Polish director Jan Komasa might be best known in the United States for his 2019 Oscar-nominated film, “Corpus Christi,” but his biggest box office success was in Poland, for his 2014 film “Warsaw 44,” about the Warsaw Uprising, the bloody effort by the Polish resistance to expel the occupying German army from Warsaw toward the end of World War II.

Komasa knows authoritarianism, in its most flagrant, brutal forms, but his new film “Anniversary” imagines a scenario in which fascism doesn’t stomp in jackbooted, but creeps, pretty and ladylike, on kitten-heeled feet. It’s a thought experiment more than anything else, from a story by Komasa and Lori Rosene-Gambino, who wrote the screenplay.

“Anniversary” maps five years in the life — and obliteration — of an American family, a microcosm of a larger rapid political evolution that turns suburban utopia dystopian with a speed that could make your head spin.

Meet the Taylors: we’ll get to know them across reunions and celebrations starting with an anniversary party for Ellen (Diane Lane) and Paul (Kyle Chandler). She’s a professor at Georgetown, a public intellectual caught up in the university culture wars debate, he’s a chef, and they have four children upon whom they dote: Cynthia (Zoey Deutch), an environmental lawyer, Anna (Madeleine Brewer), a provocative comedian, high school science nerd Birdie (Mckenna Grace), and brother Josh (Dylan O’Brien), a nebbishy, struggling writer. The camera knits them all together in long shots, swirling around their idyllic backyard.

Diane Lane as Ellen and Kyle Chandler as Paul in “Anniversary.” (Owen Behan/Lionsgate/TNS)

Josh has brought home a new girlfriend, Liz (Phoebe Dynevor), who is carefully coiffed and poised; immaculately presented and mannered, though her perfection gives his sisters pause. After the introductions, she and Ellen have a quiet, awkward moment together. As one of Ellen’s former students, Liz wrote a thesis that scandalized the professor, which Ellen describes to her husband as having “radical anti-Democratic sentiments,” advocating for a single party system. The title? “The Change.”

While Liz says she “came here with the best of intentions,” and claims she and Josh were introduced by their shared agent, Ellen is suspicious, and rightly so. The enigmatic Liz is mild-mannered and quiet, but her ideas are anything but. As she hugs Ellen, she whispers, “I used to be afraid of you but I don’t think I am anymore.” That is never more clear when she sends Ellen a copy of her newly published book, “The Change,” dedicated to “the haters, the doubters, and the academic stranglers.”

Two years later, the Change is officially afoot. Liz is as celebrity, now working with a mysterious organization called the Cumberland Company. She and Josh are married, pregnant with twins, and he’s achieved a conservative glow-up. New flags are popping up in the Taylor’s well-heeled neighborhood, and things are shifting in ways that make Ellen uncomfortable, enraged even. But in the spirit of politeness and family unity, she acquiesces to Paul’s desire for a nice family Thanksgiving, despite their political differences.

Therein lies what might be “Anniversary’s” biggest warning: don’t let the fox into the henhouse, even if it seems rude not to. Ellen maintains an appropriately wary distance and skepticism of Liz, but Paul’s fatal flaw is his assumption of good faith. He hasn’t even read “The Change,” because frankly, he doesn’t want to know. But as Liz attaches herself to Josh like a parasite, perhaps in an attempt to enact revenge on her former professor, so too do the other Taylor children topple, as the nation changes under their feet.

Some might find “Anniversary” too vague about what, precisely, is Liz’s political stance that makes her so powerful, and so repugnant to Ellen? She has advocated for a “single party system” branded under the guise of “solidarity,” but the result is an autocratic surveillance state that suppresses free speech, upheld by a violent paramilitary police force. The film never gets into the specifics, perhaps because the only ideology of fascism is the concentration of power. “Anniversary” suggests the rhetoric doesn’t matter when we can turn on each other so easily, humanity and freedom crushed under such a state.

It is fascinating that recent cultural output that attempts to grapple with contemporary sociopolitical issues often feminizes the threat: take the #MeToo cancel culture fable “Tár,” or this year’s academia scandal film “After the Hunt.” “Anniversary” situates a nonthreatening woman as the vessel for such evil, even as Liz’s male host, Josh, starts to embody the most extreme outcomes of what she has set in motion.

“Anniversary” is a deeply nihilistic film that can’t be described as a cautionary tale — that horse has left the barn. Rather, it’s a hypothetical question as character study, an examination of how this happens, and an assertion that a system like this shows no mercy, not even to its most loyal subjects, despite what we want to believe.

‘Anniversary’

3 stars (out of 4)

MPA rating: R (for language throughout, some violent content, drug use and sexual references)

Running time: 1:51

How to watch: Now in theaters

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Memoirs in prose and poetry, murder on an airplane journey and the importance of Pembina, N.D., in our history. Something for everyone today.

“Before I Lie”: by Dralandra Larkins (Book Baby, $25)

(Courtesy of the author)

I’m Black, brilliant, beautiful, wise!/Anxious and ambitious./A mystic./I am not your statistic./Passionate and persistent./A dreamer, multi-gifted./A generational curse breaker./A builder./I am not a maybe./I am not negotiable. — from “Before I Lie.”

Dralandra Larkins is on the rise in the Twin Cities literary community with a debut collection and a spot on the cover of the September issue of Minnesota Women’s Press. Poet Danny Klecko, who has read with Larkins and watched her dynamic onstage presence, says she’s someone to watch.

In her debut collection, Larkins writes in-your-face autobiographical poetry and, prose, illustrated with big, bold artwork by Brian Alexander Serrano, to tell her story in poems such as “An ode to the Hood” (in Minneapolis where she grew up), “Black myths,” “Healing the Scar That Sings Back,” and traits she carries from her ancestors. Running through the collection is the story of how she found her authentic self as her hearing disability was corrected with hearing aids and by learning ASL.

She writes: “These stories don’t beg for approval or wait for applause.”

Larkins is an award-winning spoken-word poet whose words catch the cadence of real-life language, as well as an educator and a multi-genre writer. She characterizes her work as “moving between stage and performance,” weaving together rhythm, intimacy and vulnerability to create a haven for healing rooted in her background as a social worker.

“Before I Lie” is for every young Black girl who never had access to a mic to tell her story, Larkins says. For white readers it is an introduction into a Black woman’s life.

Larkins will be at the Nov. 8 Twin Cities Book Festival and will read Nov. 18 at Magers & Quinn, 3038 Hennepin Ave. S., Mpls., with the Loft Literary Center’s program manager Marianne Manzler and spoken-word guru Tish Jones.

“Wayfinding”: by Renee Gilmore (Trio House Press, $24.99)

(Courtesy of Trio House Press)

But, there was only one thing I found, quite by accident, that could reliably distract my agitated mood. As counterintuitive as it sounds, taking risks and engaging in daring or dangerous behavior, on a small or large scale, was the true antidote to my anxiety. –– from “Wayfinding”

The title of Renee Gilmore’s frank and sometimes heartbreaking memoir has two meanings. It refers to her family’s love of car travel and the car culture she learned from her dad. It also refers to the ways in which she healed after a hard childhood of abuse and, later, rape. This violence left her with undiagnosed PTSD, seeking solace in drink and bad company, and a sad first marriage. Eventually she found happiness with her current husband. Besides her own emotional troubles, Gilmore dealt with the mental difficulties of her daughter, whom she and her husband adopted out of the foster system.

Each section takes its title from map language, as in “Back Bearing,” a bearing that is the exact opposite of your destination or waypoint.

Gilmore is a neurodivergent (meaning her brain works differently), multi-genre writer, essayist and poet, with a master’s degree from Hamline University. She never gave up her love for travel, journeying to all seven continents. And she’s a fan of international F1 car racing and car shows. Her writing about cars is like a a hymn.

You can meet her at the Trio House Press booth at the Twin Cities Book Festival.

“Airplanes, Atlanta & an Assassin”: by Mary Seifert (Secret Staircase Books, $14.99)

If you think you’ve had troubles with connecting airplane flights, be glad you aren’t Katie Welk, who’s chaperoning her high school students to a competition in this 10th Katie & Maverick cozy mystery.

Katie and her friend Jane separate from the students during a layover and take a private plane that crashes. Katie’s kidnapped by a guy who’s not too bright but knows how to hold a gun on her. Soon Katie uncovers a web of secrets, stolen documents, corporate espionage and dangerous toxins, and she needs to untangle everything before a killer strikes again. Happily, she has the help of Maverick, her trained search-and-recue Labrador retriever. Who doesn’t love a cozy featuring a lovable Lab?

Seifert, who has a background in mathematics, says she “ties numbers and logic to the mayhem” in this readable, entertaining series.

“The Beaver, The Buffalo, The Border”: by Gerald M. Sande (Anepeminan Press, $24.)

What a treasure of history Sande has given us as he writes of his childhood in Pembina, a small town in the extreme northeast corner of North Dakota founded in 1801. It’s subtitled “A Century of Small Town Pioneering,” but it’s about more than a small town because the area was vital beginning in the 18th century when the fur trade flourished, with voyageurs sending their valuable furs to St. Paul. Its history is part of the great expansion to the West.

Those were the days of the powerful Hudson’s Bay Company, based in London, versus The North West Company founded in Canada. He discusses the 1818 fixing of the international boundary between the United States and British North America, the 1852 destructive Red River flood, the 1861 establishment of the Dakota Territory.

This narrative is filled with names familiar to Minnesotans: Norman Kittson, John Jacob Astor, Jay Cooke, Ignatius Donnelly, James J. Hill, Zebulon Pike, Alexander Ramsey, Henry Hastings Sibley and the Rev. Henry Whipple.

History buffs will love the connections this book has to the history of St. Paul, which was growing right along with Pembina.

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The gerrymandering doom spiral is gaining downward momentum, exactly as expected.

Virginia is poised to become the second state, after California, where Democrats will seek to unravel reforms that took redistricting out of the hands of partisans. That’s in response to similar Republican power grabs in other states — especially Texas, where the GOP kicked off the nationwide partisan warfare this summer in a shortsighted attempt to protect its slim House majority.

Democrats currently control six of Virginia’s 11 congressional seats, accurately reflecting the commonwealth’s evenly divided electorate. By calling a special session, Democrats hope to nab an additional two or three districts by aggressively redrawing the map in their favor.

California’s redistricting effort will go before voters as a special ballot initiative on Nov. 4. Democrats there, who congratulate themselves as defenders of democracy, say the only acceptable response to Texas’s “election rigging” is to rig their own elections, too. Polls show that more than 60 percent of likely voters have embraced that backward logic, so Proposition 50 appears poised to pass.

Last month, North Carolina Republicans muscled through a map that they expect will help their party pick up one more seat in next year’s midterms. Missouri Republicans did the same a month earlier.

Despite the overly confident proclamations from partisan analysts about how such redistricting will change the balance of Congress, nobody knows how things will play next November. It was never certain that Texas’s efforts would win Republicans enough seats to stem the tide of a potential Democratic wave in the midterms. Nor has it ever been guaranteed that a Democratic wave would emerge, even if that’s the historical pattern. Anybody who has paid attention to the last decade of American politics should be wary of making firm predictions, especially amid a realignment in which young Hispanic and African American men have drifted toward Republicans.

As it looks now, Texas’s mid-decade gerrymandering could very well end up backfiring on the GOP; after all, California is far bluer than Texas is red. It could also end up as a wash, with broader political trends playing a more important role. It’s also very possible that there could a backlash to such raw displays of partisanship. This could boost Democrats statewide in the Lone Star State, where there may be a competitive gubernatorial or Senate race next year.

The guaranteed losers in all of these changes will be voters. By the time the midterms roll around a year from now, the country will have fewer competitive districts where politicians will have to work hard to win over Americans, especially independents. Credit goes to the Republican legislators of Indiana and Kansas who have admirably withstood intense pressure from national leaders to gerrymander their state’s map, at least so far. It’s a pity that so many others, including Democrats in Virginia, are willing to compromise their principles for perceived, short-term partisan advantage.

— The Washington Post

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SOMEWHERE UP NORTH, Minn. — Like so many big things, it started small, this fall tradition, a father and son from the Twin Cities area venturing to a friend’s place “Up North” to try their luck at ruffed grouse hunting during the long MEA weekend when kids get two days off from school.

It was October 1999 (give or take a year), and they’d just completed their firearms safety training together, so there was a bit of a learning curve in figuring out where and how to hunt the birds, which can be either incredibly wary … or incredibly not wary.

Some might say dumb, but I’ve been humbled enough to say otherwise.

Whether the birds were wary or otherwise, there was plenty of public land to explore within a few miles of camp, and so opportunities weren’t hard to come by.

This wasn’t a hardcore dawn-to-dusk kind of hunting trip. Instead, days at camp were pretty laid-back. Ruffed grouse hunting doesn’t require venturing out before dawn — a big attraction for some in this crew — and can be as laid-back or intense as a hunter wants it to be.

A typical day would start with a late morning hunt, followed by a mid-afternoon siesta and a late afternoon hunt to close out the day.

As a campfire blazes, an NHL hockey game is projected on a 10-by-20-foot screen at a northern Minnesota hunting camp Wednesday, Oct. 15, 2025. (Brad Dokken / Forum News Service)

Nights were usually spent by the fire — at least when it wasn’t raining — taking in the sounds and smells of northern Minnesota in the fall. Saturday night was devoted to watching “Hockey Night in Canada” on the Canadian Broadcast Corp., one of the few over-the-air channels available back in those early days so far in the boonies.

The ruffed grouse — or “partridges,” as many people Up North incorrectly call them — were abundant enough to keep this father and son coming back.

So it was that a tradition was born. Just like the traditions that take place at so many hunting camps everywhere.

Crew expands

Over time, other friends joined the crew and put the annual “October Trip” get-together on their calendars. A bunkhouse was built to accommodate the larger crew — up to nine people have been in camp at various times — and the addition of a patio made time around the firepit even more comfortable.

So did the addition of a projector, a portable 10-by-20-foot screen, a Roku stick and high-speed internet for streaming hockey games and the occasional B-movie outside by the firepit.

Totally unnecessary, of course, but now part of the tradition.

Also part of the tradition, thanks to the culinary skills of two in the crew, meals turned into five-star affairs. This year’s camp menu included steaks and garlic-mashed potatoes, antelope in plum reduction sauce with twice-baked potatoes, antelope stew with a zing that was absolutely amazing and, for the final evening, the traditional grouse casserole.

New twist

More recently, the Minnesota youth deer season that coincides with the MEA break has added a new twist to the weekend for the youngest member of the crew. Now 15, he shot his first deer during the 2021 youth season and has filled his youth tag every year since.

This year, he shot a 9-point buck late in the afternoon on the second day of the season. As if that wasn’t good enough, he also shot his first limit of ruffed grouse during the trip.

“For one 15-year-old, four days in October is better than Christmas,” his dad would say later. “It is groups and trips like this that will keep a kid coming back for the rest of his life.”

And so it went during four days in October, a fine gathering despite some occasional weather setbacks. While some of the “old guys” in the crew are slowing down and spend more time lounging by the fire than traipsing through the woods, the two “youngsters” in the group — the oldest “kid” now 37 — are keeping the tradition burning strong.

As it should be.

May that tradition burn for many years to come.

At hunting camps everywhere.

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