Vikings at Seahawks: What to know ahead of Week 13 matchup

posted in: All news | 0

What to know when the Vikings play the Seahawks in Seattle on Sunday afternoon:

Vikings at Seahawks
When: 3:05 p.m. Sunday
Where: Lumen Field
TV: FOX
Radio: KFAN
Line: Seahawks -12.5
Over/Under: 41.5

Keys for the Vikings

— If the Vikings are going to upset the Seahawks, they have to give Brosmer the freedome to let it rip. This isn’t going to be a game the Vikings can win by simply controlling the time of possession. Now, that doesn’t necessarily mean Brosmer should be asked to shoulder the load by himself. There should be a healthy dose of Aaron Jones and Jordan Mason on the ground.  That said, Kevin O’Connell can’t be afraid to open up the playbook because Brosmer is under center, otherwise the Vikings are going to have no chance of hanging with the Seahawks on the scoreboard.

Keys for the Seahawks

— The focus for Sam Darnold should start and stop with him taking care of the ball. The issue for Darnold has been his propensity to get out of sorts in the face of interior pressure. There’s a good chance the Vikings are going to attack the middle as much as possible with hopes of Darnold either throwing an interception or losing a fumble. If he’s able to limit his mistakes, the Seahawks will run away from the Vikings with relative ease.

Related Articles


The Loop Fantasy Football Update Week 13: Last-minute moves


Frederick: History suggests Max Brosmer’s first NFL start won’t go well. Our eyes say otherwise.


Vikings name Max Brosmer as starter for game against Seahawks


The Loop NFL Picks: Week 13


‘My guy plays with some anticipation’: Here’s why Max Brosmer could thrive for the Vikings

Holiday arts and entertainment: Classics get reimagined for the holidays

posted in: All news | 0

From Andean folk celebrations to circus-infused classics, local stages are offering a diverse slate of classical and traditional music performances that reimagine and re-enliven familiar tunes and make new ones along the way.

Border CrosSing: Navidad Nuestra

Border CrosSing at Church of the Ascension in Minneapolis, 2024. The group will again perform “Navidad Nuestra” there this year, as well as at Academia Cesar Chavez in St. Paul. (Ana Michelle Gonzalez)

Argentinian composer Ariel Ramírez became wildly popular globally in the 20th century for incorporating folk music into his orchestral and choral compositions. With its ebullient rhythms and catchy melodies, “Navidad Nuestra” offers the distinctive sound of Andean folk instruments that enrich Ramírez’s intoxicating melodies. In a concert featuring Border CrosSing’s choral ensemble, soloists and a full Andean band, the program also includes carols (villancicos) from Mexico, Bolivia and Peru, performed in Spanish and Nahuatl. (7 p.m. Dec. 20, Academia Cesar Chavez, 4 p.m. Dec. 21, Incarnation Catholic Church, $30 with pay what you can options, 651-237-2120, bordercrossingmn.org.)

The St. Paul Chamber Orchestra: Handel’s Messiah

The SPCO performed Handel’s “Messiah” at the Ordway, December 2022. They’ll reprise the holiday classic this season. (Claire Loes / St. Paul Chamber Orchestra)

London-based Portuguese conductor and pianist Dinis Sousa makes his St. Paul Chamber Orchestra debut leading a performance of this holiday classic, featuring the SPCO and Minnesotan vocal ensemble The Singers. Using a libretto by Charles Jennens, who compiled a story from the King James Bible and the Book of Common Prayer, the oratorio uses the life of Jesus Christ as theatrical subject. Free metro transit passes available for the concerts. (7 p.m. Dec 18 & 19, Basilica of St. Mary, 7 p.m. Dec. 20 & 2 p.m. Dec. 21, Ordway Concert Hall, $6-$70, 651-291-1144, thespco.org.)

Minnesota Orchestra with Troupe Vertigo: Cirque Nutcracker

Troupe Vertigo (Minnesota Orchestra / Troupe Vertigo)

Pyotr Ilyich Tchaikovsky’s “The Nutcracker” gets a circus twist with aerial ballet company Troupe Vertigo, performing their acrobatic interpretation of the classic holiday story with the Minnesota Orchestra. Conductor Molly Turner leads the performance, filled with juggling, contortion, high-flying movement and a giant Christmas tree. (8 p.m. Dec. 19, 2 p.m. Dec. 20, Orchestra Hall, $68-$129, 612-371-5600, mnorch.org.)

Skylark Opera: The Christmas Rose

20th century British composer Frank Bridge, a friend and teacher to Benjamin Britten, created his opera version of the Nativity story nearly 100 years ago. Told from the perspective of two children who secretly follow a group of shepherds visiting the birth of Jesus, the opera is based on a children’s play by Margaret Kemp-Welch and Constance Cotterell.  Presented in a concert format, the opera features soloists, a chorus, and a live orchestra. (7:30 p.m. Dec. 19, 2 p.m. Dec. 21, Sundin Music Hall, $25-$45, 856-555-1212, skylark.booktix.com.)

The Klezmatics — Happy Joyous Hannukah

The Klezmatics (The Klezmatics / The Dakota)

Nearly 20 years ago, The Klezmatics — who reinvent the klezmer folk music tradition of the Ashkenazi Jews of Central and Eastern Europe — released an album of Kanukkah tunes using lyrics written by Woody Guthrie. The band— which formed in the East Village of New York in 1986 and are known for mixing Yiddish tunes with contemporary global music, reissued a remastered vinyl edition of the album this year, ahead of their 14th studio album coming out in early 2026. With beloved tunes like like “Hanuka Gelt,” “Spin Dreydl Spin,” and “Happy Joyous Hanuka,” the band offers a warm and unique sound as part of its holiday tradition.

Twin Cities Bronze

Twin Cities Bronze performance in 2022. The group will perform two Solstice concerts as part of their holiday programing this year. (Twin Cities Bronze)

The Twin Cities Bronze — an auditioned 12-member ensemble of advanced bell ringers from the Twin Cities area — kicks off the holiday season with two solstice celebrations, the first at Mount Calvary Lutheran Church in Eagan, and a second concert at the Minnesota Museum of American Art in Lowertown. With handbells, hand chimes and more, the lively, ethereal sounds produced by this choir will get you in the spirit of the season. For this concert, the group will play music from “Fiesta Navidad,” ‘Twas in the Moon of Wintertime,” “Ring Out, Solstice Bells,” by Ian Anderson, and more. (7 p.m. Dec. 6, Mount Calvary Lutheran Church, 2 p.m. Dec. 7, Minnesota Museum of American Art, donations accepted, twincitiesbronze.org.)

Free Courtroom Concert: Songs of the Season: Carols of Minnesota Composers

The Schubert Club’s Free Courtroom Concerts at the Landmark Center are a true gem of culture in St. Paul. Hosted by composer Abbie Betinis, the lunchtime concert series presents a steady stream of excellent musicians and composers throughout the year. As the program has offered in the past, it will be reinventing the sound of the holidays this year, with a new slate of seasonal carols composed by Minnesota composers. (12 p.m. Dec. 18, Landmark Center, Free, 651-292-3268, schubert.org.)

Related Articles


Holiday arts and entertainment: 15 fun family activities to light up the winter season


Holiday arts and entertainment: ‘White Christmas,’ Dickens and the Grinch lead the holiday stage offerings


Holiday arts and entertainment: Trans-Siberian Orchestra, Mannheim Steamroller among holiday concerts


Holiday arts and entertainment: Find handmade gifts in the east metro at these artisan markets

Readers and writers: Get a mysterious start on the holidays

posted in: All news | 0

(Courtesy of Lake Union Publishing)

“The Probable Son”: by Cindy Jiban (Lake Union Publishing, $16.99)

Cindy Jiban (Courtesy of Lake Union Publishing)

It’s hard to believe this accomplished novel is Cindy Jiban’s debut. It’s part mystery, part parental love and part middle-school angst.

Teacher Elsa Vargas and her husband, Ham, were excited about their first pregnancy, but their daughter lived only a short time and Elsa went into a mental tailspin that alarmed her family. Elsa eventually came out of her grief and waited happily for her second child to be born. But from the moment this baby boy was put into her arms she was sure there was a mistake. This was not her baby. Fearful her family would think she was coming unglued again, she finally accepted and loved the child nicknamed Bird and never said another word about a possible hospital mix-up.

For 14 years, Elsa kept her secret even though Bird was not like the rest of the family. Then Thomas walks into her eighth-grade math class. When she realizes Thomas and Bird have the same birthday, she is sure Thomas must be her long-lost son.

Elsa cannot keep her eyes off Thomas, attending his soccer games in the rain and paying so much attention to him that the other kids notice. Soon there are allegations against her of inappropriate behavior with Thomas. Meanwhile, she knows she loves Bird, too, and has to grapple with what will happen to him if Thomas is really her son. How will Ham react to learning this boy he loves is not his? And she has to deal with Thomas’ mother, who understands she may lose her boy if the secret is revealed.

Then the story is turned on its head when Elsa sends in a DNA sample and gets unexpected results.

This novel is much more than a story of a possible hospital mix-up of babies. It’s a psychological study of a woman torn between a mother’s love for two boys. It’s obvious Jiban has taught in middle-school classrooms. Her dialogue between the students and Elsa is spot-on and sometimes very funny.

Jiban has a doctorate in educational psychology and was, like her protagonist, a middle-school teacher, whom she refers to as “the Navy SEALs of the education world.”

She will launch her novel at 7 p.m. Wednesday at Lake Monster Brewing, 550 Vandalia St., St. Paul.

Teaser quote: “She stared into the too-dark blue eyes while Ham called him their son, his words drenched in love. She wanted this for Ham, wanted to feel what he felt. Eventually, she echoed him.

‘Our son’ she said, and the chorus of humans outside her filled with relief and rejoicing.

That was the beginning of pretending to believe.”

(Courtesy of Severn House)

“Dark Humor”: by Matt Goldman (Severn House, $29.99)

Matt Goldman (Courtesy of the author)

In the fifth installment of his crime series featuring Minneapolis private investigator Nils Shapiro (after “Dead West”), we accompany Nils to Europe where he chases the drug kingpin who was responsible for the murder of his wife, Gabby, Minneapolis chief of police. He dotes on his daughter, Evelyn, whose mother is his previous wife.

It’s two years after Gabby’s death, and Nils is still grieving when he visits in prison Anna, the daughter of Sammy Sykes, the drug dealer who’s responsible for the deaths of dozens of teens who worked for him until they weren’t needed. Anna is a “dirty cop” who was convicted while her father got away. Nils, a quiet and thoughtful guy, is as tenacious as a terrier with a bone, and he sees something at the prison that gives him the first clue about where to find Sammy.

Following his hunches and some leads, he traces Sammy through Amsterdam, Munich and Austria, a trip that worries stoic Anders Ellegard, his partner in their Stone Arch Investigators P.I. business; Jameson White, a 6’7″ nurse practitioner who took care of Nils when he was injured in a previous book; and a woman friend in the police department.

On the plane to Amsterdam Nils he meets a Canadian woman looking for her husband, with whom he becomes friendly and is an unexpected ally as she joins him in sleuthing across Europe. Will she help him lessen his grief?

Goldman is an award-winning television writer (“Seinfeld,” “Ellen”), so it’s no surprise narrator Nils’ dialogue and inner speculations move the plot along gracefully and, sometimes chillingly, but also with humor. A discussion about taking a tourist bus in Salzburg to see sites where “The Sound of Music” were filmed fills Nils with horror.

The most entertaining part of this plot is Nils’ clever use of disguises that turn him into two people, one of whom the bad guys trust and one they want to kill. His scheme for finding Sammy works until his daughter is threatened and then he has to decide whether he can kill someone.

Goldman will launch his book with a free reading at 6:30 Tuesday at Comma book shop, 4250 Upton Ave. S., Mpls.

Teaser quote: “Again, I feel danger on the back of my neck. I reach for it but my hand never finds my neck. It’s grabbed from behind, a black sack is pulled over my head, and I’m pulled off my feet. My back hits the hard metal floor of what I realize is a cargo van. And then everything goes blank.”

(Courtesy of the University of Minnesota Press)

“Mysterious Tales of Old Minneapolis”: by Larry Millett (University of Minnesota Press, $24.95)

Larry Millett (Courtesy of the author)

In this companion to “Mysterious Tales of Old St. Paul,” Millett gives us three loosely connected novellas set in the 19th century.

The first story, “Murder at the Falls,” is about murder among rich owners of lumber mills lining the area beneath St. Anthony Falls. We meet Peter Nichols, night watchman at a mill where the owner’s body is found. Nichols’ mother, Sophie Westerly, is a strong woman who takes up the challenge of clearing her son’s name and has clever ways of doing so.

The sparkling second story, “A Wilde Night at the Nicollet House,” is a romp in which Oscar Wilde, touring the United States to talk about beauty, helps the night detective at the fancy Minneapolis Nicollet House solve a murder. In a story narrated by the detective, who admits the Irish writer was the most fascinating man he has ever known, the pair strike up a friendship over the murder in the hotel that takes them to bordellos and mean streets. Throughout, the Minneapolitan’s reaction to Wilde, who is famous, varies from incredulous to intrigued. Although the plot is involving, the real centerpiece of this story is Wilde, who did stop in Minneapolis on his 1882 tour. Millett’s depiction of the key figure in the emerging Aestheticism movement offers readers a fully realized portrait of one of the century’s colorful visitors.

The Nichols family returns in “The Death Committee,” in which a rich man who is murdered had instructed his lawyer to stage a lottery to form a committee that will investigate his death. Three people, including Anna Nichols, win the lottery, but Anna, another woman and a man realize the event was rigged and they “won” the lottery for reasons they don’t understand. The man on the committee, who is up to no good, is wary of the strong-minded women who are supposed to be his colleagues, and it is up to these women to solve the puzzle.

Millett is a St. Paul author of 10 mysteries that feature Sherlock Holmes and St. Paul detective Shadwell Rafferty.

Teaser Quote: ‘”No scandal?’ said Oscar, as though he’d been refused butter on his toast. ‘Don’t be ridiculous. My dear Mr. Vale, scandal is a wonderful thing! It is the shortest route to fame. and I highly recommend it to any man who wishes to be in the public eye, as I most assuredly do.’”

Related Articles


CNN anchor Bianna Golodryga takes on antisemitism in new YA book


‘Sitting Bull’s War’ book chronicles fight for buffalo and freedom on the Great Plains


It’s a bird! It’s a plane! It’s a rare Superman comic book! And it fetched $9.12M!


Literary calendar for week of Nov. 23


Readers and writers: St. Paul poet finishes his 100-hour viewing project

Editorial: That bizarre day when the ‘fascist’ met the ‘communist’

posted in: All news | 0

We ply our trade with words and we like to think they have weight. But the wild Donald Trump-Zohran Mamdani news conference at the White House a week ago almost convinced us of the opposite. When it comes to saying what we mean, or not, America has gone totally bananas.

Consider: Mamdani has often said Trump is a “despot who betrayed the country” and a fascist. Hitherto, if you were called a fascist and you were not either the person or a follower of Benito Mussolini, that generally disinclined you to invite the name-caller for a cozy chat.

Consider: Trump had called Mamdani “a communist lunatic.” The same disinclination would normally apply.

But there the two of them were, offering up sweet nothings, the one to the other. Reporters in the room were incredulous. On social media, some people even suggested this was the dawning of a new populist coalition of left and right.

May God protect us from that.

“I think, hopefully, you’ll have a really great mayor,” Trump said of the man who was that communist lunatic about five seconds ago.

“I appreciated the time with the president,” Mamdani said. “I appreciate the conversation, and I look forward to working together …”

Why do you think a “communist lunatic” would make a great mayor for New York, Mr. President?

You appreciated your time with a despot with a fascist agenda, Mr. Mayor? Why would you appreciate such time spent? Did you not fear the fascism would rub off on you?

Americans, of course, knew what was really going on. As insulting as those terms were, they were the words of two transactional men. Trump is one of the great flip-floppers of all time, a man without any evident moral core who simply says and does what serves him in the moment, even if that means making nice with his “little communist.”

Mamdani, who would not have been caught dead near Trump prior to winning his election (“I’ll be his worst nightmare,” he promised), clearly now has decided that the White House contains the king of malleable men, someone who he could flatter and thus win over to snag some goodies for New York City, and maybe simultaneously avoid the arrival of some baddies, such as the Border Patrol cowboys who caused such distress here in the Second City.

This is a very reasonable tactic on the part of the mayor. We just did not expect it from Mamdani, who convinced so many folks of his ideological purity, openly embracing the socialist monicker and all, and we sure did not expect it to happen so quickly.

If all it takes is to show up at the White House and say that you appreciate time with Trump, where is Chicago Mayor Brandon Johnson? Why did the New York mayor-elect do this, but the mayor who presides over Chicago, a city in which we have to stare at the “Trump” name atop a hotel downtown, has not hopped a plane to D.C. and made nice for, oh, the 30 seconds it apparently takes? Where for that matter is Gov. JB Pritzker?

Leading the resistance, of course.

Certainly that plays well with the progressive wing of the Democrats, but it’s also very striking how little that progressive wing has criticized this cozying up with Trump on the part of Mamdani.

Why has he gotten away with this?

Simple. Trump’s transactional approach is everywhere now. Mamdani’s followers know he is playing the game and doing what he has to do to get those free buses, that rent control and all the other nice, shiny things that will need someone else to help foot the New York bill.

Please forgive our cynicism. That’s not our entire message here.

The reality is that mayors and governors need a productive relationship with the federal government, however odious they find the duly elected president. They can huff and puff for political gain, or even out of genuine moral conviction or outrage, but the price then paid is years of resource limitations and interventions only of the unwelcome kind.

We respect our readers who believe there must be no compromise with Trump. We even sympathize. But in the end, it’s not the right call. A sworn enemy in the White House can do too much damage.

Meanwhile, that “little communist” from New York just schooled us on how to go about getting what we need, too, from Trump.

One last thought, though. Does a great country not better thrive when people mean what they say and then act accordingly?

— The Chicago Tribune

Related Articles


Allison Schrager: There are worse things than rising inequality


Nina Stachenfeld: So DEI doesn’t work. What would be better?


Melania Trump launches production company ahead of controversial Amazon doc


Trump says he plans to pardon former Honduran President Hernandez for 2024 drug trafficking sentence


Maureen Dowd: Time to let my brother do the carving