Women’s basketball: St. Thomas falls to top-seeded Bison in Summit League semis

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The Tommies’ NCAA tournament hopes were dashed Saturday in Sioux Falls, S.D., as fifth-seeded St. Thomas fell 63-51 to North Dakota State in the Summit League women’s basketball tournament semifinals.

The Tommies had hoped to make a Cinderella run of sorts to punch the program’s first-ever ticket to the Division-I Big Dance in legendary coach Ruth Sinn’s final season on the bench. But the top-seeded Bison had other ideas.

The Tommies simply couldn’t generate enough offense against the Bison. While St. Thomas shot 60% from deep, it attempted just five free throws and turned the ball over a whopping 22 times, which generated 25 points going the other way for the Bison.

St. Thomas scored just seven points in the second quarter.

Avery Koenen, the conference’s player of the year, led North Dakota State with 31 points and eight rebounds.

Still, the Tommies trailed by just five to open the final frame. Yet an 8-0 Bison run over the first 75 seconds of the fourth quarter effectively put the game out of reach.

Jada Hood paced the Tommies with 17 points, while Alyssa Sand added 15 points and seven rebounds.

The Bison swept their three matchups against St. Thomas this season. North Dakota State, the league’s regular season champion, will play for the conference’s automatic NCAA tournament bid on Sunday at 3 p.m.

It’s possible Saturday marked Sinn’s final game on the St. Thomas sidelines, though the Tommies (16-16) could feasibly still play in a postseason tournament.

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Tough choices coming with Wild roster restocked at trade deadline

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DENVER — In his first 48 hours as a member of the Minnesota Wild, defenseman Jeff Petry got a taste of the excitement and the reality of life with his latest NHL employer.

The excitement comes via his move from Florida, which is likely to be a spectator when the playoffs start next month. Minnesota, meanwhile, is all but a lock for the postseason and has designs on much more than just a playoff spot.

The reality came Friday night in Las Vegas, where Petry watched much of the Wild’s 4-2 win over the Golden Knights from the T-Mobile Arena press box. He’s one of the odd men out on a team that, when fully healthy, will have some tough choices to make about who makes the line chart on any given night.

Meeting with the Minnesota media for the first time on Friday afternoon, Petry acknowledged that reality.

“They’ve obviously put themselves in a good position with the crew that they have,” Petry said, acknowledging that the Wild were upfront about his role when they called to welcome him to Minnesota. “Whether that’s me stepping in, playing a handful here and there, whatever the situation is, that’s something that I’m fully ready to be with. (I’m) just excited to be a part of this and help the team in any way that I can.”

It is said that nobody in the NHL is fully healthy at this point in an 82-game season and, indeed, the Wild traveled to Nevada and Colorado without veteran forwards Marcus Johansson and Marcus Foligno. Those absences, and the departure of fourth-liner Vinnie Hinostroza in a trade to Florida, made it easy for Wild coach John Hynes to slot in new players Bobby Brink, Robby Fabbi and Michael McCarron versus Vegas.

One game into the new-look roster, Hynes already had to make the call to sit Petry, a veteran with more than 1,000 NHL games on his resume, and he knows he may have to do the same with McCarron, Nick Foligno or other pre-trade members of the roster down the final stretch of the regular season.

“It’s gonna happen,” Hynes said before the Vegas game. “It’s just being direct and honest. When you get in a situation like we’re in, where we’ve added players at the deadline, which the team deserved, then we want to give ourselves the best chance to have a strong last 20 games and get our game going and be ready for the playoffs.”

Some nights that might mean veterans like Johansson, Marcus Foligno, Ryan Hartman or others sitting when they’re otherwise good to go. Much like the friendly and respectful competition for playing time that drives goalie tandems, Hynes sees healthy rivalries on his new roster as players work to get noticed and find a spot in the game-night lineup.

McCarron was the most noticeable contributor right away, netting a goal and an assist while using his 6-foot-6 frame along the walls to be a disruptor — his primary job. Although when Brink was run from behind into the boards in the second period, Brock Faber took it upon himself to drop the gloves with the Vegas offender, earning a fighting major and a 10-minute misconduct.

In that action alone, from one of the Wild’s most skilled defensemen, McCarron saw an example of the roster he has joined, and the every night work that will be expected to guarantee playing time now and in the playoffs.

“It just shows everybody has each other’s back. Everybody trusts each other,” McCarron said. “It’s awesome to see Faber do that.”

Faber, for his part, was happy to play enforcer even for just a minute or so. But he didn’t like the aftermath.

“That was a long time in the box,” he said. “I don’t like doing that.”

But as the fully loaded Wild barrel headlong toward the playoffs, being an observer instead of a doer sometimes is one of the realities of this roster.

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Theater review: ‘Dinosaur World Live’ at CTC is puppetry writ large

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That old saw about all that’s old being new again might be currently meeting its most extreme example on the stage of Minneapolis’ Children’s Theatre Company.

For there’s nothing much older than dinosaurs, the beasts that roamed the Earth and flew above it as late as 66 million years ago before an enormous asteroid blasted into the Earth, the resulting cataclysm wiping out the lot of them, according to the most commonly held scientific theory.

Lizzie Burder, left, as Miranda, with puppeteers in “Dinosaur World Live,” a touring production from England’s Nicoll Entertainment that runs at Children’s Theatre Company in Minneapolis through April 5, 2026. It features a young paleontologist exploring the world of dinosaurs, which are portrayed with life-size puppetry. (Glen Stubbe / Children’s Theatre Company)

But those ancient animals are making a comeback courtesy of an English theater company called Nicoll Entertainment. It created “Dinosaur World Live” in 2017, and it became popular enough to secure a spot in London’s West End (their Broadway) for a theatrical run that ended up earning the production an Olivier Award (their Tonys) in 2024. That staging is now out on the road, stopping in most towns for a single night. But Children’s Theatre Company has invited the Englanders to stay for a month.

Based upon opening night, I can tell you that – if you know a dinosaur-obsessed child aged in the single digits – they might find this 50-minute spectacle fascinating. Just don’t expect the experience to be particularly educational, for any information the host imparts about the animals is pretty consistently drowned out by screaming children.

Speaking of old, puppetry has been around for about 3,000 years. So you could call “Dinosaur World Live” the meeting of a very old art form with some very ancient animals – or at least how they’re theorized to have looked and behaved, according to paleontologists.

Is there a plot to this theater piece? Well, sort of. Your host, Miranda, offers a back story to the project that involves her family of scientists being shipwrecked on an island off South America upon which many of the dinosaurs somehow survived to the present day.

But, from there, this basically becomes a fantastical large-scale take on a bird show at the zoo, Miranda introducing you to each of the beasts with whom she’s developed a relationship, from a hawk-sized microraptor named Orlando to a giraffatitan named Gertrude too large to fit onstage.

As your host, Lizzie Burder makes for very enjoyable company, deftly mixing child-like enthusiasm with just enough frantic dread to convince you that this whole operation could turn dangerous at any moment. And she’s great with kids, which is important, in that she plucks at least four volunteers from the audience at each performance to come up onstage and aid in soothing addled animals.

Puppeteer Georgia Wall, left, and Lizzie Burder as Miranda in “Dinosaur World Live.” (Glen Stubbe / Children’s Theatre Company)

A team of five puppeteers helps bring designer Max Humphries’ imaginative creations to life, and they are indeed impressive, their human operators at least partially visible and wholly audible. So young audience members will never be able to totally suspend their disbelief.

Yes, it’s a puppet show, albeit perhaps the largest scale one you’ll ever encounter. While most offerings in that art form start with a story and then tell it via puppetry, “Dinosaur World Live” feels far more like the puppets came first and writer-director Derek Bond threw together something like a story to justify showing them off.

So there’s no story arc and not much to learn here, but the oohs and aahs of awestruck kids might be enough to keep the adults in attendance engaged.

‘Dinosaur World Live’

When: Through April 5

Where: Children’s Theatre Company, 2400 Third Ave. S., Minneapolis

Tickets: $109-$25, available at 612-874-0400 or childrenstheatre.org

Capsule: It’s all about the eye-popping puppets.

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Pedestrian killed in Eagan hit-and-run early Saturday

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Investigators are looking for a hit-and-run driver who struck and killed a woman in Eagan early Saturday and fled the scene, according to a press release from Eagan Police Chief Salim Omari.

The chief gave the following details about the fatality:

Shortly before 2 a.m., Eagan police and the Minnesota State Patrol responded to reports of a pedestrian and vehicle accident at the intersection of Cliff and Nicols roads. When they arrived, they found a 40-year-old woman unconscious and not breathing. She was taken to the hospital, where she was pronounced dead. The driver who struck her had fled the scene by the time authorities arrived.

Investigators believe the hit-and-run driver may have been driving a white 2021 or 2022 Honda HRV or Honda Civic. The vehicle most likely has significant damage to the front passenger side.

Police ask anyone with information to call 651-675-5700.

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