St. Paul brewery Burning Brothers, state’s only gluten-free beer maker, to shut down May 10

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Burning Brothers, the state’s first and only gluten-free brewery, is shutting down after 11 years in St. Paul.

Their last day will be May 10.

“The factors affecting this decision are numerous, complex, and varied, and we have fought hard to avoid reaching this point, but alas, the day we had hoped to avoid has arrived,” co-owners Dane Breimhorst and Thom Foss wrote in a social media announcement.

The pair have been friends since they were teenagers and had long planned to open a brewery together, but in the middle of planning it in the early 2010s, Breimhorst was diagnosed with Celiac disease, a strong autoimmune reaction to gluten. So they tweaked their plans, learned how to brew beer without gluten and set up shop in the Hamline-Midway neighborhood in 2014.

In their 20s, both Breimhorst and Foss performed as Renaissance Festival fire-breathers — hence the name of the brewery — and revived the trick to celebrate the brewery’s fifth and tenth anniversaries.

Out of some 9,900 breweries across the country, only around a dozen are currently dedicated to producing exclusively gluten-free beer. With the closures of Burning Brothers and another brewery in Michigan last year, the only gluten-free brewery remaining in the Midwest is ALT Brew in Madison.

Burning Brothers’s taproom will be open regular hours (4 to 10 p.m. Tues/Wed/Thurs, 4 to 11 p.m. Fri, 1 to 11 p.m. Sat, 1 to 7 p.m. Sun, closed Mon) through Saturday, May 10.

Burning Brothers Brewery: 1750 W. Thomas Ave; 651-444-8882; burnbrosbrew.com

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Justice Department sues Hawaii, Michigan over plans to sue fossil fuel companies for climate harm

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By ALEXA ST. JOHN

DETROIT (AP) — The U.S. Justice Department on Wednesday filed lawsuits against Hawaii and Michigan over their planned legal action against fossil fuel companies for harms caused by climate change, claiming the state actions conflict with federal government authority and President Donald Trump’senergy dominance agenda.

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The suits, which legal experts say are unprecedented, mark the latest of the Trump administration’s attacks on environmental work and raises concern over states’ abilities to retain the power to take climate action without federal opposition.

In court filings, the DOJ said the Clean Air Act — a federal law authorizing the Environmental Protection Agency to regulate air emissions — “creates a comprehensive program for regulating air pollution in the United States and “displaces” the ability of States to regulate greenhouse gas emissions beyond their borders.”

DOJ argues that Hawaii and Michigan are violating the intent of the Act that enables the EPA authority to set nationwide standards for greenhouse gases, citing the states’ pending litigation against oil and gas companies for alleged climate damage.

Democratic Michigan Attorney General Dana Nessel last year tapped private law firms to go after the fossil fuel industry for negatively affecting the state’s climate and environment.

Meanwhile, Democratic Hawaii Governor Josh Green plans to target fossil fuel companies that he said should take responsibility for their role in the state’s climate impacts, including 2023’s deadly Lahaina wildfire.

When burned, fossil fuels release emissions such as carbon dioxide that warm the planet.

Both states’ law claims “impermissibly regulate out-of-state greenhouse gas emissions and obstruct the Clean Air Act’s comprehensive federal-state framework and EPA’s regulatory discretion,” DOJ’s court filings said.

The DOJ also repeated the Republican president’s claims of America’s energy emergency and crisis.

“At a time when States should be contributing to a national effort to secure reliable sources of domestic energy,” Hawaii and Michigan are “choosing to stand in the way,” the filings said.

A spokesperson for Democratic Michigan Gov. Gretchen Whitmer’s office deferred to Nessel when asked for comment.

“This lawsuit is at best frivolous and arguably sanctionable,” Nessel said in a statement, which noted that Michigan hasn’t filed a lawsuit. “If the White House or Big Oil wish to challenge our claims, they can do so when our lawsuit is filed; they will not succeed in any attempt to preemptively bar our access to make our claims in the courts. I remain undeterred in my intention to file this lawsuit the President and his Big Oil donors so fear.”

Green’s office and the Hawaii Attorney General’s office did not immediately respond to requests for comment.

But legal experts raised concern over the government’s arguments.

Michael Gerrard, founder and faculty director of the Columbia University Sabin Center for Climate Change Law, said usual procedure is the DOJ asking a court to intervene in pending environmental litigation — as is the case in some instances across the country.

While this week’s suits are consistent with Trump’s plans to oppose state actions that interfere with energy dominance, “it’s highly unusual,” Gerrard told The Associated Press. “What we expected is they would intervene in the pending lawsuits, not to try to preempt or prevent a lawsuit from being filed. It’s an aggressive move in support of the fossil fuel industry.

“It raises all kinds of eyebrows,” he added. “It’s an intimidation tactic, and it’s telling the fossil fuel companies how much Trump loves them.”

Ann Carlson, an environmental law professor at the University of California, Los Angeles, who has previously consulted on climate litigation, said this week’s lawsuits look “like DOJ grasping at straws,” noting that EPA Administrator Lee Zeldin said his agency is seeking to overturn a finding under the Clean Air Act that greenhouse gases endanger public health and welfare.

“So on the one hand the U.S. is saying Michigan, and other states, can’t regulate greenhouse gases because the Clean Air Act does so and therefore preempts states from regulating,” Carlson said. “On the other hand the U.S. is trying to say that the Clean Air Act should not be used to regulate. The hypocrisy is pretty stunning.”

Trump’s administration has aggressively targeted climate policy in the name of fossil fuel investment. Federal agencies have announced plans to bolster coal power, roll back landmark water and air regulations, block renewable energy sources and double down on oil and gas expansion.

Read more of AP’s climate coverage at http://www.apnews.com/climate-and-environment.

Associated Press writer Isabella Volmert in Lansing, Mich. contributed to this report.

Alexa St. John is an Associated Press climate reporter. Follow her on X: @alexa_stjohn. Reach her at ast.john@ap.org.

The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

NASA astronauts step outside space station to perform the 5th all-female spacewalk

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By MARCIA DUNN

CAPE CANAVERAL, Fla. (AP) — An astronaut who missed out on the first all-female spacewalk because of a spacesuit sizing issue got her chance six years later on Thursday.

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NASA’s Anne McClain emerged from the International Space Station alongside Nichole Ayers. Both military officers and pilots, they launched to the orbiting lab in March to replace NASA’s two stuck astronauts, who are now back home.

Minutes before floating out, McClain noticed strands of string on the index finger of her right glove. Mission Control briefly delayed the start of the spacewalk to make sure her glove was safe.

Outside for nearly six hours, the spacewalkers prepared the station for another new set of solar panels and moved an antenna on the 260-mile-high (420-kilometer-high) complex. They were welcomed back inside by the space station’s commander, Japanese astronaut Takuya Onishi.

“We are so happy to have you back, and your dinner is ready so don’t worry about it,” Onishi said.

The space station had to be raised into a slightly higher orbit Wednesday evening to avoid space junk: part of a 20-year-old Chinese rocket.

McClain, an Army colonel and helicopter pilot, should have taken part in the first all-female spacewalk in 2019, but there weren’t enough medium-size suits. The first women-only spacewalk was by Christina Koch and Jessica Meir. The latest was the fifth all-female spacewalk in 60 years of spacewalking.

Koch soon will become the first woman to fly to the moon. She and three male astronauts will fly around the moon without landing next year under NASA’s Artemis program, the successor to Apollo.

Men still outnumber women in NASA’s astronaut corps.

Of NASA’s 47 active astronauts, 20 are women. And of the seven astronauts currently living at the space station, McClain and Ayers are the only women. It was the first spacewalk for Ayers, an Air Force major and former fighter pilot, and the third for McClain.

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.

Review: Children’s Theatre does modern Broadway well with ‘Frozen’

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When Minneapolis’ Children’s Theatre Company won the “Outstanding Regional Theater” Tony in 2003, Broadway was gradually becoming a destination for family vacations, where children, parents and grandparents could gather in a theater and enjoy an all-ages show. And Disney had a lot to do with that, adapting its animated features into such Broadway hits as “Beauty and the Beast,” “The Lion King” and “Aladdin.”

Among the 10 tuneful toons Disney’s brought to the stage is “Frozen,” and Children’s Theatre is currently doing an excellent imitation of a Broadway production with its version. If you weren’t aware that the original film is a cultural phenomenon, attend one of CTC’s performances and witness a lobby teeming with little girls attired in princess costumes or carrying stuffed snowmen.

Once inside the theater, those young devotees are unlikely to be disappointed, for this production dazzles with its stagecraft, finely executed full-cast dance numbers and sweet, powerful singing voices.

CTC has proved its versatility with widely varied styles and stories over the years, and “Frozen” makes a convincing case that it can do what modern Broadway does – and very well. Director Tiffany Nichole Greene has marshalled a team of 26 performers into a well-oiled unit that meets this musical’s ample demands with energy, enthusiasm and a sense of joy. And Rush Benson’s choreography is unfailingly exhilarating.

Then there’s the design, which is outstanding in all regards. Set designer Scott Davis has created a fascinating winter wonderland, complemented splendidly by Michael Salvatore Commendatore’s projections and Ari Fulton’s costumes that run from regal to rustic.

“Frozen” is loosely based upon Hans Christian Andersen’s “The Snow Queen,” but transforms it into a celebration of sisterhood, in which two siblings are separated for most of their lives because one of them possesses magical powers that can prove harmful. So much so that her exile sends her kingdom into a permanent Arctic state. It’s her sister’s quest to find her and break the spell that drives the action.

Alas, that action is frequently interrupted by pop-rock production numbers that don’t really have much to do with driving the story forward. While songwriters Kristen Anderson-Lopez and Robert Lopez have penned some lovely, heart-filling ballads (such as the big hit that closes the first act, “Let It Go,” and the two sisters’ earnest duet, “I Can’t Lose You”), there are multiple uninspired and instantly forgettable up-tempo tunes that burst forth apropos of almost nothing.

Yet this cast, orchestra and technical team do everything in their power to sell this so-so material. As Anna, the sister whose journey drives the tale, Julia Ennen ably carries the musical’s comic and romantic elements with an engaging characterization and a fine voice. Speaking of voices, Gillian Jackson Han displays an excellent one as the sister who becomes queen, Elsa. There’s always been a certain iciness about monarchs and hers is particularly appropriate, yet Han allows you to see the sadness inside it.

When Anna heads into the mountains to find her sister, we’re introduced to another pair of standout performers in the strong-voiced Matthew Hall as her iceman guide and Laura Marie as a clownish snowman.

While “Frozen” isn’t a great stage musical, CTC’s production is quite entertaining. And the fan girls should definitely dig out the princess costumes and go.

‘Frozen’

When: Through June 15

Where: Children’s Theatre Company, 2400 Third Ave. S., Mpls.

Tickets: $104-$20, available at 612-874-0400 or childrenstheatre.org

Capsule: A so-so musical gets a production delightful to both eyes and ears.

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