Stars are beginning to walk the red carpet at the 77th Primetime Emmy Awards. Comedian Nate Bargatze will host television’s biggest awards Sunday night from the Peacock Theater in Los Angeles.

Nominee Walton Goggins stole a couple of smooches from wife Nadia Conners as arrivals got under way. Both wore white. Goggins went that extra mile on the unbuttoning for a bare chest moment.

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Will the acclaim for “Adolescence” carry it to limited series dominance, or will “The Penguin” complete a run that began with big nomination numbers and continued with a big performance at the Creative Arts Emmys? Will top overall nominee “Severance” reign like “Succession” and “Shogun” did before it? And can any comedy stop “The Studio?”

The Emmys air live on CBS at 8 p.m. Eastern and 5 p.m. Pacific time. Paramount+ with Showtime subscribers may stream the show live. Standard Paramount+ subscribers can stream it Monday through Sept. 21.

Several outlets have live red carpet coverage, including E! beginning at 6 p.m. Eastern and “Entertainment Tonight” at 7 p.m. Eastern. People magazine and Entertainment Weekly also have a live red carpet show on their social platforms. The Associated Press is presenting a slightly delayed feed of celebrity arrivals and interviews on YouTube.

As celebrities walk the Emmys 2025 red carpet, here are photos of the best and worst fashion:

(L-R) Walton Goggins and Nadia Conners attend the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in Los Angeles, California. (Photo by Amy Sussman/Getty Images)
US actor Walton Goggins (L) and wife director Nadia Conners kiss as they arrive for the 77th Primetime Emmy Awards at the Peacock Theatre at LA Live in Los Angeles on September 14, 2025. (Photo by PATRICK T. FALLON/AFP via Getty Images)
US actress Sarah Bock arrives for the 77th Primetime Emmy Awards at the Peacock Theatre at LA Live in Los Angeles on September 14, 2025. (Photo by PATRICK T. FALLON/AFP via Getty Images)
Dichen Lachman attends the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in Los Angeles, California. (Photo by Amy Sussman/Getty Images)
Justine Lupe attends the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in Los Angeles, California. (Photo by Frazer Harrison/Getty Images)
US actress Zuri Hall arrives for the 77th Primetime Emmy Awards at the Peacock Theatre at LA Live in Los Angeles on September 14, 2025. (Photo by PATRICK T. FALLON/AFP via Getty Images)
TV host Mona Kosar Abdi arrives for the 77th Primetime Emmy Awards at the Peacock Theatre at LA Live in Los Angeles on September 14, 2025. (Photo by FREDERIC J. BROWN/AFP via Getty Images)
Derek Hough attends the 77th Primetime Emmy Awards at Peacock Theater on September 14, 2025 in Los Angeles, California. (Photo by Amy Sussman/Getty Images)

Contributing: Associated Press

Friday night’s contest between the Twins and Arizona Diamondbacks ended with a walk-off sacrifice fly. Saturday night’s game ended in extra innings. After two close, exciting tilts, it didn’t come as much of a surprise that Sunday’s game was a tight one as well, with some late intrigue.

But after leaving the bases loaded in both the eighth and ninth innings, the Twins fell 6-4 in the series finale to Arizona on Sunday afternoon at Target Field.

“It’s a series where you look up and you feel like you’re in every single game throughout the entire game. I just said it to our guys,” manager Rocco Baldelli said. “One or two runs, that actually equates to one or two plays. It’s just one or two plays here and there where, over the course of a full game, nine innings, it all adds up.”

The Twins’ eighth-inning rally fell short when pinch hitter Carson McCusker — in for Mickey Gasper, who had hit a home run in his previous at-bat — grounded out to short. An inning later, Austin Martin singled with a pair of outs, giving the Twins (65-84) some late hope. Kody Clemens then walked and Luke Keaschall was hit by a pitch before Matt Wallner flew out to right to end the game.

“I just feel like they kind of executed the pitches and that’s about it, but I felt good up there and confident,” Wallner said.

The two teams traded late runs on Sunday with the Twins getting solo home runs in the seventh and eighth from Wallner and Gasper, and the Diamondbacks (75-75) responding with a run of their own in the top of the seventh and top of the eighth.

The Twins had fallen behind in the fourth when James McCann crushed an 89-mph fastball from Bailey Ober left over the heart of the plate for a three-run home run and never led after that.

“He’s pretty aggressive at the plate, so I just left that one over the middle too much, knowing that he was going to swing,” Ober said. “Try to get him to chase a little bit, but I threw it for a strike and he put some damage on it. Overall, I felt like I threw good.”

It was the American League-leading 30th home run Ober has given up this season. In total, he gave up four runs on four hits in his six-inning outing, striking out nine.

The McCann home run gave Arizona the lead back after the Twins had briefly jumped ahead in the second, taking advantage of some shoddy Diamondbacks defense. Third baseman Jordan Lawlar committed a pair of errors — both with two outs — that opened the door for the Twins.

His fielding error put Gasper on base rather than ending the inning. Royce Lewis then scored when the very next batter, Edouard Julien, shot a single to left. Gasper would come around to score when Lawlar’s throw sailed past first baseman Tim Tawa later in the inning.

“We’re coming up short right now, but we’re out there competing and giving ourselves an opportunity to win,” Baldelli said. “You need to have that mentality that the game is always within reach and it has been.”

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The postseason version of the Drive for Five is off to a roaring start for the Minnesota Lynx.

Aiming to win the franchise’s fifth WNBA championship and its first since 2017, the Lynx began the postseason with a 101-72 romp over Golden State on Sunday at Target Center in the first game of the best-of-three first-round series.

Minnesota is the top seed, Golden State the eight, and the Lynx have won all five meetings this season by an average of 15.2 points.

Still, Napheesa Collier, who led five Lynx players in double figures with 20 points and six rebounds, said her squad will not be complacent for Wednesday’s Game 2.

“No one on this team thinks it’s going to be an easy game by any means. We know it’s going to be a fight. They all work really, really hard. That’s been a staple of their team this entire season. … We need to make sure we come with our A game, especially on defense.”

Settling in defensively was the key in Game 1 and a hallmark of this year’s Lynx squad that finished with the WNBA’s best defensive rating.

Outscoring Golden State by a combined 28 points in the middle two quarters and 36 through the final three didn’t hurt. And paint domination to the tune of 44-18 was pretty good, too.

Minnesota was nearly flawless in the second quarter in limiting the Valkyries to 12 points on 29.4% shooting, including 1 for 7 from deep, and taking a 47-40 lead into intermission.

It was a stark difference from the first quarter, when Golden State shot 50% in the frame, including five makes from outside the arc, for an early double-digit lead that fell to 28-21 by quarter’s end.

The Valkyries finished at 33.9%, nearly 18% worse than the Lynx, and made just four 3-pointers in the final three quarters.

Minnesota waking up from its early slumber coincided with Natisha Hiedeman entering the game with 3:42 to play in the first quarter.

A strong candidate for the league’s Sixth Player of the Year award, Hiedeman again provided a spark that propelled Minnesota to outscoring Golden State 38-22 in the rest of the first half. She finished a team-best plus-32, the second-highest mark in Lynx playoff history.

“She changed the game today,” said coach Cheryl Reeve.

Hiedeman is averaging 18.5 points and 4.3 assists in her past six games.

Said Kayla McBride: “She’s on a heater. … Throughout the season we’ve continued to see her evolve. And now when we need the most she’s showing up and showing out, having a lot of fun and playing with a lot of confidence in that second group.”

McBride netted 17 points before joining Collier on the bench for the fourth quarter.

Center Alanna Smith finished at plus-31 with nine points, six rebounds and four steals.

“I think she’s the defensive player of the year the way she’s able to guard post players, guards. She didn’t have any blocks today, but she does blocks almost every game,” Collier said. “… She is the anchor. We rely on her so heavily on that end of the floor, especially.”

Minnesota reserves outscored the Valkyries non-starters 42-17, led by 16 points from Hiedeman. Jessica Shepard continued to be a handful down low with 12 points and team-high eight rebounds in just 17 minutes.

“Our team is deep. It’s about we,” Courtney Williams said in a postgame in-arena interview. She finished with 11 points.

The Valkyries scored the first basket of the second half, but the Lynx countered with a Collier fadeaway and a 3-pointer from Smith. Williams then made a steal in the defensive end, scored on a fast-break layup and added the free throw to make it 55-42 and reinvigorate the boisterous 8,821 towel-waving fans that filled Target Center’s lower bowl.

DiJonai Carrington, in her first game back after missing four with a shoulder injury, and Williams had triples in the final 69 seconds of the third quarter to make it 79-58.

“You get frustrated with the things we didn’t execute on, but it’s a series for a reason. It’s 1-0, they were supposed to win at home. They’re the one seed, and it’s a home game. So they did what they’re supposed to do. Now, it’s our turn to do that at home,” said Veronica Burton, who tied with a team-high 14 points for Golden State on 3-of-13 shooting. She had seven of Golden State’s 16 turnovers.

Jessica Shepard #15 of the Minnesota Lynx defends the ball against Iliana Rupert #12 of the Golden State Valkyries and Kate Martin #20 during the fourth quarter in game one of the first round of the WNBA Playoffs at Target Center on Sept. 14, 2025 in Minneapolis, Minnesota. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement. (Photo by Matt Krohn/Getty Images)

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By ANDREW DALTON, Associated Press

LOS ANGELES (AP) — “The Studio” looks like a runaway hit, the innies and outies of “Severance” could solidify a spot among the prestige TV elite, and Noah Wyle could finally have his big awards moment as the 77th Primetime Emmy Awards arrive.

Comic Nate Bargatze will be a first-time host Sunday night when the ceremony at the Peacock Theater in Los Angeles airs on CBS Sunday night.

Seating placards are pictured during the 77th Primetime Emmy Awards red carpet rollout on Thursday, Sept. 11, 2025, in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

Apple TV+ is poised to have a breakout Emmy year with the two most nominated shows, “Severance” and “The Studio,” which are the favorites to win the two biggest awards.

How to watch and stream the Emmys and its red carpet

The Emmys air live on CBS at 8 p.m. Eastern and 5 p.m. Pacific time.

Paramount+ with Showtime subscribers may stream the show live. Standard Paramount+ subscribers can stream it Monday through Sept. 21.

Several outlets will have live red carpet coverage, including E! beginning at 6 p.m. Eastern and “Entertainment Tonight” at 7 p.m. Eastern. People magazine and Entertainment Weekly will also have a live red carpet show on their social platforms. The Associated Press will present a slightly delayed feed of celebrity arrivals and interviews on YouTube, beginning at 5 p.m. Eastern.

How the competition is shaping up at Sunday’s Emmys

“The Studio,” with co-creator Seth Rogen starring as the new head of a movie studio, comes into the evening with blockbuster buzz for its breakout first season.

It tied a record for a comedy with 23 nominations, and with nine Emmys already won at last weekend’s Creative Arts ceremony. It would be a major surprise if it did not break the record of 11 Emmy wins in a season by a comedy.

This image released by Apple TV+ shows Ike Barinholtz, from left, Kathryn Hahn, Chase Sui Wonders and Seth Rogen in a scene from “The Studio.” (Apple TV+ via AP)

It could win as many as 15, and Rogen himself could win four times, as an actor, a writer a director and an executive producer.

“The Bear” and “Hacks” which have dominated the comedy Emmys in recent years, are both again up for best comedy series but suddenly find themselves underdogs.

“Severance,” the Orwellian office drama about people who surgically split their psyches into workplace “innies” and home “outies,” was the top overall nominee with 27 nominations for its second season. It won six at the Creative Arts ceremony.

Along with best drama — which would be a first for Apple — it’s nominated in all four dramatic acting categories, with stars Adam Scott and Britt Lower each looking for their first Emmys.

This image released by Apple TV+ shows Adam Scott in a scene from “Severance.” (Jon Pack/Apple TV+ via AP)

Its top competition for best drama could be “The Pitt,” HBO’s acclaimed drama about one shift in the life of an emergency room.

Its star Noah Wyle could be both the sentimental favorite and the actual favorite for best actor. He was nominated five times without a win for playing a young doctor on “ER” in the 1990s, and now could finally take his trophy for what is in many ways a reprise of the role.

HBO’s prestige resort soap “The White Lotus” could also be in the mix for best drama its Thailand-set third season and has three nominees apiece in each of the drama supporting acting categories.

Older women could shine in actress categories

It could be an unprecedented night of Hollywood recognition for older women in an industry known for discarding female actors.

Oscar-winner Kathy Bates at 78 could become the oldest winner ever in the best actress in a drama category for playing the title role in CBS’ “Matlock.” She’d be the first woman from a network series to win the award in a decade.

An Emmy statuette is pictured during the 77th Primetime Emmy Awards red carpet rollout on Thursday, Sept. 11, 2025, in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

And Jean Smart at 73 could extend her own record for oldest winner of best actress in a comedy if she wins for “Hacks” as she has for all three previous seasons of the show.

‘Adolescence’ and ‘The Penguin’ headline limited series

Netflix’s “Adolescence,” the story of a 13-year-old in Britain accused of a killing whose four episodes each take place in one continuous shot, may be the year’s most acclaimed show and is the consensus favorite for best limited series. Fifteen-year-old Owen Cooper could become the youngest Emmy winner in more than 40 years for playing the accused.

This image released by Netflix shows Mark Stanley, from left, Owen Cooper and Stephen Graham in a scene from “Adolescence.” (Netflix via AP)

But HBO’s dark Batman universe show “The Penguin” got the biggest number of limited series nominations and won eight times at the Creative Arts ceremony.

Colin Farrell is nominated for lead actor playing the title character, and Cristin Milioti is nominated for actress for playing his nemesis. Both are considered strong contenders.

A send-off for Stephen Colbert

Not all of the CBS attention Sunday night may be positive.

Voters could give “The Late Show With Stephen Colbert” the Emmy for best talk series for the first time as a sort of protest vote and tribute to its host, weeks after its cancellation by the network.

This image released by CBS shows Stephen Colbert during a taping of “The Late Show with Stephen Colbert” on Monday, July 21, 2025, in New York. (Scott Kowalchyk/CBS via AP)

Many perceived the end of the show as punishment of Colbert and placation of President Donald Trump after Colbert was harshly critical of a legal settlement between the president and Paramount, which needed administration approval for a sale to Skydance Media. Executives called the decision strictly financial.