MEMPHIS, Tenn. (AP) — Jaren Jackson Jr. scored 30 points, Ty Jerome added 19 and Memphis built a 20-point lead in the second half and held on for a 137-128 victory over the Minnesota Timberwolves on Monday night.

Minnesota Timberwolves guard Anthony Edwards (5) shoots against Memphis Grizzlies center Jock Landale (31) and forward Jaren Jackson Jr. (8) in the first half of an NBA basketball game Monday, Feb. 2, 2026, in Memphis, Tenn. (AP Photo/Brandon Dill)

Memphis maintained a double-digit advantage through much of the fourth quarter. Minnesota, behind Donte DiVincenzo and Anthony Edwards, seemed poised to overtake Memphis, but the Grizzlies never let the Timberwolves within nine points and snapped a six-game losing streak.

Jaylen Wells scored 18 points for Memphis, while Cam Spencer and Vince Williams Jr. added 16 points apiece.

Edwards led Minnesota with 39 points and seven rebounds. Jaden McDaniels scored 29 points and DiVincenzo finished with 21, including 13 in the fourth. Minnesota had its four-game win streak halted.

The Timberwolves defeated Memphis 131-114 on Saturday in the first of consecutive games between the teams. In that one, Edwards scored 33 and Julius Randle added 27, and Minnesota had four players with at least 20 points.

Minnesota Timberwolves center Rudy Gobert (27) handles the ball against Memphis Grizzlies center Jock Landale (31) in the first half of an NBA basketball game Monday, Feb. 2, 2026, in Memphis, Tenn. (AP Photo/Brandon Dill)

On Saturday, Memphis made one of its first 18 3-point attempts. On Monday, the Grizzlies used long-range shooting to build a double-digit lead in the first half. Memphis was 8 of 15 from beyond the arc, and the lead reached 14 points. The Grizzlies were ahead 66-58 at the half.

Memphis led 98-86 after three quarters and extended its advantage to 109-89 by making its first four shots of the fourth, including three 3-pointers.

With the loss, Minnesota dropped to 31-20 overall, 14-12 away from Target Center. Next up, the Wolves travel north of the border to take on the Toronto Raptors at 6:30 Wednesday night. The game will be televised on FDSN.

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There are a few sure things Minnesota Wild fans can count on. Two of them are pretty assists by Quinn Hughes, and home wins over the Montreal Canadiens.

They got to see both on Monday.

Hughes set up three goals, tying a franchise record in the process, and the Wild rallied, beating Montreal 4-3 in overtime for their 12th straight home win versus the Habs.

Trailing 3-2 with 13 minutes left in regulation, Minnesota got an equalizing goal from Brock Faber and the overtime clincher from Kirill Kaprizov to win their only February home game.

“Finding ways to win. That’s what you’ve got to do,” said Faber.

Kaprizov was hooked on an overtime rush to the net, giving the Wild a 4-on-3 power play in the extra session, and setting up the dramatic overtime winner. Hughes assisted on the goal, giving him three assists in the game.

The team record for a defenseman having three assists in a game was five, held by Ryan Suter. It took Suter nine seasons in a Wild uniform to hit that mark. On Monday, Hughes tied Suter’s record, and has done it in 25 games.

In the post-game locker room, Kaprizov joked that he has to repeat himself when asked about Hughes following win after win after win.

“I tell you already so many times, after every game,” Kaprizov said, with an exasperated smile. “He’s absolutely a special player and he’s fun to play with. So fun.”

Filip Gustavsson had 17 saves for Minnesota, which next plays at home on March 1, after the NHL’s extended break for the Winter Olympics.

Fans were still buzzing from a pre-game introduction of the Wild’s many Olympians when Joel Eriksson Ek ripped a rising shot just inside the far post to give Minnesota the lead just 38 seconds into the game.

Hughes set up Kaprizov’s team-leading 31st goal of the season to double the Wild’s lead later in the first. It was the ninth consecutive game with an assist for Hughes, tying Kaprizov’s franchise record. But Montreal responded before the period was over, scoring in the final minute to cut Minnesota’s lead to 2-1 after one.

Both teams had chances in the middle frame. But it was Montreal connecting in the final minute of the period, again, tying the game with 17 seconds left in the second on a pretty cross-ice passing play. The visitors needed just a dozen seconds in the third period to take their first lead, when Kirby Dach tipped a blind pass between Gustavsson’s blocker and the post.

But Faber scored on a rush to the net for his career-best 13th of the season to tie the game again.

“I liked the response. We just got right back to the game that we thought would give us the best chance to win,” Wild coach John Hynes said. “We stayed with it and obviously Fabes got the nice goal for us. So it was good to see the response after some adversity where we had a couple letdowns.”

The Wild’s defensive corps got a little healthier before the game, when veteran Zach Bogosian returned to the lineup after missing 12 games over the previous month with a lower body injury. But the good health on the blue line was short-lived, as Daemon Hunt left the game before the first period was half done, after taking a Canadiens shot to the neck. He did not return.

“I think Hunter should be fine. Should be good. I talked to him,” Hynes said, noting that Hunt was held out of the game as a precaution. “I don’t anticipate him missing time. Just let things settle down and make sure…I’m anticipating him being good to go.”

Jakub Dobes had 20 saves for the Canadiens, who beat the Wild on a last-minute goal last month in Montreal.

The Wild close the pre-Olympic portion of their schedule on Wednesday night with their first trip to Nashville in 2025-26.

Briefly

A bug making its way through the Wild locker room caused further lineup juggling on Monday. Nico Sturm, who missed the Saturday game in Edmonton, returned to the lineup, but the Wild were without forward Marcus Foligno and goalie Jesper Wallstedt, both of whom were scratched due to illness. Minnesota recalled goalie Cal Petersen from Iowa under emergency conditions to back up Gustavsson, and Tyler Pitlick skated on the fourth line in place of Foligno.

Hynes said they would wait until Tuesday to determine whether Foligno or Wallstedt would travel to Nashville.

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The Hennepin County Attorney’s Office has officially demanded the federal government hand over evidence as part of its investigation into the killing of Renee Good on Jan. 7, 2026.

These demands, made in two letters known as “Touhy” letters, are a formal request for evidence as part of the investigation into Good’s death by the county attorney’s office with help from the state Bureau of Criminal Apprehension and the Minnesota Attorney General’s Office.

The federal government was given a Feb. 17 deadline to hand over the evidence, according to a news release from Hennepin County Attorney Mary Moriarty on Monday night.

“I expect the federal government to provide the requested information, documents and physical items to our office,” Moriarty said in the release. “The federal government has been clear that they are not conducting an investigation into Renee Good’s death. But we are. We require these records as part of our ongoing thorough investigation into her death at the hands of a federal agent, Jonathan Ross.”

Minnesota Attorney General Keith Ellison said it was unprecedented for the county attorney’s office to send the letters and that they were needed because the federal government refuses to participate in a joint investigation into Good’s death.

“Federal investigators should already be cooperating with state investigators in a joint investigation into Renee Good’s shooting death at the hands of federal agents,” Ellison said in the release. “My office and I will keep working with the (county attorney’s office) to do everything in our power to support state investigators’ efforts to conduct a complete, transparent, and impartial investigation.

The day after an ICE agent fatally shot Good, the Minnesota Bureau of Criminal Apprehension was told they were no longer allowed to be part of the investigation. Gov. Tim Walz said the federal government’s exclusion of state authorities from the investigation would erode public confidence in its findings.

“Now that Minnesota has been taken out of the investigation, it feels very, very difficult that we will get a fair outcome,” Walz said at the time.

The demands in the letter include:

All physical evidence, such as firearms, cartridge casings, motor vehicles and uniforms
All videos and photographs recorded by federal agents, including those on personal devices
Names of all federal agents and officers involved in the shooting, on scene or who responded to the scene
Statements from federal agents or officers regarding the shooting
Medical records for agents or officers for any injury related to the shooting on Jan. 7
Policies and procedures in effect on Jan. 7

Good, 37, was killed after three Immigration and Customs Enforcement officers surrounded her Honda Pilot SUV on a snowy street a few blocks from her home. Video taken by bystanders show an officer approaching the SUV, which was stopped across the middle of the road, and demanding the driver open the door and grabbing the handle.

The vehicle begins to pull forward and a different ICE officer standing in front of it pulls his weapon and immediately fires at close range, jumping back as the vehicle moves past him.

The Trump administration has defended the ICE officer’s actions, saying he fired in self-defense while standing in front of Good’s vehicle as it began to move forward. That explanation has been panned by Minneapolis Mayor Jacob Frey, Walz and others based on videos of the confrontation.

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A new production of “The Sound of Music,” a musical adaptation of S.E. Hinton’s classic “The Outsiders” and venerable smash “Hamilton” are among the offerings in the newly announced Hennepin Arts 2026-27 Broadway on Hennepin season. The 12 shows in the season have won a total of 37 Tony Awards.

“This season represents the kind of bold, welcoming and unforgettable experiences we aim to deliver through our work,” said Todd Duesing, Hennepin Arts president and CEO in a news release. “By presenting Broadway at its best, we are helping to energize downtown Minneapolis, strengthen our cultural ecosystem and create meaningful experiences that resonate far beyond the theater.”

New season ticket packages are on sale now via hennepinarts.org. Current subscribers will be contacted via email with renewal options. Single tickets will go on sale in the coming months. Productions will be staged at Minneapolis’ Orpheum Theatre.

Shows include:

“Mamma Mia!” (Sept. 15-20): While ABBA wasn’t particularly interested when British producer Judy Craymer first approached the band with the idea to stage a musical using their songs, they’re probably happy they eventually agreed to a deal. The show was an instant hit when it debuted in London in 1999. The Broadway production ran for nearly 14 years and stands as the ninth-longest running show in Broadway history.

“Clue” (Oct. 9-11): The murder mystery board game Clue debuted in England in 1949 and has remained on shelves for the decades that followed. It also inspired a cult 1985 film, a 1997 musical and this latest iteration, a stage play that premiered in 2017. The North American tour began in Minneapolis in February 2024 and returns for an encore engagement.

Cayleigh Capaldi plays Maria Rainer in the new touring production of “The Sound of Music” which runs Oct. 20 through 25, 2026, at the Orpheum Theatre in Minneapolis. (Courtesy of Jeremy Daniel)

“The Sound of Music” (Oct. 20-25): Based on the 1949 book “The Story of the Trapp Family Singers” by Maria von Trapp. Richard Rodgers and Oscar Hammerstein’s “The Sound of Music” remains a much-loved show more than 65 years after it first debuted, thanks in part to the 1965 film adaptation starring Julie Andrews and Christopher Plummer. This new North American touring version launched in September.

“Maybe Happy Ending” (Nov. 17-22): This winner of six Tony Awards, including best musical, follows two human-like “helper-bots” in a Seoul of the future that develop a connection and question the ideas of relationships, love and mortality. It debuted in South Korea in 2016 and opened on Broadway in 2024 to warm reviews and word-of-mouth buzz from theatergoers.

“Buena Vista Social Club” (Dec. 29-Jan. 3): The musical ensemble Buena Vista Social Club formed in Cuba in 1996 and featured a dozen veteran musicians, some of whom came out of retirement to join. The group released their self-titled debut album the following year. It was an international hit, as was Wim Wenders’ 1999 documentary of the same name. Marco Ramirez, a writer best known for his work on Netflix shows like “Daredevil,” wrote the book for this musical adaptation that follows the lives of four musicians during the rise of Fidel Castro.

“Operation Mincemeat” (Jan. 26-31): Winner of the Olivier Award for best new musical and a Tony Award winner, this musical comedy stands as the best-reviewed show in West End history. It’s based on a true story about a top-secret World War II mission involving a stolen corpse, a fake love letter and a plan that helped change the course of history.

“Hadestown”(Feb. 9-14, 2027): Written by singer/songwriter Anaïs Mitchell, “Hadestown” follows a variation of the ancient Greek myth of Orpheus and Eurydice. After staging it in Vermont and Massachusetts in 2007, Mitchell released an acclaimed 2010 concept album that featured Bon Iver’s Justin Vernon, Ani DiFranco and Greg Brown as guests. It’s been running on Broadway since 2019 and won eight Tonys, including best musical, original score and direction.

“The Outsiders” (March 9-14, 2027): The latest adaptation of S.E. Hinton’s beloved 1967 coming-of-age novel follows working-class “greasers” and upper-middle-class “socs” in Tulsa in the ’60s. Francis Ford Coppola brought it to the silver screen in 1983 and it’s now considered one of the classics of that era. This new musical take debuted on Broadway in 2024 and is still running today. The North American tour began in September.

“The Who’s Tommy” (March 30-April 4, 2027): When the Who sat down to record their fourth album, Pete Townshend convinced his bandmates to record a rock opera about the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure. A hit with critics and fans, “Tommy” has been developed for other media numerous times, including a ballet in 1970, a Seattle Opera production in 1971, a film directed by Ken Russell in 1975 and this musical version that debuted in 1993 and was revived in 2024.

Tyler Fauntleroy, left, and A.D. Weaver star in the Broadway smash “Hamilton,” which returns to Minneapolis’ Orpheum Theatre April 20 through May 16, 2027. (Courtesy of Joan Marcus)

“Hamilton” (April 20-May 16, 2027): Since its Off-Broadway debut in 2015, Lin-Manuel Miranda’s hip hop musical has enjoyed massive commercial and critical success. It tells the story of American Founding Father Alexander Hamilton with a cast of nonwhite actors. It received a record-breaking 16 Tony nominations and won 11, including best musical. It also received the 2016 Pulitzer Prize for Drama. A filmed version of the Broadway production is available for streaming on Disney+.

“Beetlejuice” (June 25-27, 2027): This musical adaptation of Tim Burton’s 1988 film “Beetlejuice” follows a deceased couple who are haunting their former home and summon a “bio-exorcist” ghost named Betelgeuse to help chase away the family who has moved in. It opened on Broadway in April 2019 but didn’t recoup its $21 million investment. It’s been a hit on the road, though, and returns to the Orpheum for a second local run.

“Alicia Keys’ Hell’s Kitchen” (July 13-18, 2027): Alicia Keys had a massive audience from the moment she released her debut album “Songs in a Minor” in 2001. It sold more than 12 million copies worldwide and won Keys her first five of a total of 17 Grammy Awards. Kristoffer Diaz wrote the book for this jukebox musical loosely based on Keys’ own life.

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