were some people that had been threatening him.”

When reached by phone, his mother-in-law, Paulette Reveiz, told the New York Daily News that his family was stunned.

“The only thing I can say is he’s a good man. I can’t say anything else,” said Reveiz. “We’re still in shock.”

UnitedHealth Group Inc.

UnitedHealthcare is the insurance arm of the health care giant UnitedHealth Group Inc., which is based in Minnetonka.

United is the largest provider of Medicare Advantage plans, the privately run versions of the U.S. government’s Medicare program for people age 65 and older.

The company also sells individual insurance and administers health insurance coverage for thousands of employers and state-and federally funded Medicaid programs.

Annual meeting

The Minnesota-based company was scheduled to have its annual meeting with investors in New York City to update Wall Street on the company’s direction and expectations for the coming year, according to a company media advisory.

The company ended the conference early in the wake of Thompson’s death.

“I’m afraid that we — some of you may know we’re dealing with a very serious medical situation with one of our team members,” a company official told attendees, according to a transcript. “And as a result, I’m afraid we’re going to have to bring to a close the event today. … I’m sure you’ll understand.”

A Minnesota family

Thompson lived with his family in Minnesota.

According to his LinkedIn profile, Thompson graduated as valedictorian from the University of Iowa in 1997 with a bachelor’s degree in business administration and accounting, and worked at accounting firm Pricewaterhouse Coopers from 1997 to 2004.

A long tenure

Thompson had run the insurance arm of health care giant UnitedHealth Group Inc. since 2021 and had worked at the company for two decades.

Thompson began at the company in 2004, the New York Daily News reports, working on mergers and acquisitions.

He went on to become chief financial officer for UnitedHealthcare Employer & Individual, Community & State and Medicare & Retirement, then chief executive officer of the Medicare & Retirement division.

Just before becoming CEO, the Daily News reports, Thompson was chief executive officer of the company’s government programs. That division included Medicare and state programs designed to provide care to the uninsured.

The portfolio Thompson managed generated $74 billion in revenue in the most recent quarter, making it the largest subsidiary of UnitedHealth Group. His $10.2 million annual compensation package, including salary, bonus and stock options awards, made him one of the company’s highest-paid executives.

Still, Thompson had little name recognition beyond the industry.

Even to investors who own its stock, the Associated Press reports that the public face of the parent company belonged to CEO Andrew Witty, a knighted British triathlete who has testified before Congress.

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Condolences

Minnesota Gov. Tim Walz tweeted that the state is “sending our prayers to Brian’s family and the UnitedHealthcare team.”

“This is horrifying news and a terrible loss for the business and health care community in Minnesota,” the Democrat wrote.

Company statement

“We are deeply saddened and shocked at the passing of our dear friend and colleague Brian Thompson, the CEO of UnitedHealthcare,” the insurer’s parent company, UnitedHealth Group, said in a statement.

“Brian was a highly respected colleague and friend to all who worked with him,” the company said. “We are working closely with the New York Police Department and ask for your patience and understanding during this difficult time.”

A grieving family and community

KARE-11 reports that Thompson leaves behind his wife, Paulette, and two sons who attended Wayzata High School; one is a current student while the other is a 2024 graduate, the station reports.

“School officials say the Wayzata H.S. community is heartbroken, and promised support for both students and staff members impacted by the ‘devastating event,’ KARE reports.